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Woodhill Cinemas turns into a production studio

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LEXINGTON, Ky. (WKYT) — Hollywood is moving into bluegrass. The former Woodhill Cinemas in Lexington is being transformed into a state-of-the-art film and television production studio.

Soon some of your favorite shows will be filming here in Lexington.

Relative Justice, seen on our sister station, the CW Lexington, is filmed inside the old Woodhill Cinemas. It is now called Wrigley Woodhill Studios.

“When our content manager, Ross Babbit, was looking for locations for Relative Justice, he landed here,” said Misdee Wrigley Miller.

“Warehouses, old trampoline parks, anything I could find to put on a TV show and we found this cinema,” Babbit said.

It’s 52,000 square feet, the largest studio in Kentucky.

“We’re going to have three full studios with space to put a control room,” Babbit said.

Babbit explained what will fill the new space.

“When the whole building is finished, we will be producing more of our own content. Talk shows, game shows, field shows,” Babbit said.

Miller is the owner and CEO of Wrigley Media Group. She said Kentucky belongs to New York and Los Angeles when it comes to television production.

“It fits perfectly here because you have talented people here and we will attract more of them,” Miller said.

They say hundreds of jobs will be created and exposure to this industry can be a boost for young people in the surrounding neighborhood.

“We really plan to be part of this mentorship process to show these young people what a career in television and film could look like,” Miller said.

Miller’s dream of increasing film and television production in the Commonwealth is about to come true.

The building is expected to be completed in early 2023. We’re told Kentucky has a good tax incentive for production shoots in the Commonwealth. It is designed to attract more businesses in the television and film industries.

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Copyright 2022 WKYT. All rights reserved.

“Leave The World Behind” covered by the production company of the Obamas Higher Ground

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President Barack Obama and Michelle Obama’s Higher Ground production company have joined Sam Esmail’s team for the next Netflix movie Leave the world behind. The film is an adaptation of the original book, which was on one of Barack Obama’s suggested reading lists.

Esmail adapted the screenplay for the October 2020 book which received critical acclaim as a 2020 National Book Awards finalist and was awarded Best Book of the Year by The Washington Post, Esquire, Time, and more.

The dystopian film has an impressive cast list consisting of Julia Roberts, Mahershala Ali, Ethan Hawke and Myha’la Herrold.

“Amanda and Clay head to a remote corner of Long Island in anticipation of a vacation: a quiet respite from New York life, quality time with their teenage son and daughter, and a taste of the good life. in the luxurious house they’ve rented for the week,” the teaser reads. “But a late-night knock on the door breaks the spell. Ruth and GH are an older couple – it’s their home and they’ve arrived in a panic. They bring the news that a sudden blackout has swept through the town. But in this rural area – with TV and internet now down and no cell phone service – it’s hard to know what to believe.

Production on the film is already underway and is expected to be released in early 2023.











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Video Production Services Market SWOT Analysis – Bloomingprairieonline

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Market reports has recently released a new study in its database which highlights the in-depth analysis of the market with the future prospects of Services market for video production companies. The study covers important data that makes the research document a handy resource for managers, industry executives and other key people who get a ready-to-access, self-analyzed study and charts and charts to help understand market trends, market drivers and challenges. Some of the key players mentioned in this research are FirstCut, Geomedia, Direct IShoot, Lemonlight, Six & Flow, DMAK Productions, 160OVER90, Bullseye Creative, 4TH Street Productions, HugeDomains, Accelity, Achos!, Agent Orange Design, 2PURE Brand Agency, Alconost

Market segment by Type, the product can be split into – Online Service – Offline Service Market segment by Application, split into – Individual – Business – Other

Access a free sample PDF report @ marketreports.info/sample/8699/Video Production Company Services

Pre-Post COVID-19 Impact on Global Video Production Company Services Market

COVID-19 is an infectious disease caused by the most recently discovered novel corona virus. Largely unknown before the outbreak began in Wuhan, China in December 2019, COVID-19 escalated from a regional crisis to a global pandemic in just weeks.

Additionally, production and supply chain delays were also witnessed in the second quarter, which posed a challenge to the video production services market as end-user industries were still not operating at their full capacity.

Inquire for customization in Report @ marketreports.info/enquiry/8699/Video Production Company Services

What are the market issues in video production company services?

Changing regulatory landscapes, operational barriers, and the emergence of alternative technologies are all impacting the video production company services industry.

What are the different types of Video Production Company Services Market?

Based on Type, the Video Production Company Services market is split into [Type]. In 2022, the segment held the largest share.

Who are the major key players in the Video Production Company Services market?

FirstCut, Geomedia, Direct IShoot, Lemonlight, Six & Flow, DMAK Productions, 160OVER90, Bullseye Creative, 4TH Street Productions, HugeDomains, Accelity, Achos!, Agent Orange Design, 2PURE Brand Agency, Alconost

Who are the major end users of the Video Production Company Services Market?

Video production company services market is segmented into [Application] other end users.

Which region is most profitable for Video Production Company Services market?

Emerging economies in the Asia-Pacific region will be lucrative markets for Video Production Company Services products. .

What is the current size of the Video Production Company Services market?

The current size of the global Video Production Company Services market is estimated at USD XX in 2022.

Get Instant Discount FLAT40% Off Full Report @ marketreports.info/discount/8699/Video Production Company Services

North America is the region’s largest market for Video production company services.

North America includes countries like the United States, Canada, and Mexico. North America is the second largest consumer and producer of electricity after Asia-Pacific. The United States and Canada, which are among the largest consumers in this region and the world, account for the largest share of Video production company services market.

Secondary research:

This research study made extensive use of secondary sources, directories, and databases such as Hoover’s, Bloomberg BusinessWeek, Factiva, and OneSource to identify and collect information helpful for technical, market-oriented, and business study of the global Portable Generators market . Other secondary sources included company annual reports, press releases and investor presentations, white papers, certified publications, articles from recognized authors, manufacturers’ associations, trade directories and databases. of data.

Primary research:

Various sources from the supply and demand side were queried during the primary research process to obtain qualitative and quantitative insights for this report. Key sources included industry experts from core and related industries, as well as preferred suppliers, manufacturers, distributors, technology developers, researchers, and organizations from all segments of this industry’s value chain. . To obtain and verify critical qualitative and quantitative information, in-depth interviews were conducted with various key informants, including key industry participants, subject matter experts, C-level executives from key market players, and industry consultants. sector.

Market size estimation

The total size of the Video Production Company Services market has been estimated and validated using top-down and bottom-up approaches. These methods have also been widely used to estimate the size of various market sub-segments. The following research methodologies have been used to estimate the market size:

Extensive secondary research has been used to identify key industry players.

The revenue generated by the major players in the molecular diagnostics market has been determined by primary and secondary research.

All shares, breakdowns and percentage breakdowns have been calculated using secondary sources and confirmed using primary sources.

TABLE OF CONTENTS OF Video Production Company Services Market Report

1. INTRODUCTION

1.1 objectives of the study
1.2 definition
1.3 inclusions and exclusions

1.4 market scope
1.5 years considered
1.6 currency
1.7 limits
1.8 stakeholders
1.9 summary of changes

2 RESEARCH METHODOLOGY
2.1 research data

2.2 Market Breakdown and Data Triangulation
2.3 scope
2.4 impact of covid-19 on the industry
2.5 market size estimation

3 EXECUTIVE SUMMARY

4 PREMIUM OUTLOOK

4.1 Attractive Opportunities in Video Production Company Services Market
4.2 Video Production Company Services Market, by Region
4.3 North America Video Production Company Services Market, by End User and Country
4.4 Video Production Company Services Market, by Application
4.5 Video Production Company Services Market, by End User

5 MARKET OVERVIEW
5.1 presentation
5.2 covid-19 health check
5.3 path to recovery

5.4 covid-19 economic evaluation
5.5 market dynamics

5.6 trends
5.7 market map
5.8 average price of video production company services
5.9 trade statistics
5.8 value chain analysis
5.9 technological analysis
5.10 pricing and regulatory landscape

5.11 Video Production Company Services: Patent Analysis
5.14 analysis of the carrier’s five forces

6 VIDEO ENTERPRISE SERVICES MARKET, BY APPLICATION

6.1 Presentation
6.2 Emergency
6.3 First/Continuous

7 VIDEO ENTERPRISE SERVICES MARKET, BY END-USER
7.1 Presentation
7.2 Residential
7.3 Commercial
7.4 Industrial

8 GEOGRAPHICAL ANALYSIS

8.1 Presentation
8.2 North America
8.3 Asia-Pacific
8.4 Europe
8.5 Middle East and Africa
8.6 South America

9 COMPETITIVE LANDSCAPE
9.1 Strategies of key players
9.2 Top Five Players Market Share Analysis
9.3 Market assessment framework
9.4 Top Five Market Players Revenue Analysis
9.5 Business Rating Quadrant
9.6 Mapping Startup Competitive Leadership
9.7 Competitive Scenario

10 COMPANY PROFILES
10.1 Key Players
10.2 Startup/SME actors

11 APPENDIX
11.1 Views of industry experts
11.2 Discussion Guide
11.3 Knowledge Store
11.4 Customizations available
11.5 Associated reports
11.6 Author Details

Purchase an instant copy of this research report @ marketreports.info/checkout?buynow=8699/Video Production Company Services

About Us:

marketreports.info offers a comprehensive database of syndicated research studies, custom reports, and consulting services. These reports are created to help make smart, instant and crucial decisions based on comprehensive and in-depth quantitative information, backed up with in-depth analysis and industry insights.

Our dedicated in-house team ensures that reports meet client requirements. We aim to provide valuable service to our customers. Our reports are based on extensive industry coverage and ensure that we focus on the specific needs of our clients. The main idea is to enable our customers to make an informed decision, keeping them and ourselves informed of the latest market trends.

Contact us:

Carl Allison (Business Development Manager)

Market reports

phone: +44 141 628 5998

Email: [email protected]

Website: www.marketreports.info

Bears Announce New Game Day Production Team Vitality Blast

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Noreen Khan

©Birmingham Bears

Aatif Nawaz

Aatif Nawaz

©Birmingham Bears

With just six weeks to go until this year’s Vitality Blast opener in Edgbaston, the Bears have confirmed members of a new off-court team to support the in-bowl experience and live stream for those tuning in to the House.

BBC Asian Network radio and TV presenter Noreen Khan will be one of the hosts to enter the pitch, while fans will also be able to watch six* of Bears Vitality Blast games at Edgbaston from home in a new program matchday event hosted by BBC Test Match Special commentator and stand-up comedian Aatif Nawaz.

Aatif will be joined by longtime Bears commentator Adam Bridge of the BBC and talkSPORT, and matchday guests including Issy Wong and Ian Bell.

Additionally, tracking the Bears at home will be enhanced in 2022 by live streaming specialists Stoneheart Media, who produce the live broadcast at Trent Bridge. Following feedback from members and supporters, Stoneheart will provide more camera angles and replays to the T20 matchday production at Edgbaston.

Aatif Nawaz said: “It’s a huge honor for me to host the Bears live stream this season. I’ve been a long time fan not only of the Bears but also of the city of Birmingham and I’m really delighted to make Edgbaston my second home this summer.

Noreen Khan said: “As a huge cricket fan, I am really delighted to be part of Vitality Blast’s host team. What is even better for me is that I can host matches on any of my favorite cricket grounds, Edgbaston!

Kirsty Lord, CEO of Stoneheart Media, said: “We are really excited to be able to work with Bears ambitions to make the 2022 Blast campaign stream a must-see attraction.

“Edgbaston is a great backdrop for exciting cricket and to have the opportunity to turn this into a streaming event is a privilege.”

Full View Productions becomes the first production studio in Michigan to welcome Kira Cinematic Robot to the Detroit studio

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FVP Kira

Attendees of the Full View Open House will be able to see the cinematic robot in action

Detroit has become a hub of innovation and creativity. Being from Detroit, I wanted to bring creativity to an industry that I love, film and video production.

—Marcus Lewis, President, Full View Productions

DETROIT, MICHIGAN, USA, April 13, 2022 /EINPresswire.com/ — Complete view of productionthe award-winning creative and visual team behind some of the industry’s leading content, will welcome industry leaders to their open house at the state-of-the-art facility on Friday, April 22, 2022, from 4:00 p.m. to 7:00 p.m., located at 6235 Concord Avenue, Suite 140 in Detroit, Michigan.

Attendees will have the opportunity to meet and network with the team, tour the fully equipped facility and witness the unveiling of their FVP Kira, a robotic arm with precision movement. As Michigan’s largest black-owned production company, Full View Production has everything from cinema-grade lights and cameras, and is now Detroit’s only cinematic robot. Kira is a precision motion robotic arm used to hold lights, cameras, and act as an extra hand when filming high speed motion. It can roll and pan at 430 degrees per second, making movement humanly impossible.

“Detroit has become a hub of innovation and creativity. Being from Detroit, I wanted to bring creativity to an industry that I love, film and video production. Detroit deserves a production house that understands the culture and the passion. We want to offer our talents to everyone, not from outside but right here in the heart of Detroit. We have unparalleled tools and a full team of creatives who can execute productions of any size, for all industries, anywhere – Marcus Lewis, President, Full View Productions

To learn more about Full View Productions, visit https://fullviewpro.com. To cover and attend the next open day, Click here.

ABOUT FULL VIEW PRODUCTIONS
Full View Productions is a full-service video production company located in Detroit, MI. Full View works with customers to discover their needs, tell their stories using cinematic quality equipment and technology, and deliver engaging visuals that capture the customer’s vision. Full View’s diverse portfolio of corporate videos, commercials and creative content demonstrates their dedication to developing exceptional ideas and providing production and post-production services.

Rachel Washington
Full view of productions
+1 313-355-6900
[email protected]

Full View Production 2021 Year-End Movie

Brownstein: Jack White keeps the Montreal production team on their toes

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Matthieu Larivée and Lüz Studio are used to the rocker’s free manners – although his recent mid-song proposal even surprised them.

Content of the article

Most touring rock musicians have predefined setlists for their gigs, which makes life a bit easier for the creative tour producer in terms of planning art direction, set design, lighting, and projections. Jack White, meanwhile, navigates through a catalog of over 100 songs in concert, which could easily trigger migraines for a creative producer not knowing what track to expect at any given time.

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Either way, Montrealer Matthieu Larivée and his team at Lüz Studio have long come to terms with White’s free ways, having handled his 2018 Boarding House Reach tour and, currently, his Supply Chain Issues tour, which is hitting the Square. Bell on Saturday, not to mention White’s road shows with the Raconteurs. Or at least that’s what they had thought.

Nothing prepared them for White’s tour debut in Detroit on Friday. Unbeknownst to almost everyone, White, a Detroit native, decided to propose to his girlfriend Olivia Jean, a singer and his opening act, about 80 minutes into his set – in the middle of the Song Hotel Yorba. After White retrieved his mother from the audience, he and Jean were married onstage a short time later during an encore.

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“No one – not his team, not his managers, not his closest friends – had any idea this was going to happen,” Larivée said in a phone interview. “The audience had no idea what was going on. We were all completely taken by surprise.

It’s one thing to take a spontaneous approach to doing atmospheres on a white show without knowing in advance what’s coming. But Larivée and his team had no wedding-themed effects to project on stage for this occasion.

“It can be a challenge working with Jack, but it keeps us on our toes and keeps us sharp. Even within a song, he can stop and jump into another song, put down his guitar and switch to the piano. It can be quite dramatic,” Larivée said. “The first time we worked with him, we took the approach that we would do a bunch of pre-made visuals and lighting images, and if he did a certain song, we would go with that. And if not , we would improvise, but what we were doing was really just a reaction.

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“As a designer, that’s usually great because you can immerse yourself for three or four months in the creative process and then come up with a package for most tours. Then you can let it go to the tour team. But not with Jack. So for this tour we changed our approach and decided to go with aesthetic blocks, which he signed. So no matter what Jack plays, we follow our own show flows and then we stick to it. We have our own progression. We create this arc and Jack plays within these limits. So visually there is a show flow that works and musically it can improvise in its own world.

In the 17 years since he founded Lüz Studio, Larivée, its creative director, has lit up stages with all kinds of visuals and effects for Billy Idol, Jennifer Lopez, Carrie Underwood, Half Moon Run, Roch Voisine , Jason Aldean and Weezer. But White stands out from the rest of the band, and not just in terms of a dogged musical approach.

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White is an analog man in a digital world. He doesn’t even have a cell phone.

“We’ve developed a high-tech way of working with Jack, which is fun because Jack is the complete opposite of high-tech. Everything is analog. … His audio consoles are still analog. Our way of working is very digital. We even use AI. But when you see his show, you don’t see that.

“It can be a challenge working with Jack, but it keeps us on our toes and keeps us sharp,” says Matthieu Larivée, creative director at Lüz Studio. Photo by ShootStudio

The Supply Chain Issues Tour will take White through North America, South America, Europe and Japan, among other parts of the planet, before wrapping up in the fall.

“That’s also part of the challenge with Jack,” Larivée noted. “Besides not having set-lists, he mixes it up with venues, sometimes doing theaters as well as arenas. But the whole must be scalable. And always blue. Like White’s hair now.

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Larivée had no internal contacts when he first decided to expand the wings of his business beyond our borders.

“I just went to LA and knocked on doors, showing what we could do. At the time, dropping the name wasn’t a cool thing to do, not that they even knew who we were working with here.

Monotone, the music management company looking after White, had another band on its roster, alternative rock band Broken Bells, whose manager was smitten by Lüz Studio’s work and accepted. And the rest fell into place.

“The beauty of this business is that there’s never a dull moment. Anything can happen at any time. After marriage, it’s hard to imagine how Jack could do better. … But you never know .”

IN ONE LOOK

Jack White’s Supply Chain Issues Tour stops at Place Bell in Laval on Saturday, April 16 at 8 p.m. It’s a show without a phone. Tickets: evenko.ca.

[email protected]

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    Brownstein: Black Theater Workshop Tackles Racial Inequality in Schools with Pipeline

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    Nawaz: comedians who try not to laugh can soothe your news-laden soul

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The local production house goes international

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Local production house Rebelintown continues to make waves in the international film and television industry.

The company is set to go international after the world’s largest content producer and distributor, Banijay Group, acquired the exclusive format rights to Rebelintown’s new factual entertainment original series Still Got It!

Created by its founder and Morningside resident Jimmy Muteba, the series sees people between the ages of 60 and 80 compete in a series of fun and unexpected challenges, with help from the Gen-Z crowd (people born between 1997 and 2012), to see which of them has always understood!

“There is a growing movement that sees African creativity having its moment of glory.

“This format crosses generations and with its universal nature, Still Got It! has great potential for adaptation across the world,” Muteba said.

He added that Rebelintown has always sought to do things differently, while making a positive difference in people’s lives.

“We have always believed that entertainment has the power to change lives and behaviors to bring about meaningful and positive change in our societies and in our global family as a whole.”

According to Muteba, this series was the perfect opportunity because old people have a lifetime of experience and crazy stories to share, but young people don’t listen.

“So I thought why not challenge them to do some of the things young people love to do and build a bridge between older people and Gen Z and everyone in between.

“Older people are a marginalized group, often excluded from conversation, media and entertainment. We must talk about it and always understand! does it in a fun way. If we are lucky, we will all grow old one day.

The local series will join Banijay’s catalog of over 4,000 formats, including Survivor, Hunted, MasterChef and Big Brother to name a few.

“Our time has finally arrived and we can’t wait to see how our unique African concepts and formats will be adapted by our international counterparts.

READ ALSO :

The stars come out to play

A collaboration needed to rebuild the film industry

Kim Kardashian: Why we changed the production team for the show KUWTK

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Kim Kardashian has explained why the production team for ‘Keeping Up With the Kardashians’ (KUWTK) has been changed.

The reality TV star, in an episode of ‘Ellen’s show‘, said the show needed new people who would see them from different angles.

She pointed out that the former production team had been with them for fifteen years.

Kardashian said the KUWTK show would now be known as “The Kardashians.”

The 41-year-old, while sharing the new changes, added that it will be more of a documentary-style production.

“Imagine people who have been in your life for fifteen years filming every move. They kept all of our secrets and stuff private,” Kardashian said.

“So it was really nerve-wracking to switch production companies. We wanted it to be a bit different and we trusted that.

“The other production team is like family to us, so they know us so well. So we thought ‘what if there’s like some new energy? That might come and see us from a different perspective ?

“I think viewers are going to love it. It’s like a lot more documentary style and it’s very current and topical.

In 2020, Kim announced the family’s decision to end production of the KUWTK franchise.

The show, which focused on the personal and professional lives of the blended Kardashian-Jenner family, ran for more than 15 years and made its stars famous.

Copyright 2022 LeCable. All rights reserved. This material and any other digital content on this website may not be reproduced, published, broadcast, rewritten or redistributed in whole or in part without the prior express written permission of TheCable.

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US Embassy names its media production studio after film producer Branko Lustig

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U.S. Embassy Zagreb/Facebook

ZAGREB, April 12, 2022 – The fight against the distortion of facts about the Holocaust is more important than ever as Russia attacks Ukraine under the guise of “denazification”, Sara Lustig said Tuesday at a ceremony marking the opened a media production studio dedicated to his father, film producer Branko Lustig.

The ceremony took place at the United States Embassy, ​​which decided to name its new media production studio after Branko Lustig and dedicated a permanent exhibition to him.

Sara Lustig, the Foreign Office’s special adviser on Holocaust issues, said her father, who had been interned in concentration camps during World War II, decided to build “an intimate monument” to the victims of the Holocaust through his films. .

“His most important message throughout his life was to forgive, but don’t forget,” she said.

Lustig said the fight against the distortion of facts about the Holocaust was more important than ever at the time of the Russian invasion of Ukraine, under the false pretense of denazification. She warned against indifference to this conflict and Russian war crimes, pointing out that Ukrainian President Volodymyr Zelensky is showing what it means to be Jewish – to fight for a larger-than-life cause instead of spreading hatred, seeking justice instead of revenge, being modest and showing how to be a leader rather than just talking about it.

Ellen Germain, U.S. Special Envoy for Holocaust Issues, stressed the need to remain vigilant against abuse and distortion of the Holocaust for other purposes, as evidenced by Russian President Vladimir’s false claims. Putin that Ukraine needs to be denazified.

Branko Lustig was born in Osijek in 1932 and died in Zagreb in 2019. As a child, he was interned in the Auschwitz concentration camp and then in the Mittelbau-Dora and Bergen-Belsen camps.

He won the American Oscars for producing the films Schindler’s List and Gladiator. Throughout his life, he was active in spreading the truth and promoting education about the Holocaust.

To Your Eternity Season 2 Trailer Confirms Release Window, New Production Studio

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The second season of To your eternity officially arrives this year and now we have the first trailer revealing the anime’s release window. On top of that, it has been confirmed that Season 2 will be produced by a new studio!

The first one trailer for To your eternity Season 2 opens with a small glimpse of an older Fushi before showing glimpses of returning characters like The Beholder as well as new characters who will play important roles in the anime. It ends with the confirmation that the second season will air in fall 2022. Check it out below.

To your eternity Season 2 will be directed by Kiyoko Sayama while Shinzo Fujita is in charge of series composition. Koji Yabuno is working on character design, Ryo Kawasaki will compose the music, and Takeshi Takadera will serve as sound director.

The most interesting detail revealed in the trailer is that the production of Season 2 will be handled by Drive. The first season was produced by Brain’s Base but it looks like the anime will take a new direction this year.

To your eternity is based on the manga by Yoshitoki Oima. The story follows an immortal being simply known as Fushi who was sent to Earth by an otherworldly entity called The Beholder. On Earth, Fushi embarks on a mission to preserve knowledge and information, and as he takes the form of a young boy, begins to learn how to communicate with humanity and form relationships with the people who live there. surround.

The second season of To your eternity will bring back Reiji Kawashima as Fushi while Kenjiro Tsuda returns as The Observer. The rest of the voice cast has yet to be announced. Stay tuned for more updates on this story.

To your eternity Season 2 will air in October 2022.

Related: Will There Be A Season 2 Of To Your Eternity? Here’s What We Plan To Happen After Season 1 Ends

Innovative Tech and Manufacturing Startup Uses EVO 8

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Innovative Tech and Manufacturing Startup Uses EVO 8

Innovative Tech and Manufacturing Startup Uses EVO 8

UNITED STATES – The EVO 8 audio interface powers audio from Studiobox, the innovative new technology and production company that delivers complete filming solutions right to your doorstep. Designed for live webinars, interviews, press conferences, live streamed web content, talking head TV segments or even running a virtual class, each “Studiobox” includes a professional grade 4k camera , lighting and audio equipment, without the need for a film crew: a complete studio capable of broadcasting, all in one box.

Studiobox is proud to provide a complete, unique and ready-to-use solution. The technology is completely hidden, leaving a simple and straightforward interface for customers, while everything is controlled remotely. That’s absolutely everything: from adjusting the camera angle, lens settings, color correction and lighting to the audio. “In order to control the lights, camera and audio via a computer, each element requires an interface. The EVO 8 is our interface between the computer and the multiple microphones we use,” says co-founder Ian Smith.

“A key need for our product was an audio interface that could be controlled from a computer. The EVO provides a very simple and easy to use computer interface,” he continues, explaining their choice of EVO 8. “We work with the EVO through its software, allowing our operators to remotely control the unit through Internet without asking talent to touch any material.

EVO 8 is a four-input/four-output audio interface with an intuitive feature set. This includes four EVO preamps offering 58dB of gain along with high performance converters offering 113dB of dynamic range. Powered directly via USB, EVO 8 can be controlled via its customizable software, EVO Mixer. “The software controller is the main standout feature. It was the best we’ve found in an audio interface,” confirms Ian.

Studiobox was born during pandemic shutdowns as a solution to continue production. Ian and co-founder Max Ostrove quickly realized they could do better than send in kits of parts. “We thought we could leverage technology to control the lights, camera and audio through a computer, then combine them into a record-ready unit that could be shipped anywhere and set up in minutes” , explains Max. “In solving for Covid, it turns out we stumbled upon the future of production, where it’s just easier and cheaper to send a Studiobox over than it is to fly and house a crew for a shoot.”

With an EVO 8 in each of their seven Studiobox units so far, has steadily expanded its configuration as demand increases, having installed the first in the summer of 2020. “Customers are amazed that this box can do it all adds Max.

Because operators monitor and adjust audio in real time, they haven’t yet used the automatic level adjustment feature, Smartgain. This could change, however, according to Ian: “We plan to automate many functions of the box, so that an operator is not necessary. At that time, the Smartgain function could be an essential feature. »

Max confirms that the future looks bright for this booming start-up. “Studiobox is currently developing software to allow anyone to control a box. We imagine remote production units as part of the video creator’s kits, like a drone or slow-motion camera. For the audio world, the remote podcast recording box will be released next.

April 12, 2022

Director Mike Maguire launches production company Halligan

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Mike Maguire – whose pedigree in the industry spans 20 years as an award-winning director and creator – launched production house Halligan.

Maguire has been on the director roster of production companies such as MJZ, Biscuit Filmworks, The Directors Bureau, Dummy and more recently Skunk. His work has been recognized at various competitions, including Cannes Lions, D&AD and The One Show.

He founded the one-man shop Halligan on the principle that austerity and minimalism pave the way for greater creativity. “I started Halligan because I wanted the freedom to do my particular brand of humor,” Maguire said, saying less budget means fewer eyes and less pressure, which allows for more creativity – and just being able to go. His approach is, “Let’s take the available budget and do something funny that people will dig into.” He has done this for clients like Bundaberg, CBS, Cobra, Comcast, Fisherman’s Friend, Hyundai, Ikea, Lowe’s, ReMax, Stok and Volkswagen.

Maguire – a former writer at Kirshenbaum Bond & Partners, NY, and associate creative director at Goodby Silverstein & Partners – knows firsthand the heartbreak of writing a screenplay that never gets produced because no one wants to champion it. From the hulking eagles snatching you off your couch to the enraged raccoon in your heating vent to the garden gnomes attacking humans – Maguire prides himself on being a champion of the weird, low-budget screenplay that other directors don’t. tail to turn. “We do a lot of these projects on shoestring budgets, but for me it’s not about how much money you can make from a job. It’s about going on set and making myself and a group of people laugh. It’s the most rewarding thing of all.

As for the choice of the Halligan nickname, Maguire explained, “My father was a firefighter in New York. For years he preached the gospel of the tool that saved his life forever. In his own words, ‘Simple. Efficient. Safe. The Halligan is the fastest way to break down a door. My dad was a shitty kind of guy, and Halligan is a shitty kind of company. So, if you have something weird that you want to do for next to nothing – if you have a lot of heart for it, but not all the money in the world – let us know.

Halligan’s US business team consists of Red Rep TV (Holly Ross, Vanessa Mclean, Jeremy Hodghes) on the West Coast, Chiara Chung Inc. (Chiara Chung) in the Midwest, and Miss Smith (Jamie Scalera , Sasha Stern) on the east coast. . Director Maguire is also replaced by Suneeva in Canada and Outsider in the UK

Dreamz Production House Hosts Grand Final of India Supermodel and Mrs India Universal 2022

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A host of celebrities including acclaimed actor Ashmit Patel, actor and model Rohit Khandelwal and actress Zoya Afroz were among the jury members.

New Delhi, 11th April 2022: Dreamz Production House recently hosted the grand finale of one of the most important and prestigious events of this year, India Supermodel and Mrs India Universal 2022 in Jaipur. This event was an exciting platform for talent across the country as the pageant team visited over 30 cities to audition contestants. The show was a great success as it hosted a total of 75 contestants in multiple categories from across the country. Subsequently, the shortlisted participants underwent rigorous training and preparation. The gala event featured four themed rounds of Western, Traditional, Indo-Western and Sparkle designer outfits. The winners received gift baskets and an opportunity to participate in TVCs, web series, reality shows, among others.

A host of celebrities graced the high-profile show as judges for the film and entertainment fraternity competition which included Bollywood actor Ashmit Patel, actor and model Rohit Khandelwal and actress Zoya Afroz.

In the Miss of India Supermodel category, Ekta Singh from Agra won the title, while Barkha Rana from Arunachal Pradesh reached the position of 1st runner-up and Shriya Singh from Pune won the 2nd place. In the Mr of India Supermodel category, Abhishek Dubey of Bhopal won the title, while Vishal Singh of Jammu reached the position of 1st runner-up and Roshanshu Wadhera of Jammu won the 2nd place. Isha Sharma of Jammu clinched the Mrs category title and 1st and 2nd runners up were won by Mugdha Pande of Bangalore and Rashmi Tirpude of Nagpur respectively in Mrs India Universal 2022.

“We have always received a tremendous response for our show and we have also made our mark this year. This milestone has given many newcomers a chance to become part of the fashion and entertainment fraternity. Dreamz Production House aims to successfully providing an integrated platform for new and aspiring Indian models from different cities across the country to fulfill their dream of modeling, fashion, theater, television and film.Though the event had few winners, it has given a platform to many of them who are sure to rule the ramp in the future,” said Sharad Chaudhary, Founder of Dreamz Production House.

Anubha Vashisth, Co-Owner of Dreamz Production House said, “Dreamz Production House is hosting one of the most glamorous and sought after beauty pageants in the country and aims to provide an exceptional platform for deserving contestants to showcase their talents and boost their confidence. Beauty pageants are about more than just being beautiful; it’s about being strong physically, mentally and emotionally. This beauty pageant is a platform that is committed to giving contestants a chance to show off their talent and shine as an individual.

Over the years, Sharad Chaudhary has also worked with many celebrities like Neha Dhupia, Madhur Bhandarkar, Prince Narula, Yuvika Chaudhary, Zareen Khan, Urvashi Rautala, Upen Patel, Pooja Chopra, Kainaat Arora, Jaideep Ahlawat, Gizele Thakral, Ajay Chaudhary , Anusha Dandekar, Stefy Patel, Benafsha Soonawalla, Himanshu Soni, Millind Gaba and many more.

The production company’s best horror movies

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Blumhouse quickly rose through the ranks to become one of the most prominent production companies for primarily horror content, while also establishing its position in other successful genres. Founded in 2000 by Jason Blum, the company’s original model was to produce primarily low-budget films, allowing directors to expand their creative freedom. Originally named Blum Israel Productions, they had an initial exclusive deal with Miramax until 2002 when it became Blumhouse Productions.

Although Blumhouse signed deals with Universal Pictures in 2010 and Amazon Studios and Mattel Films in June 2019, the company has always stayed true to its roots by providing opportunities for up-and-coming directors, helping them enable their projects to become visible on a mainstream scale, while remaining true to their respective creative ideas. Finding overwhelming notoriety in mainstream feature films, Blumhouse has also collaborated with streaming powerhouse Netflix Studios to push TV streaming forward, developing a Stephen King limited series. While there’s a plethora of Blumhouse’s total achievements, joint ventures, awards, and nominations, let’s dive straight into their most high-profile horror projects yet released.

