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Neo and Whistle Studios merge to create a new production studio | News

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Sports production company Neo Studios has merged with its sister company, US-based Whistle Studios, to create a new global studio company.

The companies are both part of the Eleven Group, and the newly expanded Neo Studios will complement Eleven’s live sports offering, with sports documentaries and other on-demand content.

Neo will also create sports and entertainment programs for third-party streaming and linear platforms.

Neo was launched by the parent company of Eleven – sports and media investment platform Aser Ventures – in 2018.

His first project was Leeds United – Take us Home (pictured above) for Amazon Prime Video, which charted the club’s return to the Premier League during the 2018-19 and 2019-20 seasons.

Screenshot 2022-03-02 at 12.22.08

Last year, Neo told the story of four Hawaiian sumo wrestlers who traveled to Japan to become legends of the country’s national sport on the critically acclaimed three-part show The Giants (pictured above ) for Rakuten TV.

Eleven acquired Team Whistle in 2021. Whistle Studios specializes in the development and production of scripted, unscripted, animated and live-action formats. His recent productions include the Emmy-winning documentary series Prideland for Benedict Men, nominated by PBS and NAACP, a documentary series made in partnership with NBA star Stephen Curry and Unanimous Media.

The Neo and Whistle merger unites both studios’ network of relationships with some of the world’s greatest talent, sports teams and federations.

As part of the Aser Ventures group, Neo has very close ties to Premier League club Leeds United and a roster of teams and stars affiliated with Aser’s media, marketing and talent agencies. Meanwhile, Whistle Studios has a proven track record of working with some of the biggest names in American sports.

Neo will now focus on developing new formats across the entertainment spectrum, with a particular focus on sports. He is currently working on releasing the six-part documentary series Legacy: In The Shadow of Greatness with Discovery+, which will trace the journeys of three young athletes and their legendary parents Dwyane Wade, Evander Holyfield and Randall Cunningham.

Neo is working with 11-time Emmy Award-winning filmmaker Jonathan Hock on the show, which premieres March 8.

Neo is also developing a new format called The Academy, which will follow young athletes hoping to fulfill their dreams of turning pro. They have already partnered with the NFL Alumni Academy, with ongoing discussions with a number of European football clubs.

Neo will operate as a global studio company with teams across Europe and the United States. Neo’s distribution network includes Amazon Prime, Netflix, Rakuten TV, HBO Max, Discovery, Snap Originals, BET+, Facebook Watch, MGM/Orion, TBS, YouTube Premium and more.

Anouk Mertens will lead the company as global CEO. NEO’s US team will be overseen by Emmy Award-winning Melanie Capacia Johnson (General Manager of Neo Studios US) and Jill Johnson (Head of Entertainment at Neo Studios). Neo’s European operations will be led by Jimmy Rutherford (Director of Content) and Jonathan Gale (Director of Business Development).

Anouk Mertens, CEO of Neo Studios, said, “Combining our strengths with the talented team in the US allows us to expand our capabilities and operate on a truly global scale. As part of The Eleven Group, Neo will be able to leverage our unique partnerships with talent, athletes, and leagues to tell powerful, never-before-seen stories that truly connect audiences to their passions.

Marc Watson, CEO of Eleven Group, added: “The newly expanded Neo Studios will be an integral part of Eleven Group and give us the opportunity to complement a compelling live sports offering with more award-winning on-demand content. Neo’s best production services will also empower us to provide rights to partners and distributors around the world. »

Readyset Studios selects ROE Visual for its new virtual production studio

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Readyset Studios selects ROE Visual for its new virtual production studio

Readyset Studios selects ROE Visual for its new virtual production studio

The Netherlands – With the launch of ReadySet Studios, the Dutch film industry offers a new high-end virtual production location. The studio enables film and television producers in the Netherlands to utilize the benefits of virtual production. Thanks to this innovative way of filming, traditional film sets can be enlarged virtually using the latest techniques in the video game industry. Faber Audiovisuals installed a ROE Visual LED wall to display these virtual backgrounds.

ReadySet Studios, located in Amsterdam, opened on March 1, 2022.

Expanding the options for film and broadcast producers by offering virtual production techniques, the studio can display any background or environment desired on a large LED screen. Virtual production is a promising technology that adds an efficient alternative to filming on location and takes sustainability into consideration.

The main screen of ReadySet Studios is 14 meters wide and 5.5 meters high; the studio offers a large LED ceiling and an additional mobile LED screen. The studio is one of the largest of its kind in Europe and is already in high demand for productions in the Netherlands and abroad.

Leading Dutch company Faber Audiovisuals was commissioned to supply and install the high-quality display technology. Selecting ROE Visual LED panels for this job, Faber Audiovisuals installed ROE Visual Black Pearl BP2 over HELIOS treatment for the main screen and Carbon CB5 series for the LED ceiling. “We have used ROE Visual LED panels on various virtual production setups, and the results are fantastic. Not only are the panels a breeze to install, but they also have a very reliable and stable performance; the end results on camera are second to none,” comments Jeroen Jongenelen, International Sales Director at Faber Audiovisuals.

The first production to use the studios’ high-end facilities is the Dutch drama series Rampvlucht (“The Flight”) (KRO-NCRV), a large-scale conspiratorial thriller about a plane crash in 1992, which ultimately led to investigation. The Senate and House of Representatives feature frequently in this series, produced by production company Big Blue, but it was impossible to physically film in these locations. “Virtual production offered a solution, and we had the locations digitally redesigned in a completely believable 3D way, which allowed us to do all the scenes we had planned. Virtual production offers great opportunities for all filmmakers facing these kinds of challenges.” said co-founder Florian Legters of ReadySet Studios.

The four founders of ReadySet Studio, all active in the Dutch film industry, are convinced that the studio will give a significant boost to the industry.

photos: ReadySet Studios, Maikel Thijssen

March 2, 2022

Readyset Studios selects ROE Visual for its new virtual production studio

0

Readyset Studios selects ROE Visual for its new virtual production studio

Readyset Studios selects ROE Visual for its new virtual production studio

The Netherlands – With the launch of ReadySet Studios, the Dutch film industry offers a new high-end virtual production location. The studio enables film and television producers in the Netherlands to utilize the benefits of virtual production. Thanks to this innovative way of filming, traditional film sets can be enlarged virtually using the latest techniques in the video game industry. Faber Audiovisuals installed a ROE Visual LED wall to display these virtual backgrounds.

ReadySet Studios, located in Amsterdam, opened on March 1, 2022.

Expanding the options for film and broadcast producers by offering virtual production techniques, the studio can display any background or environment desired on a large LED screen. Virtual production is a promising technology that adds an efficient alternative to filming on location and takes sustainability into consideration.

The main screen of ReadySet Studios is 14 meters wide and 5.5 meters high; the studio offers a large LED ceiling and an additional mobile LED screen. The studio is one of the largest of its kind in Europe and is already in high demand for productions in the Netherlands and abroad.

Leading Dutch company Faber Audiovisuals was commissioned to supply and install the high-quality display technology. Selecting ROE Visual LED panels for this job, Faber Audiovisuals installed ROE Visual Black Pearl BP2 over HELIOS treatment for the main screen and Carbon CB5 series for the LED ceiling. “We have used ROE Visual LED panels on various virtual production setups, and the results are fantastic. Not only are the panels a breeze to install, but they also have a very reliable and stable performance; the end results on camera are second to none,” comments Jeroen Jongenelen, International Sales Director at Faber Audiovisuals.

The first production to use the studios’ high-end facilities is the Dutch drama series Rampvlucht (“The Flight”) (KRO-NCRV), a large-scale conspiratorial thriller about a plane crash in 1992, which ultimately led to investigation. The Senate and House of Representatives feature frequently in this series, produced by production company Big Blue, but it was impossible to physically film in these locations. “Virtual production offered a solution, and we had the locations digitally redesigned in a completely believable 3D way, which allowed us to do all the scenes we had planned. Virtual production offers great opportunities for all filmmakers facing these kinds of challenges.” said co-founder Florian Legters of ReadySet Studios.

The four founders of ReadySet Studio, all active in the Dutch film industry, are convinced that the studio will give a significant boost to the industry.

photos: ReadySet Studios, Maikel Thijssen

March 2, 2022

NieR Automata Anime is here: a major production house behind the project

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NieR: Automata is a highly acclaimed Action-JRPG released in 2017. Now in 2022 it is getting an anime adaptation and the video game industry and anime industry can’t hold their breath for the eventual release.

NieR: Automata blew up the expectations of every gamer who grabbed the controller. The story of 2B and 9S solidified what great storytelling and gripping combat can achieve in the gaming sphere.

The question to ‘Is there a Nier Automata anime coming out soon?’ is now a resounding yes.

NieR Anime Hype

The entire anime fanbase turned around when the news of the NieR anime release broke. The critical reception NieR has received has been tremendous, which has led to the action-RPG gaining mainstream attention.

This skyrocketed the hype the anime adaptation is accumulating is insurmountable. Expectations were heightened even further when the trailer dropped six days ago.

What to expect

For anyone who’s escaped the action-RPG masterclass that is NieR: Automata, firstly, you don’t know why this article is praising this game, but more than that, you’re in hell.

The story of NieR is set in a world where Earth has been taken over by machines sent by aliens planning to take over the planet. While the remaining human population, which is on the moon, sends programmed androids to destroy these machines.

A magnificent view of NieR: Automata

Among these androids are the two protagonists, 2B and 9S, whose mission is to hunt the machines and eradicate them from the planet. The game’s journey takes the two through different terrains, from forests to deserts and from amusement parks to destroyed cities.

The game tackles the subject of androids being aware of the world around them as well as the barren and lifeless Earth without the existence of humans present in the ecosystem.

The various fields of NieR Automata

NieR: Automata’s story is particularly praised for the depth it brings to world-building and the relationships between characters that allow the player to maintain plot tension from start to finish.

Look in production

The biggest question on the minds of NieR: Automata fans has to be who is involved in the production of such a valuable and classic entry into the gaming industry’s action-RPG sphere.

The first inclination for any news was the launch of the website, which is just as breathtaking as NieR: Automata itself, which inspired hope for an amazing adaptation. You can visit the site here

A preview of Nier Automata Anime

Long after the early days of the buzz, news broke that the production house behind the hit Square Enix game was none other than Aniplex.

Aniplex is the production house behind industry giants like Fullmetal Alchemist and Sword Art Online, among others. There’s no other production house that can do the material justice.

High fan expectations

NieR Automata fans are buzzing like crazy for the anime to drop or at least get a glimpse of how the animation and sound design, the game’s two defining features, will fit into the anime scene.

It will be a difficult task to adapt a story like NieR: Automata for an anime audience, in part because some of the game’s most defining moments come from being the protagonist and controlling 2B’s every action.

The other factor that makes it a difficult adaptation to urge die-hard fans is that the story is enhanced by sound design and multiple POVs, but time will tell if the anime lives up to the potential the anime presents. video game.