7 paranormal activity


Found the camera angle of footage of the couple caught in bed in Paranormal Activity
Paramount Pictures

As the first horror film ever released by Blumhouse, paranormal activity is about a couple, Katie (Katie Featherston) and Micah (Micah Sloat), who move into their new home together. Once strange events begin to occur in the couple’s home, Katie’s story resurfaces, revealing that she and her sister Kristi have been tormented by a demonic entity since childhood.

The scariest part of paranormal activity must be that the project is shot in an unfiltered, found footage format, only from a portable recorder. Also, the fact that the actor’s real names are used as the characters and that the film opens by thanking their families and pretending that everything was real, brings an authentic element to the film’s atmosphere.

Related: Happy Death Day 3 Is “Moving,” Says Jason Blum

6 Insidious


A creepy man stands in a foggy dark blue hallway in Insidious
FilmDistrict/Sony Pictures

supernatural thriller Insidious revolves around a local family who begin to experience a series of disturbing paranormal events after moving into their new home. Married couple Josh (Patrick Wilson) and Renai’s son Lambert (Rose Byrne) suddenly enter a state of blackening, where his physical body becomes a placeholder for demonic possession of entities to enter at any time, through a plane unidentifiable astral. Basically, before moving into a new home, do your research thoroughly.


5 The purge


Masked assailants in The Purge Anarchy street club
Universal images

The purge is one of the most organically terrifying films to be released in current times; The very thought of having an entire night where any type of violence is legal and justified is petrifying beyond explaination. In the film, the prisons are more than overcrowded and the citizens are increasingly angry with the circumstances and the daily stressors. While the government sanctions an annual 12-hour period during which all criminal activity is legal, the film’s characters are able to “clean themselves up” by committing crimes during the night. What’s interesting is that the government does this to justify killing innocent people of color, but covers it up with the clean-up talk.

4 get out


Daniel Kaluuya as Chris Washington in Get Out, tears streaming down his face as he watches in horror.
Universal images

Dating has never been the same since get out has been freed. After appearing to be in the next stage of their relationship, Chris (Daniel Kaluuya) and his girlfriend Rose (Allison Williams) get more serious. When Rose invites him to meet her parents at the family’s secluded country home, the film takes a turn for the worst when Rose and her parents plan to rework Chris’ mind and sell it to their various groups of friends. Chris, who is a black man, discovers the family’s secrets and their horrific treatment of black bodies, as he also tries to escape before it’s too late.


3 Halloween


Halloween kills the scene with a gruesome Michael Myers cloesup
Universal images

The 2018 feature film reboot of Halloween project stars Jamie Lee Curtis, reprising her role as Laurie Strode. After being institutionalized for nearly 40 years at Smith’s Grove Psychiatric Hospital for his Haddonfield shooting, Michael Myers is set to be moved to a maximum security prison. It obviously breaks out (because he’s Michael Myers), leading him on his decades-long quest to capture and kill the remaining member of his family (according to some Halloween installments), Laurie Strode.

Related: Lupita Nyong’o Saw Hell in Director Jordan Peele’s First Us Photos

2 We


The tied boy backs into a burning car in Us
Universal images

The meaning of the horror movie We, is strongly tied to racial and economic identity, departing from the typical horror movie plot as it explores facets of 21st century politics. The idea of ​​being afraid of strangers and anyone who seems visibly different is a crucial element of the film, which interrogates a society conditioned to be afraid of those who are not from the same background as us or who have a different point of view of the our. The fact is that sometimes humans’ worst enemies can be ourselves.


1 friendless


A boy and a girl in a video chat are afraid on the computer in Unfriended
Universal images

On a typical night in friendless, several teenagers are all online, participating in a group video chat session. Once an unidentifiable user, “Billie22”, logs into the chat, strange events begin to occur when one of the users begins to receive a series of direct messages from a classmate who committed suicide. . Forcing the group to reveal their darkest secrets, the other users begin to get killed, one by one, in this excellent and chilling example of social media in movies.


The two young look-alike boys play with fire in the closet in Us

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Big Damo (Killian Dain) discusses Sanity’s entrance and praises the WWE production team

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Big Damo (formerly Killian Dain in WWE) was impressed with Sanity’s entrance the first time he saw her.

For almost the first three years of his time in NXT/WWE, Big Damo was one of the members of Sanity along with Eric Young, Nikki Cross and Alexander Wolfe. The group, who once held the NXT Tag Team titles, are perhaps best known for two things; first, their WarGames 2017 match, and second, their entry.

GCW Announces Bandido Didn’t Fly For ‘Devil In A New Dress’, Bandido Apologizes To Fans

Speaking to Fightful’s Sean Ross Sapp (full interview above), Big Damo noted that the entry was cut slightly when the band moved the SmackDown to April 2018. Beyond that, however, he did said he got goosebumps the first time he saw him, admitting he almost forgot what to do.

“I think they cut thirty seconds at the end, because it was a really long entrance. So it wasn’t quite the same on SmackDown, so they didn’t really get to see all the the ins and outs of coming in. When we first did it in NXT, I was actually watching it before Sawyer Fulton got injured. I’ve got goosebumps.” Suddenly I’m in it and I’m like, ‘Ah, what am I doing?’ It was very cool because Alexander Wolfe and Nikki Cross, they really got lost in character and they really brought something to it. You have EY sputtering in front of the camera all the time. It was very cool to to be part of, very nice to watch” he said.

Big Damo went on to say that being a part of WWE 2K18 was a cool experience for them, adding that WWE has always done a great job showcasing their entry, whether it’s in a video game or at a live event. He told Fightful that the experience on the production side of the business is one of the best things about being part of WWE.

“I remember when they revealed, I think it was 2k18, and they used Sanity’s entrance as a reveal, that was a really cool experience for us. Because that was the first video where they had used our input, like the
entrance for four people, like the video clip. It was very cool that that was what they used because we loved being part of it, loved the atmosphere. You have to have the right timing and all that. It was very cool, all the effects. Even when we were doing the live version, they were still doing really cool things with the lights at the house shows. When they were doing the live events, they always made such a good effort with the lighting and the music, the smoke effects, whatever. So everyone would be super pumped as we made our entrance. It was one of the cool things to do because that’s the part of WWE you want to experience, it’s that production side of things and we really have to experience that. You can’t compare it to
independent. Especially before the live performances and the boom, that’s it. It was amazing,”
he said.

Sanity disbanded in April 2019, and Big Damo returned to NXT, where he would form a partnership with Drake Maverick. In June 2021, Damo was released by WWE, leaving Nikki Cross as the only band member to remain with the company.

Next up for Big Damo is a return to New Japan Pro Wrestling, where he will face Tomohiro Ishii at NJPW STRONG: Mutiny on April 10, 2022. Fightful will have the results of the event immediately after its conclusion.

Usman Mukhtar’s ET production studio to ‘elevate’ new artists

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Actor Usman Mukhtar started a production house called “Eastern Terrestrial” with his brother Meiraj Haq, to ​​help talented budding artists realize their potential.

The studio’s vision is to “provide a platform and uplift artists who might not have a chance elsewhere and who are looking for opportunities to showcase their artistic abilities,” Hum Kahan actor Ke Sachay Thay said in an Instagram post on Friday.

“We are passionate about delivering quality content while emphasizing fair and ethical production practices. We hope you all enjoy and enjoy ET Studios’ unique vision! added Mukhtar.

ET made its first project in collaboration with production house Down Town Films. In a later post, the actor shared the first teaser poster for the project titled “Gulabo Rani.”

While the Sabaat star has made a name for himself on screen with his exceptional acting skills, working behind the camera won’t be a first for him either.

In 2021, Mukhtar directs his first short film, Bench, with Rubya Chaudhry and Iman Shahid.

The film tells the story of a young couple at a crossroads in their relationship where leaving each other is just as difficult as staying together. They meet at their favorite place, the bench, to resolve their conflict, once and for all.

On the day of the film’s release, Mukhtar said he aspired to make more of these films as it has been “one of the greatest pleasures” of his life.

Usman Mukhtar’s ET production studio to ‘elevate’ new artists

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Actor Usman Mukhtar started a production house called “Eastern Terrestrial” with his brother Meiraj Haq, to ​​help talented budding artists realize their potential.

The studio’s vision is to “provide a platform and uplift artists who might not have a chance elsewhere and who are looking for opportunities to showcase their artistic abilities,” Hum Kahan actor Ke Sachay Thay said in an Instagram post on Friday.

“We are passionate about delivering quality content while emphasizing fair and ethical production practices. We hope you all enjoy and enjoy ET Studios’ unique vision! added Mukhtar.

ET made its first project in collaboration with production house Down Town Films. In a later post, the actor shared the first teaser poster for the project titled “Gulabo Rani.”

While the Sabaat star has made a name for himself on screen with his exceptional acting skills, working behind the camera won’t be a first for him either.

In 2021, Mukhtar directs his first short film, Bench, with Rubya Chaudhry and Iman Shahid.

The film tells the story of a young couple at a crossroads in their relationship where leaving each other is just as difficult as staying together. They meet at their favorite place, the bench, to resolve their conflict, once and for all.

On the day of the film’s release, Mukhtar said he aspired to make more of these films as it has been “one of the greatest pleasures” of his life.

Usman Mukhtar launches production house ET Studios to ‘provide a platform and uplift’ budding artists

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Actor Usman Mukhtar has started a production house named Eastern Terrestrial (ET) Studios with his brother Meiraj with a ‘unique vision’ that caters to talented Pakistani artists who need an opportunity ‘to show off their artistic abilities’ .

“Really happy to announce that my brother Meiraj and I have started a production house together,” Mukhtar captioned an Instagram post showcasing the label and the artistic conception of the production house. He revealed that there was already a project in the pipeline. “We just finished our first project and can’t wait to show you the first product from ET Studios Insha’Allah.”

the Hum Kahan Ke Sachay Thay The actor shared that the studio’s vision is to give talented Pakistani artists a chance and the space to actualize their potential. “Pakistan is brimming with talent and we at ET Studios hope to provide a platform and uplift those artists who might not have a chance elsewhere and are looking for opportunities to showcase their artistic abilities.”

Mukhtar said the studio is passionate about delivering quality content while emphasizing fair and ethical production practices. “We hope you all enjoy and enjoy ET Studios’ unique vision,” he added.

Working behind the camera is not a first for the Sabbat actor. He is also a director and cinematographer by profession — his short film Bench published in November last year and won several awards. Mukhtar directed and starred in the short, alongside Rubya Chaudhry and Iman Shahid.

The film tells the story of a couple at the crossroads of their relationship who meet on a bench, a site that has been part of many milestones in their relationship.

“Making this film has been one of the greatest pleasures of my life. I love creating such art forms and I aspire to create more of these films,” Mukhtar said in a press release issued the day of the film’s launch.

Usman Mukhtar and Meiraj Haq launch a production house

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CARACHI: What do you get when you have Usman Mukhtar and Meiraj Haq are working together again? A production house is the answer! The actors, who worked on the drama together Sabbath, took to social media to announce their joint venture called Eastern Land Studios. What was the driving force behind starting the production house? Who do they hope to reach through the project? And what awaits the public? Here’s everything we know about Usman Mukhtar and Meiraj Haq’s production house.

Usman Mukhtar shared the news of his new project on Instagram and while doing so, he also revealed that they already have a head start on the work: “We just finished our first project and can’t wait to show you guys. the first product from @etstudiosofficial Insha’Allah.” The Hum Kahan Kay Sachay Thay The star went on to explain that ET Studios will be focused on providing new artists with a platform to showcase their skills, “Pakistan is full of talent and we at ET Studios hope to provide a platform. trains and nurtures artists who may not have a chance elsewhere and seeks opportunities to showcase their artistic abilities.

Meiraj Haq echoed Usman Mukhtar’s sentiments and wrote, “We are passionate about delivering quality content while emphasizing fair and ethical production practices. We hope you all enjoy and enjoy ET Studios unique vision!

This isn’t Mukhtar’s first time working behind the camera. In 2021, he releases his short film Bench of which he was director and even actor. The short film won multiple awards.

Minnal Murali Star Tovino Thomas Teams Up With Production House BIG For Multiple Slate Deal – Read Details

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Tovino Thomas was a big name in the Malayalam film industry but the actor became a pan-Indian star after his film Minnal Murali received a fantastic response. The movie got an OTT release on Netflix last year, and aside from Malayalam, it was released in different languages ​​like Tamil, Telugu, Hindi, Kannada, and English. Now here’s some exciting news for Thomas fans. The actor has teamed up with a major production house for a multi-slate deal. He partnered with Yodlee Films. Tovino Thomas Productions and Saregama’s Yodlee Films will jointly produce films and web series in Hindi and Malayalam. Also Read – Trending Celebrity Photos of the Day: Janhvi Kapoor Stuns in Her Sportswear; Karanvir Bohra broke up with Teejay Sidhu and his daughter

Yoodlee Films posted on Instagram: “We are thrilled to announce our partnership with superstar Tovino Thomas for a multi-slate deal to co-create genre content in all languages ​​and formats that will keep you hooked to the edge of your #Wolfpack seats, it’s time to strap in, we’re cooking up some delicious content just for you @tovinothomas. Also Read – Trending South News Today: Yash’s KGF 2 set to break RRR record, Acharya’s Karnataka distributor wants compensation

According to IANS, Siddharth Anand Kumar, Vice President, Films, Saregama India, said in a statement: “Tovino Thomas is a pan-Indian success story. Whether it’s his incredible acting prowess in a cultural phenomenon like ‘Minnal Murali’, or honed instincts as a producer, he’s someone who creates content for posterity and we share that vision as well.” Also Read – Doctor Strange 2 box office day 1: Benedict Cumberbatch starred for stunning Rs 30 crore+ opening but will fall just short of Spider-Man

“Our goal is not just to succeed, but to define genres, set standards and innovate. He is the ideal collaborator with whom we would like to co-create content, whether for OTT platforms or the big screen. Tovino also represents brave cinema in the Malayalam industry and we couldn’t be more delighted to have him on board,” he added.

Meanwhile, Tovino Thomas will be seen in movies like Vaashi and Thallumala. The former stars Keerthy Suresh in the female lead role.

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The Delaware production studio launches its first online short film project

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Nantico, an independent production studio founded in Delaware, recently released its first short film project, “The Secret in the Old Clock”.

Filmed in late 2020 and early 2021, “The Secret in the Old Clock” features several talented First State cast and crew members.

“‘The Secret in the Old Clock’ is an experimental short film about an 11-year-old girl who asks the town baker for help after being tasked with presenting the pie at an upcoming ceremony,” said Jordyn Gum, originally from Seaford, the writer and director. “It’s a story of transformation, recognition, struggle and conquest of inner demons. For our protagonist, Judy Mae, she’s scared to break the rules, think outside the box, and stray from home, but everything she knows comes under question in the days leading up to the darkest moment. important part of her life, and she has to make a difficult decision.

One of the key members who helped bring Judy’s story from paper to screen, Gum said, is Bridgeville producer Sarah Layton.

“It was an amazing experience to be able to collaborate with Jordyn on such an intimate story that is so close to her heart,” Layton said. “I loved the process of locking down locations, finalizing story ideas, and selecting our cast. For Nantico’s debut project, we’re off to a great start and I can’t wait to see what we do next. Based on the experience I had collaborating on this project with the entire cast and crew, I expect great things from us in the future.

Other Delawareans involved are production assistants Mary Fontenot of Lewes, Anna Reynolds of Wilmington and Esha Shah of Newark; pole vaulter Jeffrey Melvin of Delmar; and Bear actor Tim Davis.

Gum is also excited about what lies ahead for Nantico.

“Filming during COVID-19 brought its own unique set of challenges and certainly made production difficult,” Gum said. “But we were lucky to work with such an incredible and talented team who made it all possible. I couldn’t be more excited to finally release our short film, and hopefully this is the first of many projects for Nantico.

For more information and to watch the film, go to thecretintheoldclock.com.

Tovino Thomas is teaming up with a major production house, actor to produce movies and web shows in Malayalam and Hindi.

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Malayalam star Tovino Thomas has announced an association with a major production house to produce movies and web shows in Malayalam and Hindi. In Tovino’s view, the collaboration is a mark of a massive shift that the Indian content industry is currently witnessing. The collaboration between Tovino Thomas Productions and Saregama’s Yooodlee Films is a big step towards creating synergistic networks with diverse talent pools across the country. Vaashi: Tovino Thomas and Keerthy Suresh are endearing in traditional outfits in the new movie poster!

Commenting on the development, Tovino said, “This collaboration signifies a huge shift in the Indian content space where all industries are ready to collaborate and reach not just a regional demographic, but global audiences. I look forward to start this new journey with Saregama India and explore our shared love for timeless stories.” Pada by Kunchako Boban, Naradan by Tovino Thomas, Veyil by Shane Nigam, here are the Malayalam films that will be broadcast on Amazon Prime Video!

Yoodlee Films has also collaborated with Prithviraj Sukumaran and Nivin Pauly on one-off projects in the past, but this is the first time a Malayalam production house and a heritage media giant with global reach have come together on a multi-party deal. slates in all languages.

Siddharth Anand Kumar, Vice President, Films, Saregama India, said, “Tovino Thomas is a pan-Indian success story. is someone who creates content for posterity and we share that vision as well.”

“Our goal is not just to succeed, but to define genres, set standards and innovate. He is the ideal collaborator with whom we would like to co-create content, whether for OTT platforms or the big screen. Tovino also represents brave cinema in the Malayalam industry and we couldn’t be more delighted to have him on our side,” he concluded.

(The above story first appeared on LatestLY on April 07, 2022 at 3:18 PM IST. For more news and updates on Politics, World, Sports, Entertainment and Lifestyle , log in to our website latestly.com).

Phillip Detchmendy launches production company Ampersand

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Phillip Detchmendy – an industry stalwart whose track record includes tenures as Managing Director and Executive Producer at outlets such as RSA Films, Satellite, Paranoid US. North America Tool and most recently partner/EP at Fancy Content – launched production house Ampersand. Detchmendy has produced a body of work that has won various major awards including Cannes Lions, AICP honors, D&AD, The One Show and The Webbys. He brings decades of high-level production experience to Ampersand and a deep understanding of customer needs throughout the process.

Expressing his vision for his new venture – which opens with a roster of directors Kathi Prosser and Thibault Debaveye – managing director Detchmendy shared: “Ampersand represents the additive power that comes from bringing different components together to bring the stories of brand for our partner agencies and clients. The real magic happens when the combination of elements – incredible talent and a top team, diversity, global thinking, open-mindedness and a dynamic approach – sings perfectly together. Simply put, Ampersand – the nature of it all – means more to everyone.

Prosser’s background as a graphic designer has allowed him to build large-scale, award-winning work. Over the past 15 years she has signed with The Sweetshop in the US, UK, Australia and New Zealand, directing all over the world for clients including Kia, CVS, AmEx, Walmart, AT&T , Emirates Airlines, Guinness, Labatt, JCPenney. , Mars, Nescafé, TRESemme and Dove.

As the pandemic forced everyone to reconsider what he wanted from his career, Prosser focused on working in North America to be closer to his family. As she explained, “The mentality of what Phillip is creating with Ampersand – the intimacy of a small store – completely aligns with how I approach the next phase of my career and deliberately go from macro to micro, from global to local, on the work side.”

Beginning his career working primarily on CGI and graphics-oriented commercials, Prosser created elaborate dreamlike work for brands including Avon, MAC and Three Musketeers. Always driven and constantly evolving, she then broadened her scope to focus on storytelling work. Her skills are always visually driven, whether she flexes her technical prowess to create elaborate post-heavy films for the Ministry of Economic Development or to capture authentic and moving performances with her repeated campaign work for CVS and the rebranded Venus.

One of the highlights of Prosser’s career was his breakthrough into the automotive market. “The fact that Kathi has done three tours for Kia in the past year is a testament to her level of craftsmanship and storytelling in this area,” Detchmendy said. “She brings a real, refreshing sense of humanity and a strong graphic eye to the category.”

Meanwhile, the work of Debaveye – a French director based in Los Angeles – possesses the rare fusion of visual and narrative storytelling that comes from someone who is already world famous for his work in the CGI/VFX world, with a academic pedigree that is just as distinctive.

A graduate of Supinfocom, his work quickly competed at Imagina. Visual effects pioneer BUF caught on quickly, where he honed his craft and became a renowned Flame Artist. Then, nearly a decade at Psyop, where he officially began his career as a director. Thibault aims to mix his love of European-inspired cinema with the visual twists that his background in CGI gives him.

Detchmendy and Thibault met 14 years ago, each leaving a lasting impression on the other. As Detchmendy described it, “Not only is Thibault a director with a truly singular style, but he’s a problem solver, an outside-the-box thinker, a lover of aesthetics…just a real creative force with skills at all levels and comfort for any client or agency to work with Our collaboration is the embodiment of what we build here at Ampersand.

Ampersand is also part of the global AOI Pro Network, Asia’s leading creative production company. With offices in Japan, China, Singapore, Malaysia, Thailand, Vietnam and Indonesia, AOI Pro boasts a prolific output of commercial work – producing over 1000 spots a year. The entity has also expanded its creativity to dramatic television series and cinema, including the feature film Shoplifterswhich won the 2018 Palme d’Or at Cannes.

The production house launches the “Abhay Bravery Award”, an initiative to celebrate fearless heroes and their efforts

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As Kunal Kemmu returns as a determined and fearless cop, Abhay Pratap Singh who faces many new and unknown threats while trying to balance his professional and personal life in ‘Abhay’ Season 3, the creators of the show, ZEE5 presented ‘Abhay Bravery Award’, an initiative to celebrate fearless heroes and their efforts.

In this framework, Kunal Kemmu identified 3 dynamic people who performed acts of bravery in the past year and congratulated them with the award for their fearlessness.

Among these winners was coach Gaurav Khanna, Dronacharya award winner and head national coach of India’s para-badminton team. He is also instrumental in launching the first para badminton academy in India; Manoj Sarkar who is the current world No. 3 in singles and the world No. 1 in para badminton dual player category in SL-3 classification and is also a recipient of Arjuna award given to her by the President of India in 2018 and Prachi Tiwari who is the youngest female snake rescuer in Uttar Pradesh.

Speaking about the same, Kunal Kemmu said, “It was an honor moment for me to meet these brave heroes and tell them about their fearless efforts in their respective fields. in Abhay but these heroes are fearless every moment of every day and their efforts are truly inspiring.”

Directed by Ken Ghoshs, ‘Abhay S3’ stars Kunal Kemmu, Asha Negi and Nidhi Singh in returning roles and Vijay Raaz, Rahul Dev, Vidya Malvade, Tanuj Virwani and Divya Agarwal as new cast members. The trailer created a lot of excitement and now the wait is almost over for the premiere of the new season. The show will premiere on April 8, 2022 in Hindi, Tamil and Telugu.

Korean entertainment giant CJ ENM launches new production studio

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At a time when K content is increasingly in demand, Korean entertainment giant CJ ENM has announced plans to launch a new production studio CJ ENM Studios. The new studio is an addition to CJ ENM’s existing production powerhouse, Studio Dragon, and recently acquired Endeavor Content.

CJ ENM has announced that Yong Soo-ha, former Executive Vice President as Head of Business Development and Investments of CJ ENM, has been appointed CEO of CJ ENM Studios. CJ ENM Studios will focus on producing OTT content for global audiences and will cover a wide range of different genres. The new studio also plans to recruit star talent/creators and expand its presence through mergers and acquisitions of top-tier production companies.

Having all three studios under CJ ENM is part of the company’s plan to strengthen its global content production and multi-studio structure. Studio Dragon, the production company behind global hits Crash landing on you hometown Cha Cha Cha and sweet home, announced plans to increase its scripted content production volume. Endeavor Content, recently acquired by CJ ENM, will not only produce content, but will also use its strong global network for the distribution of CJ ENM content.

The new $135 million production studio in Atlanta has a black woman as majority owner

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By BOTWC Staff

TV and film veteran Tammy Williams

A new film production studio in Atlanta has a black woman as majority owner, The Atlanta Journal-Constitution reports.

TV and movie veteran Tammy Williams owns Cinema South Studios, a new studio in the works in Atlanta’s Fayette County. Williams teamed up with Black Promoters Collective investor and CEO Gary Guidry to bring the studio to life, making history as the first black female majority owner of a major production complex in the state of Georgia.

The two announced the facility last July, part of a $135 million project to build the space. Williams said the studio has been a dream for her for a long time and she is grateful to Guidry for helping her achieve it. Williams is the owner of Tammy’Dele Films, a production company that has also offered a film academy and professional training program since 2012, serving more than 2,500 students over the past decade. It also offers an educational component, offering over 20 different workshops for those looking to get into the business. Currently, she works in a 16,000 square foot warehouse located near the new site and is finally ready to expand.

“We have been patient. It wasn’t an overnight thing, that vision for us,” Williams said.

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Atlanta studio
Photo courtesy of Cinema South Studios

The studio kicks off in March and when complete will include nearly 11 sound stages, a back lot, a prop house, a wardrobe rental service, a handle rental space lighting, a transportation company, an office building, a theater, and an on-campus post-production facility. Guidry said once he saw the full vision for Williams’ project, investing in buying the 60 acres and building the studio made sense.

“The demand for sound stages happens globally and ownership is rarely like us, let alone an African American woman. When I choose to invest, I assess the needs of the business and the property. Investing in Tammy Williams and her team of professionals convinced me that buying the land in Fayetteville, GA was a smart move with her talents at the helm,” Guidry said.

Cinema South joins a legion of other new studios in the work in the Atlanta area. Williams hopes to have the first two soundstages ready for production by the end of the first quarter of 2023.

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Los Angeles production company to set up headquarters in Nashville | Development

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Another California company is moving to Music City.

Medici XD, a Los Angeles-based production company, has shared its plans to establish a headquarters – at 2200 Eighth Avenue S. — at Woodland-in-Waverly near Melrose.

The headquarters is expected to create 30 jobs in the region and will house the company’s executives, engineers, designers, finance, accounting, human resources and research development employees. According to a press release, Medici XD plans to keep its current office in Los Angeles.

A variety of factors likely fueled the company’s decision to establish a headquarters in Nashville, including the recent growth of the city’s tech sector and the long-standing presence of the music industry.

Chuck Fawcett, co-founder of Medici XD, has strong ties to Nashville. In 1989, during his senior year at Vanderbilt University, Fawcett founded the well-known animatronics company Animax Designs Inc. Under Fawcett’s leadership, the company grew to employ 150 people and designed action figures and animatronic puppets for major companies such as Walt Disney Co., Nickelodeon, DreamWorks, Warner Bros., Sesame Workshop, Nintendo and SeaWorld Parks and Entertainment.

Fawcett sold his local business to Singapore-based Cityneon Holding for an estimated $37 million in early 2020.

About two years after the sale, at the end of 2021, Fawcett announced the creation of Medici XD with Daren Ulmer, a designer who spent nearly a decade at Disney.

Medici XD is billed as “an integrated software, ride manufacturing, and media production group capable of developing place concepts across physical, visual, and interactive disciplines, creating a unified live experience that captivates an audience.”

The site on which the future Medici XD house will be built was sold in April 2021 for 3.3 million dollars (read here). It is unclear if Medici XD owns the property.

Twofour54 launches a virtual production studio

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Twofour54 has announced the launch of virtual production services as part of its studio facilities.

Abu Dhabi-based media, entertainment and gaming center Twofour54 has announced that it is expanding its production facilities through virtual solutions.

Launched in partnership with Canadian media company Ross Video, the new offering includes virtual studios, virtual production services and extended reality features. Featuring the latest 3D graphics and augmented reality (AR) technologies, it claims to be the first facility of its kind in the Middle East.

Using state-of-the-art cameras, virtual monitors, floating AR elements and customizable virtual sets, twofour54’s virtual solutions will provide a complete service to film, television and advertising producers, broadcasters, organizers of events and game companies. The virtual studios are powered by three of Ross Video’s Voyager graphics platforms, which are powered by the Unreal Engine to deliver high-quality, photorealistic visuals.

Virtual Studio’s state-of-the-art technology provides increased flexibility, allowing production companies to quickly change a set, roll out a new scene and look, or share studio space with other companies without any downtime. stoppage due to the construction of the set. Each of these benefits reduces production time and cost, limits negative environmental impact, and allows producers to focus on creating engaging and innovative content.

Complementing physical virtual studio facilities, virtual production allows companies to create flexible production teams that can perform a variety of tasks remotely while the talent, news anchor or event host is on the tray. This service is provided by Ross Video’s cloud-based remote contribution solution, Interstellar.

To complement the virtual solutions, twofour54 will provide a full suite of Extended Reality (XR) services, a new production trend for on-site production that uses a combination of real and virtual environments and interactions to lower the cost of production. . Available for live or pre-recorded content, twofour54’s XR services feature large format LED screens that are a direct replacement for traditional green screens.

Commenting on the development, Katrina Anderson, Director of Business Services, twofour54, said: “With a full range of world-class creative media companies based in Abu Dhabi, the emirate has firmly established itself as a true capital for all. forms of content creation. . A key driver of this success is the wide range of services and facilities provided by twofour54, all of which aim to increase the ease of production and help these businesses find new and innovative ways to create content and create content. engage their audience. By providing flexible, technology-driven solutions that can create production cost savings of up to 80%, that’s what Virtual Studios is about to accomplish, so we’re proud to be the first to offer this offer in the region thanks to the end-to-end solution. -end of partnership with Ross Video and Rocket Surgery.

She added, “Following the launch of twofour54’s new home at Yas Creative Hub, we continue to provide the best facilities and services to the creative industries ecosystem in Abu Dhabi. As a key driver of the emirate’s economic development, we will continue to drive the media sector forward in the months and years to come. »

Jim Doyle, Director of Rocket Surgery Creative Services, added, “We are thrilled to bring our award-winning creative and professional rocket surgery services to a market leader like twofour54. Since 2020, we have been focused on expanding our international footprint, and this great partnership is proof of that. The combination of high-quality creative services with state-of-the-art technology ensures that twofour54’s new virtual solutions will be the first of their kind in the region.

To support production companies looking to capitalize on new virtual studios, twofour54 partner Rocket Surgery, the creative arm of Ross Video, will be on hand to provide design and creative services. These services will include design consultations with the client, creative project management and a range of graphic packages.

The launch of Virtual Studios is part of twofour54’s commitment to providing the creative industries with all the tools they need to succeed. It is the latest addition to twofour54’s existing facilities, which include an AED800 million ($217.81 million) Studio City, a 300,000 m² backlot comprising 219,000 m² of land allowing production companies to build their own sets, 81,000 m² of standing sets, a range of studios, an experienced production, creative and technical team and several post-production houses to choose from.

Média-Participations expands its production team with the hiring of Xilam Group – TBI Vision

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Audrey Serre

The French entertainment group Média-Participations has appointed Audrey Serre, the former deputy director of development of the Xilam group, within its audiovisual production team.

Serre, who joined the firm on April 12, is the third producer recently recruited by Média-Participations, following the appointments of Gaëlle Guiny, former director of development at Gaumont Animation, and Pierre Reyssat, former producer at Onyx Films/On Entertainment. , in February.

These appointments follow the arrival of Lila Hannou last September as director of development and strategy for the division. Guiny, Reyssat and Serre join in-house producer Aubane Fillon and external producers Katell France and Maia Tubiana. with all reports to Hannou.

The Media-Participation group brings together the companies Ellipsanime Productions, Dargaud Media, Dupuis Edition & Audiovisuel and is behind shows such as The Smurfs, The Fox-Badger Family and lucky child. It is headed by Caroline Audebert, who declared: “Our development strategy, both in France and internationally, is very ambitious in terms of diversification and growth of our productions, both in series and in feature films. Quite naturally, this is accompanied by a talent recruitment policy”.

“At Média-Participations, we want to address all targets, by adapting iconic and/or more recent properties from the exceptional catalog of 4,000 IPs of the Group or other publishers. But we are also looking for original creations,” adds Hannou.

“With this in mind, each producer can develop projects according to their own affinities and market demands. It’s a great opportunity to have all these different personalities, with rich and varied backgrounds, to take up this challenge.

Netflix extends lease with Metro Vancouver film production studio

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Netflix maintains its major presence in Metro Vancouver as the streaming giant announced today that it is extending its lease with Martini Film Studios (MFS) for another five years.

The extension of the lease for the studio facilities in the Township of Langley provides Netflix with continued access to eight sound stages and a total space of 260,000 square feet.

Recent productions filmed by Netflix at the MFS include space force, mix tape, Another life, Ivy & Beanand Grendel. Netflix was the first customer of the first MFS facility, which opened in 2017.

“With over 60 Netflix shows and movies filmed in British Columbia since 2018, we are excited to redouble our commitment to the region as a production hub,” said Amy Reinhard, vice president of studio operations for Netflix, in a press release.

“There is an incredible level of talent, innovation and creativity across the province, and we are thrilled to expand our relationship with Martini Film Studios, who have been an exceptional partner.