For more information on the anime’s release date, directors, voice actors, and more, stay in touch with The Teal Mango.

Boise and LA-based video production company expands to Ypsilanti

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A promotional video production company with clients ranging from ballets to banks is expanding its operations to Ypsilanti to better serve clients throughout the Midwest.

Forerunner films founder Tyler Nimmons says the company works with freelance talent and 11 employees across three locations: Boise, Idaho (where the company was founded); Los Angeles; and now Ypsilanti. Currently, two employees work at Ypsilanti, but the company is looking to expand its team.

Front Runner had several Michigan connections even before expanding to Ypsi. Front Runner was funded by the Florida-based company CapStone Holdings, whose founder and president, Keith J. Stone, is an alumnus of Eastern Michigan University (EMU). Front Runner has completed over 20 projects in Southeast Michigan for clients like the EMU Alumni Group game abovecannabis recruitment services company based in Auburn Hills The solid greenand Utica-based fastener manufacturer MNP Corp..

Nimmons says there will be great benefit in deploying Michigan talent to work with existing clients in Chicago, Detroit and other Michigan locations.

“It’s easier on the wallet if we have great talent here and we don’t have to fly them in, and it’s faster to produce,” he says. “We like to mobilize very quickly. This is one of our strengths.”

Nimmons says that one of the reasons he was drawn to Ypsilanti was to see how quickly Ypsilanti-based GameAbove grew and how the projects it supports have been.

“We had a front row seat to a great spectacle showing the growth of Washtenaw County and the town of Ypsilanti. That’s part of the reason we planted our flag in Ypsilanti,” Nimmons said. “We could have chosen Detroit, but we spent a lot of time in Ypsilanti making several videos and seeing the city and the people. We saw this entrepreneurial spirit and this growth happening here and we wanted to be part of it. “

Nimmons says he feels a sense of “pure joy” in his work as well as building a team and allowing them to let their talents and abilities shine. This attitude extends to the company’s slogan, “Humor and Heart”.

“We creatively solve customer problems so they can tell their story, product or service to customers in an honest yet humorous or heartfelt way. I’ll either make you laugh or put you in the mood. atmosphere,” he said. said.

More information on Front Runner Films and excerpts from its previous projects are available here.

Sarah Rigg is a freelance writer and editor in Ypsilanti Township and project manager of On the Ypsilanti field. She joined Focus as a news editor in early 2017 and occasionally contributes to other Broadcast Media Group editions. You can reach her at [email protected].

Photo courtesy of Front Runner Films.

Film-Tech Platform ABC Talkies launches production company with special focus on children’s content

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Film-Tech Platform ABC Talkies launches production company with special focus on children’s content

Posted on March 1, 2022

New Delhi : ABC Talkies, the world’s leading cinema market, announces the launch of its production company bearing the same name. Embarking on a new journey and diversifying its love for quality cinema, ABC Talkies is set to release its first film under the eponymous banner coinciding with the company’s first anniversary.

The first film titled “The Legend of Mahabhaleshwar” under the ABC banner is an original animated film for children and is scheduled for release in May 2022. Focused on creating a powerful library for children, the milestone has been reached with on a mission to introduce the rich and glorious history of India to children in a fun and educational way. Educational entertainment content will allow children to learn and gain knowledge about untold stories of our great nation. Additionally, to maintain inclusivity in our diverse country, ABC Talkies will produce region-specific films to establish a sense of relatability. It also aims to give equal opportunities to the talents of the new era (Technicians and Talents) through its filmmaking.

The content is aimed at kids ages 2-13, which would also pique the interest of millennial parents, either helping them revisit their childhood story and culture lessons, as most families co-view content on streaming platforms via smart TVs.

Speaking of which, Siddharth Sinha, Chief Content Officer, ABC Talkies said, “The platform intends to create commercial value for short films in the growing market for children’s content in the country so that consumers are ready to pay and watch and interested OTTs can purchase such films for their library. The shorts being made right now are usually for festivals and generally have no commercial value. Therefore, the average mass audience usually does not see them, but the intention of ABC Talkies is to give masala content to consumers and try to change consumer behaviors. pay for such content. Additionally, we would like to break the myth that historical and traditional content is boring through our style of filmmaking. Apart from home entertainment, movies can also be used in classrooms by teachers who want to gauge students’ attention and allow children to have a better sense of understanding while explaining historical events.

The films produced under the ABC Talkies banner will always be multilingual where apart from a film being shown in Hindi and a regional language depending on the region where we are highlighting the story, we will also be emphasizing the release of some Sanskrit film to make Sanskrit a cool language for kids to watch and learn and maybe adapt the language in the future.

“We’ve had an exciting year-long journey and are excited to roll out our ABC Talkies production house shortly after launching on Android and iOS play stores. This is just an important moment for us because our originals will remain one of our biggest differentiators. Our performance in 2021 is a validation of the pay-per-view model despite an increasingly competitive market. With our constant developments and promising niche content, we hope to strengthen our consumer base year after year. explained Shalibhadra Shah, CEO of ABC Talkies.

Since launching in 2021, ABC Talkies has had over 300 filmmakers and over 250 films while experiencing 100% month-over-month growth in recent months as the brand continues its quest to create an ecosystem unique to be a good brand of shorts.

Virtual production studio on the horizon for Limerick following inclusion in government-backed plan

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LIMERICK Enterprise Development Partnership (LEDP) has welcomed the inclusion of its planned new multifunctional Creative and Innovative Industries Center at the Innovation Center on Roxboro Road in the recently announced Midwest Regional Business Plan.

The project will reinforce the Mid-West region’s vision of being recognized as the most equipped region in Europe for complete film production facilities.

The facility, which was first mooted as part of LEDP’s 2021-2026 strategic plan, will include Ireland’s first virtual production studio and suitable space to facilitate and encourage the growth of local sub-suppliers of SMEs in the film industry.

A vacant unit totaling 33,000 square feet at LEDP’s Innovation Center has been identified for this project with areas likely to benefit including prop manufacturing, lighting and set construction.

Welcoming the inclusion of the center in the regional business plan, Niall O’Callaghan, Managing Director of LEDP, said: “At LEDP we want to increase our business and job creation activities and generate opportunities. Obtaining this recognition and support from the Department of Enterprise, Trade and Employment gives us the necessary impetus to complete this strategic project in the fourth quarter of 2023.”

A tender has been launched for a feasibility study, supported by Enterprise Ireland, and LEDP says it looks forward to seeing the project through to completion and seeing jobs and pathways created for people who want to enter the film industry. .

The objective of the regional business plan is to create the conditions for entrepreneurs to start and grow their businesses, to encourage new investment and business growth, and to lead to increased employment in each region. .

Benedict Cumberbatch’s production company sued over Roald Dahl script

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Hollywood actor Benedict Cumberbatch’s production company SunnyMarch has been sued over the rights to a screenplay by Roald Dahl.

According to Variety, SunnyMarch, whose directors are Cumberbatch and his producing partner Adam Ackland, entered into a co-production deal with Portobello Productions in November 2019 to make a film adaptation of Dahl’s novel “Danny the World’s Champion.”

The actor was also set to star in the film as Danny’s father, William, subject to his availability and script approval.

Portobello alleged that after commissioning and paying ‘One Day’ writer David Nicholls to pen the first draft, they heard nothing more from Cumberbatch or Ackland, although the pair took on numerous other projects. .

Projects listed in court filings include “Spider-Man: No Way Home” and “The Power of the Dog,” for which Cumberbatch could potentially win an Oscar next month.

As per the agreement, the two companies planned to hire a director to work with Nicholls to revise the script and, once approved, it would be sent to film financiers and talent.

However, the lawsuit alleges, “Since the date of the agreement, no material progress has been made in the development of the film. The parties did not hire a director, and no revised first draft of the screenplay was produced.

According to the co-production agreement, if SunnyMarch or Cumberbatch had not personally approved the revised script within 12 months of delivery or if the parties could not finance it within three years, Portobello had the right to terminate the contract and to take over the rights from Nicholls. ‘ scenario.

The agreement could also be terminated if Cumberbatch and Ackland “cease to have control” of SunnyMarch Limited or its holding company, SunnyMarch Holdings Limited, or “if any of their services are no longer exclusively available to the either of these companies.

In September 2021, Cumberbatch and Ackland announced that they had sold a minority stake in SunnyMarch to production and finance house Anton, founded by Sébastien Raybaud.

Portobello sent SunnyMarch a notice in December 2021 stating that it was terminating the agreement and repossessing the Roald Dahl script; however, last month SunnyMarch’s attorneys responded by denying that Portobello had any right to terminate the agreement.

Portobello is now asking for a court declaration that the deal has been terminated and that SunnyMarch “has no continuing rights to the film.” Portobello is now asking for a court declaration that the deal has been terminated and that SunnyMarch “has no continuing rights to the film.”

It is unclear whether The Roald Dahl Story Company (TRDSC), which manages Dahl’s literary works, was involved in the production, although they are not named in the lawsuit. TRDSC was acquired by Netflix in September 2021 in what was thought to be a deal worth $700 million.

Last month, it was announced that Cumberbatch was set to star in another Dahl adaptation, ‘The Marvelous Story of Henry Sugar,’ directed by Wes Anderson. The film is a Netflix production and also stars Ralph Fiennes, Dev Patel and Ben Kingsley.

Dragon Ball Super: Superhero Production Team Explains The Return Of The Red Ribbon Army And Teases Teenage Gotenks’ Debut

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During a recent Dragon Ball live event, the production team behind the next film in the beloved shonen series, Dragon Ball Super: Super Hero, revealed a host of new information about the project, including a insight into their decision to bring back the Red Ribbon Army and a tease of the possible appearance of a teenage Gotenks.

Source: Dragon Ball Super: Super Heroes (2022), Toei Animation

RELATED: Dragon Ball Super: The Super Hero Movie Gets First Trailer, Official Synopsis, New Key Visual & Japanese Release Date

These new details surrounding the film were revealed during a Dragon Ball Super: Super Hero-centric panel held during the recent Dragon Ball Games Battle Hour 2022.

Hosted by an MC named Sascha, panel guests included Shueisha executive producer Akio Iyoku, Toei Animation producer Norihiro Hayashida and – making his on-camera debut – the film’s director, Tetsuro Kodama.

[Time Stamp: 07:02:40]

The panel began with a discussion of the key visual from the previously released film.

Drawn by series creator Akira Toriyama himself, the key visual sees Gamma 1 and Gamma 2 newcomers Goku, Piccolo, Vegeta, Gohan, Pan, and three unidentified Red Ribbon associates standing in front of this movie’s limo. last group.

“Until now, Goku has always been the main focus, but from the beginning, Toriyama sensei said that we would see a lot of characters that we might not expect,” Iyoku said. “So with that in mind, we’ve decided to put them center stage here, which means Gohan and Piccolo will have a starring role.”