Special effects during a film production at Martini Film Studios. (Matthew Harrington/Martini Film Studios)

In late 2021, MFS began construction of a new purpose-built film and production studio campus on a vacant 33-acre lot adjacent to the 216th Street Interchange of the Trans-Canada Highway in the Township of Langley.

When it opens in 2024, it will be one of the largest film production facilities in Canada. There will be 16 sound stages with a combined floor area of ​​37,000 square feet, plus 224,000 square feet of support buildings and 135,000 square feet of office space for productions. This is just one of many future purpose-built film production facilities in Metro Vancouver.

In contrast, facilities built by MFS in 2017 were previously used as warehouses before being converted for film production.

“From day one, Netflix has been an incredible partner for Martini Film Studios. As we grow our studio business, I am excited to continue this partnership for another five years,” said Gemma Martini, Founder and CEO of MFS.

“Netflix is ​​a very important part of the production industry here in British Columbia and we really appreciate the huge vote of confidence it’s showing, both in Martini Cinema Studios but also in the crew and technicians at world class who support our industry.”

martini film studios langley campus construction december 2021

Construction progress in December 2021: Martini Film Studios new campus at 216 Business Park in the Township of Langley. (Google Maps)

martini film studios 216 business park langley township rendering f

Artist rendering of the new Martini Film Studios film and television production studio campus at 216 Business Park in Langley Township. (Martini Cinema Studios)

In September 2020, Netflix also signed a new long-term lease for 178,000 square feet of production facilities – including seven sound stages and office and support space – at Canadian Motion Picture Park in South Burnaby.

There is currently a severe shortage of film and production space in Metro Vancouver, which limits the local industry’s ability to accept more production work from Hollywood, grow and create more local jobs and economic benefits.

In October 2021, the Vancouver Economic Commission reported that the film, television, animation and post-production industry generated a combined total of $3.4 billion for the economy of Colombia. British in 2020, even with the effects of the pandemic. In doing so, he supported 65,000 jobs across British Columbia.

Of this total economic impact, approximately $2.5 billion came from film and television productions, including 48 live-action scripted television series, a 30% year-over-year increase.

The BC industry has also been a major global beneficiary of increased spending on productions by streaming giants Netflix, Disney+, Apple TV+ and Amazon Prime. In 2020, British Columbia accounted for approximately 66% of all new streaming projects in Canada.

TvN K-Drama Production Crew “Joseon Psychiatrist Yoo Se-poong” Involved In Car Crash Killing 1 PD » GossipChimp

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The film crew of the next DTV K-drama Joseon Psychiatrist Yoo Se-poong was involved in an automobile accident, killing a crew member.

According to a single report by xportnewsa bus transporting the film crew of Joseon Psychiatrist Yoo Se-poong was suddenly hit by a dump truck leaving a gas station after refueling.

On the bus were a total of 10 film crew members, including directors and other staff. A crew PD died in the crash and three others, including the bus driver, were taken to hospital for emergency treatment. It was reported that the driving force of the dump truck did not maintain major accidents.

An official of the Joseon Psychiatrist Yoo Se-poong the manufacturing team offered a press release to Xportnews.

The manufacturing team was heading to the Paju studio for the day’s scheduled shoot. All filming was interrupted following an accident.

We will do our best to write down what happened with the accident. We plan to discuss any adjustments to the published schedule with the broadcast company.

— Yoo Se-poong, Joseon Psychiatrist, Manufacturing Team

Police consider that the dump truck left the gas station after refueling and immediately attempted to pull into the third lane of 4 lanes of the freeway by entering it, passing through the first and second lanes . The bus was in the third lane of the freeway at the time of the collision.

Joseon Yoo Se-poong’s Psychiatrist is set to air later this year and stars Kim Min Jae, Kim Hyang Gi, and Kim Sang Kyung.

Vishal will be working on the 34th film with director Karthik Subbaraj’s production house. Details

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According to the latest buzz, actor Vishal’s 34th film will be with director Karthik Subbaraj’s production company Stone Bench Pvt Ltd in association with Sea Studios. The film will be directed by director M Muthaiah. After Marudhu, this is Vishal and M Muthaiah’s second collaboration. While waiting for official information, if this buzz materializes, it will be excellent news for fans of the actor.

Professionally, the 44-year-old has an action movie titled Lathi with new director Vinoth Kumar. However, rumor has it that there was a difference of opinion between Vishal and Vinoth, following which the actor signed on for his 34th film.

Meanwhile, Lathi, whenever released, will be Vishal’s first pan-Indian film as it will be released in cinemas in Tamil, Telugu, Malayalam, Kannada and Hindi.

The action movie is funded by Rana Productions, which was started by two good friends of Vishal – Ramana and Nandha. Actor Sunaina was paired opposite Vishal, with veteran actor Prabhu in a prominent role.

Pon Parthiepan wrote the dialogues and Balasubramaniam is behind the camera. Yuvan Shankar Raja takes care of the songs and background music.

Vishal was last seen in his most anticipated movie titled Veeramae Vaagai Soodum in Tamil and Saamanyudu in Telugu. Released on February 4, the film was well received by audiences and critics. Following the success, the film was also released on the OTT ZEE5 platform.

The captivating entertainer impressed the Telugu audience more than the Tamil. ZEE5 also received an amazing response from viewers for its Telugu release. The film shows Vishal in the role of a cop, belonging to a middle class family. The cop locks the authorities against the authorities for abusing their powers.

Simultaneously Vishal also has Thupparivaalan 2 which is produced, directed and starred by Vishal himself.

Read all the latest IPL 2022 news, breaking news and live updates here.

Bell Media partners with executive production team All-Black to develop Canada’s first black-focused bilingual anthology series, FESTIVALE

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– The development project also serves as an incubator, supported by The Black Screen Office (BSO) –

– Festivale, a six-part anthology series, examines what it means to be “Black and Becoming” in this country –

Key tags: @BellMediaPR, @TheLede_CA, @CravePR @BLKScreenOffice

TORONTO, March 29, 2022 /CNW/ – Bell Media and Francophone Executive Producers Mary Ka and Richard Jean Baptisteand English-speaking executive producers, Damon D’Oliveira and Virgin Clementhave joined forces to develop FESTIVAL, from Canada first series of bilingual anthologies, by and about, Black Canadians. Product for Crave from Bell Media, FESTIVAL is a collaboration between Crave’s Francophone and Anglophone development teams, and a response to the lack of Black Francophone stories on mainstream television.

Bell Media logo (CNW Group/Bell Media)

This groundbreaking series also serves as a BSO-administered pre-development incubator, supporting creative teams who haven’t had the opportunity to produce content for a major network. This initiative aligns with BSO’s talent development mandate to build bridges between broadcasters and content creators; connect participants to resources; and fostering relationships to cultivate strong talent pools.

FESTIVAL is a groundbreaking experience where Black Canadian, French and English writers get the chance to finally work together on the same project,” said the executive producers, Mary Ka, Richard Jean Baptiste, Damon D’Oliveira and Clement Virgo. “We can’t thank Bell Media enough for bridging the language gap and supporting this timely creative journey. We hope that this project will be the starting point for future collaborations with Bell Media, for all our participants.

To view the full press release, click here.

About Bell Media
Bell Media is from Canada leading content creator with premier assets in TV, radio, digital and out-of-home media, including 35 TV stations across the CTV and Noovo networks; 27 specialty channels, including sports leaders TSN and RDS; streaming services Crave, TSN Direct and RDS Direct; the iHeartRadio Canada brand encompassing 215 music channels, including 109 radio stations in 58 Canadian markets; and the Astral display network. Bell Media is also a partner of Pinewood Toronto Studios, Grand Studios de Montréal, Just for Laughs and Dome Productions, one of North America main suppliers of production facilities. Bell Media is part of BCE Inc. (TSX, NYSE: BCE), from Canada largest communication company. Learn more at BellMedia.ca.

About Black Screen Office
BSO’s objectives are to make from Canada screen industry practices and policies fairly and free of anti-Black racism; work collaboratively with decision-makers to develop tools and strategies that enable system-level engagement and accountability; and empowering Black Canadians working in screen industries to thrive and share their stories.

For more information, visit https://www.bso-ben.ca/.

Black screen desktop logo (CNW Group/Bell Media)

Black screen desktop logo (CNW Group/Bell Media)

SOURCEBell Media

Quote

Quote

View original content to download multimedia: http://www.newswire.ca/en/releases/archive/March2022/29/c8940.html

Bell Media partners with an all-Black executive production team to develop Canada’s first bilingual Black-focused anthology series, Festivale

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Excerpt from a press release:

Bell Media and French-language executive producers Marie Ka and Richard Jean-Baptiste, along with English-language executive producers Damon D’Oliveira and Clement Virgo, have teamed up to develop FESTIVALE, Canada’s first bilingual anthology series by and about Black Canadians. . Produced for Bell Media’s Crave, FESTIVALE is a collaboration between Crave’s Francophone and Anglophone development teams and a response to the lack of black Francophone stories on mainstream television.

This groundbreaking series also serves as a BSO-administered pre-development incubator, supporting creative teams who haven’t had the opportunity to produce content for a major network. This initiative aligns with BSO’s talent development mandate to build bridges between broadcasters and content creators; connect participants to resources; and fostering relationships to cultivate strong talent pools.

“FESTIVALE is a groundbreaking experience where black Canadian writers, French and English, finally have the chance to work together on the same project,” said executive producers Marie Ka, Richard Jean-Baptiste, Damon D’Oliveira and Clement Virgo . “We can’t thank Bell Media enough for bridging the language gap and supporting this timely creative journey. We hope that this project will be the starting point for future collaborations with Bell Media, for all our participants. »

“We are delighted to support this important initiative and commend Bell Media and Crave for their openness to engaging in the work to accelerate system change,” said Joan Jenkinson, Managing Director, BSO. “The collaboration between this array of talented black writers and producers is wonderful to see, and we look forward to the outcome.”

“As Bell Media continues to work towards creating equitable creative space and opportunity, collaborations like this are critical to our collective success,” said Karine Moses, Senior Vice President, Content Development and news, Bell Media. “Thank you to this visionary executive production team and the BSO for bringing FESTIVALE to Bell Media and partnering with us to help develop and champion incredible black talent.

The incubator will also serve as a hybrid story room for writers to develop episodic ideas, with the help and experience of showrunner Adam Pettle. At the end of the process, the editorial team will have completed six drafts of the proposed anthology series and will have the opportunity to pitch it to Bell Media network executives.

In addition to Pettle, the writing room will be made up of black French-speaking writers, Kimberley Ann Surin, Josiane Blanc, as well as the writing team Kadidja Haïdara and Seydou Junior Haïdara; and three English-speaking black writers, Adeline Bird, Andrew Burrows Trotman and Anika Jarrett.

Four black French-speaking producers, Maeva Montemiglio, Malcom Odd, Sabrina Roc and Jephte Bastien; and two English-speaking black producers, Mansa Chintoh and Jose Holder, are also involved in the incubator.

Comprised of six stand-alone episodes, FESTIVALE focuses on authentic new voices that evoke the Black Canadian experience. Against the backdrop of a scorching heat wave in Montreal, the series explores themes of appropriation, identity, belonging and the transcendent nature of love, in all its forms. Each episode follows complex characters grappling with situations that reveal their humanity, grounded through their journeys that cut through stereotypes and resonate with authenticity. Episodes, whether in English or French, can also feature multilingual dialogue.

Now in pre-development, the anthology series is funded by Bell Media, with development funding from the Canada Media Fund’s Racialized Communities Pilot Project (RCPP) fund. Funding for the incubator is supported by the BSO-TD Bank mentorship program.

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The VU virtual production studio makes the buzz

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TAMPA, Florida – First, VU is pronounced “seen”.

As in, here’s a “view” of the future of multimedia production studios, located right here in Tampa Bay.

The state-of-the-art VU playfully spreads out behind not one, but two secret doors at University Mall, right next to USF.

The mood is constantly transformative, an otherwise normal concrete maintenance hallway, muralized into a spinning vortex of mystery. And so on.

It’s magic after magic at VU, a “virtual” production studio that has won Emmys, done Super Bowl commercials and worked with heavy hitters like Apple, Mercedes, John Deere and Jack Daniels.

The climax ? The main studio has a 100ft long LED screen that can “adapt” to any location, any climate or mood, a virtual passport to anywhere.

VU is a series of interconnected studios with new branches in Nashville and Las Vegas.

CEO Tim Moore’s vision, VU also has famous support in WWE superstar Titus O’Neil, who said even his wrestling boss Vince McMahon is a fan of the virtual studio.

Perhaps the best thing about VU Tampa Bay? Not only hiring local talent, but giving students from USF and other colleges the opportunity to train in a top studio.

To learn more about VU, go here.

Bell Media partners with executive production team All-Black to develop Canada’s first black-focused bilingual anthology series, FESTIVALE

0

This groundbreaking series also serves as a BSO-administered pre-development incubator, supporting creative teams who haven’t had the opportunity to produce content for a major network. This initiative aligns with BSO’s talent development mandate to build bridges between broadcasters and content creators; connect participants to resources; and fostering relationships to cultivate strong talent pools.

FESTIVAL is a groundbreaking experience where Black Canadian, French and English writers get the chance to finally work together on the same project,” said the executive producers, Mary Ka, Richard Jean Baptiste, Damon D’Oliveira and Clement Virgo. “We can’t thank Bell Media enough for bridging the language gap and supporting this timely creative journey. We hope that this project will be the starting point for future collaborations with Bell Media, for all our participants.

To view the full press release, click here.

About Bell Media
Bell Media is from Canada leading content creator with premier assets in TV, radio, digital and out-of-home media, including 35 TV stations across the CTV and Noovo networks; 27 specialty channels, including sports leaders TSN and RDS; streaming services Crave, TSN Direct and RDS Direct; the iHeartRadio Canada brand encompassing 215 music channels, including 109 radio stations in 58 Canadian markets; and the Astral display network. Bell Media is also a partner of Pinewood Toronto Studios, Grand Studios de Montréal, Just for Laughs and Dome Productions, one of North America main suppliers of production facilities. Bell Media is part of BCE Inc. (TSX, NYSE: BCE), from Canada largest communication company. Learn more at BellMedia.ca.

About Black Screen Office
BSO’s objectives are to make from Canada screen industry practices and policies fairly and free of anti-Black racism; work collaboratively with decision-makers to develop tools and strategies that enable system-level engagement and accountability; and empowering Black Canadians working in screen industries to thrive and share their stories.

For more information, visit https://www.bso-ben.ca/.

SOURCEBell Media

For more information: Joan Jenkinson | Black Screen Desk | [email protected]; Mary Costa – Envy – [email protected]

RWBY To Receive Animated Series From All-Star Production Team Rooster Teeth “Collaborates With The Japanese Team Every Step Of The Way”

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Coming full circle after creator, the late Monty Oum, sought to capture “the essence of the flat, drawn look of traditional anime” in its aesthetic and direction, Rooster Teeth has announced that their RWBY will officially receive an anime series. canon of an all-star production team.

Source: Comic Natalie

RELATED: Rooster Teeth Removes RWBY From YouTube In Attempt To Drive Traffic To New Streaming App

Officially revealed on March 25 after Crunchyroll’s premature announcement the day before, RWBY: Ice Queendom, a “cannon-adjacent” story featuring “new characters, new settings, new surprises, and (of course) new Grimms.”

Conceptualized by Gen Urobuchi, (Puella Magi Madoka Magica, Kamen Raider Gaim), RWBY: Ice Queendom will be animated by Shaft (Puella Magi Madoka Magica), directed by Kenjirō Okada (March Comes In like a Lion), and feature film scripts by Tow Ubukata (Ghost in the Shell: Arise).

The series will feature character designs conceptualized by illustrator huke (Black★Rock Shooter) and finalized for animation by Nobuhiro Sugiyama (Arakawa Under the Bridge), along with visual direction by Nobuyuki Takeuchi (Digimon Adventure: Bokura no War Game), who alongside Yoshiaki Ito (Tenchi the Movie – Tenchi Muyo in Love) and Hiroki Yamumura (Kizumonogatari trilogy) will also serve as the project’s chief animation directors.

Rounding out the production team as series composers are Nobuko Toda and Kazumi Jinnouchi (Netflix’s Ultraman).

Source: RWBY: Ice Queendom (2022), Cock’s Teeth

RELATED: RWBY Co-Creator, Writer and Voice Actor Miles Luna Announces Leaving Rooster Teeth

RWBY: Ice Queendom will also see a number of English and Japanese actors from RWBY’s main series return to reprise their roles, including Lindsay Jones and Saori Hayami as Ruby Rose:

Source: RWBY: Ice Queendom (2022), Cock’s Teeth

Barbara Dunkelman and Ami Koshimizu as Yang Xiao Long:

Source: RWBY: Ice Queendom (2022), Cock’s Teeth

RELATED: Fans Disappointed With Low Quality, High Prices Of Rooster Teeth’s RWBY Merch

Arryn Zech and Yu Shimamura as Blake Belladonna:

Source: RWBY: Ice Queendom (2022), Cock’s Teeth

Kara Eberle and Yoko Hikasa as Weiss Schnee:

Source: RWBY: Ice Queendom (2022), Cock’s Teeth

Hiro Shimono as Jaune Arc:

Source: Comic Natalie

Sōma Saitō as Lie Ren:

Source: Comic Natalie

Kazuhiko Inoue as Professor Ozpin:

Source: Comic Natalie

Aya Suzaki as Nora Valkyrie:

Source: Comic Natalie

And Megumi Toyoguchi as Pyrrha Nikos:

Source: Comic Natalie

RELATED: AT&T Apparently Seeking To Unload ‘Troubled’ Rooster Teeth

Mangaka Kumiko Suekane (Versailles of the Dead), will also be adapting RWBY: Ice Queendom as a manga for Kadokawa’s Monthly Comic Dengeki Daioh magazine.

Source: Comic Natalie

Elaborating on the series’ production in a company blog post on March 28, Rooster Teeth Head of Licensing and Consumer Products Geoff Yetter told fans, “This moment took a while to to come. Believe it or not, this new show has been in the works for nearly a decade.

“The story goes that about 8 years ago, Monty was at a convention and stopped by the Good Smile Company booth,” he recalled. “He loved their products and wanted to explore a partnership with them. While they were talking, they started brainstorming the idea of ​​creating a new side series RWBY. But rather than creating it in Austin with CRWBY, this new story would traditionally be animated in Japan by a world-class studio.

Source: RWBY: Ice Queendom (2022), Cock’s Teeth

RELATED: Rooster Teeth Announces Several New Content Partners, Including YouTuber Grace Randolph

He continued, “Fast forward a few years and here we are, bringing this incredible new vision to life with some of the biggest names in anime: BANDAI NAMCO Arts, Good Smile Company, SHAFT and Crunchyroll, with additional support from Warner. Bros. Japan and KLab, Inc. Not only that, but we assembled a dream team of anime heavyweights for the core creative team,”

“And of course,” added Yetter, “Kerry Shawcross, Eddy Rivas, Erin Winn and Christine Brent of Rooster Teeth have collaborated with the Japanese team every step of the way.”

Source: RWBY: Ice Queendom (2022), Cock’s Teeth

Noting that the two fans likely had “a ton of questions” regarding the show, while being suspicious that many of them he was “not authorized to answer yet”, Yetter then decided to answer two of the top inquiries from the RWBY fandom.

“First, the world of RWBY: Ice Queendom is NOT an alternate universe or a reboot,” he wrote. “Although the story is set in the same universe as the main series, we call it ‘adjacent canon’.”

Source: RWBY: Ice Queendom (2022), Rooster Teeth

RELATED: Rooster Teeth’s Gen:Lock Diversifies Writers’ Room to Support Michael B. Jordan’s #ChangeHollywood Inclusion Campaign

“The new show is incredibly faithful to the original, while taking some fun new liberties to switch things up a bit,” Yetter explained. “The first two episodes of RWBY: IQ will recap V1 – V2 before kicking things off into a bold new adventure, full of new characters, new settings, new surprises, and (of course) new Grimms.”

He then teased, “Not only that, but you’ll also see a ton of familiar faces. While the changes to existing RWBY content aren’t technically considered canon, it’s a story that could absolutely exist alongside other RWBY content – we just wanted the Japanese team to be able to have as much fun as they did. wished. Now, as for the story of the series…well, you’ll just have to wait and see!

Source: RWBY: Ice Queendom (2022), Cock’s Teeth

Moving on to the next burning question on the minds of RWBY fans, Yetter wrote, “Second, I’ve seen a lot of questions about when and where the show airs. The show will be released this summer; we will share the exact release date in the near future.

“It will premiere on Japanese television, with subtitled and dubbed versions available the same day to the public on Crunchyroll and Rooster Teeth FIRST,” he confirmed. “New episodes will be released every week. It’s also worth noting that the episodes will follow traditional anime runtimes.

Source: RWBY: Ice Queendom (2022), Cock’s Teeth

Are you interested in RWBY: Ice Queendom? Let us know your thoughts on social media or in the comments below!

NEXT: Rooster Teeth Announces Ongoing Removal Of Old Content “We No Longer Feel Comfortable Hosting On Our Platforms”

Genre Film Production Company Prioritizes Underrepresented Communities

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(The Magazine Plus Editorial): – Lancaster, Calif. March 19, 2022 (Issuewire.com) – Yom Hadin® Productions, LLC, a film, animation and television production company, aspires to tell original and compelling stories that center the voices of black and indigenous creators. Led by Dr. Odean P. Lawrence, Yom Hadin® Productions draws inspiration from beloved fandoms like “Lord of the Rings” and “Harry Potter,” but examines the hero’s journey and epic coming of age from from a new and diverse angle.

The company strives to expand the typical Hollywood narrative by inviting Black and Native American artists and Black and Native American filmmakers to share their artistry. Referring to “Mita Ike,” a new book of Cherokee folklore that Lawrence plans to adapt for the big screen, he comments, “We want to expand people’s worldview and get into the hidden history of Native Americans. By allowing audiences to explore areas that are currently unexplored, our viewers will feel like they are discovering something new.

Lawrence cites the commercial and critical success of “Black Panther” as an important benchmark for black culture entertainment and a model for his company’s work. “The Zimri Family”, a major film currently in development, will be Yom Hadin® Production’s feature debut – an adaptation of Lawrence’s popular novel.

“The Zimri Family” is set in ancient Persia, where tensions rise between two dark kingdoms. The Zimris prepare to battle marauders, assassins, an evil king, and a magical tribe known as the Tophethites. The film is slated for worldwide release and seeks to launch a new blockbuster movie franchise centered around a strong black family. See the movie teaser here.

Lawrence says, “Our goal is to create compelling stories that are more original in film and animation. Additionally, by selecting certain classic novels and/or original manuscripts for film adaptation, we will take readers and viewers on a lasting journey that will leave them with both a love of the experience and an insatiable desire to learn more. .

Lawrence and the Yom Hadin® team share an unparalleled passion for the art and craft of filmmaking. “The director develops meticulous camera angles and high-quality sound logic to focus the action and draw you in.” It describes a great director’s ability to grab an audience and transport them from scene to scene while keeping them on the edge of their seat. “It’s magic at its best.”

The upcoming page-to-screen adaptations mark the start of an exciting lineup of diverse cinematic stories. With these major projects in the works, Yom Hadin® Productions continues to stand out as a bold new player in the entertainment landscape. Potential collaborators and investors can contact Yom Hadin® Productions at o[email protected]. For more on ‘The Zimri Family’, ‘Mita Ike’ and all current projects and productions, visit yomhadinproductions.com.

Chicago Production Studio Real Estate in Chicago

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WHY IT’S IMPORTANT

What you will learn:

  • As demand for studio space in Chicago far exceeds supply in an ongoing entertainment boom as Netflix, Amazon Prime and other content providers deliver new shows for binge-watching customers, how are today’s TV and film studios expanding their footprint to meet demand? What new studios are in development?
  • With new production studios in the works, how could Chicago become one of the best movie production locations in the country?
  • What kind of ripple effect do production studios create on the local economy? What other opportunities does the growing film industry provide for Chicagoans and local businesses?
  • Since 1980, more than 1,100 feature films and television productions have been filmed in Chicago, contributing $2 billion in local revenue. How could a recent change to the Illinois Movie Tax Credit potentially double Illinois film and movie production business to $1 billion a year?
  • What is the “Chicago Made” initiative and how could it strengthen Chicago’s television and film industry?

How you will do more business:

Chicago is a world-class destination for film, television and advertising production. Chicago is home to a thriving motion picture industry with a nationally renowned base for crew personnel, actors, and industry suppliers. Join industry leaders in Chicago as they discuss how owners and developers are capitalizing on Chicago’s growing movie industry. Find out where there is room for opportunity and where to capitalize on these trends. Join us and the best in the region as we dive deep into the market and analyze the trends impacting its growth.

Who attends: Brokers, owners, developers, investors, construction, designers, architects, financial institutions, government officials and more!

Why should you participate: Bisnow events bring together the biggest players in the industry to identify opportunities, grow your network and grow your business. With the largest number of commercial real estate professionals in the world, no one knows how to help your business better than us. Join Bisnow as we jump into the Chicago market to analyze its strengths and strategize on its areas of opportunity.

For questions, recommendations, comments or press inquiries, please email our Senior Event Producer, Elliot Dvorin at [email protected]

OUR COMMITMENT TO YOUR SAFETY

We hosted over 72,000 live and in-person attendees worldwide in 2021. Our commitment to safety is no different in 2022. Our events adhere to all local Covid-19 regulations and protocols. In the interest of the safety of all our guests, we recommend that you take a rapid test or PCR to prove negative results before attending a gathering.

We will notify attendees if any rules are updated prior to this event. We look forward to welcoming you soon to do what we do best: network, connect and engage to do more business.

ACTOR ANTHONY MACKIE BUYS 20 ACRES TO BUILD A PRODUCTION STUDIO IN HIS HOMETOWN OF NEW ORLEANS

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By BOTWC Staff

Actor Anthony Mackie

Actor Anthony Macky recently purchased 20 acres of land to build a production studio in New Orleans, black business reports.

Mackie is originally from New Orleans and got his start as a trained actor at the New Orleans Center for Creative Arts. Recently, the Captain America star has moved from in front of the camera to behind it, producing hit films such as ‘The Banker’ and ‘Outside the Wire’. Now the veteran actor is bringing his talents home, striking a deal to buy 20 acres of land in East New Orleans, in hopes of building a film and television production studio.

NOLA Mayor LaToya Cantrell praised Mackie’s efforts, noting that developing projects in the state could be a major boost to the local economy and community. As Mackie spoke through his agent, saying the deal was too recent to discuss specifics, the actor secured land on the I-10 service road near the Little Woods neighborhood.

The new studio will support Louisiana’s rapidly growing film and television industry, providing development, production, intellectual property acquisition and marketing opportunities. Nor is Mackie the only Hollywood star to have set his sights on the southern city, New Orleans native Tyler Perry is also looking to build a movie studio in his hometown.

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Councilman Oliver Thomas also voiced his support for Mackie, seeing East New Orleans as a prime area to build a new Hollywood branch.

“Years ago we said we were Hollywood South. I think maybe we’re finally able to get there and New Orleans East is the base for that to happen…Having Captain America and its brand and star power, I think that helps support all the other investments,” Thomas says.

Congratulations, Anthony! We are excited to see how your new business will develop!

Photo courtesy of Shutterstock

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Web Playlist series production studio has a busy year ahead

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The poster for the Seezn series “Juvenile Delinquency” (2022) [SEEZN]

Playlist will feature 13 shows this year, the webseries production studio announced on Monday.

The first was the black series “Hope or Dope”, which was launched on the video streaming platform Seezn on March 25. The story follows an 18-year-old girl, played by actor Won Ji-an, who hides out in the countryside after being used as a drug mule by her parents. She meets a local boy, played by actor Yoon Chan-young, and his friends, and discovers a field of marijuana plants.

“Newnormalzine,” a series about female online magazine editors, will launch in the first half of 2022. Other series, including the romantic comedy “While You Are Drunk” (translated), the fantasy “World Cup Baby ” and “Unfollow” on Instagram’s star influencers, will follow. The studio is currently in negotiations to find out which streaming platform will distribute them.

Several series will be based on Naver Webtoons and web novels, such as “Weak Hero”, “Seasons of Blossom”, “Secret Playlist”, “Back to You” and “Deal” (translated).

A romantic series titled “From Somenam to Getnam” (translated) will select 10 episodes from famous web novel authors and recreate them into a single series.

“This is the year that Playlist started to officially introduce original content and well-made medium-to-long dramas,” production studio CEO Park Tae-won said. “This will be the first year that Playlist becomes not just a series production company, but a full studio.”

Playlist was founded in 2017 by Naver Webtoon and Snow, a software subsidiary of Naver. She has 14.9 million subscribers worldwide.

BY HALEY YANG [[email protected]]

Icon Agency opens a new production house with Auslan Studio: The Content Garden

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When Ben Van Raay sits in his editing chair, he’s the same as every other film editor in the business.

“I like being able to be exactly who I am,” says Van Raay. “I can be creative and push the boundaries of what I can do as a person, without limits.”

Van Raay, who is in a wheelchair, works with Wallara, a disability service provider. He has been working to build his career as a videographer and video editor since taking Wallara’s video editing course in 2014.

But too often, their career development is limited by an industry that is not designed to meet their needs. He will be hired for a shoot only to find out the location or the studio is not wheelchair accessible, or he is in a place where he cannot go, or the tables will be badly positioned, or the equipment will not be height adjustable.

“Inclusion is more than putting up railings and having accessible restrooms,” says Jay Pinkster, Head of Digital Communications at Wallara.

“To be truly inclusive, companies need to be flexible and innovative in how they recruit and support people with disabilities.”

The benefits of diversity and inclusion in advertising and marketing are clear. According to a 2019 Google poll64% of consumers were motivated to buy products after seeing an ad they considered diverse or inclusive.

Beyond consumption Microsoft released a study that found that companies running inclusive ads are considered “more trustworthy” by 68% of women and 60% of men.

Many production companies have begun to incorporate diversity and inclusion into their casting and creative processes and representation in content – ​​the content that audiences see – has improved. But creative diversity – the contributors or creators “behind the screen” – has lagged.

“Research, time and time again, has proven that a true culture of diversity and inclusion in the workplace improves productivity, staff retention and job satisfaction,” said David Bartlett, CEO of LOTE Agency .

“I honestly believe that there is a strong level of motivation within the advertising industry to improve cultural diversity in front of and behind the lens, however, there remains a degree of anxiety or nervousness as to how to achieve it.”

That’s why, when Icon Agency acquired its new creative production center, The content gardenhe has worked with LOTE agency and Able Australia on how to create an inclusive and accessible space.

Located in Richmond’s iconic Rosella complex, The Content Garden is outfitted as a fully agile Auslan studio, with specialist equipment to create video and audio content for deaf, blind and deaf/blind audiences; all within an establishment welcoming people with reduced mobility.

“We know that diversity and inclusion in content production and creation is key to ensuring the content itself reflects the lived experiences of diverse audiences,” said Icon Group Managing Director Joanne Painter.

“We’ve made a conscious effort to make our facilities inclusive, but even then some aspects have eluded us,” Painter added.

It wasn’t until we spoke to Ben at Wallara that we realized there were things we had missed, like wheelchair accessible bathrooms. That’s the value of inclusion throughout the production process – it allows everyone to see the project from a different perspective.

“Creating a more accessible world means taking a broader view of our community and spending time discovering what will work best for everyone,” says Chandi Piefke, National Director of Marketing and Engagement at Able. Australia.

“The Content Garden in Richmond is a small example of what is possible. By making the space more accessible, a wider range of people and voices can also join the group. This can only lead to richer content that will benefit everyone.

Working with colleagues at Able Australia and partners at The LOTE Agency, the Icon team learned a lot about effective creative diversity policies from The Content Garden, including:

Consult, consult, consult.
The first thing any production team should do is talk to experts to understand the needs of a diverse and inclusive production company.

“People may not realize the aspects of the process that are difficult for people with disabilities,” says Meredith Prain of Able Australia, who is visually impaired.

“For example, because I can only access part of the screen at a time; attend large meetings with more than 20 participants, it is very difficult to know who was speaking. It’s also very difficult to see documents shared in meetings, so I have to be prepared and open the document on my desktop. »

Invest in adaptive technology.
Often teams will need to invest in adaptive technology and processes to support people with different needs. For Bella Firth, a Wallara creative designer with cerebral palsy, the team had to purchase a custom mouse and keyboard that creates a separate on-screen keyboard.

“I need to be able to use the mouse with two hands, so this mouse allows me to draw and type on the computer,” says Firth.

Talk about diversity and inclusion.
It’s not enough to have policies – to attract talent, you have to talk about creative diversity and what you do to support it.

Think about how you hire.
Creating work experience and internship opportunities can help people with no previous experience learn and grow.

“Neurologically diverse people may need to transition into employment rather than starting abruptly,” says Jay Pinkster.