Source: Dragon Ball Super: Official Superheroes Site

RELATED: Dragon Ball’s Frieza Voice Actor Chris Ayres Dies After Long Battle With COPD

“Pan is also in front,” he noted. “She is a bit older than we have seen so far. Maybe she’s one of the superheroes this time.

Iyoku also referred to the man in the purple suit seen in the image, Dr. Hedo, noting that he wears a “uniform” and is “a scientist… and maybe a hero too?”

Source: Dragon Ball Super: Super Heroes (2022), Toei Animation

The producer then moved on to reveal there was a second part to this key visual, unfolding the image to reveal footage of Bulma, Android 18, Krillin and – in a particular shock to longtime Dragon Ball fans. – teenage versions of Goten and Trunks.

“Some time has passed since the events that unfolded in Broly,” he noted. “So Goten and Trunks have aged a bit. They got bigger.

Source: Dragon Ball Super: Official Superheroes Site

RELATED: Bandai Namco Announces Dead By Daylight-Inspired Survival Game Dragon Ball: Breakers

Taking note of how the two half-Saiyans were in the middle of the Fusion Dance, Sascha asked the panel if the audience would see fusion in the film, to which Kodama vaguely asserted, “Well, as far as Goten and Trunks, Fusion is only natural.

Sascha also pointed out the misalignment of the pair’s fingers, saying, “Ah, it must be the Fusion that’s the wrong one. Like how we saw the great Gogeta before. And there was also this thin Gogeta, right? »

“As for those two, they’re going to do the Fusion at some point,” Iyoku teased. “I don’t know how it will turn out in the movie, but if they’re both there, they might have made it.”

Source: Dragon Ball Super: Broly (2018), Toei Animation

After the premiere and discussion of new footage, featured below by the Dragon Ball Twitter account @DBSHype, the panel turned to the topic of the Red Ribbon Army and their role as the apparent antagonists of the movie.

“The way we ended up deciding whether or not to include the Red Ribbon Army was that we first talked about how we wanted the battle to play out on Earth,” Iyoku recalled.

RELATED: Dragon Ball Super: Superhero Producer Norihiro Hayashida Provides Major Update on Film, Says It’ll Be “Totally” Different From ‘Broly’

“Because the franchise has become so intergalactic in scale?” Sasha asked.

“It’s true,” replied the producer. “So when we decided to have them fight on Earth, we started saying, ‘Once there was a red ribbon army’ and how could this be a battle against an army, not just one on one and everyone in the military has their own motivations and way of thinking, including [new villains] Magenta and Carmine.

Source: Dragon Ball Super: Super Heroes (2022), Toei Animation

He continued, “So we thought that because not everyone thinks the same way, we’d be able to paint a picture of an interesting antagonist, so that’s how we ended up settling on the Red Ribbon Army.”

Sascha then asked, “So they’re not a cohesive organization?”, prompting Iyoku to confirm “Exactly”.

Source: Dragon Ball Super: Super Heroes (2022), Toei Animation

“Maybe it was a bad idea, we still don’t know,” the producer of Shueisha joked. “However, we thought it would be great if we took advantage of this setting to make an enemy more interesting, which brought the Red Ribbon Army into the story.”

Source: Dragon Ball Super: Super Heroes (2022), Toei Animation

Finally, wrapping up the panel, the trio announced that the film would arrive in North America this summer, although no specific date for its premiere was given.

Are you excited about Dragon Ball Super: Super Hero? Let us know your thoughts on social media or in the comments below!

NEXT: Dragon Ball Voice Actors Monica Rial & Jamie Marchi Launch Podcast To ‘Set The Records Straight’ About The Vic Mignogna Case

‘Hellbound’, ‘DP’ Production House Leading New K-Drama Disaster Thriller

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Korean production house Climax Studio, known for working on hit K-dramas such as Hell and PD, are set to lead a whole new show.

Yesterday (February 24), the studio greenlighted a TV adaptation of the critically acclaimed 2015 short To negotiate, originally directed by Lee Chung-hyun, according to a report by Korea time.

To negotiate is said to be a K-drama disaster thriller that chronicles the aftermath of a massive earthquake. It will follow a survivor trapped in an apartment building, who must trade black market goods in order to continue surviving. While the adaptation will take references from its source material, the series will seemingly deviate from the original, per The Korea Times.

Veteran actor Jin Sun-kyu (Vincenzo, Kingdom) was cast as the main character Hyung-su, who somehow survived the disaster despite being on the verge of death before. “I really have a feeling it’s going to be a great project. When I heard it would be shot in one take, I wanted the part so badly,” he said in a statement.

“I also look forward to working with director Jeon Woo-sung, who was involved in the making of the original film, and actress Jun, who has explosive energy,” he added.

Meanwhile, Jun Jong-seo (Money theft) will star as Joo-young, a mercenary broker who ends up getting involved in the black market while trying to profit from disaster. “It is an honor to be part of the feature film project of To negotiate, which received considerable attention,” she said of her casting. “It means a lot to me to take on a role as one of the pillars of the project.”

More specific details, including Good deal release date, and the rest of the supporting cast, are expected to be revealed in the coming months. The show is expected to air on TVING in the second half of 2022.

‘Hellbound’, ‘DP’ Production House Leading New K-Drama Disaster Thriller

0

Korean production house Climax Studio, known for working on hit K-dramas such as Hell and PD, are set to lead a whole new show.

Yesterday (February 24), the studio greenlighted a TV adaptation of the critically acclaimed 2015 short To negotiate, originally directed by Lee Chung-hyun, according to a report by Korea time.

To negotiate is said to be a K-drama disaster thriller that chronicles the aftermath of a massive earthquake. It will follow a survivor trapped in an apartment building, who must trade black market goods in order to continue surviving. While the adaptation will take references from its source material, the series will apparently deviate from the original, for The Korea Times.

Veteran actor Jin Sun-kyu (Vincenzo, Kingdom) was cast as the main character Hyung-su, who somehow survived the disaster despite being on the verge of death before. “I really have a feeling it’s going to be a great project. When I heard it would be shot in one take, I wanted the part so badly,” he said in a statement.

“I also look forward to working with director Jeon Woo-sung, who was involved in the making of the original film, and actress Jun, who has explosive energy,” he added.

Meanwhile, Jun Jong-seo (Money theft) will star as Joo-young, a mercenary broker who ends up getting involved in the black market while trying to profit from disaster. “It is an honor to be part of the feature film project of To negotiate, which received considerable attention,” she said of her casting. “It means a lot to me to take on a role as one of the pillars of the project.”

More specific details, including Good deal release date, and the rest of the supporting cast, are expected to be revealed in the coming months. The show is expected to air on TVING in the second half of 2022.

‘Hellbound’, ‘DP’ Production House Leading New K-Drama Disaster Thriller

0

Korean production house Climax Studio, known for working on hit K-dramas such as Hell and PD, are set to lead a whole new show.

Yesterday (February 24), the studio greenlighted a TV adaptation of the critically acclaimed 2015 short To negotiate, originally directed by Lee Chung-hyun, according to a report by Korea time.

To negotiate is said to be a K-drama disaster thriller that chronicles the aftermath of a massive earthquake. It will follow a survivor trapped in an apartment building, who must trade black market goods in order to continue surviving. While the adaptation will take references from its source material, the series will seemingly deviate from the original, per The Korea Times.

Veteran actor Jin Sun-kyu (Vincenzo, Kingdom) was cast as the main character Hyung-su, who somehow survived the disaster despite being on the verge of death before. “I really have a feeling it’s going to be a great project. When I heard it would be shot in one take, I wanted the part so badly,” he said in a statement.

“I also look forward to working with director Jeon Woo-sung, who was involved in the making of the original film, and actress Jun, who has explosive energy,” he added.

Meanwhile, Jun Jong-seo (Money theft) will star as Joo-young, a mercenary broker who ends up getting involved in the black market while trying to profit from disaster. “It is an honor to be part of the feature film project of To negotiate, which received considerable attention,” she said of her casting. “It means a lot to me to take on a role as one of the pillars of the project.”

More specific details, including Good deal release date, and the rest of the supporting cast, are expected to be revealed in the coming months. The show is expected to air on TVING in the second half of 2022.

Benedict Cumberbatch’s production company sued over Roald Dahl script

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Hollywood actor Benedict Cumberbatch’s production company SunnyMarch has been sued over the rights to a screenplay by Roald Dahl. According to Variety, SunnyMarch, whose directors are Cumberbatch and his producing partner Adam Ackland, entered into a co-production deal with Portobello Productions in November 2019 to make a film adaptation of Dahl’s novel “Danny the World’s Champion.”

The actor was also set to star in the film as Danny’s father, William, subject to his availability and script approval. Portobello alleged that after commissioning and paying ‘One Day’ writer David Nicholls to pen the first draft, they heard nothing more from Cumberbatch or Ackland, although the pair took on numerous other projects. .

Projects listed in court filings include “Spider-Man: No Way Home” and “The Power of the Dog,” for which Cumberbatch could potentially win an Oscar next month. As per the agreement, the two companies planned to hire a director to work with Nicholls to revise the script and, once approved, it would be sent to film financiers and talent.

However, the lawsuit alleges: “Since the date of the agreement, no material progress has been made in the development of the film. The parties have not engaged a director and no revised first draft of the script has been produced. .” According to the co-production agreement, if SunnyMarch or Cumberbatch had not personally approved the revised script within 12 months of delivery or if the parties could not finance it within three years, Portobello had the right to terminate the contract and to take over the rights from Nicholls. ‘ scenario.

The agreement could also be terminated if Cumberbatch and Ackland “cease to have control” of SunnyMarch Limited or its holding company, SunnyMarch Holdings Limited, or “if any of their services are no longer exclusively available to the either of these companies. In September 2021, Cumberbatch and Ackland announced that they had sold a minority stake in SunnyMarch to production and finance house Anton, founded by Sébastien Raybaud.

Portobello sent SunnyMarch a notice in December 2021 stating that it was terminating the agreement and regaining ownership of the Roald Dahl script; however, last month SunnyMarch’s attorneys responded by denying that Portobello had any right to terminate the agreement. Portobello is now asking for a court statement that the deal has been terminated and that SunnyMarch “has no continuing rights to the film.” Portobello is now asking for a court statement that the deal has been terminated and that SunnyMarch “has no continuing rights to the film.”

It is unclear whether The Roald Dahl Story Company (TRDSC), which manages Dahl’s literary works, was involved in the production, although they are not named in the lawsuit. TRDSC was acquired by Netflix in September 2021 in what was thought to be a deal worth $700 million. Last month, it was announced that Cumberbatch is set to star in another Dahl adaptation, “The Marvelous Story of Henry Sugar,” directed by Wes Anderson. The film is a Netflix production and also stars Ralph Fiennes, Dev Patel and Ben Kingsley, depending on the variety. (ANI)

(This story has not been edited by the Devdiscourse team and is auto-generated from a syndicated feed.)

Visual Agency and Production House ‘CRATER’ Hits the Sands of the MENA Region

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Australian production house and visual agency CRATER, is launching in Dubai, extending the company’s global reach from its headquarters in Sydney and expanding its international offering from London and European markets.