“Creating opportunities for work experience, internships and reduced hours in the first place can help create more accessible pathways to employment.”

Representation means all sectors of society.
While diversity of race, gender, sexuality and religion is vital, diversity also means including people with various disabilities, from all age groups and socio-economic diversity.

According to Facebookpeople with disabilities were significantly underrepresented in online ads (1% of ads reviewed), as were members of the LGBTQ+ community (0.3%).

A study 2021 estimates that a person may encounter up to 10,000 advertisements per day. Each of these advertisements not only sells a product or idea, but can also shape attitudes and change behaviors.

Ads can make us see similarities rather than differences, abilities rather than handicaps, and opportunities rather than limitations. But we can only create these ads if the people behind them have the lived experience to tell real stories, in a real way.

Learn about The Content Garden, Victoria’s newest for rent video production and studio complex, in the heart of today’s Cremorne.

Tammy Williams to own $135 million production studio in Atlanta – Deadline

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Tammy Williams is the majority owner of a new television studio in Atlanta. Until now, Tyler Perry was the only black person to own a studio in the state, but this deal makes her the first black woman to own a $135 million studio and post-production facility.

According to black business, has been working to make this happen for over ten years. She says, “We’ve been patient,” she said. “It wasn’t an overnight thing, this vision for us.” Williams has over two decades of experience in the entertainment industry producing and directing primarily Christian content. She collaborated on this deal with her business partner Gary Guidry, CEO of G-Square Events, founded by Cinema South Studios.

They will begin innovating in March for Cinema South studios located in northern Fayette County. With 60 acres, the studio is fully equipped with 11 sound stages, a back lot, a lighting and grip rental house, props and a cabinet. The production facility will include a transportation company and an office building to house a theater and post-production. Williams is ramping up construction of the studio and aims to have things semi-operable by early 2023.

“The demand for sound stages is happening globally, and ownership rarely looks like us, let alone an African American woman,” Guidry said in an official statement, AJC reports. “When I choose to invest, I assess the needs of the business and the property. Investing in Tammy Williams and her team of professionals convinced me to purchase the land in Fayetteville, GA.

In Flames’ Björn Gelotte: Why we used the same production team for the next album

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IN FIRE guitarist Bjorn Gelotte confirmed that the group’s next album has again been recorded with grammys-designated producer Howard Benson and Howardlong-time engineer Mike Plotnikoff.

jelly discussed the progress of the recording sessions for IN FIRE‘ fourteenth studio album while participating in an online video chat on “The metal tour of the year” Instagram March 14.

“We just recorded [our new album]in fact,” Bjorn said (as transcribed by BLABBERMOUTH.NET). “We returned three days before coming [to Germany to start rehearsing for the currently ongoing U.K. tour]. We worked [in Los Angeles] with Howard Benson and his team. It’s really, really good, and it suits us perfectly. The weather – January in Sweden is not much fun, and January in Los Angeles is amazing.”

Ask if Benson has its own recording studio in California, jelly said: “He has a few [of studios], in fact. It’s like a house where he has a few rooms, it’s the studio. And that’s where we do all the guitars and basses and drums and stuff. But he does all the singing at home; he has his own studio set up there. So [IN FLAMES singer] Anders [Fridén records his vocal tracks] there, and I’m in the house with Mike Plotnikoff, working on riffs and stuff. Yeah, that’s awesome. This is the third disc that we [have done] with them, and it works really, really well for us.”

IN FIRE2019 follow-up “I, the mask” is due later in the year. The upcoming album will mark the band’s recording debut with American drummer Tanner Waynebest known for his work with UNDER-SPIRIT, SCARY CHILDREN SCARY CHILDREN and CHIODOS. wayne joined IN FIRE following the departure of Joe Rickardwho played on “I, the mask” and 2016 “Battle”.

Tanner made his live debut with IN FIRE in July 2018 in Brno, Czech Republic.

Long duration IN FIRE drummer Daniel Svensson announced in 2015 that he was leaving the band to focus on his family life.

IN FIRE‘ the current lineup includes American bassist Brice Paulwho has played most shows with the band since longtime bassist Pierre IwersReleased November 2016.

Three years ago, IN FIRE guitarist Nicolas Engelin stopped touring with the band to focus on “personal business”. Replacing it since then has been old MEGADETH and current ACT OF CHALLENGE guitarist Chris Broderick.

In August 2020, IN FIRE released a special 20th anniversary edition of their critically acclaimed seminal album “Clayman”. “Clayman 20th Anniversary Edition” came fully remastered by Ted Jensen (PANTHER, DEFTONES, GOJIRA) and featured all-new artwork in a 16-page booklet, an all-new instrumental mix as well as four re-recorded versions of fan favorites such as “Only for the weak” and “Pinball Card”.

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BJÖRN GELOTTE FROM IN FLAMES: why we used the same production team for the next album

0

IN FIRE guitarist Bjorn Gelotte confirmed that the group’s next album has again been recorded with grammys-designated producer Howard Benson and Howardlong-time engineer Mike Plotnikoff.

jelly discussed the progress of the recording sessions for IN FIRE‘ fourteenth studio album while participating in an online video chat on “The metal tour of the year” Instagram March 14.

“We just recorded [our new album]Actually,” Bjorn said (as transcribed by BLABBERMOUTH.NET). “We returned three days before coming [to Germany to start rehearsing for the currently ongoing U.K. tour]. We worked [in Los Angeles] with Howard Benson and his team. It’s really, really good, and it suits us perfectly. The weather – January in Sweden is not much fun, and January in Los Angeles is amazing.”

Ask if Benson has its own recording studio in California, jelly said: “He has a few [of studios], Actually. It’s like a house where he has a few rooms, it’s the studio. And that’s where we do all the guitars and basses and drums and stuff. But he does all the singing at home; he has his own studio set up there. So [IN FLAMES singer] Anders [Fridén records his vocal tracks] there, and I’m in the house with Mike Plotnikoff, working on riffs and stuff. Yeah, that’s awesome. This is the third disc that we [have done] with them, and it works really, really well for us.”

IN FIRE2019 follow-up “I, the mask” is due later in the year. The upcoming album will mark the band’s recording debut with American drummer Tanner Waynebest known for his work with UNDER-SPIRIT, SCARY CHILDREN SCARY CHILDREN and CHIODOS. wayne joined IN FIRE following the departure of Joe Rickardwho played on “I, the mask” and 2016 “Battle”.

Tanner made his live debut with IN FIRE in July 2018 in Brno, Czech Republic.

A long time IN FIRE drummer Daniel Svensson announced in 2015 that he was leaving the band to focus on his family life.

IN FIRE‘ the current lineup includes American bassist Brice Paulwho has played most shows with the band since longtime bassist Pierre IwersReleased November 2016.

Three years ago, IN FIRE guitarist Nicolas Engelin stopped touring with the band to focus on “personal business”. Replacing it since then has been old MEGADETH and current ACT OF CHALLENGE guitarist Chris Broderick.

In August 2020, IN FIRE released a special 20th anniversary edition of their critically acclaimed seminal album “Clayman”. “Clayman 20th Anniversary Edition” came fully remastered by Ted Jensen (PANTHER, DEFTONES, GOJIRA) and featured all-new artwork in a 16-page booklet, an all-new instrumental mix as well as four re-recorded versions of fan favorites such as “Only for the weak” and “Pinball Card”.

Northman production team win award for their work with Nicole Kidman, Ethan Hawke and Willem Dafoe in counties Donegal, Antrim and Sligo

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The Production Guild of Great Britain (PGGB) will celebrate the winners of the 2022 PGGB Awards in association with Warner Bros Studios Leavesden tomorrow evening, as the UK industry comes together to recognize the outstanding achievements of Production Guild members working in film or dramatic television within the production office, accounting, sets, production assistant, post-production and VFX.

Six prizes will be awarded at the scintillating ceremony hosted by comedian and TV presenter Patrick Kielty tomorrow night (Saturday March 26) at The Grove in Hertfordshire – including the prize won by the team behind the Viking epic – The Northman.

Dan Dark, EVP Warner Bros. Worldwide Studio Operations said: “It has been a fantastic year for UK production with so many PGGB members making such an outstanding contribution to the industry. I am especially pleased to see how our industry recognizes the importance of diversity and equality and strives to make all areas of our business more inclusive. This year’s awards will be a great opportunity to come together in person and celebrate the incredible achievements of our talented winners.

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Director Robert Eggers and crew on the set of THE NORTHMAN (Credit Aidan Monaghan copyright 2022 Focus Features, LLC)

The PGGB Film Production Team of the Year Award, sponsored by Panalux, went to the production team behind the action-packed Viking epic The Northman (New Regency/Focus Features). PGGB Members Mark Huffam (Producer), Peter Eardley (Financial Controller), Naomi Liston (Supervising Location Manager) Darren Chesney (Production Manager), Nikki Chamberlain (UK Production Accountant), Tom Boardman (Payroll Accountant), Barry McGoniglet (Assistant Accountant ) and Jakub Malar (assistant accountant) receive the award for their outstanding work on the action film set in 10th century Iceland.

When the UK went into lockdown just days before principal photography for The Northman began in March 2020, director Robert Eggers and crew were quarantined in Belfast to rethink practices and schedules of production, designing innovative solutions to Covid security challenges and navigating arrangements with a national multi-distribution that included Alexander Skarsgård, Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Björk and Willem Dafoe.

With overseas locations off the table due to travel restrictions, the team set out to recreate the Scandinavian aspect of the film here in Ireland, redesigning locations and building sets and preparing everything from costumes and props to horse training and armory safety during close. Three-month filming finally began in August 2020 at Belfast Harbor Studios and on location in Torr Head (County Antrim) where a full Viking village has been constructed. Other locations included Five Finger Strand (County Donegal) and The Gleniff Horseshoe (County Sligo). The Northman will be released in the UK on April 15 and in the US on April 22 via Universal Pictures UK.

Jury Chairman, Producer and Executive Producer Callum McDougal (1917, Spectre) says: “The Northman was the first major feature film to shoot in Northern Ireland during COVID-19. It was an absolute trailblazer, sending a sign around the world that we could continue to work safely in this country and successfully deliver the film. The team truly went above and beyond, showing an exceptional degree of resilience and ingenuity while staying true to the film’s original concept.

Ethan Hawke stars as King Aurvandil in director Robert Eggers’ Viking epic THE NORTHMAN, a Focus Features release. Credit: Aiden Monaghan / © 2021 Focus Features, LLC

The full list of 2022 PGGB Award Winners is as follows:

The PGGB Film Production Team of the Year Award sponsored by Panalux: The Northman (New Regency/Focus Features)

Special Mention: Rocks (Fable Pictures/BFI/Film4)

The PGGB High-End TV Production Team of the Year Award sponsored by Netflix: The North Water (see Saw Films/BBC)

Special Mention: Suspect w/t (Eagle Eye Drama/Channel 4)

The PGGB Inspiration Award sponsored by BCD Media and Entertainment: Samantha Perahia MBE, Head of Production UK, British Film Commission

Special mention: Lynn Saunders, head of the Liverpool Film Office

The PGGB Diversity and Inclusion Champion Award sponsored by Equals Money: Emily Stillman (Senior Vice President, Studio Operations WBSL) and actress Charlotte Riley, The WonderWorks

Special mentions: Channel 4’s “Black to Front” campaign; the Film & TV Charity’s mental health campaigns; Jules Hussey (Brazen Productions); Nahrein Kemp (ITV Creative Diversity Partner), Digital Orchard Foundation; Sky Productions for The Rising

The PGGB Spotlight on New Talent Award sponsored by MBS Equipment Co: Fay Mohamed

Special Mention: Elizabeth Perkins

The PGGB Contribution to the Industry Award sponsored by Warner Bros. Leavesden Studios: Barbara Broccoli and Michael G. Wilson, EON Productions

How and Why to Become a Filmmaker

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How and Why to Become a Filmmaker

Videos are ubiquitous in today’s environment, appearing on television sets, movie theater displays, and computers and cellphones. While some promote goods and services, others champion political and social concerns. Numerous films are created to educate or entertain an audience, and some accomplish both.

Since videos may include both images and sound, they can swiftly transmit a large amount of information, making cinema a very effective communication medium.

If you have ideas or tales to share with the world, you may like to pursue a career as a filmmaker. According to the federal Bureau of Labor Statistics, the typical wage for producers and directors in the United States was $76,400 in 2020, which forecasts that the number of film producers and director employment in this nation would increase by 24 percent in 2030.

Meanwhile, the bureau reports that the median wage for camera operators and film or video editors in the United States was $61,900 in 2020 and that employment in that field is expected to grow by 29 percent by 2030.

The Different Types of Filmmakers and How They Collaborate

The filmmaker is a broad word that incorporates a variety of occupations within the film business. It could theoretically be used to apply to anybody engaged in producing a film. At the same time, experts say the phrase usually refers to someone who is either a director or a producer. Jobs in the film are diverse, ranging from technical occupations such as lighting design and sound engineering to creative ones such as animation and screenplay.

While both directors and producers are classified as filmmakers, their jobs are unique. According to experts, directors usually take the lead on aesthetic decisions, and producers typically have the last say on all financial and logistical issues. A director’s objective is to make the picture as fascinating as possible, whereas a producer aims to maximize the film’s profits.

According to actress, writer, and filmmaker Jennifer Lieberman, a director’s role is to “breathe life into a tale, take it off the page and transform it into a cinematic experience.” At the same time, a producer’s responsibility is more administrative. If you need more cash to start a business of filming you can visit a popular Direct Lenders site like Bridge Payday.

The Film Industry’s Entry Points and the Reasons for Making Films

It is possible to succeed as a filmmaker even if it was not your life ambition. Brent Florence – who wrote, produced and acted in the award-winning films “Eagles in the Chicken Coop” and “A Girl, Three Guys, and a Gun” – claims he found his gift for filmmaking by accident while pursuing his love in surfing.

Florence was touring the globe as a semi-professional surfer and wanted to highlight his sport in a film; the video he ultimately produced – “One Track Mind” – garnered worldwide notice.

Florence, a graduate of the University of Southern California’s School of Cinematic Arts, believes that someone who is captivated by a specific subject has a unique perspective on it and is not afraid to voice a unique viewpoint has the potential to create a riveting film. The most critical trait that a prospective filmmaker must possess is the capacity to view the world differently and the guts to communicate that perspective without concealing one’s eccentricities.

Florence adds that a curious and adventurous mentality is also advantageous.

“You develop your perspective on something, you’re pulled to it, you see it the way you see it, and then you trust it and allow yourself to act on it,” he recommends.

According to several filmmakers, their ambition to produce films began throughout their youth. Rodger Pittman, an award-winning screenwriter, director, and producer who created Scarborough Pictures, claims his love for movies started when he was a child.

“My family is from India, namely Mumbai, which, as you’re probably aware, has a thriving movie culture thanks to Bollywood, and it’s always been a significant part of my life,” says Pittman, who obtained a Bachelor of Fine Arts in film production from York University in Canada.

“Movies always surrounded us, and we had an abundance of VHS recordings. My father is an avid moviegoer. Thus, it developed into a passion for me at a young age, and it continued with me when we moved to Canada.”

Ervin Chan, a prize-winning documentary filmmaker whose latest feature-length film “This Ain’t Normal” was nominated for an Emmy for Outstanding Social Issue Documentary, says his creative motivation stems from his conviction that some elements of society are often overlooked. “By spotlighting tales that have been overlooked or disregarded in the past, I’m attempting to give voice to the underprivileged and underserved.”

Chan, a Trinidad native and graduate of Boston University’s broadcast department, adds that one of the ways he got his start as a filmmaker was by making movies for a community access television station. He advises other young filmmakers to follow suit.

According to experts, although attending film school is not required for a career as a filmmaker, it is often helpful, particularly for those who can acquire a film degree without incurring considerable student debt. Film school may improve networking, offer access to cutting-edge film equipment, make entry-level jobs in the profession more accessible, and provide invaluable training from expert filmmakers.

“It is quite possible to succeed as a filmmaker without formal education, but you must be a self-taught student of cinema,” director and Baltimore native Richard Robertson noted in an email. “Constantly observing, practicing, gaining access to sets, and attempting your hands at all levels. Nobody becomes a director overnight (well, very seldom), so you must work your way up and establish yourself as a trusted contributor.”

Jennifer Lieberman – an actress, writer, and filmmaker with a bachelor’s degree in philosophy and English literature – chose a writing-related degree over a film degree because she hoped to employ her writing abilities while creating films. Regardless of a prospective filmmaker’s academic background, Lieberman, creator of “Make Your Break,” an organization that assists independent creative workers in developing their employment possibilities, adds.

“In my experience, the individuals who have the greatest longevity and success have grabbed the reins, developed their projects, established their production businesses, and are not dependent on others to provide them with work,” she adds. “They create jobs for themselves. They are self-employed.”

Numerous enormously successful directors have founded their production firms. Tyler Perry Studios, for example, was founded by millionaire entertainer Tyler Perry, producer of blockbuster films such as “Diary of a Mad Black Woman.”

How to Choose a Film School and Get Accepted

Potential filmmakers who are confident of their interest in a particular sector of the film business, such as advertising, television, or feature films, might use this information to reduce their selection of suitable film schools. As Florence advises, prospective film students should seek institutions in intriguing areas where they feel at ease since the site of their studies will serve as the “primary character” in the tale of their time in film school.

One of the pleasures of film school for aspiring filmmakers is the chance to “be thrown into a bunch of likeminded individuals,” Florence recommends, adding that film school classmates may become long-term collaborators and friends.

Pittman, who was rejected from film school the first time he applied but was admitted on his third attempt, believes the first rejection was a gift in disguise since it gave him time to decide what sort of artist he wanted to be before enrolling.

“Getting into these institutions is tough,” he explains, noting that his film program exposed him to “global cinema” and gave him access to high-quality equipment. “They have their stringent techniques of gatekeeping. They may be rather expensive, which creates significant concerns of privilege when it comes to attending film schools.”

The majority of top-tier film schools ask prospective students to submit work examples. For example, applicants to New York University’s Tisch School of the Arts’ undergraduate film and television program must submit a five-part creative portfolio; the same is valid for graduate students applying to the school’s Master of Fine Arts in the film production program.

The First Steps Towards Becoming a Filmmaker

Determine what you want to convey through audiovisual medium and begin trying. “Decide why you want to produce films and what tales you want to convey,” self-taught filmmaker C.M. Conway stated in an email. Conway, who wrote, directed, executive produced, and co-starred in the upcoming feature film “How to Fail in Hollywood Successfully,” recommends beginning with a short film. “Many individuals are capable of recording with a contemporary phone and editing using free, open-source software. You may cooperate with other filmmakers by contacting a film club or community.”

Begin filming everywhere and whenever you get the opportunity. According to Harry Wilcox, a filmmaker with over three decades of expertise specializing in commercial production. He stated, “ABC: Always Be Creating in one email.” “Whatever your age, if you want to pursue a career as a filmmaker, you should seize every chance to produce material. You have no reason not to, given that your phone is equipped with a high-quality camera. 

Indeed, the camera on my phone is superior to the one I began using when I initially entered the firm. Free applications allow you to edit directly on your smartphone, and if you’re connected to a network or have WIFI access, you may share your work online. It’s straightforward.”

Consider attending a reputed film school. If this is the case, compile an attractive portfolio. “Going to college will provide you with insider access to jobs that others do not,” Wilcox explains. “You’ll get access to internships and other paid jobs that are not visible to the general public. In this game, experience is everything. You need the experience to get further employment, but you cannot obtain an additional job until you have experience. Catch-22.”

Create a reel to demonstrate your abilities to prospective employers. “No one, and I mean no one, will employ you until you can demonstrate your ability to produce work,” Wilcox adds.

Develop marketable talents for the film business. Conway adds that filmmakers must be adept at not just technical elements of filmmaking, such as camera kinds and recording procedures, but also at storytelling and marketing. Robertson believes that a harsh temperament is required for a job as a filmmaker, given the occupation often needs irregular hours. 

“You must also be a good listener; a good set leaves no place for ego,” he adds. “Everyone, from the production assistant to the director, is there to contribute, so accept advice from everyone you meet. You will never, and should never, believe that you know everything simply because you do not.”

Acquire a low-level film job, demonstrate your abilities, and progress to higher-level ones. “Whichever path you choose, you must recognize that you must begin at the bottom and work your way up through time,” Wilcox explains.

Maluma launches production company Royalty Films – Billboard

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Maluma is ready to make a splash in the filmmaking world, making his filmmaking debut with “Mojando Asientos” and unveiling his new production company Royalty Films.

Co-directed by Cesar “TES” Pimienta and Rayner Alba “PHRAA”, the music video for the song, which was shot in the star’s hometown of Medellín, is the company’s first-ever release. TES and PHRAA are the first creators to join Royalty Films, which was created by Maluma to support new Latin creations in the fields of music, film, television and commerce.

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“I’m excited to start my own production house Royalty Films who will create videos for my music and my foundation as well as other projects, including those of other artists,” the chart-topping artist said in a statement. communicated. “Royalty Films was a dream we wanted to accomplish and now we have the in-house expertise and talent and I am happy to collaborate with TES and PHRAA who know me so well and believe in my vision. I am very grateful to all directors who have worked with me in the past and from whom I have learned so much and who have inspired me.

Going forward, Maluma will direct and produce almost all of his music videos. Additionally, through Royalty Films, he aims to provide opportunities for young creatives who are part of his foundation, El Arte De Los Sueños, and produce stories that “have not been told as Latinos and continue to disrupt visually by working with up-and-coming talent, who want creatives to step out of their comfort zone,” according to a press release.

An entrepreneur in every sense of the word, Maluma recently launched the Royalty fragrance line, comprised of four fragrances for women and men, and his first fashion collection for men and women in partnership with Macy’s.

Currently, the “Hawái” singer is taking part in his European tour Papi Juancho and is also working on his next album. “Mojando Asientos”, produced by The Rude Boyz, is the debut single from the set due out later this year.

A young director realizes her dream of having her own production company

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According to a study conducted by San Diego State University and the Center for the Study of Women in Television and Film, women make up less than 25% of all directors, writers, producers, executive producers, editors and cinematographers working on television. the 100 highest-grossing films. in 2019. Despite those odds stacked against her, Nachela Knox turned her dreams into reality by starting her own production company, GotGetHer Productions.

As a child growing up in Cornelius, North Carolina, Knox said she always had a passion for theater and film. She said her mother traveled hundreds of miles to drive her to different auditions all over town and in nearby communities. Knox said that although she impressed the directors and other staff during auditions, growing up in a single-parent household, they often couldn’t afford it.

“It looked like I would go to the audition and they would still want me, and then we got to the financial part and we couldn’t do it,” Knox said. “So it’s something that I’ve been pursuing for the longest time because it’s the only thing that interests me… I’ve never done sports, it’s always been acting, acting, acting. “

Always fascinated by drama and theater and determined to make it happen, after high school Knox attended UNC Greensboro (UNCG) where she majored in acting, but after her sophomore year Knox decided to switch specialty for cinema. “I auditioned for the BFA (Bachelor of Fine Arts) program at UNCG and didn’t get in,” Knox said.

“I didn’t know what I was going to do, but everyone kept telling me I would be a good director…and honestly, I ran from that the longest because I had the feeling that if I had started directing it was because I had failed as an actress. But when I finally made the decision to change my major and started to learn more and to doing more things gave me a different feeling and I liked that feeling more because when you’re directing you’re controlling and you’re not doing anything. I don’t have that as an actor.

Knox said that in college she discovered a world she didn’t know existed. She said that by connecting with the Triad acting community, she learned about the world of independent cinema and how to create and distribute her own content.

After college, Knox returned to her hometown. Although she has released several shorts and collaborated with production companies large and small, Knox said she was not satisfied. “The thing they don’t tell you in film school is that just because you have a film degree, you can call Tyler Perry Studios and have a job,” Knox continued.

“If you go to school to be a doctor, by the time you graduate you can apply to be a doctor…you can’t do that in a movie. So it was very frustrating to be at home and not be able to do what I love.

After thinking about it, Knox moved to Winston-Salem and decided to take a leap of faith and start his own production company. Knox credited Garrett Davis, CEO of GDavis Productions, for showing her the ropes and giving her the confidence she needed to pursue her dreams. Knox said she didn’t know what to name her new business at first, but one day “GoGetHer” occurred to her.

“I’ve always been the type of person to go get what I want…because I felt like I had to, like I had to get there somehow, so GoGetHer fits perfectly. “, said Knox. “And it’s written with an ‘H’ because I wanted to point out that … there aren’t a lot of female directors in general and it’s certainly not a lot of black female directors. The film industry is dominated by white men…there are a lot of black female directors, but you just don’t know who they are because it can be hard to get the recognition you deserve.

Today, GoGetHer Productions offers a wide variety of services, including directing, creative consultations, cinematography, writing, casting, and acting services. Next month, Knox and his team will begin filming the movie “Coma Couch.” The film, which is the first feature film released by GoGetHer Productions, is written, directed and produced by Knox.

“Coma Couch” is a comedy about a young woman named Briella who runs away to the small town of Maple Creek in hopes of escaping her abusive husband. However, she quickly realizes that her problems have only just begun when she receives an old sofa with a unique magic – when men sit on it, they immediately fall into a coma.

Knox described the film as a “comedy fantasy”. She said she wanted to give viewers something they had never seen before. She said her goal was to make “Coma Couch” a classic within the black community, like Ice Cube and DJ Pooh’s “Friday.”

“If you think about it, there aren’t a lot of dark fantasy comedies. It’s a magical fantasy comedy and the characters are very interesting,” Knox said. loved it, so I’m excited to spin it up and release it. I think it will be well received. »

When asked what advice she would give to young girls or boys to help them pursue their dreams, Knox replied, “Don’t give up.

“My message would be not to give up. Whatever you want to do, whatever you want to achieve, you can do it as long as you don’t give up and as long as you don’t stop believing in that dream,” Knox said. “It’s been a dream I’ve had since I was literally five years old and there’s been a lot of people saying I can’t be an actor or a filmmaker. But here I am. I’m 23 and I’m preparing to do a feature film that has LA producers hooked up, and so many other opportunities.That alone feels like a dream, but it’s my reality right now.

A crowdfunding campaign was launched to help defray the production costs of Coma Couch. For more information or to donate, visit https://www.indiegogo.com/projects/coma-couch#/. For more information about GoGetHer Productions, visit https://www.gogetherproductions.com/ or “@gogetherproductions” on Instagram.

Ludhiana | Posing as actors, the duo rob the film’s production team

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Thirteen days after two “actors” tricked a Hanumangarh-based film production crew into taking away their equipment, police charged the fraudsters on Wednesday.

The accused, who introduced himself as Ragini and Amrit Pal Singh from Amritsar, called Ludhiana’s production team to shoot a short film.

The complainant, Surinder Kumar, head of the production team, said the thieves stole equipment worth 5 lakh, including two cameras, a gimbal, five lenses, lights and a stand.

“On March 3, the accused had booked our services online. Once we reached an agreement with the accused, we went to Ludhiana on March 9. The accused put us up in a hotel near the bus stop. The first scene of the movie was supposed to be shot in Himachal Pradesh, so we kept all our gear in the car,” he said.

Kumar said, “When we were about to leave, the accused asked us to wait in a hotel room. When Ragini and Amritpal didn’t return, we tried to call them after a few minutes, but both of their phones were unreachable. When we went to pick them up, we realized the car was missing and we had been robbed.

Assistant Deputy Inspector Seva Singh said a case has been filed against Ragini, Amritpal Singh and other unknowns after a thorough investigation into the case.

“We are trying to identify the accused by scanning CCTV footage installed in the hotel,” he said.

Industry vet Scott Kaplan launches Friends & Family production house

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Scott Kaplan, whose body of work as a producer includes assorted award-winning commercials, started the production company Friends and Family. The new Los Angeles-based boutique is opening an admin roster that includes Heidi Berg, “Buddy,” Caleb Immolated, Tash Tung, Jack Turits, and Kelsey Larkin. The range has collective accolades that include two Emmy Award nominations and appearances at the Cannes Film Festival and the Museum of San Francisco Craft and Design.

Kaplan also brought on board Jed Herold as an executive producer to lead the client-facing side of the business. Meanwhile, EP Kaplan will channel his experience into handle strategy as well as director and agency relations. His cropping work as a line producer contains stage ads like Old Spice’s “The Man Your Man You Can Smell Like,” which won him an Emmy, Cannes Grand Prix and D&AD black crayon; a number of Apple’s iconic iPod commercials featuring Paul McCartney, Eminem, Bob Dylan, the Red Hot Chili Peppers and many more. Kaplan has produced for many directors such as Mark Romanek, Tom Kuntz, Gus Van Sant, Malcolm Venville and Noam Murro. Before connecting to family and friends, Kaplan and Herold had been freelancing.

Friends and family managers Berg, and Turits had Slain most recently with production house Superdoom. “Buddy” had been non-exclusive before joining Family and Friends. Larkin is with the skin and bones of the film in Canada, and has already been treated in the United States by Yard Dog. Tung gains his first commercial representation from the United States through friends and family; The director’s international affiliations included Blink in the UK and LA/PAC in France.

As for the Friends & Family moniker, Kaplan explained that it reflects the company’s ethos as it will channel its creative advertising expertise to create smart, honest and hilarious content that stands out for the quality of its longstanding partnerships with clients, agencies and the team.

Alchimie launches Alchimie Space, its new immersive production studio for program creators

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PARIS–(BUSINESS WIRE)–Regulatory news:

ALCHIMIE (FR0014000JX7 – ALCHI – PEA-PME eligible), a video-on-demand (SVoD) platform by OTT (over the top) subscription offering original and exclusive thematic channels edited in collaboration with media groups and talents, announces the launch of Alchimie Space, its new immersive production studio for program creators.

With Alchimie Space, Alchimie has accelerated the creation of content by investing in a production tool entirely dedicated to creators. Alchimie is now able to respond to emerging opportunities in the field of immersive media.

Developed by MultiCAM System within the facilities of Alchimie, Space is a multi-camera television set dedicated to virtual production with a real-time tracked LED screen. This studio is specifically designed for phygital events. Equipped with the latest contribution and interactivity technologies, Space integrates the virtual audience by allowing hundreds of people to participate as if they were on site. This is a new device in France.

With this studio, Alchimie allows its partners to create original, exclusive and personalized content in order to enrich their SVoD channels with new premium quality content in affinity with their audience and thus meet the expectations of their subscribers.

Alchimie Space offers additional services to creators: a technical platform – Alchimie Studio – and a complete catalog of editorial content with 55,000 titles on a wide range of subjects around 5 priority areas: History & Personalities, Science & Future, Crimes & Justice , Arts & Passions, as well as Sustainability.

By investing in an innovative and efficient tool, Alchimie continues to engage with talents and creators by offering them an industry-leading communication platform and supporting them in all areas of creation in their SVoD channel. .

About Alchemy

Alchimie is a channel factory: a unique video platform in partnership with talents and media to co-publish their own thematic channel. Alchimie has a catalog of content established with 300 renowned partners (Arte, France TV distribution, ZDF Entreprises or Zed). Alchimie partners with more than 110 talents (celebrities, influencers), brands and media groups to create new channels (The Big Issue, Army Stories, Poisson Fécond, Vaughan, Scène de Crime, Point de Vue) which are then broadcast on more than 60 platform distribution networks (TVPlayer, Amazon, Orange, Movistar, Samsung, Huawei, etc.) constantly expanding its audience and therefore its revenues. In 2019, Alchimie acquired TVPlayer, the largest independent OTT platform in the UK.

For more information: www.alchimie-finance.com / www.alchemy.com

St. Petersburg’s Will Packer leads first all-black Oscars production team

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ST. PETERSBURG — Six years ago, producer Will Packer was among Hollywood luminaries who called out the Oscars for a lack of diversity in their Oscar nominations.

His movie, NWA biopic Straight outta Compton, was among those critics thought had been snubbed. Its only nomination was for Best Original Screenplay.

But this year, Packer – a St. Petersburg native and son of a local civil rights activist – is on the other side of the controversy.

The filmmaker whose billion-dollar production resume also includes Roll, trample the yard and the remake of Rootsproduces the 94th Academy Awards to be held Sunday at 8 p.m.

To shorten the duration of the show, eight of the less glamorous awards will be presented before the live broadcast.

It’s a change that has been rejected by Hollywood giants like Steven Spielberg, James Cameron and Guillermo del Toro.

The film academy’s decision overshadowed what might have been a more famous landmark feat in previous years.

Packer leads Oscar’s first-ever all-black production team.

This achievement was not lost on the museum in his hometown.

The Woodson African American Museum of Florida is hosting an Oscars watch party at its Legacy Garden, 2240 Ninth Ave. S in St. Petersburg. Doors open at 7 p.m. The event is hosted by Mayor Ken Welch.

“St. Petersburg is proud of Will Packer’s success in the film and entertainment industry, and thrilled to have him make history as part of the first all-black production team for the Oscars,” Welch said in a prepared statement “He sets an example for children and young adults everywhere that through hard work and dedication, anything can be achieved.”

Despite his busy schedule in the days leading up to the Oscars, via email, Packer agreed to respond Tampa Bay Weather questions about his historic night:

What is your reaction when the Woodson African American Museum in Florida organizes a watchmaking evening in your honor?

Incredible! As a young man who grew up in South St. Pete, it’s the icing on the cake of the already immense honor of producing the Oscars. That St. Pete’s first black mayor is hosting an Oscar watch party the year of Oscar’s first all-black production team, whose leader was born and raised in the Bay Area, seems incredibly fortuitous. I just wish I could be there. Lol.

I read that you had been asked in previous years to produce the Oscars, but that you had turned down the offer. Why did you agree to do it this year?

I finally realized that, however busy I am, there would never be a “perfect” moment and there is a growth in discomfort. I felt like this year there was an opportunity to really make my mark and make my presence felt on an iconic show.

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A few years ago, you denounced the lack of diversity at the Oscars. Now you lead an all-black production team. Yet, it feels like this moment is overshadowed by other issues. Should your team be getting more attention?

I am someone who always believes “I can show you better than I can tell you.” I’m proud that ours is the first all-black team, but I don’t feel the need to overstate it. I prefer to show the world what we can do and then, after the fact, we can talk about the quality of the result that this particular team produced. There is no doubt that our skills and perspectives allow us to create a show that will be different from that of our predecessors. Representation, inclusion, diversity, it all counts. The right people see what we do and take notice. But I prefer to revel in the results afterwards.

Is this year a sign that the issue of diversity is improving?

It’s definitely improved and having someone like me leading Hollywood’s biggest late-night shows. But make no mistake, as an industry we were so far behind that we still have a long way to go.

Your late father, William Packer Sr., was a civil rights leader in this area. He was the first black student to graduate from the University of South Florida School of Engineering and later served as chairman of the St. Petersburg Martin Luther King Jr. Memorial Commission. What did he give you?

One of my dad’s favorite sayings was “Pay now and play later or play now and pay later.” It’s up to you.” I’ve honed my work ethic over the years based on that mantra. And I’ve seen him live his life that way. He put in the work and enjoyed the I like to think that by grinding as hard as I do, I’m honoring his legacy.

What did your father have to overcome?

Here’s the thing about being the “FIRST”, it sounds great later after you accomplish it. But while you’re the first, it can be lonely, stressful, and even dangerous. I have seen my father face life’s challenges with a head held high and tremendous self-confidence. And then I saw him pay this to future generations for which he paved the way. This approach is exactly how I try to live my life and run my career.

If you are going to

Or: The Woodson African American Museum of Florida’s Legacy Garden, 2240 Ninth Ave. S, St. Petersburg

When: 7 p.m. Sunday

Details: Mayor Ken Welch will deliver remarks before the awards at 7:45 p.m. The awards broadcast begins at 8 p.m. on ABC.

A complaint filed by the police against Rowdy Pictures, the production house of Vignesh Shivan & Nayanthara; Report

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According to reports, a police complaint has been filed against Nayanthara and Vignesh ShivananRowdy Pictures production company. A social activist named Kannan is said to have complained to the office of the Metropolitan Police Commissioner that Rowdy Pictures should be banned and shut down. However, an exact reason is not disclosed as reports claim several.

While one report says a complaint has been filed against the couple for naming their production company ‘Rowdy Pictures’, the other claims that due to the disruption caused by the explosion of fireworks. Apparently, the crew at Rowdy Pictures broke out tons of fireworks to celebrate Vignesh Shivan and Ajith Kumar’s AK62 movie collaboration. A few also claimed that Vignesh Shivan himself also popped crackers which created a disturbance among the people.

The case was filed and the police would take action against Vignesh and Nayanthara. However, there is no confirmation on the case. The Rowdy Pictures team has yet to respond if the information is true.

Rowdy Pictures produced films like Pebbles (2021) and Rocky (2021). Both films received a lot of praise and rave reviews. In fact, Pebbles made it into the 2021 Oscar roster but couldn’t make it to the finals.

Meanwhile, the boyfriend and girlfriend duo are also awaiting the release of their romantic drama Kaathu Vaakula Rendu Kadhal. The boasts a strong cast of Nayanthara, Vijay Sethupathi and Samantha Ruth Prabhu. The film is set to hit theaters on April 28.

Also read: Throwback: When Nayanthara left everyone in awe of her beauty in white dress clicked by Vignesh Shivan

‘The Power of the Dog’ production team lead Oscar nominations with 12 nominations, including 1st female nomination for cinematography

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HOLLYWOOD — ‘The Power of the Dog’ is heading to the Oscars with more nominations than any other film – it has a dozen. So many members of the production team could well be front and center on Oscar Sunday.

And if Ari Wegner wins, she will become the first woman to win the Best Cinematography Oscar.

“I’m surprised this is the last gender-neutral category never to be won by a woman. It seems like it’s way too late. But I’m glad we’re slowly making progress,” Wegner said.

This is director Jane Campion’s first film in 12 years. His team of filmmakers are quick to give him credit for not only directing “The Power of the Dog,” but also for adapting the script of a 1967 novel into an intense film.

“I think I had the same experience. It was very tense. And the way Jane maintained that tension throughout the movie? Just amazing!” said producer Amber Richards.

“Jane got to work with the script and we were all absolutely blown away by it,” producer Tanya Seghatchian said.

“She made a great adaptation of the book. She kept the essence of the book and she put her own vision in it,” said producer Roger Frappier.

“The first time I read the script, I knew it was going to be a fantastic movie. It was simply the most perfectly read script I’ve ever read,” said producer Grant Major.

“She’s just the most incredible leader, friend and creative force and she doesn’t often make movies, but when she does they really pack a punch,” producer Iain Canning said.

We’ll find out soon enough how Campion and his team are doing at the Oscars. But if Wegner wins and makes history, she promises her speech won’t be boring!

“Say something that does justice to the milestone that will be for cinema in general for women and for, you know, cinema history to get over this little bump. And then we can all move on,” Wegner said.

Campion also made history with her latest directing nomination, becoming the only woman to be nominated more than once in this category. Her last time was for “The Piano” in 1993. She didn’t win for directing but she won for her original screenplay.

FULL LIST: 2022 Oscar Nominations

Mark your calendar: March 27 is Oscar Sunday. Special “On the Red Carpet” coverage begins at 1 p.m. ET / 10 a.m. PT and continues all day until the 94th Academy Awards. After the final award ceremony, stick with “On The Red Carpet” for continued coverage. Be sure to follow @OnTheRedCarpet on Facebook, Twitter, Instagram and TikTok for all your Oscars news and information. Click here to download our CTV apps to watch “On The Red Carpet” wherever you are.

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Actor Anthony Mackie buys 20 acres to build production studio in his H – BOTWC

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He brings his talents home!

Actor Anthony Mackie recently purchased 20 acres of land to build a production studio in New Orleans, black business reports.

Mackie is originally from New Orleans and got his start as a trained actor at the New Orleans Center for Creative Arts. Recently, the Captain America star has moved from in front of the camera to behind it, producing hit films such as ‘The Banker’ and ‘Outside the Wire’. Now the veteran actor is bringing his talents home, striking a deal to buy 20 acres of land in East New Orleans, in hopes of building a film and television production studio.

NOLA Mayor LaToya Cantrell praised Mackie’s efforts, noting that developing projects in the state could be a major boost to the local economy and community. As Mackie spoke through his agent, saying the deal was too recent to discuss specifics, the actor was granted land on the I-10 service road near the Little Woods neighborhood.

The new studio will support Louisiana’s rapidly growing film and television industry, providing development, production, intellectual property acquisition and marketing opportunities. Mackie isn’t the only Hollywood star to have set his sights on the southern city either, New Orleans native Tyler Perry is also looking to build a movie studio in his hometown.

Councilman Oliver Thomas also voiced his support for Mackie, viewing East New Orleans as a prime area to build a new Hollywood branch.

“Years ago we said we were Hollywood South. I think maybe we’re finally able to get there and New Orleans East is the base for that to happen…Having Captain America and its brand and star power, I think that helps support all the other investments,” Thomas says.

Congratulations, Anthony! We are excited to see how your new business will develop!

Photo courtesy of Shutterstock

Anthony Mackie will open a film production studio on 20 acres in New Orleans

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Anthony Mackie, star of ‘Falcon and the Winter Soldier’ ​​and the upcoming Captain America, plans to open his own film production studio in his hometown of New Orleans.

News of the facility on a 20-acre lot in east New Orleans was first reported over the weekend by llocal outlets in new orleans and confirmed by the city ​​mayor LaToya Cantrellas well as official city land records.

“It’s amazing,” Cantrell wrote. “The influx of productions will not only bring economic growth but also job opportunities!”

A representative for Mackie did not immediately respond to a request for comment to provide additional details about the film studio.

Mackie will next be seen in Peacock’s “Twisted Metal” series based on the video game franchise, and he’s also making his directorial debut on a film called “Spark” about civil rights icon Claudette Colvin, who the escape “King Richard” Saniyya Sidney tied to play.

It is unclear what projects could be filmed at Mackie’s New Orleans lot or its expected completion date.

“Spark” will examine how Colvin was arrested on March 2, 1955, when she was just 15 in Montgomery, Alabama, for refusing to give up her seat to a white woman on a crowded, segregated bus. This happened nine months before Rosa Parks did the same thing that led to the Montgomery Bus boycotts.

Mackie will also host the 2022 CMT Music Awards alongside Kelsea Ballerini. The awards show airs April 11 on CBS.

JSR Production House Is Creating Buzz With Their Most Anticipated Project ‘Mussoriie Boyz’ And Here’s Everything You Need To Know

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NNA |
Update:
March 22, 2022 2:40 p.m. STI

New Delhi [India], Mar 22 (ANI/SRV): JSR Production House and sister company VHS Media LLP, based in Devbhoomi-Uttarakhand, are thrilled to announce their next big project “Mussoriie Boyz.” Currently, filming is taking place in the lush green surroundings of Mussoorie and Dehradun.
Speaking about the project, the producer of Mussoriie Boyz Tarun Singh Rawat said, “I think the story is very interesting because it portrays the bond of friendship beautifully, with a tinge of humor and comedy”. He added, “JSR Production House has always strived to promote cinema and make room for budding talent. With our previous film ’72 Hours: Martyr Who Never Died’, we tried to present the brave story of our heroic martyr Jaswant Singh Rawat. His character has been beautifully portrayed on screen by Avinash Dhyani. This year we will be releasing our next movie “Mussoriie Boyz” in the second half of 2022. The story has a very interesting plot as at different intervals, the audience will witness the element of humor that will keep the viewers glued to their seats.The roles played by the characters are relatable which would allow them to connect with the audience not only of Uttarakhand but also from all over India.The story is engaging as it is about friendship, love and exploration.
The film features a brilliant fitness actor/influencer Prasil Rawat who plays the role of Vicky. He began his career with 72 Heures, which was very popular with the public. In ‘Mussoriie Boyz’ you will witness a different side of him as an actor. In an interview with our team, the young actor said “I am honored to be part of this film. For me, friendship is an important aspect of life and I am happy to have had the opportunity to play the role of Vickey on screen. I hope I do justice to my role.

The fascinating story was directed by Hriday V Shetty who has already worked on several critically acclaimed films like Godfather, Plan and many more. He carries on the legacy of his father Muddu Shetty, one of the recognized names in the entertainment industry. Hirday V Shetty makes his acting debut for the first time with Mussoriie Boyz. Farooque Khan, an influential name in photography, is also part of this film as director of photography.
Other actors include- Rahul Singh as Sodi, Prashil Rawat as Vickey, Parth Akerkar from Ashiqui 2, as Karan, Vijay Krishna as Chaudhary, Amika Shail (a talent who has been in TV shows like Naagin and Baal Veer ) as Ria, and Naina Singh (famous for Kumkum Bhagya and Splitsvilla) as Mandira. Supporting cast includes Paul as friend Gujjar, Vishal Om Prakash as Inspector Yadav, and Ankit as local friend.

The story revolves around four friends who come from different backgrounds but are strongly bonded to each other since school. The four friends Vicky (a superstar) Chaudhary (our typical Gujjar Bhai), Sodhi (the Punjabi Power Peg) and Panda (that funny chubby friend), are planning a trip to Mussoorie, the place of their childhood memories.

The trip, however, becomes more than just a nostalgic, scenic, and relaxing flashback with an unusual turn of events, making their journey unforgettable and exciting, much like the friendship that binds these four boys together.
Prashil Rawat and Naina Singh will be seen performing on a piece of music which will depict the fusion of Garhwali and Hindi for the first time. The songs are shot in the most scenic locations in Mussoorie and will soon be available on YouTube, Spotify, Saavn, Gaana and other leading online music platforms.
The film promises to be a treat for all movie lovers, thanks to a brilliant ensemble of performers and other crew members.
Additionally, production house JSR along with its sister companies, TVZ Creative Media LLP and VHS Media LLP are planning to release their other big projects. They will be hosting a singing reality TV show this year, which will open up a plethora of opportunities for the talented youth of Uttarakhand. Other important works include Netra and Fugitive which has great actors like Sanjay Mishra, Pradeep Rawat, Zareena Wahaab.
This story is provided by SRV Media. ANI shall in no way be responsible for the content of this article. (ANI/SRV)

Marvel’s Production Team Got Confused With Oscar Isaac’s Distinctive Performance

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With more than a week before Moon Knight‘s in the streaming service, Disney+, we’ll all be witnessing the titular hero’s debut, Moon Knight. The upcoming series will be Marc Spector’s origin story and will also be Oscar Isaac’s debut in the expanding MCU universe. From Spector’s multiple personalities to Egyptian mythology, the story will instantly become confusing.


Although the heart of the story focuses on the identity of Marc Spector, Moon Knight will begin with Steven Grant, an employee of the British Museum who lives a routine life. However, Grant will come across an Egyptian god, Khonshu, who will be his source of power.

With the MCU taking a unique approach to a superhero series, fans are already curious about the changes and creative decisions the production team and cast had to make.

In an interview with Radio Times, Moon Knight Star Oscar Isaac talks about how the change to his performance on the show turned out to be more accurate than originally expected. The actor revealed that Marc Spector was written in a very different way before Isaac came up with his own take on the character.

“It wasn’t necessarily written that way. And so I thought, ‘OK, well, let me see what Kevin says about that.’ And so I had a meeting with Kevin, I said, “That’s how I would like to do it.” And he said, ‘Yeah, okay, go ahead.

Isaac went on to explain the President of Marvel, Kevin Feige’s involvement in portraying the character, the actor explained, “And it’s funny, because after he told me they didn’t know what I was doing. And they weren’t sure it was okay. But you know, in the end, I’m glad we did that, because everyone says it puts on a show.

Introducing a new hero to the MCU comes with many risks, one mistake could instantly ruin a character. However, Isaac praises Feige and his production team for their complete confidence in the role of Marc Spector. “It took a long time to figure out if it was the right thing to do and to take that risk. But part of that was also getting the people I was going to trust. And what was amazing about Kevin and everyone at Marvel is that there was a lot of faith and trust in my opinions about it, and my feelings about it.”

“For me, it was just reservations. I spent months smashing my head against a stone wall like, ‘Is this the right thing to do?’ I thought, ‘I shouldn’t do this. Maybe maybe… I had just come out of the whole, you know, big Star Wars machinery. And I was like, ‘I really want to do character studies. And I don’t know.'” the actor added.

Well, playing a new Marvel superhero takes extreme effort, especially if the hero you’re portraying comes with three different characters on the show. Although it was a challenge for the actor, Golden Globe nominee Oscar Isaac will certainly pull off the role.

Apart Moon Knight Focusing on Marc Spector’s dissociative identity disorder, the show will also introduce mystical creatures and mythology to the MCU’s future. Moon Knight will also be the beginning of the Egyptian god, Khonshu, who will be voiced by F. Murray Abraham.

Moon Knight will premiere on Disney+ on March 30.

Also Read: Moon Knight Director Teases the Titular Hero’s Long-Term Future in the MCU

‘The Power of the Dog’ production team lead Oscar nominations with 12 nominations, including 1st female nomination for cinematography

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HOLLYWOOD — ‘The Power of the Dog’ is heading to the Oscars with more nominations than any other film – it has a dozen. So many members of the production team may well be front and center on Oscar Sunday.

And if Ari Wegner wins, she will become the first woman to win the Best Cinematography Oscar.

“I’m surprised this is the last kind of gender-neutral category never to be won by a woman. It seems like it’s way too late. But I’m glad we’re making slow progress,” Wegner said.

This is director Jane Campion’s first film in 12 years. His team of filmmakers are quick to give him credit for not only directing “The Power of the Dog,” but also for adapting the script of a 1967 novel into an intense film.

“I think I had the same experience. It was very tense. And the way Jane maintained that tension throughout the film? Just amazing!” said producer Amber Richards.

“Jane got to work with the script and we were all absolutely blown away by it,” producer Tanya Seghatchian said.

“She made a great adaptation of the book. She kept the essence of the book and she put her own vision in it,” said producer Roger Frappier.

“The first time I read the script, I knew it was going to be a fantastic movie. It was simply the most perfectly read script I’ve ever read,” said producer Grant Major.

“She’s just the most amazing leader, friend and creative force and she doesn’t often make movies, but when she does they really pack a punch,” producer Iain Canning said.

We’ll find out soon enough how Campion and his team fare at the Oscars. But if Wegner wins and makes history, she promises her speech won’t be boring!

“Say something that does justice to the milestone that will be for filmmaking in general for women and for, you know, filmmaking history to get over this little bump. And then we can all move on,” Wegner said.

Campion also made history with her latest directing nomination, becoming the only woman to be nominated more than once in this category. Her last time was for “The Piano” in 1993. She didn’t win for directing but she won for her original screenplay.

FULL LIST: 2022 Oscar Nominations

Mark your calendar: March 27 is Oscar Sunday. Special “On the Red Carpet” coverage begins at 1 p.m. ET / 10 a.m. PT and continues all day until the 94th Academy Awards. After the final award ceremony, stick with “On The Red Carpet” for continued coverage. Be sure to follow @OnTheRedCarpet on Facebook, Twitter, Instagram and TikTok for all your Oscars news and information. Click here to download our CTV apps to watch “On The Red Carpet” wherever you are.

Copyright © 2022 OnTheRedCarpet.com. All rights reserved.

‘The Power of the Dog’ production team lead Oscar nominations with 12 nominations, including 1st female nomination for cinematography

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HOLLYWOOD — ‘The Power of the Dog’ is heading to the Oscars with more nominations than any other film – it has a dozen. So many members of the production team could well be front and center on Oscar Sunday.

And if Ari Wegner wins, she will become the first woman to win the Best Cinematography Oscar.

“I’m surprised this is the last kind of gender-neutral category never to be won by a woman. It seems like it’s way too late. But I’m glad we’re making slow progress,” Wegner said.

This is director Jane Campion’s first film in 12 years. His team of filmmakers are quick to give him credit for not only directing “The Power of the Dog,” but also for adapting the script of a 1967 novel into an intense film.

“I think I had the same experience. It was very tense. And the way Jane maintained that tension throughout the movie? Just amazing!” said producer Amber Richards.

“Jane got to work with the script and we were all absolutely blown away by it,” producer Tanya Seghatchian said.

“She made a great adaptation of the book. She kept the essence of the book and she put her own vision in it,” said producer Roger Frappier.

“The first time I read the script, I knew it was going to be a fantastic movie. It was simply the most perfectly read script I’ve ever read,” said producer Grant Major.

“She’s just the most amazing leader, friend and creative force and she doesn’t often make movies, but when she does they really pack a punch,” producer Iain Canning said.

We’ll find out soon enough how Campion and his team fare at the Oscars. But if Wegner wins and makes history, she promises her speech won’t be boring!

“Say something that does justice to the milestone that will be for cinema in general for women and for, you know, cinema history to get over this little bump. And then we can all move on,” Wegner said.

Campion also made history with her latest directing nomination, becoming the only woman to be nominated more than once in this category. Her last time was for “The Piano” in 1993. She didn’t win for directing but she won for her original screenplay.

FULL LIST: 2022 Oscar Nominations

Mark your calendar: March 27 is Oscar Sunday. Special “On the Red Carpet” coverage begins at 1 p.m. ET / 10 a.m. PT and continues all day until the 94th Academy Awards. After the final award ceremony, stick with “On The Red Carpet” for continued coverage. Be sure to follow @OnTheRedCarpet on Facebook, Twitter, Instagram and TikTok for all your Oscars news and information. Click here to download our CTV apps to watch “On The Red Carpet” wherever you are.

Copyright © 2022 OnTheRedCarpet.com. All rights reserved.

Skills shortage threatens expansion of production studios

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With a record £5.6 billion ($7.3 billion) spent on making big-budget films, high-end scripted drama and strong unscripted programming last year, the film and television industry is booming like never before. However, the result of the success brought a new skill shortage problem.

At the request of the UK Government’s Department for Digital, Culture, Media and Sport, the British Film Institute (BFI) has been commissioned to determine how much of a problem the lack of individuals in certain roles is. . The report, due out in April, will highlight key indicators around these shortages.

The continuing — and exponentially growing — content push could see a gap of 40,000 workers by 2025. The effect could be so massive that it alters filming schedules and dramatically increases budgets.

Talk to the guardianSeetha Kumar, CEO of ScreenSkills, a company that represents workers in the industry, said: “The really pressing issues are at the experienced intermediate level, and that is our main focus for the coming year as the shortages there affect production schedules, causing delays and creating wage inflation,”

“All the research we do and the regular industry input that sits on our skills councils and working groups, [tells] skills gaps and shortages at all levels – from production coordinators and managers to editors, script supervisors and accountants.

Coach the problem

With a huge skills gap that should be flagged, the solution around the problem may be a means of creating significant jobs.

Sean T. Adams, a military veteran, business and life coach, teaches people how to master themselves to develop high-income skills by harnessing their knowledge and giving them new tools to grow.

“When talented, driven, ethical people come together, it’s pretty mind-blowing what can be accomplished. Another thing is you don’t know what you don’t know. That’s why mentorship is so vital and honestly what saved me.One thing I realized is that the entrepreneurial journey is about self development and nothing more.

He believes that using your environment to learn and develop new skills is paramount to understanding how to capitalize on today’s market as well as listening and reading what the market is doing.

“Your job works on you more than you work on it. It’s not knowledge that makes a successful entrepreneur. It’s skills, traits and belief patterns. He added.

“Rebuilding the way people think is the beginning, so people have a strategy when they enter an industry that can ultimately play a major role in impacting a person’s success in life, business, or his career.”

With an economy reeling from the global COVID-19 pandemic, the film and television industry could potentially herald a great opportunity for work and training.

Being a freelancer – very close to full entrepreneurship – the opportunities for coaching individuals to filter into key roles are considerable. The content push isn’t going anywhere anytime soon, which means we see an industry ripe to deal with job shortages.

On advice for people looking to start fresh in a new industry, Adams said, “Get a mentor. You don’t know what you don’t know. Find someone who has the success you want and learn from them. Ethics is the key.

“Make sure you grow so that you are strong for the people you lead. You will never rise to the strength of your goals, you will only fall to the weakness of your systems. So if you have big goals, make sure you have a system conducive to success.

Anushka Sharma leaves her production company to focus on acting

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Anouchka Sharma (Facebook)

Mumbai–Anushka Sharma left Clean Slate Filmz (CSF), a production banner she co-founded with her brother Karnesh Ssharma in 2013.

The actress shared the news of her departure from the production company via social media on Saturday.

The actress wants to dedicate her time to acting and this decision allows her to devote her time and resources to her first love which is acting. The move makes Karnesh the sole decision maker and puts him in charge of business at Clean Slate Filmz.

Taking to her Instagram, Anushka shared a long note, writing in the caption, “Onwards and Upwards @kans26 @officialcsfilms! My best wishes are always with you!!”

The actress shared in the long note, “When I started Clean Slate Filmz with my brother Karnesh Ssharma, we were new to production, but we had a fire in our stomachs and wanted to try and set the agenda. entertainment in India. through decluttering content. Today, when I look back on our journey thus far, I am deeply proud of what we have created and the disruption we have managed to achieve.

Mentioning the reason behind the decision, she said, “While CSF started with my vision to change the narrative of what business projects should be, I have to thank Karnesh who excelled in shaping what CSF has become today. today. As a new mother who has chosen to be an actress by profession, I have to balance my life in an entirely new way like never before.

She continued: “So, I have decided that whatever time I have, I will devote it to my first love, the theater! Therefore, I have decided to withdraw from the CSF, convinced that the person more capable, Karnesh, furthers the vision with which he was created in the first place.

Anushka sent her best wishes to Karnesh saying that the production house will get better and better under Karnesh’s leadership.

She added, “I will continue to be Karnesh and CSF’s biggest cheerleader and hope to be a part of many messy projects that CSF produces. I can’t wait to see how he grows the business stronger and stronger with the stellar lineup of projects he has handpicked, nurtured and brought to life. My best wishes to the entire CSF family. I love you all!”

For Anushka, the only point of interest is her acting career now that she is returning to acting with ‘Chakda Xpress’ after her pregnancy. (IANS)

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Anushka Sharma is stepping away from her production house Clean Slate Filmz. Read the statement

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Anushka Sharma walks away from her production house (Courtesy: anushkasharma)

Strong points

  • Anushka Sharma has retired from Clean Slate Filmz
  • She shared a statement last night
  • “I have decided to withdraw from the CSF,” read Anushka’s statement.

New Delhi:

On March 19, Anushka Sharma announced that she had decided to step down from her production house Clean Slate Filmz. Anushka had founded the production house at the age of 25 with her brother Karnesh Ssharma. She shared an official statement with the caption, “Onwards and Upwards @kans26 @officialcsfilms! My best wishes are always with you!!” Anushka Sharma began her note by writing, “When I started Clean Slate Filmz with my brother Karnesh Ssharma, we were new to production but we had a fire in our stomachs and wanted to try and set the entertainment agenda. in India. Today, when I look back on our journey so far, I am deeply proud of what we have created and the disruption we have managed to achieve.

“While CSF started with my vision to change the narrative of what business ventures should be, I have to thank Karnesh who excelled in shaping what CSF has become today. Being a new mother who chose to ‘Being an actress by profession, I have to balance my life in an entirely new way like never before. So, I’ve decided that whatever time I have I will devote to my first love, acting! Therefore, I have decided to walk away from CSF, confident that the most capable person, Karnesh, is advancing the vision with which it was created in the first place,” added Anushka Sharma.

Here is Anushka Sharma’s statement:

Anushka Sharma had founded the production house Clean Slate Filmz with her brother Karnesh Ssharma in 2013. They produced films like NH10, Bet, Phillauri, Bulbuland the web series Patal Lok.

On a personal level, in January 2021, Anushka Sharma and her husband Virat Kohli welcomed a daughter and named her Vamika.

On the work side, Anushka returns to the cinema after three years withChakda Xpress, inspired by the life of cricketer Jhulan Goswami. The film will be directed by Prosit Roy.

Genre Film Production Company Prioritizes Underrepresented Communities

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(The Magazine Plus Editorial): – Lancaster, Calif. March 19, 2022 (Issuewire.com) – Yom Hadin® Productions, LLC, a film, animation and television production company, aspires to tell original and compelling stories that center the voices of black and indigenous creators. Led by Dr. Odean P. Lawrence, Yom Hadin® Productions draws inspiration from beloved fandoms like “Lord of the Rings” and “Harry Potter,” but examines the hero’s journey and epic coming of age from from a new and diverse angle.

The company strives to expand the typical Hollywood narrative by inviting Black and Native American artists and Black and Native American filmmakers to share their artistry. Referring to “Mita Ike,” a new book of Cherokee folklore that Lawrence plans to adapt for the big screen, he comments, “We want to expand people’s worldview and get into the hidden history of Native Americans. By allowing audiences to explore areas that are currently unexplored, our viewers will feel like they are discovering something new.

Lawrence cites the commercial and critical success of “Black Panther” as an important benchmark for black culture entertainment and a model for his company’s work. “The Zimri Family”, a major film currently in development, will be Yom Hadin® Production’s feature debut – an adaptation of Lawrence’s popular novel.

“The Zimri Family” is set in ancient Persia, where tensions escalate between two dark kingdoms. The Zimris prepare to battle marauders, assassins, an evil king, and a magical tribe known as the Tophethites. The film is slated for worldwide release and seeks to launch a new blockbuster movie franchise centered around a strong black family. See the movie teaser here.

Lawrence says, “Our goal is to create compelling stories that are more original in film and animation. Additionally, by selecting certain classic novels and/or original manuscripts for film adaptation, we will take readers and viewers on a lasting journey that will leave them with both a love of the experience and an insatiable desire to learn more. .

Lawrence and the Yom Hadin® team share an unparalleled passion for the art and craft of filmmaking. “The director develops meticulous camera angles and high-quality sound logic to focus the action and draw you in.” It describes the ability of a great director to grab an audience and transport them from scene to scene while keeping them on the edge of their seat. “It’s magic at its best.”

The upcoming page-to-screen adaptations mark the start of an exciting lineup of diverse cinematic stories. With these major projects in the works, Yom Hadin® Productions continues to stand out as a bold new player in the entertainment landscape. Potential collaborators and investors can contact Yom Hadin® Productions at o[email protected]. For more on ‘The Zimri Family’, ‘Mita Ike’ and all current projects and productions, visit yomhadinproductions.com.

Anushka Sharma leaves the production house of Clean Slate Filmz

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NNA |
Update:
March 19, 2022 5:40 p.m. STI

Bombay (Maharashtra) [India]March 19 (ANI): Actress Anushka Sharma announced on Wednesday that she is leaving production house Clean Slate Filmz which she founded with her brother Karnesh Ssharma in 2013.
Anushka Sharma had founded Clean Slate Filmz (CSF) at the age of 25 with her brother Karnesh Ssharma and in a short time, the dynamic duo produced captivating projects like ‘NH10’, ‘Pari’, ‘Phillauri’, ‘ Bulbbul’, to critical acclaim. ‘Pataal Lok’ series.

Anushka, who returns to the big screen with ‘Chakda Xpress’ after welcoming her first child with her husband Virat Kohli, shared that the reason for her resignation as a producer of CSF is that she wants to concentrate with all her heart. on her acting career.
Karnesh will run all affairs going forward and be the sole decision maker at Clean Slate Filmz, according to the statement Anushka posted on her official Instagram account.

“When I started Clean Slate Filmz with my brother Karnesh Ssharma, we were new to production, but we had a fire in our stomachs and wanted to try and set the entertainment agenda in India through messy content. Today, when I look back on our journey thus far, I am deeply proud of what we have created and the disruption we have managed to achieve,” the statement read.

She further noted, “While CSF started with my vision to change the narrative of what business ventures should be, I have to thank Karnesh who excelled in shaping what CSF has become today. Being a new mother who has chosen to be an actor by profession, I have to balance my life in an entirely new way like never before.So, I decided that whatever time I have, I will devote it to my first love, theatre! Therefore, I have decided to walk away from CSF, confident that the most capable person, Karnesh, is carrying forward the vision with which it was created in the first place.”
Anushka added that she hopes the CSF will grow stronger under the watch of her brother Karnesh.
“I will continue to be Karnesh and CSF’s biggest cheerleader and hope to be part of many messy projects that CSF produces. I can’t wait to see how he grows the company more and more. more with the stellar range of projects he has handpicked, nurtured and brought to life. My best wishes to the entire CSF family. Love you all!” she concluded the statement.
For the uninitiated, Anushka’s upcoming film “Chakda Xpress” is inspired by the life and journey of cricketer Jhulan Goswami. She has started preparations and often shares glimpses of her preparations on social media.
The film will be directed by Prosit Roy, who also directed Anushka’s 2018 horror mystery “Bet”. (ANI)

Anushka Sharma leaves her own production house “Clean Slate Filmz”

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With a ten-year career under his belt, Anouchka Sharma left an indelible impression on everyone. She’s played everything from girl-next-door to wrestler. When she ventured into production with her brother Karnesh Sharma and founded Clean Slate Filmz in 2013, it was a source of pride and excitement for all his followers.

However, in a recent Instagram post, the actress said she would be leaving CSF as a producer in order to focus on her first love, acting. Anushka Sharma has said she will be leaving Clean Slate Filmz (CSF) to pursue her “first love”, acting.

The actress now wants to devote her time to both her child and her acting career. As a result, she decided to leave Clean Slate Filmz, her production company.

Anushka said, “When I started Clean Slate Filmz with my brother Karnesh Ssharma, we were new to production, but we had a fire in our stomachs and wanted to try and set the entertainment agenda in India through messy content. . Today, when I look back on our journey thus far, I am deeply proud of what we have created and the disruption we have managed to achieve. While CSF started with my vision to change the narrative of what business ventures should be, I have to thank Karnesh who excelled in shaping what CSF has become today.