CRATER offers its clientele an “always on” approach with its multi-territory presence that leverages each other to enable round-the-clock campaign delivery. Its core team in each region works in unison to tackle briefs and creative, as well as production set-up and execution.

This offers a unique setup for its clients and brands wishing to produce global, fast-paced visual content that its audience demands.

CRATER ME is led by company founder Simon Morehead and James Hulbert, a Dubai-based director and producer who brings a wealth of local knowledge to the outfit. Both are film industry veterans with decades of experience producing long-form series across internationally acclaimed shows for Netflix and the BBC, as well as an abundance of short credits and award-winning commercial work.

Morehead said, “Home to a collective of filmmakers located across the globe (Australia, Dubai, UK, Netherlands), CRATER pools their knowledge and expertise to approach each case and campaign from a truly unique view.

“It’s important that our clients are exposed to more than one creative leader from the start. We believe that a combination of many great minds creates content that is a bit different and strays from the norm.

Hubert said, “While we can be safe with our approaches, we encourage our administrators to challenge submissions and return them. Delivering a little extra pizzazz that we know will turn heads and keep the audience’s eyes on the in-game visuals.”

CRATERS’ work and the combined skills of multiple disciplines means the company works across a plethora of media that includes TV commercials, social media, music videos, short films and interactive content.

A local partnership with BEATRICE OFFICE – The creative technology company, known for its work in VR/AR, immersive worlds, OOH and the metaverse, provides a complementary skill set that will enable CRATER to deliver content to its customers across multi-layered formats.

Although not officially hitting the sands until January, CRATER is firing on all cylinders by assembling an impressive roster of agencies and brands across the region. Recent projects have seen CRATER work on a number of high-profile campaigns for high-profile clients in the automotive, fashion, travel and FMCG industries.

See work at CRATER.GLOBAL.

For inquiries and project opportunities contact [email protected]

Australian visual agency and production house Crater lands in MENA – Campaign Brief

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| | 1 comment

Australian production house and visual agency “CRATER” is launching in Dubai, extending the company’s global reach from its headquarters in Sydney and expanding its international offering from London and European markets.

CRATER offers its clientele an “always on” approach with its multi-territory presence that leverages each other to enable round-the-clock campaign delivery. Its core team in each region works in unison to tackle briefs and creative, as well as production set-up and execution. This sees a unique setup for its clients and brands to produce visual content globally and at a rapid pace that its audience demands.

CRATER ME is led by company founder Simon Morehead and James Hulbert, a Dubai-based director and producer who brings a wealth of local knowledge to the outfit. Both are film industry veterans with decades of experience producing long-form series across internationally acclaimed shows for Netflix and the BBC, as well as an abundance of short credits and award-winning commercial work.

Says Morehead: “Home to a collective of directors located across the globe (Australia, Dubai, UK, Netherlands), CRATER pools their knowledge and expertise to approach every brief and campaign from a truly unique, it’s important that our clients are exposed to more than one creative head from the start.We believe that a combination of many great minds creates content that is a bit different and strays from the norm.

Hulbert says, “While we can be confident with our approaches, we encourage our administrators to question the briefs and turn them around. Delivering a little extra pizzazz that we know will turn heads and keep the audience’s eyes on the in-game visuals.”

CRATERS’ work and the combined skills of multiple disciplines means the company works across a plethora of media that includes TV commercials, social media, music videos, short films and interactive content.

A local partnership with BEATRICE OFFICE – The creative technology company, known for its work in virtual reality/augmented reality, immersive worlds, OOH and the metaverse, provides a set of complementary skills that will allow CRATER to provide its customers with content on formats multi-layered.

Although it won’t officially hit the sands until January, CRATER is firing on all cylinders, assembling an impressive roster of agencies and brands across the region. Recent projects have seen CRATER work on a number of high-profile campaigns for high-profile clients in the automotive, fashion, travel and FMCG industries.

See work at CRATER.GLOBAL.

For inquiries and project opportunities contact [email protected]

Australian visual agency and production house Crater lands in MENA – Campaign Brief Asia

0
| | No comments

Australian production house and visual agency “CRATER” is launching in Dubai, extending the company’s global reach from its headquarters in Sydney and expanding its international offering from London and European markets.

CRATER offers its clientele an “always on” approach with its multi-territory presence that leverages each other to enable round-the-clock campaign delivery. Its core team in each region works in unison to tackle briefs and creative, as well as production set-up and execution. This sees a unique setup for its clients and brands to produce visual content globally and at a rapid pace that its audience demands.

CRATER ME is led by company founder Simon Morehead and James Hulbert, a Dubai-based director and producer who brings a wealth of local knowledge to the outfit. Both are film industry veterans with decades of experience producing long-form series across internationally acclaimed shows for Netflix and the BBC, as well as an abundance of short credits and award-winning commercial work.

Says Morehead: “Home to a collective of directors located across the globe (Australia, Dubai, UK, Netherlands), CRATER pools their knowledge and expertise to approach every brief and campaign from a truly unique, it’s important that our clients are exposed to more than one creative head from the start.We believe that a combination of many great minds creates content that is a bit different and strays from the norm.

Hulbert says, “While we can be confident with our approaches, we encourage our administrators to question the briefs and turn them around. Delivering a little extra pizzazz that we know will turn heads and keep the audience’s eyes on the in-game visuals.”

CRATERS’ work and the combined skills of multiple disciplines means the company works across a plethora of media that includes TV commercials, social media, music videos, short films and interactive content.