Image source: Instagram

She added, “Being a new mother who has chosen to be an actress by profession, I have to balance my life in an entirely new way like never before. So I’ve decided that whatever time I have, I will dedicate to my first love, acting!”

“I will continue to be Karnesh and CSF’s biggest cheerleader and hope to be part of many messy projects that CSF produces. I can’t wait to see how he grows the company more and more. more with the stellar range of projects he has handpicked, nurtured and brought to life. My best wishes to the entire CSF family,” concluded Anushka Sharma.

ALSO READ: “Get-Sweat-Go!” writes Anushka Sharma as she prepares for her upcoming “Chakda Xpress”

Image source: Instagram

Anushka Sharma’s Clean Slate Filmz production released movies like NH10, Pari, Pataal Lok web series, Bulbbul.

Meanwhile, Anushka is currently busy with her upcoming movie ‘Chakda Xpress’ in which she will be seen playing the role of a former Indian cricketer.

‘Captain America’ actor Anthony Mackie buys 20 acres to build production studio in New Orleans

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Friday, the New Orleans native actor Anthony Macky reached an agreement to acquire 20 acres of land in East New Orleans to build a film and television production studio, Nola.com reports.

The Marvel star trained as an actor at the New Orleans Center for Creative Arts, and his decision to develop projects in the state of Louisiana is a significant victory for the local economy and community, as expressed by the Mayor LaToya Cantrell of New Orleans on Twitter.

The 43-year-old actor bought the land on the I-10 service road at Read Boulevard near the Little Woods neighborhood, land records show. obtained by WBRZ.

Mackie said through his agent that specific details of the deal were too premature to discuss. Still, those involved with the venture said the actor plans to name his production company East Studios, LLC, WBRZ reports.

Mackie’s latest investment likely stems from the actor getting into producing movies like “The Banker” and “Outside the Wire.” according to at 4WWL.

Mackie’s studio plans can help Louisiana’s booming film and TV industry with opportunities for intellectual property acquisitions, development, production and marketing, The Times-Picayune | New Orleans Lawyer Reports.

Municipal councilor Olivier Thomas is thrilled with Mackie’s studio.

“Years ago we said we were Hollywood South. I think maybe we’re finally able to make that happen and New Orleans East be the base for that to happen. said Thomas.

In addition to Mackie, other Hollywood actors have also shown interest in the field, such as The Impact Investment Group. Representatives of the New Orleans native filmmaker Tyler Perry are also looking to build a film studio there.

“Having Captain America and his brand and his star power, I think helps support all the other investments,” Thomas says.

Anushka Sharma leaves production house Clean Slate Filmz and hands over the reins to her brother

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Actor-producer Anushka Sharma has decided to step down from Clean Slate Filmz, the production company she co-founded with her brother Karnesh Ssharma in 2013. She shared a statement on his social media is busy making the announcement, saying she will now devote her time to her “first love” – ​​acting.

Clean Slate Filmz has funded web series and film projects like Paatal LokNH10, Phillauri, Paris and Bulbul. These projects were well received and were said to have mass appeal as well as substance. Anushka said in the statement that she and her brother were new to production, but wanted to chart their own paths through “clutter-free content.”

She added that she was “deeply proud” of their journey and said her goal with the company was to change the “narrative of what business projects should look like”.

The full statement read. “When I started Clean Slate Filmz with my brother Karnesh Ssharma, we were new to production, but we had a fire in our stomachs and wanted to try and set the entertainment agenda in India through messy content. Today, when I look back on our journey thus far, I am deeply proud of what we have created and the disruption we have managed to achieve. While CSF started with my vision to change the narrative of what business ventures should be, I have to thank Karnesh who excelled in shaping what CSF has become today. Being a new mother who chose to be an actress by profession, I have to balance my life in an entirely new way like never before. So, I decided that whatever time I have, I will devote it to my first love, the theater! Therefore, I have decided to retire from the CSF, convinced that the most capable person, Karnesh, is pursuing the vision with which it was created in the first place. I will continue to be Karnesh and CSF’s greatest cheerleader and hope to be a part of many messy projects that CSF produces. I can’t wait to see how he grows the business stronger and stronger with the stellar lineup of projects he has handpicked, nurtured and brought to life. My best wishes to the entire CSF family. I love you all! Anushka.

Clean Slate Filmz’s upcoming projects include a drama series titled Mai, Jhulan Goswami’s biopic Chakda Express (starring Anushka herself), and a film titled Qala, which will mark the debut of the late Irrfan Khan’s son, Babil Khan.

Anushka’s decision follows another major move at Clean Slate Filmz. Recently, the company had announced a female-centric OTT platform. “When women’s voices are heard, it teaches us new perspectives that, as audiences and filmmakers, are equally captivating and interesting. It’s stereotypical when I hear people say that women’s stories are all about oppression or fall into the genre of romantic comedy. Female debut content is actually extremely exciting and eclectic,” Ssharma said in a statement earlier this month.

Anushka Sharma leaves the production house of Clean Slate Filmz

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Actress Anushka Sharma announced on Wednesday that she is leaving production house Clean Slate Filmz which she founded with her brother Karnesh Ssharma in 2013. Anushka Sharma founded Clean Slate Filmz (CSF) when she was 25 with his brother Karnesh. Ssharma and in a short time the dynamic duo have produced captivating projects like ‘NH10’, ‘Pari’, ‘Phillauri’, ‘Bulbul’ and the critically acclaimed series ‘Pataal Lok’.

Anushka, who returns to the big screen with ‘Chakda Xpress’ after welcoming her first child with her husband Virat Kohli, shared that the reason for her resignation as a producer of CSF is that she wants to concentrate with all her heart. on her acting career. Karnesh will run all affairs going forward and be the sole decision maker at Clean Slate Filmz, according to the statement Anushka posted on her official Instagram account.

“When I started Clean Slate Filmz with my brother Karnesh Ssharma, we were new to production, but we had a fire in our stomachs and wanted to try and set the entertainment agenda in India through messy content. Today, when I look back on our journey thus far, I am deeply proud of what we have created and the disruption we have managed to achieve,” the statement read. She further noted, “While CSF started with my vision to change the narrative of what business ventures should be, I have to thank Karnesh who excelled in shaping what CSF has become today. Being a new mother who has chosen to be an actor by profession, I have to balance my life in an entirely new way like never before.So, I decided that whatever time I have, I will devote it to my first love, theatre! Therefore, I have decided to walk away from CSF, confident that the most capable person, Karnesh, is carrying forward the vision with which it was created in the first place.”

Anushka added that she hopes the CSF will grow stronger under the watch of her brother Karnesh. “I will continue to be Karnesh and CSF’s biggest cheerleader and hope to be part of many messy projects that CSF produces. I can’t wait to see how he grows the company more and more. more with the stellar range of projects he has handpicked, nurtured and brought to life. My best wishes to the entire CSF family. Love you all!” she concluded the statement.

For the uninitiated, Anushka’s upcoming film “Chakda Xpress” is inspired by the life and journey of cricketer Jhulan Goswami. She has started preparations and often shares glimpses of her preparations on social media. The film will be directed by Prosit Roy, who also directed Anushka’s 2018 horror mystery “Bet”. (ANI)

(This story has not been edited by the Devdiscourse team and is auto-generated from a syndicated feed.)

Anushka Sharma leaves her production company to devote time to her first love: “Being a new mother who has…” | Bollywood

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Actress Anushka Sharma released a statement on Saturday announcing that she is stepping down from her production company, Clean Slate Filmz. Taking to Instagram, Anushka announced that she would dedicate her time to her “first love, acting”. She added that as a new mother and an actress by profession, she has to balance her life “in an entirely new way like never before”. She also thanked her brother, entrepreneur Karnesh Ssharma, as she trusted him to take responsibility for driving the business forward. (Also read | Anushka Sharma gets shoutout from husband Virat Kohli ahead of 100th test: ‘Thanking God for a life partner like her’)

Anushka’s post read, “When I started Clean Slate Filmz with my brother Karnesh Ssharma, we were new to production, but we had a fire in our stomachs and wanted to try setting the entertainment agenda by India by breaking up the clutter. Today, when I look back on our journey so far, I am deeply proud of what we have created and the disruption we have managed to achieve. As CSF started with my vision to change the narrative of what commercial projects should be like, I have to thank Karnesh who excelled in shaping what CSF has become today.”

She also said, “Being a new mother who has chosen to be an actress by profession, I have to balance my life in an entirely new way like never before. So I’ve decided that whatever time I have , I will dedicate to my first love, theater! Therefore, I have decided to walk away from CSF, confident that the most capable person, Karnesh, is pursuing the vision with which it was created in the first place.”

“I will continue to be Karnesh and CSF’s biggest cheerleader and hope to be part of many messy projects that CSF produces. I look forward to seeing how he grows the company more and more. more with the stellar lineup of projects he has handpicked, nurtured and brought to life. My best wishes to the entire CSF family. Love you all! Anushka,” her statement concluded.

She captioned her post, “Onwards and Upwards @kans26 @officialcsfilms! My best wishes are always with you!!” Anushka, who married cricketer Virat Kohli in December 2017, welcomed their firstborn last year. The couple became parents to their daughter Vamika in January 2021.

Clean Slate Filmz was started by Anushka and Karnesh in 2013. It has produced several critically acclaimed titles such as NH10, Pari, Netflix’s Bulbbul and the Amazon Prime Video series Paatal Lok. Their upcoming projects include a drama series named Mai and the Netflix movie Qala.

Anushka will be seen next in her upcoming film Chakda Xpress. It is inspired by the life and journey of cricketer Jhulam Goswami. She has started preparations and often shares glimpses of her preparations on social media. She was last seen in the 2018 film Zero starring Shah Rukh Khan and Katrina Kaif.

Short Order Production House Wins ADDY Awards

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Telling 10 unique stories of disability pride, Short Order Production House won Gold at the 2021-2022 Philadelphia Metro American Advertising Awards, known as the ADDY.

Matt Sullivan | PHOTO COURTESY OF SHORT ORDERS PRODUCTION HOUSE

The 10 videos of the Delaware Developmental Disabilities Council Pride of disability were produced by Hannah Geller, directed by Jason Prezant and edited by Sam Molloy, in collaboration with Marcella Saborio of Qua Marketing. Gold was awarded in the “Branded Content and Entertainment Campaign” category.

“This project was a gift, lifting our spirits in the midst of the pandemic,” said Matt Sullivan, Short Order’s chief operating officer and executive producer of the Disability Pride project. “Our job was just to make sure that each piece reflected the authentic personality and spirit of the people we were profiling. Their stories and testimonials did all the rest of the work.

Short Order Production House is Delaware’s largest film and video production company, with home offices in Wilmington and a satellite office in Philadelphia. Short Order has done creative production work for Chemours, Gore, M&T Bank, Wilmington Trust, Greater Wilmington Convention & Visitors Bureau, ComcastNBCUniversal, Barclays, DuckDuckGo, AAA, University of Delaware, Salvation Army New York and more.

Launch of the visual agency and production house “Crater” in the MENA region – Campaign Middle East

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Australian production house and visual agency Crater is bringing its collective of creatives to Dubai, extending the company’s global reach from its headquarters in Sydney and expanding its international offering from London and European markets.

Founded in 2016, Crater offers its clientele an “always on” approach with its multi-territory presence that leverages each other to enable round-the-clock campaign delivery. Its core team in each region works in unison to tackle briefs and creative, as well as production set-up and execution. This sees a unique approach for its clients and brands who want to produce visual content globally and at a rapid pace as demanded by its audience.

Crater ME is led by the company’s Australian founder, Simon Morehead, and Britain’s James Hulbert, a Dubai-based creator and director who brings a wealth of local knowledge to the outfit. Both are film industry veterans with decades of long-form production experience across internationally acclaimed shows, as well as an abundance of short credits and award-winning commercial work.

“Home to a collective of directors from Australia, Dubai, the UK, the Netherlands and more, Crater pools their knowledge and expertise to approach every brief and campaign from a truly unique perspective. », declares Simon Morehead.

“It’s important that our clients are exposed to more than one creative leader from the start. We believe that a combination of many great minds creates content that is a bit different and strays from the norm,” says James Hubert.

Crater’s collective skills mean the company works across a plethora of media that includes TV commercials, documentaries, music videos, branded and interactive content.

A partnership with Bureau Béatrice – the creative technology company, known for its work in VR/AR, Immersive Worlds, OOH and the Metaverse, provides a complementary skill set that will enable Crater to produce cutting-edge visual content for its clients across multiple layered formats.

Although it doesn’t officially hit the sands until January, Crater is firing on all cylinders and amassing an impressive roster of agencies and brands across the region. Recent projects have seen Crater work on several high-profile campaigns for high-profile clients in the automotive, fashion, travel, and FMCG industries.

Simon and James are also acclaimed international directors and work under ‘SOVEREIGNS’, a director and creative duo who combine their skills to offer agencies and brands double the ideas, double the experience and double the execution. .

You can learn more about crater.global

For inquiries and project opportunities, contact [email protected]

Berger+Parkkinen Extension of a film production company in Vienna

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the Berger+Parkkinen architecture studio designed the reorganization and expansion of the headquarters of a film production company, Terra Mater factual studios, specializing in nature films and documentaries. The recently completed project was built in Vienna, in the western suburbs of the city in the district of Hietzing, known for its historic residences and parks, including the famous Schonbrunn Palace. The film production company Terra Mater indeed operates in a historic Art Nouveau villa with an adjoining garden.
The architects of the Berger+Parkkinen studio was commissioned to adapt and innovate the headquarters of the production company, meeting its requirements in terms of sustainability, as well as emphasizing the close connection with nature that characterizes the work of the clients. The extension also served both to accommodate new staff, as well as to integrate the technical infrastructure necessary for film production into the building, in particular the servers and associated cooling equipment.
The original site had already been the subject of other interventions: first at the end of the 1980s, then in 2003 when a new entrance structure in the form of a glass bridge and a meeting volume in the form of cube overlooking the garden were built. The architects therefore designed a new two-storey pavilion with a wooden structure which follows the same logic as the previous interventions: a volume visible only from the garden and connected to the pre-existing buildings. The new extension houses offices and meeting rooms, and the architects have also redesigned the entrance area to create a lounge for employees and a cooling center for IT equipment, but out of sight.
The structure and interior trim of the new volume are made of wood, but a metal shell envelops the new pavilion on all four sides. Over time, this trellis structure will be able to support climbing plants and be fully covered. The new extension will thus be integrated into the garden, will dialogue with it and will therefore change its appearance and colors according to the natural cycle of the seasons.

(Agnes Bifulco)

Images courtesy of Berger+Parkkinen Architekten, photo by Hertha Hurnaus

Architects: Berger+Parkkinen Architekten https://berger-parkkinen.com/
Client: Terra Mater Company
Location: Vienna-Hietzing, Austria
Photos: Hertha Hurnaus
Images: Berger+Parkkinen Architekten

Filmmaker Edson Oda joins production house Eleanor for spots and branded content

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Japanese Brazilian screenwriter and director Edson Oda, whose first film nine days won the Waldo Salt Screenwriting Award at the 2020 Sundance Film Festival and received a nomination for Best First Feature at the 2021 Film Independent Spirit Awards – joined the roster of Eleanor, the production company under the founder/ EP Sophie Gold, for US representation covering commercials and branded content. This is Oda’s first performance in the United States.

nine days inspired Gold to reach out and connect with Oda. “I watched his movie nine days and I absolutely loved it,” Gold recalled. “It’s such a well-crafted story that it has a phenomenal pacing, allowing the audience to fully embrace the events on screen without explaining them too much. It really moved me and I can’t wait to see it again.

For Oda, his uncle’s suicide influenced his decision to construct a film that celebrates the small moments in life, as well as mental health and depression. “It’s a dazzling exploration of death; not why people die, but how they live,” Oda said.

The first-time filmmaker fits into the director-centric model that Eleanor devised. Prior to winning the Waldo Salt honor at Sundance, Oda wrote, directed and supervised projects for Philips, Telefonica, Movistar, InBev, Whirlpool, Johnson & Johnson, Honda and Nokia. He did this branding work when he was a senior publicist. creative in Brazil, Spain and London at DM9DDB, DDB Spain and Wieden+Kennedy.

Oda joins a team of directors from Eleanor that includes Kate Cox, Woods, Adrian De Sa Garces, Kacper Larski, Elias Ressegatti, Kelsey Taylor, Dawit NM and Alice Waddington.

Eleanor is represented on the East Coast by Anya Zander and Jenn Johnson of Hustle, in the Midwest by Matt Bucher of Obsidian Reps, and on the West Coast by Melissa Ross of Melissa Ross Represents.

Pixel Labs Announces New FREE Production Studio for Students | Waverly Logs

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This week, Pixel Labs, a marketing agency located in downtown Cedar Falls, announced the opening of its new production studio space, Studio212. This space features state-of-the-art technology and tools, including RGB lighting, a four-person podcast booth, and top-of-the-line hardware and software. Zach Everman, Founder and CEO shares, “I was born and raised in Cedar Valley, and have always had a passion for production. This led me to invest and create my agency here. Since that time, we have grown rapidly. When my father and I were building the studio, I asked myself, “How can I use it to help other people who have the same interests as me, but who may not have all the tools to To do ?” Then it hit me, let the students use the space for free. “I wish I had this while I was in school. I could try out my crazy ideas and meet other people who have similar interests he shares. Pixel Labs has strong relationships with local post-secondary institutions, making often calls for high-quality talent when hiring. Specifically, the University of Northern Iowa holds a special place in his heart. Zach studied media at the University of Northern Iowa, then began his career as a production specialist.

Teen CEO Uses Production Company To Help Foster Kids

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Avery Kelley always knew she wanted to work in entertainment.

When she was little, watching her parents’ television, Avery would stare at her, point at the screen and say, “I want to be in there.”

Her love for the media stayed with her, and Kelley went on to pursue singing, dancing, and finding a passion for writing.

“I’ve always enjoyed entertaining in any form,” the 14-year-old told NewsNation.

Avery’s passion for entertainment led her to become CEO of her own production company, Inspired Melanin Inc., before she even graduated from 8th grade.

Inspired Melanin, who regularly partners with other foundations to give back to the community, has worked with Ronald McDonald House, raised funds for supplies for self-care kits for under-sheltered teenage girls and donated Rubik’s Cubes to local middle school students. Her latest project involves collecting duffel bags and luggage tags to give away to foster children in her hometown of Chicago.

Avery Kelley, 14, is the CEO of her own production company. While some have questioned whether she did so much at a young age, Kelley says she shrugs off the negativity with the help of her family and friends,

Last year, Avery’s mother, Amy, had a friend post a story on Facebook about two girls in foster care who needed clothes. After learning more about them, Avery discovered that many foster children have to use trash bags to carry their items from house to house.

“The sheer symbolism of it makes it seem like their stuff is worthless, just because they’re in a little different scenario than other families and other kids,” Avery said. “Their things don’t deserve to be in a trash bag. They should be in nice luggage. They should be in a bag they can call their own.

So Avery teamed up with another family friend who works with different welfare agencies across Chicago to collect the bags and donate them to those in need.

Through a link on Amazon for the initiative, called “Love Carry On,” people can purchase the duffel bags that will be sent out so Avery can give them to those in need.

Giving back is something Avery has always known she wanted to do since founding Inspired Melanin in 2019.

“I strongly believe that God places you on this earth to use your talents to help others,” she said.

Part of the reason Inspired Melanin, Inc. was created was to help other people, namely young black girls like Avery, who felt underrepresented in the media.

“I wanted to be able to create something that shows all walks of life in a way that they deserve to be seen,” Avery said. “What I want to be able to do is just show that even though I’m young, even though I’m a 14-year-old black girl, I can write stories that can resonate with people and share stories that resonate with people. people, scripted or unscripted.

Documentaries Avery has made, such as “Soul Train, Soul Change,” detailing how the show broke barriers in the entertainment industry and its importance in the civil rights movement, have won awards. A short film she wrote, “Back Row”, features aspects of her own life. Last year, Inspired Melanin worked on a documentary called “One Step at a Time,” about a Chicago dance studio on the south side of town.

Avery hasn’t stopped working, even after COVID-19 halted some aspects of production. Since then, she has been live-streaming a virtual show called “Teendom Talk Show”, which is released on YouTube and Facebook.

Avery says sometimes people underestimate her because of her young age. They assume that it’s just her mother doing all the work, or that Avery, being a teenager, doesn’t have the skills to produce or direct.

Amy Kelley said there were certain programs or competitions that wouldn’t even allow Avery to participate because she wasn’t yet 18, even though “she works harder than most adults I know.” .

Avery’s mother, Amy Kelley, tells her daughter that when people are negative, she should let her light shine “how it’s supposed to shine”.

“Everything else will come into play after that,” Amy Kelley said.

Having a “fantastic” support system, like family and friends, has helped, Avery said.

“I know there are people, no matter who you are, who just aren’t going to like what you’re doing,” Avery said. “It’s okay because not everyone will be on your team. But I know I can do it, I have confidence in myself. I know that others have confidence in me and that helps me get by on a daily basis.

Creative production company rebrands | Northwest Business News

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Manchester-based creative production company Visual Method is changing its name to Creative Content Works (CCW).

CCW helps some of the UK’s leading retail and consumer brands bridge the gap between digital and physical experience, while reducing costs and carbon footprint.

As part of the new offering, CCW uses 3D technology to create a digital twin of any product, giving brands the ability to offer content on any channel.

Simon Moore, Marketing and Media Director at Dreams, said: “We produce over 4,000 images a year and needed a fresh approach.

“The logistics of physically filming isn’t easy with large beds, transporting from place to place, but with Creative Content Works, the solution was significantly more cost effective. Plus, it offered agility and ability to easily produce multiple looks.”

James McVitie, Managing Director of CCW, added: “The expertise of our team has grown over the years, to such an extent that we no longer only offer digital production services. By developing new technologies, we are now able to help our customers achieve their goals. objectives, at a fraction of the cost of traditional methods.

“With this new internal approach, we decided the time was right to change our name to Creative Content Works, to highlight our new technology-focused service offering.”

CCW’s revenue grew by 300% to over £4m at the start of 2022. This exponential growth is expected to continue with the focus on breaking the £10m mark in 2023.

Shocking! Jaswant Singh Khalra biopic’s production team not happy with frontman Diljit Dosanjh’s star-studded attitude

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Mumbai: As soon as it was announced that Diljit Dosanjh will be playing the role of Jaswant Singh Khalra in his biopic, a lot of feathers were apparently ruffled. People staged protests where the shooting was taking place as they felt Diljit Dosanjh should not play his part. The biopic is directed by Talvar director Honey Trehan.

A group of Sikhs are not happy with Diljit playing the role of Shaheed Jaswant Singh Khalra as he is not pious according to them and is too westernized to play their hero. And now it is said that during the filming of the film, Diljit had a lot of starry tantrums.

A portal said, “Diljit had asked Mercedes from the production team to travel to the sets. And while his Mercedes is waiting for him to take him home, the car’s air conditioning should be on because he can’t. not bear even little hot weather indoors If the filming lasts 12 hours, the air conditioning of the car will be turned on during these 12 hours.” The team asked the Diljit driver why he keeps the air conditioning on every time in the car when Diljit is not present. He answered them: “Hamare saahab ko garmi bardaasht nahi hoti”. The production team was upset with this star-studded attitude of Diljit as the cost of the film was increasing because of it.

Adding further, the source said, “Diljit is a well-mannered, well-mannered actor. He doesn’t throw tantrums on set, but yeah, he has that star-studded attitude that he likes to show off, especially when he’s on set. is filming in his hometown, Punjab. . He likes to live like a STAR in his city.”

Jaswant Singh Khalra was a human rights activist who, after the assassination of Indira Gandhi and the anti-Sikh riots of 1984, sought out and created a list of missing Sikh men while police era was allegedly accused of killing unarmed suspects in organized shootings. and detain suspects for any reason.

Stay tuned for more entertainment industry news.

Credit: Bollywood Life

Industry veterans join forces to launch Pariah VFX & Post-Production Studio

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Full-service VFX and post-production studio Pariah has opened, having delivered two high-profile campaigns for Expedia and Gatorade. Founded by VFX Supervisors Patrick Murphy and Glyn Tebbutt and Managing Director Mark Tobin, Pariah brings together a collective of talent with decades of combined experience working in state-of-the-art global facilities and delivering some of the most significant advertising campaigns and the most memorable.

Before its official launch, Pariah produced a jet-set spot for Expedia, starring Ewan McGregor and directed by Lance Accord via Park Pictures aired during the NFL Championship Game. The company followed with a place for Gatorade fuel tomorrow campaign that premiered during the NBA All Star Game, starring Candace Parker and Damian Lillard, and led by Wesley Walker of North America Tool. The Pariah team’s portfolio spans work for Apple, Taco Bell, Facebook and Zocdoc, including collaborations with directors Michel Gondry and Jai Moseley, as well as 72andSunny and Stink. Murphy shared, “It’s a fantastic start that some of our longtime creative partners have entrusted us with the task of bringing their vision to the screen on such remarkable projects from the outset.”

Pariah’s leadership team combines deeply cultivated business acumen with digital artistry. Tobin has played a pivotal role in launching and spearheading the growth of many of the top creative studios in Los Angeles and New York. A seasoned business strategist, Tobin has a proven track record of pioneering expansion and growth for VFX powerhouses including MPC, Psyop, a52 and Method, and most recently served as CEO of technology company Arraiy. Murphy’s natural ability to create stunning visual images has defined his role as one of the industry’s leading creatives, having established relationships with directors and agencies based on trust and instinctive problem solving. Tebbutt’s experience spans stints in the most prestigious creative studios in London and Los Angeles. His background in design and motion graphics reflects his overall aesthetic style and approach to creative work, while his passion and ability to overcome the toughest production challenges has skyrocketed his career.

Pariah’s seasoned production team includes production manager Michael Steinmann, Flame artists Fed Saccone and Gretchen Capatan, CG supervisor Mike Wynd and graphic designer Diego Binatena. “It’s a comprehensive force of incredible talent that, combined with our vast network of creatives around the world, enables us to deliver exceptional work to our clients,” commented Tebbutt.

Pariah will work closely with sister company Exile Edit, led by publisher Kirk Baxter and general manager CL Kumpata.

Tobin added, “It’s exciting to officially launch Pariah and be part of such an experienced and creative group of professionals. Not only have we already attracted top-level work, but we have also assembled a team of unparalleled talent. We look forward to growing the business and working with the best agencies and directors in the industry. »

About Paria
Pariah creates world-class visuals for the biggest campaigns and media networks in the industry. Founded by VFX Supervisors Patrick Murphy and Glyn Tebbutt and Managing Director Mark Tobin, Pariah’s seasoned management team spans three decades of experience cultivating creative and business expertise. Based in Santa Monica, Calif., the team behind this visual effects and post-production studio has produced notable campaigns for Expedia, Gatorade, Facebook, Apple, Taco Bell and Zocdoc, and collaborated with directors Michel Gondry , Jai Moseley and Wesley Walker, as well as partner agencies and production companies 72andSunny, North America Tool, Park Pictures and Stink. For more information visit: https://www.pariahcreative.com

Production company Empire of Light announces it will offer seaside fairy lights in Margate – The Isle Of Thanet News

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Production company Empire of Light will donate the fairy lights to Margate Photo Frank Leppard

Margate will receive the fairy lights hung along the seafront and up to the Old Town, it was confirmed today (March 15), although details of their operation and maintenance have yet to be worked out.

The lights were installed by production crews working on Sam Mendes’ film Empire of Light which is currently filming in the city.

Photo Frank Leppard

Residents called for the lighting to stay on after crews finished filming at the end of May and those calls received support from councilors, including Ward Councilor Rob Yates.

It has now been confirmed that Neal Street Productions plans to give Margate the spotlight. An offer has been made to the Kent Film Office who will liaise with representatives from Thanet and Kent councils.

Photo John Horton

Pippa Harris of Neal Street Productions said: “From the first moment we discussed the lighting of the festoon along the promenade, we always hoped to bring the lights to the city.

“We have received such a warm welcome and so much support from the people of Margate that we would love for the lights to remain and be something that will be enjoyed by the town and its visitors for years to come.”

Eddie Kemsley, CEO of Dreamland, said: “When we started our conversations with Neal Street Productions about this incredible film coming to Margate, we discussed how this project could leave a lasting beneficial legacy for the town. .

“The string lights hung throughout the parade not only sparked positive conversations, but literally lit up our beautiful waterfront and so we’re thrilled they’ll continue to do so after filming wraps.

“There’s still work to do and a long way to go with the practicalities, but we’re sure the whole community will join us in thanking Neal St Productions for their generous donation.”

PhotoRob Yates

Cllr Yates said: “On behalf of the residents of Margate Central, I would like to say a huge thank you to Sam Mendes, the production company and Dreamland for their support in donating these lights to Margate.

“I am confident that together we can resolve any technical issues around light levels, maintenance and the cost of running the lights, just as Westgate Town Council manages the town center Christmas lights.

“I know Margate residents and businesses will be delighted and I think it will make people feel safer at night along our seafront. Let there be light!”

Thanet Council was asked to comment.

Photo by Carl Hudson

Filming for Empire of Light – an 1980s-based love story – began in Margate on February 28 and is set to continue until May 21.

It stars Oscar winner Olivia Colman, Micheal Ward, Oscar winner Colin Firth, Toby Jones, Crystal Clarke and Tanya Moodie. Tom Brooke and Hannah Onslow join the previously announced cast.

Produced by Oscar nominee Pippa Harris (1917, Call The Midwife, Penny Dreadful) and Mendes (1917, Skyfall and American Beauty) under their Neal Street Productions, the film will be released by Searchlight Pictures with a slated release date this fall. year.

Sono Sion solar hatchback on track for 2023 production, company says

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Sono Motors announced on Monday that it has taken another step towards putting its electric sedan Sion into production on schedule.

In a press release, Sono said it has entered the serial validation development phase. The company said it is currently building a fleet of 37 production validation and body-in-white vehicles, which represent the final design of the Sion.

Sono Sion solar-assisted electric car

The fleet, which consists of 16 complete vehicles and 21 “test structures”, will be used to test things like driving dynamics and the vehicles’ resistance to extreme climates, according to Sono. The company said this testing program will take place in both Europe and the US, although it hasn’t announced plans to sell the Sion here.

The finalized design will also be unveiled to the public this summer, and some of the series validation vehicles may also embark on a Europe-wide tour, the company said.

The Sion stands out from other electric vehicles because it will use all the body panels for the solar panels, not just the roof. These panels can provide up to 4,600 miles of range per year without plugging in, the company said.

Sono Sion solar-assisted electric car

Sono Sion solar-assisted electric car

Sono is also designing the Sion as a mobile power bank, with two-way charging and an AC wall box, so owners can potentially tap into the car’s solar panels when it’s not being driven.

The company first showed the Sion in what was described as “production” form in early 2019. But the company has given its one-off model a range and load boost as it goes along. development, as well as a switch to LFP cells. Sono currently estimates 189 miles of range, up from around 160 miles previously.

Sono’s statement said the series validation program would be supported by suppliers Thyssenkrupp Automotive Body Solutions and Betrandt. But conspicuously absent was any mention of earlier plans to assemble the Sion with NEVS at Saab Automobile’s former home in Trollhättan, Sweden. We’ve reached out to the company to get confirmation that these are still enabled.

Podcast Network Lemonada Media expands its production team

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Podcast Network Lemonada Media expands its production team

Lemonade Media

Podcast network Lemonada Media has announced new additions to its production team, led by co-founder and chief creative officer Stephanie Wittels Wachs. Steve Nelson joins the company as VP of Content and Production, overseeing Lemonada’s ever-active slate. Most recently, he was Head of Talk at Religion of Sports and before that, Senior Director of Programming at NPR and Director of On-Demand Programming at APM.

Nelson’s team will be bolstered by Rachel Neel, most recently NPR’s Supervising Senior Producer, in a new role at Lemonada as Senior Director of New Content, leading the development, pre-production and launch of the originals portfolio. of Lemonada on its permanent roster. MPR chief producer Kyle Shiely, who helmed both Morning Edition and All Things Considered, is also joining the group and will now serve as lead producer on “In the Bubble with Andy Slavitt.”

Additionally, Nelson will work alongside Jackie Danziger (Vice President of Content and Production for Lemonada’s Narrative Slate) and Kasey Barrett (Head of BEING Studios) and their teams.

Wachs said, “We are thrilled to welcome these exceptionally talented industry leaders to our growing production team who will help Lemonada continue to evolve our original weekly podcast lineup and expand our mission of making life less difficult.”

Lemonada Co-Founder and CEO Jessica Cordova Kramer added, “And that goes for our workplace culture as well. In addition to having a qualified and diverse team, we are committed to prioritizing the well-being of our staff with benefits such as 7 weeks paid. annual leave, including 2.5 weeks of company-wide leave to prevent burnout and foster creativity; parental leave that includes all genders, foster care and adoption; comprehensive benefits and stock options for all permanent full-time staff to date; as well as flexible hours and flexible location with co-working opportunities.”

Riot Games signs investment deal in ‘Arcane’ production studio

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Image via Riot Games/Arcane

After winning big at the 49th Annie Awards the day before yesterday, Fortiche Productions is now going further than ever, with the upcoming second season of Esotericafter Riot Games closed a huge equity investment in the company.

By Deadlinethe League of Legends took this opportunity to deepen their ties with Fortiche, who has been their longtime collaborator on music videos and cutscenes for the MOBA game even before Esoteric came with. This investment allows Riot to hold a non-controlling stake in Fortiche, while helping their efforts move forward with the company’s staggering over $20 billion resource pool.

The co-founders of Fortiche today released a statement regarding this investment agreement, which reads as follows:

“The various collaborations with Riot Games, and especially Esoteric, have made Fortiche Production a new major player on the international animation scene. Riot Games, by trusting us, has given us the means to achieve our common ambitions and has shown that it is possible to offer new content that can reach a large audience. In 2023, we will celebrate 10 years of collaboration: nothing better than this association to symbolize the trust and ambitions of our two companies!

We hope this will allow Fortiche to accelerate the development of the highly anticipated next chapter in the Vi and Jinx story in Esoteric. Because, as successful and acclaimed as the anime adaptation was, I guess most fans wouldn’t mind waiting another six years for Fortiche and Riot to prep the next 9-hour series, because it took them so long to finish the job on the first season.

In all honesty, however, designing a project takes a lot more effort than continuing on an established line. This is especially true for animation, where every little asset in the world takes a lot of imagination and work to bring to life, especially for Esoteric which benefits from a unique and innovative animation style.

As fans of this fictional world, we can’t wait to see what Riot and Fortiche have in store for fans.

Meet the production team of ‘Diamond Hands: The Legend of WallStreetBets’

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Zack Canepari and Drea Cooper

DIRECTORS AND PRODUCERS

Emmy-winning filmmakers Zackary Canepari and Drea Cooper have over a decade of experience working in a variety of mediums. In 2010 they launched the short documentary series CALIFORNIA IS A PLACE which premiered at Sundance and racked up over 10 million views online.

The success of the California series landed Zack and Drea on Filmmaker magazine’s “25 Best New Filmmakers to Watch” list and led them to Flint, Michigan, where they made their first feature-length documentary, T-REX. about teenage boxing phenom and Olympic gold medalist Claressa “T-Rex” Shields. The film premiered at SXSW and won audience and jury awards nationwide before its release. to premiere on Independent Lens in 2015.

Their Netflix original documentary series, FLINT TOWN, received critical acclaim and earned Critics Choice Awards and IDA nominations. The series takes an unflinching look at a struggling city through the eyes of the police and the community. Forbes magazine called it “one of Netflix’s best documentary offerings to date.”

Zack and Drea’s latest Netflix movie, FIRE IN PARADISE picked up an Emmy and an Edward R. Murrow Award and was nominated for an Academy Award.

Gary Kout

Gary Kout

PRODUCER

With over 30 years of experience, Gary has hundreds of productions to his credit, from feature films, shorts and documentaries to commercials, promotions, music videos, events, photo shoots and corporate communications. Gary’s commercial and enterprise clients include Apple, Facebook, Chevy, TD Ameritrade, Harry & David, the Biden campaign and many more. He has produced or co-produced several independent feature films, including REDWOOD HIGHWAY, MY NAME IS BRUCE, CALVIN MARSHALL, BLUE LIKE JAZZ and the award-winning documentary T-REX (San Francisco International Film Festival 2015 Audience Award Best Doc Feature; Traverse City Film Festival 2015 Roger Ebert Prize). He was executive producer of the independent feature films BLACK ROAD and PHOENIX, OREGON. Gary was production supervisor on RANGO (Academy Awards 2011 Best Animated Feature) with Johnny Depp, and producer on the critically acclaimed Netflix Original Doc series FLINT TOWN and the Netflix Original Doc FIRE IN PARADISE (Telluride Film Festival 2019, Emmy Award 2020 Best Sound, Edward R. Murrow News Documentary Award, Academy Award S 2020 shortlist). His recent work includes FELLINI FORWARD for Campari (Producer; Venice Film Festival 2021), YOU GO GIRL! (Consulting Producer; Sundance 2022) and DIAMOND HANDS with NBC News Studio (Producer; SXSW 2022).

Gary has lived and worked in New York and Los Angeles and has toured throughout the United States and in over 15 countries. He is the founder and former executive director of Film Southern Oregon, a trade association based in Ashland, Oregon, where he now resides and which was named one of the best places to live and work as a filmmaker by MovieMaker. Magazine every year since 2014. He is a graduate of the University of Southern California School of Cinematic Arts and the recipient of a Governor’s Award from the Governor of Oregon in 2015.

Myles Estey

Myles Estey

PRODUCER

Myles is a producer of Emmy-winning and Oscar-nominated Cartel Land and Showtime’s award-winning docuseries The Trade. His most recent production work includes The Boy From Medellín, which premiered at TIFF 2020, 2nd Chance, with Oscar-nominated director Ramin Bahrani, which premiered at Sundance 2022, and Diamond Hands, which will premiere at SXSW 2022. With a background in boots-on-the-ground journalism across Mexico, Central America and West Africa, a strong investigative skill complements his true cinematic experience both in the field and all throughout the post.

Molly OBrien

EXECUTIVE PRODUCER

Just before landing at NBC News Studios, Molly was executive producer of special projects and chief operating officer of Fork Films in New York, and founding producer of the Sundance Institute’s Catalyst Initiative in Los Angeles. She is an Oscar-nominated and Emmy Award-winning prime-time producer with more than two decades of experience producing documentary series and feature films. She loves botanical gardens, chihuahuas, dance concerts and documentaries.

Erica Fink

CO-PRODUCER

Erica Fink is Director of Development for NBC News Studios, responsible for the ideation and culture of documentary films and series. Erica became enthralled with the WallStreetBets subreddit in the spring of 2020, watching users casually bet on the farm and memorize their wins and losses. She got to know some of the more vocal members of the group and nine months later – when they helped skyrocket GameStop shares, squeezing major hedge funds – they were very excited to share their war stories. Prior to joining the studios team, Erica launched NBC News Now as founding executive producer of the streaming network.

Sebastian Hernandez

MAIN EDITOR

Editor-in-chief and co-founder of Postbros, a boutique post house based in Bogotá, Colombia, specializing in publishing and editorial services. Co-founder of Ruvrika, an advertising company for films. He has won the Colombian Academy Award twice and his work has been seen on HBO, Netflix, Amazon, NBC, and has been shown at festivals like the Berlinale, Venice and SXSW. He is a board member of TEMPO, an international federation that brings together publishers from all over the world.

ABOUT NBC NEWS STUDIOS

NBC News Studios is a division of NBC News specializing in documentary storytelling. Working with Studios gives producers and filmmakers access to everything our news organization has to offer: eight decades of television and radio archives; a global network of journalists; and rich in stories. Our team has decades of experience in the television and documentary worlds and has been honored with multiple Emmy, Peabody and DuPont awards. Our recent collaboration with Focus Features, Dawn Porter’s “The Way I See It,” was the highest-rated non-informative show in MSNBC’s 25-year history, won Best Documentary at the New York Film Critics Awards Online and was recently nominated for a News & Documentary Emmy.

This fintech firm bailed out the post-production house of ’83’, ‘Ae Dil Hai Mushkil’

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LegalPay, a start-up that provides legal and debt financing solutions to businesses, has provided bridge financing in an undisclosed amount to a post-production house, Poets Lovers and Lunatics Motion Pictures Private Limited (Poet Lovers) which is currently subject to corporate insolvency proceedings. Resolution process (CIRP).

Poet Lovers has provided post-production sound mixing services for some well-known Bollywood movies like ’83’, ‘Ae Dil Hai Mushkil’, ‘Naam Shabana’, ‘Raabta’ and ‘Newton’ among many others .

Incidentally, to revive and maintain these production houses which are usually valued at around Rs 20 crore, the need for interim funding ranges between Rs 50 lakh to Rs 3 crore. These funds are used for their daily operating needs during the CIRP.

Interim funding is an ultra-secure loan for a short period of 6-12 months and resolution professionals use these funds to pay for operational costs and/or immediate needs of companies subject to CIRP, such as payments to professionals , workers, security personnel, etc.

The main purpose of bridge financing is to keep businesses, undergoing CIRP, as a going concern. It is super secure and this security is guaranteed by law under the Insolvency and Bankruptcy Code, 2016 (IBC, 2016).

LegalPay, on the other hand, targets companies undergoing insolvency, in which the interim funding requirement ranges from a mere Rs 5 lakh to up to Rs 10 crore.

According to Kundan Shahi, CEO of LegalPay, many companies are in need of bridge financing – a need further heightened by the pandemic – and the start-up looks forward to working with many other companies that need such financing. to keep them afloat during the period of insolvency.

Recently, the company had provided bridge financing to Bengaluru-based Yashomati Hospitals.

“LegalPay has taken an unprecedented step in serving a niche interim finance market. They have really been instrumental in the pace of the insolvency resolution process. I think they present a tremendous opportunity industry-wide for resolution professionals and struggling businesses,” said Rekha Shah, Resolution Professional, Poet Lovers.

Arshad Warsi Reveals Amitabh Bachchan’s Production Company Dropped Him After Casting Him

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Arshad Warsi remains one of Bollywood’s most underutilized gems. He has proven his mettle time and time again with a variety of roles in movies like Munna Bhai, Jolly LLB and more.

For eight months after Munnabhai, the film after which Circuit became a household name, he had no job, he had revealed.

Twitter

“No one offered me a film. So I was wondering if people liked my work, why don’t I have a film in my hand. I asked Raju Hirani if ​​I had done a good job? He said said, I was excellent. So how come I didn’t have a film in my hand,” he told PTI.

Arshad Warsi has now revealed that Amitabh Bachchan’s ABCL abandoned him after throwing him at Tere Mere Sapne.

Arshad Warsi - Underrated Bollywood Actors Who Deserve More Love
AFP

“I would say Mr. B (Amitabh Bachchan). I started my career at ABCL, Joy Augustine, they got me into the business. But then they left me, abandoned me. So I don’t know what to call them. Godfather or what, I don’t know,” he told ETimes.

Versatility of Arshad Warsi
Twitter

At the same event, Akshay Kumar had clarified his breakup with Arshad Warsi. “Quite often the media reports that I generally don’t get along with the people I work with. I always have a cordial relationship with everyone I work with professionally,” he said.

Breakup rumors started buzzing after Akshay Kumar starred in Jolly LLB’s sequel. Arshad Warsi.

I don’t… Akshay does. I was supposed to, but Fox Star Studios needed a bigger star, so they cast Akshay,” Warsi told IANS.

jolly-llb
Twitter

Also Read: Here’s How Bollywood Failed Arshad Warsi, An Underrated And Underutilized Gem Of Bollywood

(FormFor more news and updates from the world of Bollywood and Hollywood celebrities, keep reading Indiatimes Entertainment and let us know your thoughts on this story in the comments below.)

Icon Agency opens The Content Garden digital production studio

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Icon Agency has opened a purpose-built digital production studio, The Content Garden, at the Rosella Complex in Richmond.

The announcement:

Independent agency Icon has opened a dedicated digital production studio in central Melbourne as it ramps up its content capabilities amid strong growth.

Located in Richmond’s iconic Rosella Complex, The Content Garden is a purpose-built creative production studio for photography, film, social media and web content production.

Spanning over 600m², the studio will be a hub for emerging digital content creators, hosting movie nights, collaborations and networking events.

The Content Garden will also house Icon’s expanded video production division, including a newly established Auslan studio to produce content for deaf, blind and deafblind audiences.

Icon Agency Co-Founder and Managing Director Joanne Painter said The Content Garden meets the changing needs of governments and Icon’s corporate clients.

“The Content Garden allows us to quickly and flexibly produce multi-format and multi-channel content in a controlled, COVID-free environment.

“And like any thriving garden space, The Content Garden is a place to grow and nurture. The space will be used by film and digital creators to produce and curate content in all its forms – from podcast series and webinars to long-form films and short animations.

“During COVID, we have seen a significant shift in the way audiences consume digital content. With the launch of The Content Garden, Icon Agency is ready to provide snackable content to support multi-channel campaigns and briefs.

In addition to three large-format production studios, The Content Garden includes a sound recording studio, editing rooms and a media training space.

Ms Painter said the new venture capped two huge years that saw the company double in size and continue to expand its national footprint.

“We’re really excited about the future of digital storytelling and the opportunity to use this remarkable space to foster the next generation of digital content creators,” Ms. Painter said.

Visit https://contentgarden.com.au/ for more information.

Source: Icon agency press release

The multi-dimensional NORR kitchen has its origins in a production studio – Blogtown

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Christiann Koepke/NORR Agency

Photographer and creative director Christiann Koepke has drawn inspiration from her experience working with clients in the food and beverage industry as well as her travels in Europe and distilled them into her new Central Eastside restaurant, NORR Kitchen, which takes its name from the Swedish word meaning “north”. .” The multi-dimensional concept is an offshoot of Koepke’s production studio, NORR Agency.

Sponsored

Tucked away in the industrial pocket between Lower East Burnside and I-84, the restaurant is off the beaten path, an intentional choice. There’s not even a sign on the door (IYKYK)—Koepke wanted to create a destination that felt like an escape from the city, and unlike anything else. While the restaurant’s decor incorporates many Scandinavian design elements — a photo of a Norwegian fjord taken by Koepke is prominently displayed on one wall and the cover of the menu — the food has Italian and Mediterranean coastal influences.

Diners can experience the restaurant in three ways, which follow the welcoming dining room block – you can sit at the bar for happy hour or a more casual experience, in the main dining room, which welcomes customers to Seating menu for dinner and tasting menu (currently available once or twice a month by reservation only), or the intimate Chef’s Counter, where you’ll have a front-row seat to Executive Chef Matt Hobbs and his team at work in addition to his tasting menu selections.

NORR_Kitchen_Interior____by_NORR_Agency-2.jpg

Christiann Koepke/NORR Agency

A la carte dishes include comforting plates of handmade pasta, succulent meatballs made with a mix of beef and charcuterie toppings, mouth-watering bruschetta with duck prosciutto, and other Italian dishes. The six-course tasting menu is seasonally focused and draws more global influences than the regular menu. It alternates between “traditional”, vegetarian and plant-based options every two weeks or every month.

The craft cocktail program will rotate with the tasting menu, while maintaining a base of house liqueurs and infusions from bartender Thomas Radke. I sampled a Golden Graham infused bourbon with flambéed vegan marshmallows, to give you an indication of the magic happening behind the bar.

Chef Hobbs previously worked with Radke at Vitaly Paley’s pop-up restaurant Rosa Rosa. At NORR, the couple carry on the rapport they had established in their previous jobs, bouncing ideas between the kitchen and the bar and reusing ingredients to reduce waste.

In addition to on-site dining, NORR has diversified its service with an expanded list of offerings, including take-out and delivery, themed monthly meal kits, catering (available nationwide!) and private events. Koepke is also excited to enable the dining space for different partners and local businesses she works with through the agency, which includes brands like Coava and Freeland Spirits.

“There are so many different elements [to the restaurant group] because we come from production,” says Koepke. “In development, it’s ‘What’s the next thing? What’s the new thing? “, which I think you have to be these days. If the last few years have taught us anything, it’s to be flexible. Be innovative.

NORR_Kitchen-2.jpg

Christiann Koepke/NORR Agency

Constant evolution has been a constant theme in Koepke’s career. She first discovered her passion for food in college when she hosted intimate European-style dinner parties with her friends, connecting not just through food, but over hours of conversation filled with laughter and tears. This talent for hospitality would later lead him to co-found the themed dinner series secret supperknown to pop up in unique places.

After moving to Portland in 2013, amid its emergence as one of the nation’s premier food cities, Koepke decided she wanted to get involved in the food industry. Starting out as a food blogger, she picked up a DSLR camera for the first time and quickly began amassing an impressive list of clients from Anthropologie to Williams-Sonoma and publications such as Enjoy your meal and SHE.

With the rise of foodie culture within social networks, the phenomenon of “camera eats first” came to prevalence, too. But for these sister companies, this adage carries special weight. Koepke founded NORR Agency in 2019, where in addition to full-service strategy, branding and marketing, she and her culinary team create, test and photograph cuisine for lifestyle brands. Their food and beverage production grew to such a volume that Koepke had an entire culinary department on her hands and found herself wanting to share their creations with the masses. She pitched the idea of ​​translating their production work into a model restaurant to Hobbs, who is also the agency’s Director of Culinary Operations, and NORR Kitchen was born.

“All of my work from day one has been completely digital, so having the doors open here now is such a beautiful thing,” Koepke said. “Now we actually have a doorway into what we do…before we were so far apart.”

NORR Kitchen, 920 NE Glisan St, (503) 941-0407, norrkitchen.com

94th Academy Awards production team welcomes new talent and show veterans

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“The Oscars®” producer Will Packer TODAY announced the key members of the production team for the 94th Academy Awards, which airs live on ABC on Sunday, March 27, 2022.

Rob Paine has been associated with the Oscars telecast for over 20 years and is returning as supervising producer. Paine has over 200 credits to his name and has earned 11 Primetime Emmy® Award nominations and a Peabody Award. He specialized in large-scale live television events and his credits include SUPER BOWL Halftime Shows, “Celebrating America: An Inauguration Night Special”, “The Kennedy Center Honors”, political conventions, concerts and comedy specials. .

Production designer and creative director David Korins returns to the Oscars, having served as designer in 2019. Korins’ prolific work for Broadway includes the Tony®-winning musicals ‘Hamilton’ and ‘Dear Evan Hansen’, as well as ‘Beetlejuice “. Korins was the creative director and designer of “Immersive Van Gogh” and “Hamilton: The Exhibition”; and has collaborated with Sotheby’s, USC Shoah Foundation, Bruno Mars, Lady Gaga, Kanye West, Mariah Carey, Andrea Bocelli, TED and Gagosian. His television credits include “The 2020 Heisman Trophy Ceremony”, “Elton John: I’m Still Standing – A Grammy® Salute”, an episode of “Last Week Tonight with John Oliver”, and “Grease: Live!”, for which he won an Emmy Award.

Lighting designer Robert Dickinson returns for his 33rd Oscar performance. Over his three-decade career, he’s won 18 Primetime Emmy Awards, including three for Oscar telecasts, and has more than 1,500 on-screen TV credits. His credits include “The Kennedy Center Honors”, “GRAMMY Awards”, “Primetime Emmy Awards”, “Tony Awards”, “Golden Globe® Awards”, “American Music Awards”, and “Academy of COUNTRY MUSIC Awards”; the Olympic ceremonies in Atlanta, Salt Lake City, Athens and Vancouver; SUPER BOWL halftime shows; and THE “Peter Pan Live!” and “The sound of live music!” Dickinson has also worked on numerous TV musical specials for the Eagles, Rolling Stones, Fleetwood Mac and more.

Adam Blackstone joins the Oscars production team as the series’ musical director. Emmy-nominated music director and GRAMMY-nominated writer, Blackstone has held music executive positions with artists including Justin Timberlake, Rihanna, Janet Jackson, Alicia Keys, Maroon 5 and Eminem, and has collaborated with Shakira and Jennifer Lopez. on the SUPER BOWL. LIV Halftime Show, for which he was nominated for a Primetime Emmy Award.

He was also the music director for SUPER BOWL LII Halftime Show (2018) and this year’s SUPER BOWL LVI Halftime Show. His other credits include “A Grammy Salute to The Sounds of Change”, numerous “BET Awards”, “Soul Train Awards”, VH1 and MTV specials, and the Fox shows “The Four: Battle for Stardom” and “The Masked Singer”. He also appeared on the first season of NBC’s “The Voice” as an advisor to Coach Adam Levine. In 2009, Blackstone partnered with his wife, Kaisha, to form the company BASSic Black Entertainment, LLC (BBE).

Taryn Hurd joins the Oscars for the ninth consecutive year as a talent producer. She has also served as a talent producer at the past six Governors Awards ceremonies as well as numerous television variety specials and award shows.

Head writer Jon Macks returns for his 25th Oscars TV show. Eight-time Primetime Emmy nominee and two-time Writers Guild of America Award winner, Macks has served as head writer for numerous Academy Award-winning television shows and served as head writer or co-head writer for animators Chris Rock, Billy Crystal , Steve Martin and Hugh. Jackman. Additionally, he served on the debate prep team for five Democratic presidential candidates, was a lead writer for the 2020 Democratic National Convention and the inauguration special “Celebrating America. “.

Dave Boone is a three-time Emmy Award-winning and three Writers Guild of America Award-winning screenwriter and producer. Returning for his 12th Oscars TV show, he served as editor for Neil Patrick Harris during the 87th Academy Awards. Head Writer of 17 consecutive TONY AWARDS TV shows, his other credits include multiple “The Kennedy Center Honors”, “Primetime Emmy Awards”, “Daytime Emmys”, “Academy of COUNTRY MUSIC Awards”, and “New Year’s Rockin’ Eve”. . He is responsible for over 100 hours of live television each year. Boone is also a wanted script doctor for Broadway.

Dana Eagle joins the Oscars production team as a screenwriter for the first time. Eagle was previously a creative consultant on Wanda Sykes’ Emmy-nominated Netflix comedy special “Wanda Sykes: Not Normal.” His book “How to Be Depressed: A Guide” has been published in four languages. As a comedian, she has been seen on NBC’s “Last Comic Standing,” “The Late Late Show with Craig Ferguson,” and Comedy Central. His solo show “Stones from Glass Houses” premiered at HBO’s US Comedy Arts Festival.

Mitch Marchand returns to the writing staff for his third Oscars TV show. His credits as a comedy writer include awards such as “BET Awards”, “Hip Hop Awards”, “UNCF Evening of Stars”, “MTV Video Music Awards”, “NAACP Image Awards”, and “Primetime Emmy Awards”. . He wrote jokes for talents such as Jamie Foxx, Anthony Anderson, Tiffany Haddish, Kevin Hart and Chris Rock; and created presentations for Oprah Winfrey, Tyler Perry, Quincy Jones and Kerry Washington. Marchand is currently co-producer of the Netflix series “The Upshaws,” starring Mike Epps and Wanda Sykes, which is currently in production for its second season.

Suli McCullough joins the Oscars production team as a writer. A stand-up comedian, comedic actor, and writer-producer, he was a writer on “The Tonight Show with Jay Leno” and was a consulting writer for the “14th Annual ESPY Awards.” His writing credits include “The 73rd Primetime Emmy Awards”, a skit for Jamie Foxx for “Saturday Night Live”, “Lopez Tonight”, “MTV Music Awards”, “BET Awards”, “American Music Awards” and “Nickelodeon’s Kids”. Choice Award.” His producing credits include “The Amber Rose Show” on VH1, “Def Comedy Jam” and “Last Comic Standing”, and the feature documentary “Dying Laughing”. McCullough is also known for his roles in “Don’t Be a Menace to South Central While Drinking Your Juice in the Hood” and “The Jamie Foxx Show”.

Agathe Panaretos returns to the Oscars ceremony for the second time as a writer. She has written for a variety of shows including “2021 MTV Video Music Awards”, “Graduate Together: American Honors the High School Class of 2020” and “The 71st Primetime Emmy Awards”. She’s previously written for Netflix’s first talk show, “Chelsea,” as well as “Crank Yankers” and “What Just Happened??! With Fred Savage.” Additionally, she was a writer for The Onion and her work has been featured on E!, Team Coco and Funny or Die.

Danielle Schneider joins the Oscars production team as a writer. She is currently co-executive producer of the upcoming HBO Max series “Clone High.” Most recently, Schneider served as co-executive producer of “Kenan,” alongside her writing partner Dannah Phirman, and “It’s Always Sunny in Philadelphia.” With Phirman, she created, produced, wrote, and starred in Hulu’s “The Hotwives of Orlando” and “The Hotwives of Las Vegas.” Schneider’s other writing credits include “Beverly Hills Chihuahua 2”, “I’m Sorry”, “Telenovela”, and “Marry Me”.

Chuck Sklar returns as a writer for his fourth Oscar-winning TV show. Originally a stand-up comic, he wrote for Bill Maher’s “Politically Incorrect,” “Late Night with Conan O’Brien,” “The Chris Rock Show,” and “Everybody Hates Chris,” among others. Additionally, Sklar co-created the FX series “Totally Biased with W. Kamau Bell” and served as the executive producer of the movie “Tom of Your Life.”

The 94th Academy Awards will take place on Sunday, March 27, 2022 at the Dolby® Theater at Hollywood & Highland® in Hollywood and will be televised live on ABC at 8:00 p.m. EDT/5:00 p.m. PDT and in more than 200 territories worldwide.

The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Academy Awards, the Academy supports a wide range of initiatives to promote the art and science of filmmaking, including public programming, outreach education and the Academy Museum of Motion Pictures.

The Oscars production team is ready for the 94th Academy Awards; Wolfgang Puck Back For Ball – Deadline

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Deadline

After canceling the Governors Ball due to Covid concerns last year, the official post-Oscars celebration will be back in action, and that includes the return of vivacious Gov Ball Wolfgang Puck to collaborate on the menu, joined this year by the Bronx-based culinary collective Ghetto Gastro. The latter’s work blends influences from the African diaspora, ingredients from the South and hip-hop to create offerings that address race, identity and economic empowerment.

“Chef Wolfgang Puck and his masterful team raise the bar at every Governors Ball, and this year will be no different,” said Academy Governor and Awards Committee Chair Jennifer Todd. “We are delighted to welcome the extraordinary talents of Ghetto Gastro to the table. Together, Wolfgang and the Ghetto Gastro collective will create an inspired dining experience for our Oscar guests.

Governors Ball
AMPA

“Each year we look to find ways to keep things new, fresh and fun,” Puck said. “The Oscars Governors Ball is an event where food, fashion, culture, film and music collide. To celebrate this convergence, we couldn’t think of a better partner than Ghetto Gastro.

The menu will feature new dishes from Wolfgang Puck Catering alongside customer favorites such as Smoked Salmon Oscars and Spicy Tuna Cones. Rounding out the offerings are Jon Gray, Pierre Serrao and Lester Walker of Ghetto Gastro with their own action station in addition to several past menu items throughout the night.

“At Ghetto Gastro, we have a saying: ‘We just layer the flavors’ [W.O.L.F.], so we think it’s only right to partner with the great Wolfgang Puck to create an Oscars Governors Ball like no other. Wolf Gang activity,” said Gray, co-founder of Ghetto Gastro.

“This is a one-of-a-kind collaboration that breaks down boundaries and brings new flavor to the Oscars Governor’s Ball,” said show producer Will Packer. “The Ghetto Gastro Collective, Wolfgang Puck and the Academy teams have embraced this brilliant alliance of uniting people in a true celebration of cinema. and food.”

AMPA

In other news from the Oscars show today, Packer announced his production team which includes a mix of veterans and newcomers to the show. Veterans include Rob Paine, supervising producer for over 20 years, lighting designer Robert Dickinson back for his 33rd Oscars, talent producer Taryn Hurd back for his ninth straight year, head writer Jon Macks in his 25th Oscar TV show, writer Dave Boone for his 12th, and members of the writing staff from past shows including Mitch Marchand, Agathe Panaretos and Chuck Sklar.

New to the writing duties are Dana Eagle, Suli McCullough and Danielle Schneider. Additionally, Emmy and Grammy-nominated musician Adam Blackstone, who recently served as musical director for this year’s Super Bowl halftime show, will serve as musical director.

The 94th Annual Academy Awards will air live on ABC at 5:00 p.m. PT on March 27 from the Dolby Theater in Hollywood.

Full Sail University officially opens a virtual production studio on campus

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Florida-based Full Sail University announced that it has officially opened the doors to one of the first, largest, and most technologically advanced virtual production studios on any college or university campus in the country, Studio V1: Virtual Production. .

“Full Sail University is honored to cut the ribbon for our latest innovative facility, Studio V1. Our virtual production studio will allow our students to gain real-world industry knowledge using the latest technology, while attracting professional projects to the region. We look forward to the future projects and learning opportunities this studio will provide,” said Full Sail University Director of Visual Arts Education Rick Ramsey.

Following the March 8 inauguration, Studio V1: Virtual Production is now fully open and operational. It will provide unique learning opportunities for students in many degree programs, including:

  • computer animation license
  • Bachelor in Digital Cinematography
  • Cinema licenses
  • Film Production Master of Fine Arts
  • Bachelor of Game Art
  • Bachelor in Game Design
  • Masters in Game Design
  • Bachelor in Game Development
  • View production licenses
  • Simulation & Visualization Licenses

The inauguration of the virtual production studio featured key speakers including: Garry Jones (President, Full Sail University), Phil Anderson (Mayor, Winter Park), as well as Rick Ramsey. During the ceremony, Ramsey and studio head Kyle Frazer gave demonstrations, tours and explained how the technology is taught and used in the industry.

UTA signs Erik Nelson and his production company Creative Differences – Deadline

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EXCLUSIVE: UTA has signed award-winning filmmaker Erik Nelson (Terror and Glory: 1945) and his production company Creative Differences for global representation in all areas.

Nelson is an IDA award winner who recently directed and produced the feature documentary Discovery+ Terror and Glory: 1945, which focused on the final months of World War II and its aftermath. He previously wrote, directed and produced the World War II documentary The cool blue for HBO Max – also at the helm A gray statea prescient look at conspiracy culture, released in 2017. All three films hold a 100% rating on Rotten Tomatoes.

Nelson is also best known for his collaborations with Oscar-nominated filmmaker Werner Herzog. The duo produced four films together, including the Oscar-nominated Meetings around the world, graying man, Cave of Forgotten Dreams and In the abysswith Herzog narrating Nelson’s animated feature Dinotasia and exec producing A gray state.

Nelson won his first IDA Award for Best Limited Series in 2012, for Docuseries Death corridor, which he produced. He has also been recognized throughout his career with a Cinema Eye Honors Award nomination, as well as nominations for the Gotham Awards, Business and Financial Reporting Emmy Awards, and News & Documentary Emmy Awards, with both graying man and Cave of Forgotten Dreams winning the New York and Los Angeles Film Critics Awards, among other accolades.

Prior to his work as a filmmaker, Nelson served as Senior Vice President of Documentary Features for Lionsgate Films, where he produced high-profile projects including Leonard Cohen: I’m your man, Facing Ali and The United States against John Lennon, among others. He has also written cultural commentary articles for the Los Angeles Times, THE weekly and Review of trade fairs.

Nelson continues to be represented by lawyers Marc Simon and Fox Rothschild.

Virtual production studio takes shape near Church Studio | Movies

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According to staff reports

Church Studio, a former Leon Russell recording studio restored for contemporary use, has another type of studio for a neighbor. Grassfire, a virtual production studio, has been welcomed into the neighborhood.

“We are thrilled to officially welcome Grassfire and its vision for cutting-edge film production to Tulsa and Studio Row,” said Teresa Knox, owner of the recently reopened Church Studio, in a press release. “It may be called virtual production, but the benefits for Studio Row and their customers are very real.”

Virtual production is exploding thanks to Hollywood filmmakers, according to the statement, as is the combination of physical and digital production. People and objects are filmed in the studio but appear in photorealistic environments, which can be designed and modified in real time. Or, animated characters could appear in real-life environments, according to the release, which says the options are nearly endless.

“Virtual production allows us to redefine reality and bring almost any production to life for our clients,” said John Moss, founder of Grassfire, former Tulsa sportscaster and live event expert. “In addition to enabling nearly limitless creative options and enhanced results, our technology can reduce costs and timelines for productions of all kinds, from film to promotional commercials, and live events to product viewings. This may just be the spark your business or organization needs to set your brand on fire.

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Other Grassfire founders include award-winning director and producer Jordan Price; Brandon Hix, an animation expert with credits like “GI Joe” and “My Little Pony”; and Ryan Rex, former agency owner and communications professional. Knox is among the Grassfire investors.

Grassfire’s services include virtual production, 2D and 3D animation, video production, live events, podcasts and product visualizations. The studio will also be available on a limited basis for rental to other industry professionals.

The release says the studio is operating and has domestic clients including Caesars Palace and Ascension St. John. The full range of services will be launched in late spring.

“We are once again connecting the past and future of Tulsa’s music and film industries,” Knox said in the release. “It’s going to be fun.”

Tulsa World Scene: Batman opening coincides with Admiral Twin reopening

Oscars Announce New Culinary Partner, Production Crew Members

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Oscar show producer Will Packer has announced the key members of the production team for the 94th Academy Awards, which will air live on ABC on March 27. Additionally, for the first time, a new culinary partner, Ghetto Gastro, will collaborate with the longtime chef. Wolfgang Puck on the Governors Ball menu.

Puck and his Wolfgang Puck Catering will again create the menu for this year’s Governors Ball which will take place after the telecast, this year with Bronx-based Ghetto Gastro contributing additional menu items. Ghetto Gastro mixes influences from the African diaspora, ingredients from the South and hip-hop, according to the Academy.

“This is a one-of-a-kind collaboration that breaks down boundaries and brings new flavor to the Oscars Governor’s Ball,” Packer said. “The Ghetto Gastro Collective, Wolfgang Puck and the Academy teams have embraced this brilliant alliance of uniting people in a true celebration of film and food.”

Meanwhile, Rob Paine will return as the show’s supervising producer. Paine, who has been associated with Oscars telecasting for more than 20 years, has more than 200 credits — including Super Bowl halftime shows, political conventions and comedy specials. Production designer and creative director David Korins will also return to the Oscars this year. Korins, who was also the designer for the ceremony in 2019, has a range of TV and Broadway credits — such as “Hamilton,” “Dear Evan Hansen” and “Grease: Live!”

Additionally, the 94th Academy Awards will mark the 33rd Academy Awards for lighting designer Robert Dickinson. Dickinson’s other accolades include the Grammys, Tonys, and Golden Globes. Talent producer Taryn Hurd, who has also served as a talent producer at the past six Governors Awards ceremonies, will join the Oscars for the ninth straight year.

Music director Adam Blackstone joins the Oscars production team. Over the course of his career, Blackstone has held musical directorships for several Super Bowl halftime shows and a range of high-profile artists – such as Justin Timberlake, Rihanna, Janet Jackson, Eminem and Alicia Keys.

Jon Macks will serve as editor this year – returning for his 25th Oscar TV show. Over Macks’ time with the Oscars, he served as head writer or co-head writer for hosts Chris Rock, Billy Crystal, Steve Martin and Hugh Jackman.

Dave Boone, Dana Eagle, Mitch Marchand, Suli McCullough, Agathe Panaretos, Danielle Schneider and Chuck Sklar will also join the writing team. Boone, who served as editor-in-chief for Neil Patrick Harris at the 87th Academy Awards, will return for his 12th TV show.

South Shields production company announces cast as preparations begin to bring the sound of music to customs

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South Shields-based ‘The Musical Production Company’ will bring the much-loved show The Sound of Music to The Customs House later this year and has announced an exciting line-up of talent for the cast.

Starring in the lead role is international performer Caroline Sabiston as Maria Rainer, alongside Andrew James as Captain Georg von Trapp and North East-based soprano Sarah Fenwick as the Mother Abbess of Nonnberg Abbey.

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Executive Producer Kevin Reay said, “Auditions began in early January and we auditioned over 500 adults and children for the production.

“The level of talent has been absolutely phenomenal. We have a fabulous production team and have been amazed at the unprecedented speed at which tickets are already selling out.

“We are thrilled to bring The Sound Of Music to South Shields and I know the production will raise the roof.”

Caroline Sabiston, Andrew James and Sarah Fenwick, who will all star in the musical

Young actors in the musical include Cameron Laidler and Cheiron Bates as Friedrich, Evie Gettins and Caoimhe Anders as Louisa, Joshua Murray and Joe Robertson as Kurt, Isabel James and Lila-Rose Routledge as Brigitta, India Rutherford and Isabel Langston as Marta and Emily McGrogan. and Amelia Cattermole as Gretl.

Other cast members include Jan Reiss as Elsa Schraeder, Edward Ross as Max Detweiller, Simon Stuart as Rolf Gruber and Holly Chinneck as Liesl von Trapp as well as Shannon O’Brien as Sister Berthe, Kenya Roberts as Sister Margaretta and Ella Bolton as sister Sophia.

Directing and choreography will be by Adam Allinson, direction by Joseph Arnott and choreography by Brooke Slavin.

The Sound Of Music will open at The Customs House, South Shields on Friday 26th August, before saying so long, farewell to the borough on Saturday 3rd September.

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Future Studios Appoints Shante’ Paige to Lead New Atlanta Production Team

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Paige is a former Vice President, Acting Vice President of A&R for Universal/Motown Records Group. She joins She’s A Movement Media Group from her own Atlanta-based production company.

Paige was CEO and executive producer of the media group for shows such as:

  • Don’t Cancel Me with Amara La Negra, a talk show for Fuse Media
  • Black Ink Crew for VH-1, and
  • beyond the pole for WE tv, of which she was the showrunner.

Future Studios’ new Atlanta office will become the US hub for its content production business. He will be responsible for original content such as:

  • Dating Different
  • Rakhis Worldand
  • titles ordered such as game master for Channel4 and Meta.

“I’m excited to be a part of Future Studios’ expansion into the city of Atlanta and look forward to connecting Future’s existing brands with content embedded in the city’s culture,” said Paige.

John Farrar, Creative Director of Future Studios, said, “The Atlanta office was a no-brainer for us. The creative spirit and energy of the city aligns perfectly with the stories we love to tell and we We’re beyond thrilled to have Paige leading the charge, developing and producing incredible true stories for our lifestyle brands and beyond.”

“Atlanta gives us access to the third-largest video production center in the United States as well as the opportunity to connect closely with an incredible pool of influencers, producers and celebrities. This will help us launch a new line of entertainment high-end unscripted films,” says Al Brown, vice president of Future Studios.

Future Studios’ parent company, Future Publishing, is the name of brands such as Kiplinger, Marie Claire and Tech Radar. It is launching a recruitment campaign to strengthen its creative and support capacities in the editorial, commercial and production fields.

Future Publishing has a market capitalization of $5.5 billion and boasts more than 240 website, magazine and event brands that reach one in three Americans online each month.

For more information, visit www.futurestudios.com. You can also follow Future Studios on Facebook or on Twitter.

Future studios Shante Paige Future release Future Studios Atlanta new appointment Future Studios Future publication in the United States video production media news

Chal Jindiye, a film by Neeru Bajwa and the production house of Kulwinder Billa announced

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Kulwinder Billa shared great news with his well-wishers about venturing out as a producer with his production house named Ghaint Boys Entertainment. The singer-actor announced that the film was going to be released, however, the title of the film was not revealed at this time.

Recently, Kulwinder Billa shared the title of the new movie which will be produced under his production in collaboration with Neeru Bajwa production.

Speaking to respective social media accounts, Neeru Bajwa and Kulwinder Billa announced a new movie named ‘Chal Jindiye’. Not only that, but the artists also revealed that actors Jass Bajwa and Aditi Sharma will be part of the film.

Chal Jindiye, the film marks the first collaboration of Aditi Sharma and Jass Bajwa.

Aditi Sharma has worked in many Punjabi films before, her most recent film was “Ikko Mikke” with Satinder Sartaaj.

ALSO READ: Diljit Dosanjh shares the official statement of Paramjit Kaur Khalra Ji, wife of Shaheed Jaswant Singh Khalra

Meanwhile, in Neeru Bajwa’s work front, she was last seen in Shavaan Ni Girdhari Laal, then she will be seen in Koka, Snowman, and Kali Jotta.

While Kulwinder Billa is busy entertaining his fans with his blockbuster hits.

Chal Jindiye, a film by Neeru Bajwa and the production house of Kulwinder Billa announced

0

Kulwinder Billa shared great news with his well-wishers about venturing out as a producer with his production house named Ghaint Boys Entertainment. The singer-actor announced that the film was going to be released, however, the title of the film was not revealed at this time.

Recently, Kulwinder Billa shared the title of the new movie which will be produced under his production in collaboration with Neeru Bajwa production.

Speaking to respective social media accounts, Neeru Bajwa and Kulwinder Billa announced a new movie named ‘Chal Jindiye’. Not only that, but the artists also revealed that actors Jass Bajwa and Aditi Sharma will be part of the film.

Chal Jindiye, the film marks the first collaboration of Aditi Sharma and Jass Bajwa.

Aditi Sharma has worked in many Punjabi films before, her most recent film was “Ikko Mikke” with Satinder Sartaaj.

ALSO READ: Diljit Dosanjh shares the official statement of Paramjit Kaur Khalra Ji, wife of Shaheed Jaswant Singh Khalra

Meanwhile, in Neeru Bajwa’s work front, she was last seen in Shavaan Ni Girdhari Laal, then she will be seen in Koka, Snowman, and Kali Jotta.

While Kulwinder Billa is busy entertaining his fans with his blockbuster hits.

Future Studios appoints new head of US production team | Major companies | Business | News

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As it attempts to spur growth with a new content hub in Atlanta, factual production company Future Studios has named acclaimed entertainment executive Shante ‘Paige as executive producer.
Paige, former vice president, acting vice president of A&R for Universal/Motown Records Group, joins her own Atlanta-based production company, She’s A Movement Media Group, where she was CEO and executive producer of shows, including the talk show Don’t Cancel Me with Amara La Negra for Fuse Media and Black Ink Crew for VH-1. Shante’ was also showrunner for ‘Beyond the Pole’ (WE tv).

Commenting on her new role, she said, “I’m excited to be part of Future Studios’ expansion into the city of Atlanta and look forward to connecting Future’s existing brands with content embedded in the culture of the town.”
The Atlanta office will become the American hub for its content production activity. Responsible for original content such as Dating Different and Rakhis World, as well as commissioned titles such as Gamesmaster for Channel4 and Meta, Future Studios’ productions currently reach 40.1 million subscribers on Snapchat and the move should bolster both its production infrastructure and its creative development pipeline. .

Signaling the companies’ investment in local talent, production will soon begin on Bling Life: Atlanta, a digital first spinoff show based on Future Studios’ hit Bling Life series, which has an average audience of more than 3 million. views per episode on Snapchat.

“The Atlanta office was a no-brainer for us,” added John Farrar, Creative Director of Future Studios. “The city’s creative spirit and energy aligns perfectly with the stories we love to tell, and we’re beyond thrilled to have Shante’ lead the charge, develop and produce incredible true stories for our lifestyle brands and at -of the.”

BTS’s ‘Radhe Shyam’ Video Shows Their Production Team’s Courage

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Posted: Posted Date – 6:59 PM, Sat – Mar 5, 22

Source: IANS

Mumbai: The makers of the upcoming Indian period romance drama “Radhe Shyam,” which stars Prabhas and Pooja Hegde in the lead roles, released a behind-the-scenes video on Saturday.

The BTS video connects the film’s journey from its making from scenic locations across Europe, recreating 1970s Italy, to when the pandemic bogged down the film’s production.

He then quickly shifts gears to show how the film’s production didn’t flinch in the eye of the storm and continued to put the film together. The video presents each stage of the making of the film from the locations, the camera, the visual effects, the action, the erection of sets on Indian soil to the sound of his music.

“Radhe Shyam” celebrates the journey of love and fate where Prabhas will be seen trying out for the role of a palmist. The special video shows the team’s dedication to recreate Europe in India which has been shut down due to the pandemic.

Featured by Gulshan Kumar and T-Series ‘Radhe Shyam’ a UV Creations production, was directed by Radha Krishna Kumar and edited by Kotagiri Venkateswara Rao. The film, produced by Bhushan Kumar, Vamsi and Pramod, is set to debut in theaters on March 11.

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Multimedia production studio hopes to be a jumping off point for community creativity

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Husband and wife owners Alicia and Joshua Southern know creativity abounds, but sometimes getting started is the hardest part. They truly believe that “you don’t have to be awesome to start, but you have to start to be awesome” and hope to provide a starting point with their latest business venture.

Risky Studioslocated at 301 MAC Avenue, Suite 106, celebrated their grand opening on Saturday, February 26. The Black-owned creative and cooperative media production studio offers 775 square feet of equipment rental for all types of dreamers, doers, and thinkers, including podcasting, music production, photography, and videography.

The couple are originally from Saginaw, but have lived in the greater Lansing area for about four years now. Alicia owns Southern family customs in Lansing, and she says that Risky Studios is an extension of Risky Music Groupthe Christian Hip Hop label that her husband Joshua started.

“We got to the point where we were outgrowing our space for our two home-based businesses, and Josh was starting to do more collaborations, getting a little more foot traffic and opportunities,” Alicia said. “We wanted to get it out of the house and into a studio, and so Risky Studios took it from there.”

When choosing locations, Joshua says East Lansing makes a great community for Risky Studios.

“I feel like downtown takes care of its merchants,” Josh explained. “I feel like everyone is investing in downtown, you see restaurants, apartment buildings, and we felt like it was a prime location to build businesses and get develop from there.”

Eventually, he hopes the business can move to a space at street level, as they are currently located in the basement. For now, however, the company is happy to act as a home base for dreams of all shapes and sizes.

“We really want to have space and equipment and availability for young creatives, old creatives, anyone who wants to be creative, come out and express themselves,” Joshua told ELi.

“We have space for photographers to come and use it in a traditional photography studio, and we have the basic equipment for those setups like lights and backgrounds,” Alicia explains. “We have more of a podcast equipment setup, a traditional radio-style podcast with the microphones and the tables, and we have places where you can record interviews like the couches, the chairs, and we have a space of work.”

The studio aims to offer affordable prices and encourages students to reserve space for study or discussion groups and collaboration. The space also includes televisions that can be used to review projects or digital signage advertising for local businesses.

“We want to serve as an incubator space for other people’s passions and the creative things they hope to do,” says Alicia. “We hope to do more collaborations with other companies, with individual creators around the town of East Lansing and wherever that takes us.”

Risky Studios is open by appointment and reservations are available by email at [email protected] or on their website.

Production company RT America ceases operations due to backlash from Kremlin-funded media

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Most of T&R’s employees, who are spread across multiple locations in the United States, will be laid off, he said. “We deeply regret and understand the uncertainty this action will cause our valued employees,” he wrote.

Solodovnikov’s note was first reported by CNN and the Daily Beast. Earlier Thursday, network host Holland Cooke broke news of the disarray at RT America in a column for industry trade publication Talkers, writing the company’s brass told staff during a meeting Thursday that the network had “been cancelled, via cable/satellite/online distribution platforms.

T&R began operating studios and producing English-language programming for RT America in the summer of 2014, according to a 2017 Justice Department summary of the company’s filing under the Foreign Agents Registration Act. . The statement signaled T&R’s centrality to RT America’s operations in the United States, noting that it “hired and paid all RT employees based in the United States.”

Representatives for RT America did not respond to inquiries Thursday afternoon.

RT – which originally stood for “Russia Today” – was launched by Vladimir Putin in 2005 as his response to global media networks like CNN, with outlets in several Western countries, including the United States, sharing the perspective of the Kremlin on world events.

In the United States, RT America recently covered Russia’s bloody invasion of Ukraine as a minor incursion intended for defensive purposes, drawing growing criticism.

On Tuesday, cable television distributor DirecTV cut ties with the network. “Consistent with our previous agreement with RT America, we are accelerating the expiry date of this year’s contract and will no longer offer their programming effective immediately,” a spokesperson said. On Thursday afternoon, Dish is the only major cable company to carry RT America in the United States.

The network has also faced defections from key talent, including comedian Dennis Miller, who NBC News says will stop doing his talk show. The show, “Dennis Miller + One”, began airing in March 2020.

Actor William Shatner produced 70 episodes of a show for production company Ora TV, which later sold it to RT America. But in recent interviews, he expressed his support for the Ukrainian people and suggested he would not do business with the network beyond his contractual agreement. He told The Daily Beast that, as far as he knows, all Ora TV productions for RT America have been shut down. “I await with trepidation what will happen but my total sympathy goes to Ukraine,” he said.

While RT America’s viewership in the United States is difficult to quantify and was likely modest, the network received significant distribution via the amplification of social media posts by conservative media companies.

“The goal of RT is for Russia to fight the West and democratic values ​​on the cheap,” said Robert Orttung, a professor of international relations at George Washington University who has researched the company. “It’s easier to pay for this kind of divisive media coverage than to build an army equal to that of the United States and its allies.”

Still, his formwork makes sense in this climate, he added. “With the sanctions weighing heavily on the Russian economy and state revenues, the Kremlin will reduce its most unproductive assets.”

In his column, Cooke defended the integrity of RT America.

“I was never censored and never handed over a script,” he wrote, praising his “more than 100 enthusiastic and intelligent colleagues with whom I really enjoyed working in a bustling broadcast center , beautiful and lavishly equipped, two blocks from the White House., with an amazing high tech coffee machine.”

Paul Farhi contributed to this report.

Production studio Vū hopes to be a catalyst for the Las Vegas film industry

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A booming video production company is gearing up to bring a bit of Hollywood to Las Vegas.

Vū Technologies is investing more than $7 million in its newest and largest studio at 901 Grier St., just south of Harry Reid International Airport, with an expected opening date of April 22. The company plans to use its 43,000 square foot Las Vegas facility and high-tech virtual video production equipment to host live presentations, further develop local workforce and cinematic commercials, episodic content and long video.

Vū intends to set up shop in Las Vegas, the company’s first studio west of the Mississippi River. And with Vū’s arrival comes hope that the company can help start a permanent film industry home in southern Nevada.

While Southern Nevada and the Strip, in particular, are popular locations for filming TV shows and movies, there are few film industry companies that call Nevada home, according to Greg Bortolin, door-to-door. word of the Nevada Governor’s Office of Economic Development, which houses the Nevada Film Office.

Jason Soto, Vū’s vice president and general manager of the Las Vegas campus, said he’s excited to help further diversify Nevada’s economy.

“We really intend to be that hub to bring other big movie-related businesses here,” Las Vegas resident Soto said during a tour of the facility on Tuesday.

Among the companies Vū hopes to attract, Soto said, are robotics companies that work in film, lighting companies looking to manufacture or distribute in Las Vegas, or artificial intelligence and machine learning companies such as than the ones Vū is working with to upgrade its LED screens for camera tracking.

Growth projects

Vū announced Tuesday that it has received $17 million in seed funding to expand beyond its three facilities in Tampa, Florida, Nashville, Tennessee and now Las Vegas. Expansion goals for this year include Orlando, Florida, Connecticut and New York, Soto said.

The company wants to create what it calls the largest network of virtual studios in the world. Her clients include Apple, Amazon, the Tampa Bay Buccaneers, the Tampa Bay Lightning, Disney, WWE, Twenty One Pilots, Jack Daniel’s and Mercedes-Benz.

“Thanks to our investors and technology partners, we believe Vū’s network will forever change the cinematic landscape, providing unlimited opportunities for creatives,” co-founder and CEO Tim Moore said in a recent statement.

Each studio uses expansive LED screens, augmented and mixed reality technology to create real-time virtual backdrops for filming. The Las Vegas studio will have three stages: a flat LED wall 55 feet wide and 22 feet high, a J-shaped LED stage measuring nearly 20 feet high and 140 feet wide, and a video wall in half-dome 30 feet wide, 19 feet high and 15 feet deep. The half-dome will feature exclusive transparent LED ceiling panels to facilitate better sound and lighting.

“We love the value proposition of Vegas – not just because I’m a native, but because it’s obvious, isn’t it?” Soto said. So, for example, “while we have the Billboard Music Awards, I can bring in Pitbull — because he’s already in town — to do a commercial shoot or a music video.”

Logistically, he said, it’s much easier to shoot footage on the Strip at 5:30 p.m. on a busy October night and recreate the scene in a studio with a virtual backdrop and physical props than filming a scene on location and taking into account the multiple variables that could interfere with filming.

“It’s one of the most visited places on the planet,” and one that’s constantly changing, Soto said. Virtual production can capture a Vegas moment in time and save it in perpetuity, long after it’s been remodeled, renovated or removed.

The company received tax incentives for committing $5.2 million in capital investments and is expected to generate $2.3 million in tax revenue for the state over the next 10 years, said Bortolin, the gatekeeper. word of the GOED.

He said GOED has discussed with several film companies over the years the possibility of expanding their operations in the state, although nondisclosure agreements prevent the state from identifying those companies.

Las Vegas is an attractive proposition for film companies because of its proximity to Hollywood and its status as an iconic destination, Bortolin said. He said it was exciting that Vū wanted to work in Las Vegas and that he had progressed as a company.

“Who knows? Maybe it will lead to more activity and more companies coming here,” Bortolin said.

Vū agreed to a workforce development program to receive the tax incentives, Soto said. The company is set to partner with UNLV’s College of Fine Arts and the college’s film school “in the very near future” on a program that will teach virtual production technology and offer a curriculum learning with society. The development program can influence a student’s decision to migrate to Southern California or build worlds in video games to create movie scenes.

“Let’s teach our kids here in Las Vegas and let them stay here or if they decide to go overseas…their education was done here at UNLV,” Soto said.

The company was born out of the pandemic when on-location filming was halted across the country, Soto said. Moore owned a video production company called Diamond View, and when filming closed, he turned to virtual production technology.

Soto said the high-tech virtual production panels needed to create LED walls were previously limited to major production studios like Lucasfilm, Disney and HBO. Vū executives brokered a deal with Chinese factories to build their own LED panels, he said.

The network of studios allows directors, producers and actors from different cities to film the same scene at the same time without using green screen.

Soto added that virtual studios can reduce post-production costs and time by 70%. The company films or scans scenes and uploads them to a database. Staff can then use Epic Games’ Unreal Engine video game engine program to synthesize these sequences into an interactive real-time virtual background.

Contact Mike Shoro at [email protected] To follow @mike_shoro on Twitter.

Fremantle buys Italian TV production company Lux Vide – The Hollywood Reporter

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Fremantle has acquired 70% of long-established Italian production house Lux Vide, adding an important label to its growing international stable.

Founded in 1992 by Ettore and Matilde Bernabei, Lux Vide has been behind recent series, including Netflix’s Medici, with Dustin Hoffman, Richard Madden and Sean Bean; from Amazon Prime Leonardo; and Sky’s financial thriller Devils, with Patrick Dempsey and Alessandro Borghi. In 1994 it became the first Italian company to win an Emmy with the film joseph from The Bible Collection, and he earned Golden Globe and Emmy nominations for his 2009 co-production Coco Chanel.

Although financial terms were not disclosed, the acquisition gives Fremantle control of a company that now owns five studios, based outside of Rome, making it the only independent Italian TV production studio. with over 6,000 square meters of set space.

As part of the deal, the Bernabei family will retain the remaining 30%. Luca Bernabei will continue as CEO of Lux Vide. Fremantle Group COO and CEO Continental Andrea Scrosati, who led the deal, will assume the role of Chairman of Lux Vide, while Matilde Bernabei will become Honorary Chairman and also serve on the Board of Directors.

“The Lux Vide collaboration with Fremantle confirms our global long-term strategy and our international vision,” said Luca Bernabei. “The synergies between the two companies are evident and everyone within the Lux Vide team is eager to embrace this new partnership and the many opportunities it represents for all of us. The Bernabei family will remain at the head of the company proudly founded by my father Ettore, as shareholders, as leaders, but above all as points of reference for our creativity, our editorial line and our incredible production team. .

Lux Vide becomes Fremantle’s latest acquisition following investments in the 12 former production labels Nent Studios in Norway, Sweden, Finland and Denmark (now renamed This is Nice Group), the Australian television production company American Eureka Productions (parental guidance, Finding Magic Mike), the Italians Wildside and The Apartment (my brilliant friend, The new pope, God’s hand); UK-based Naked Entertainment (Ghislaine, Prince Andrew and the pedophile, planet sex), Scandinavian label Miso Film (The rain), French label Kwai (The last wave) and Israeli creative powerhouse Abot Hameiri (Shtisel) as well as a minority stake in UK labels Dancing Ledge Productions (The Salisbury poisonings, The answering machine) and Wild Blue Media (arctic drift).

“We are proud and honored that the incredible talent of Lux Vide has chosen to be part of our family,” said Scrosati. “To share with us their professionalism, their ideas and their vision. I have no doubt that together we will deliver many extraordinary performances on the world stage, continuing to make Fremantle’s roster even stronger. This agreement underscores Fremantle’s strategic plan to invest and grow in the scripted space, a strategy that has seen the company offer 81 scripted shows across the globe in 2021.”

Film technology platform ABC Talkies launches production company with special focus on children’s content

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ABC Talkies, a film technology platform, has announced the launch of its production company of the same name. Embarking on a new journey and diversifying its love for quality cinema, ABC Talkies is set to release its first film under the eponymous banner coinciding with the company’s first anniversary. The first film titled The Legend of Mahabhaleshwar under the ABC banner is an original animated children’s film slated for release in May 2022.

“The platform intends to create commercial value for short films in the growing children’s content market in the country so that consumers are willing to pay and watch and interested OTTs can purchase such films. for their library. The shorts being made right now are usually for festivals and generally have no commercial value. Therefore, the average mass audience usually does not see them, but the intention of ABC Talkies is to give masala content to consumers and try to change consumer behaviors. pay for such content. Additionally, we would like to break the myth that historical and traditional content is boring through our style of filmmaking. Apart from home entertainment, movies can also be used in classrooms by teachers who want to assess students’ attention and allow children to have a better sense of understanding while explaining historical events,” said said Siddharth Sinha, Chief Content Officer of ABC Talkies. .

“We’ve had an exciting year-long journey and are excited to roll out our ABC Talkies production house shortly after launching on Android and iOS play stores. This is just an important moment for us because our originals will remain one of our biggest differentiators. Our performance in 2021 is a validation of the pay-per-view model despite an increasingly competitive market. With our constant developments and promising niche content, we hope to strengthen our consumer base year after year,” said Shalibhadra Shah, CEO of ABC Talkies.

Focused on creating a powerful library for children, the milestone was reached with a mission to introduce India’s rich and glorious history to children in a fun and educational way. Educational entertainment content will allow children to learn and gather knowledge about untold stories of our great nation. Additionally, to maintain inclusivity in our diverse country, ABC Talkies will produce region-specific films to establish a sense of relatability. It also aims to give equal opportunities to the talents of the new era (technicians and talents) through its filmmaking.

The content is aimed at 2-13 year olds who would also capture the interest of millennial parents, either helping them revisit their childhood story and culture lessons as most families co- view content on streaming platforms through smart TVs.

The films produced under the ABC Talkies banner will always be multilingual where apart from a film being shown in Hindi and a regional language depending on the region where we are highlighting the story, we will also be emphasizing the release of some Sanskrit film to make Sanskrit a cool language for kids to watch and learn and maybe adapt the language in the future.

Since launching in 2021, ABC Talkies has had over 300 filmmakers and over 250 films while seeing 100% monthly growth in recent months as the brand continues its quest to create a unique ecosystem of being a good brand. short films.

Towersey Festival expands production team to prepare for 2022 site move and extensive growth plans

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Towersey Festival expands production team to prepare for 2022 site move and extensive growth plans

Towersey Festival expands production team to prepare for 2022 site move and extensive growth plans

UK – The Towersey Festival will celebrate its 58th edition at the beautiful new location of Claydon Estate, Buckinghamshire, over the August bank holiday weekend, headlined by BRIT award-winning singer-songwriter Tom Odell and Ivor Novello.

After a two-year hiatus, Towersey Festival, the UK’s oldest independent festival, returns with its biggest lineup yet with Del Amitri Kate Rusby Turin Brakes, Anaïs Mitchell and Bill Bailey among the talents booked for 2022.

As the festival prepares for a period of strong growth, the promoters have strengthened the stage production and event management team by bringing in technical and creative event specialist One Big Star and event production pioneers Engine Number 4.

One Big Star, Towersey’s supplier for several years, will take over full stage production in 2022. Based in Newark, One Big Star has many years of experience in the live event industry and this decision is one of them. which has been under discussion for some time.

Festival Director Joe Heap said: “We’ve worked with Chris and Steve of One Big Star for a number of years now and they really understand the whole Towersey family ethos. We are one team when it comes to producing this event and as such we all care about each other and work as one. One Big Star is a family business, like us, so they’re perfect.

“It’s a decision we’ve wanted for some time. A way to streamline and unify the stages, and the right way forward as the festival looks to grow over the next few years.

Engine No 4 will support site operation and site operations for the live event. Experts in their field, they produce and manage some of the UK’s most popular shows including Kendal Calling, Lost Village, Parklife, BlueDot and many more.

Project manager Jim Gee said: “We feel very privileged to be invited into the Towersey family at this pivotal time in their long history, and we look forward to working with the team to help secure a future. solid and prosperous for the festival.”

“We’re thrilled to have these guys working with us,” Joe said. “We have needed a partnership in this area for some time to move the festival forward and give the Towersey team more room to create and lead the direction of this celebrated event. And we couldn’t ask for more experienced and trustworthy people.

One Big Star and Engine No. 4’s expertise in production and event management will enable Towersey to move forward with ambitious growth plans for the festival. Later this year, the company will embark on a venture capital raise with a focus on sustainability and the hugely successful festival for another 50 years.

March 3, 2022

Kristen Campo launches content-backed production company Endeavor – The Hollywood Reporter

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Kristen Campo pushes further into the world of production.

The former TV executive vice president of Chernin launched her own production company, Campout Productions, and renewed her first contract with Endeavor Content. Additionally, Campo hired FilmNation’s Hannah Getts to serve as Vice President of Development and Production at Campout.

“My long-standing relationship with Endeavor Content is truly meaningful, and I couldn’t ask for better partners,” Campo said. “I’m excited to continue developing compelling premium programming for years to come.”

This is Campo’s second contract with Endeavor Content, where she also serves as executive producer of the Hulu/Onyx Collective series. The parcel, the limited series starring Mahershala Ali that landed on the streamer following a bidding war at multiple outlets. Campo also teamed up with Bruna Papandrea’s Made Up Stories to pick The Latecomer for television. Campo also has developments underway at Apple, Netflix, Starz, HBO Max, and Amazon. Outside of her Endeavor Content deal, she’s the executive producer of Netflix. Partner path and Showtime The L word: Generation Q.

“Kristen has been integral to our success since we first started working with her nearly five years ago,” said Joe Hipps, executive vice president of television at Endeavor Content. “She is a beloved member of the extended Endeavor Content family, and we look forward to continuing to create captivating series with the passion she exemplifies in everything she does.”

Campo previously served as executive vice president of television at Chernin Entertainment, where she produced Apple The truth must be told and those of Netflix Bombay Begums. Prior to that, she was a partner at Fabrik Entertainment and worked on series including The comedians and The slaughter.

For its part, Getts has developed Hulu’s The Stephanies, among other things, during his time at FilmNation’s TV division. Before starting there in 2015, she worked in CAA’s cinematic lighting department.

Campo’s Campout team also includes Phoebe Mandel.

A local production company is shooting a new movie in the Carolinas

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(QUEEN CITY NEWS) – “We try to tell Hollywood-style stories that have a Christian message,”

Lauren and Joshua Quincey are doing it right here in the Carolinas. Their Kannapolis-based production company “Three Kings Studios” is producing a new movie called “Church and Main.”

Lauren says the movie’s message was given to her by God about five years ago.

“Church and Main is the story of God in the realities of our world and the issues we go through and the struggles we face,” she said.

She says the reality of the world is what’s missing in Christian entertainment today.

Because the production company is locally based – the entire film is shot locally between the Carolinas at locations like First Baptist Church in Kannapolis, Cambria Hotel in Fort Mill and other locations in Rock Hill.


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“It’s such a huge diversity of people, places, looks and feelings. Why don’t we take what we can do and do it here, why not spread the love,” he said.

While other actors came for filming, a few of the actors in the film are from South Carolina.

Collin David Beach is from Rock Hill, he plays the main character “Christian” and Ikeem Boseman, who plays “Michael” is from Abbeville, South Carolina.

“I want people to see themselves and see their journey within the different characters. I think when you can see yourself and can almost look like a reflection of yourselves in these characters, I think that really resonates and has a deeper impact on you.

Currently, the film premieres in May. They hope he will perform at the GEM Theater in Kannapolis.

Production company Joplin has a team operating in war-torn Ukraine | KSNF/KODE

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JOPLIN, Mo. — A Joplin-based company is closely monitoring developments in Ukraine.

If you want to spread the gospel outside the United States, you have several options. You can send people from America, who speak English, to a foreign country, using a language that the natives do not understand, or train people from this country to do it themselves, in their native language that the residents there understand.

That’s what Joplin-based Good News Productions does all over the world.

“We help international people use today’s technology to make movies, to create content that will work in their language for their context and their culture,” said Mike Schrage, president of Good News Production.

One of their crews, made up of around 15 people, operates in the war-torn country of Ukraine, with which Mike Schrage maintains almost hourly contact. He says so far so good.

“They live just outside Kyiv, the capital, and are holed up in our news center which is also an apartment and so they are safe, as are their teammates. So right now we’re very grateful, very grateful that even though there’s a lot of danger and tension out there, they’re safe and doing well,” Schrage said.

This is not the first time that their people have been attacked by the Russian army.

Eight years ago, crew members living in southern Ukraine came under fire on the Crimean peninsula. Schrage says they survived but with great personal loss.

“So we had our manager there, lost his three-generation home. We had our old GNPI studio and we were building a brand new studio, we lost those three buildings eight years ago.

Schrage has been to Ukraine before, in fact, he shot this video long before the last unprovoked Russian attack.

“And so, while that’s the most dangerous, it also helps them stick to it.” It has a great testimony for the local people. “I’m not running away, I trust God and we’re here together,” Schrage said.