A local partnership with BEATRICE OFFICE – The creative technology company, known for its work in virtual reality/augmented reality, immersive worlds, OOH and the metaverse, provides a set of complementary skills that will allow CRATER to provide its customers with content on formats multi-layered.

Although it won’t officially hit the sands until January, CRATER is firing on all cylinders, assembling an impressive roster of agencies and brands across the region. Recent work has seen CRATER work on a number of high-profile campaigns for Pepsi, Formula 1, Saudi Tourism, Toyota and Hugo Boss.

See work at CRATER.GLOBAL.

For inquiries and project opportunities contact [email protected]

Astros Studios, a new large-scale audio/video production studio, Venue In Sunset, LA – Developing Lafayette

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A new large-scale, state-of-the-art audio/video production studio, called Astro Studiosjust opened at 238 Napoleon Ave. in Sunset, LA

When it comes to high-end audio and video production studios, it’s hard to imagine anything like this existing in the region. However, a local studio, Astros Studios, is bringing the heat with its newly opened studio which features a large 5,300 square foot video studio with Blackmagic 4.6K video equipment facing a massive 18-foot green screen. We all know that video is nothing without great audio recording. Astros Studios has a large recording studio with a recording stage and a professional sound engineering room with in-house engineers to provide top-notch editing, mixing and mastering as well as a long list of sound engineering. other provisions.

“We are a one-stop-shop for all levels of production, from recording albums and music videos to television, film, documentaries and commercial production,” says Taylor Cooper, Director of Sales at Astros. Studios. “Thanks to our talented in-house team, we can handle projects of any size from start to finish, including mixing and mastering audio and pre/post-production for video.”

Astros Studios also serves as an event venue for large parties, proms, weddings, and even outdoor concerts. The complex has a large green area with a gazebo, pond, and tons of lights wrapped in many trees and fences on the property.

“In addition to our production services, our venue is available for hire for all types of events, from weddings to corporate events to music festivals,” says Cooper.

If you would like to know more, the contact details are given below:

Taylor Cooper • 337-207-5596

[email protected]

You can also visit their website at https://www.astrosstudios.com.


Production studio CRY signs visionary global director Mwita Chacha to the roster

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Creative Production Workshop TO CRY signed an agreement to represent Director Mwita Chacha, an entrepreneur, humanitarian and filmmaker who brings extraordinary passion to his work. CRY will represent Chacha’s North American directing work.

CRY, founded in 2007, works with agencies and brands that “have a soul”. Its mission statement: to be curious, generous, vulnerable and fun helps create a deeply human experience that leads to a deeply human end product.

“Mwita fully embodies the values ​​of CRY, in particular he is generous,” said CRY director and co-founder Justin Rossbacher. “He doesn’t have an ego that gets in the way of his collaborations, nor does he hold back from sharing what he finds valuable. Second, he has a unique voice and his work differs from all the other works and people on our list.

Chacha turns to realism to elevate history and present the beauty, struggles and daily life of often overlooked cultures. He draws inspiration from multiple cultures in his past and new ones he experiences during his travels. His raw, docu-style approach makes the authenticity of the commercials and films he creates shine. He sees storytelling as an opportunity to bring people together, inspire them to think differently, and advance the impact of humanitarianism.

His portfolio includes work that has been featured on VOX, PBS and Vimeo Staff selections. His films have helped raise millions of dollars for nonprofits, empowered orphaned children around the world (with the Horizon Initiative), raised awareness of the impact of climate change on Alaska Natives (“After the Ice”) and inspired people to create change through other visionary causes.

Chacha’s latest job is for Zoetis, a company that brought to market breakthrough technology that vaccinates chickens against deadly diseases while they’re still in the egg. The short documentary explores the extraordinary people who have gone above and beyond to help the poultry industry feed the world more safely and efficiently.

“His work inspires us,” added Rossbacher. “We believe in the power of his storytelling because it touched us and we’re excited to connect people to him so he can tell them his style of stories.”

Chacha is a first generation Tanzanian immigrant born in Virginia and currently lives in Washington DC with his wife, 3 year old son and 6 month old daughter.

“I’ve always admired CRY’s work – we share a passion for stories that speak to the heart,” he said. “Stories that change or challenge people by speaking to their humanity. Too often we focus on stats and specs instead of creating sentiment. A connection through shared human experiences.

“Also,” he continued, “I used to think that the kinds of films I wanted to make could only be done through documentaries and that non-fiction was the only way. Justin showed me how this could be done in a storytelling way and supported my journey to use this form of storytelling as an additional tool.

Kanye West Throws A Mic At ‘Donda 2’ Event, Production Crew Get Destroyed On Twitter

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Ye threw down his microphone in frustration during the “Donda 2” event after his voice kept cutting out.

Despite another visually stunning presentation from Ye on Tuesday night (February 22) for the premiere of his latest studio album, 2, not everything went as planned. The beautiful set design was challenged by poor audio mixing and volume levels, which led to many performers struggling with their backing tracks and sounding awkward to the audience. Most notably, Fivio Foreign could be heard running to perform “Off The Grid” to the actual beat, and Playboi Carti was just running around shouting his ad-libs at the top of his voice.

Following the climax of the Miami-based event, the production team were heavily roasted on social media, as well as their personal accounts after music fans found the alleged culprits. Some of Ye’s engineers have already cleared their names and claimed they weren’t responsible for last night’s technical difficulties, but after the artist’s microphones continued to cut out the live stream and for the crowd in live, Ye apparently got frustrated and threw his own mic across the stage.

As fans complained that Ye didn’t rap over any of the words to his hit song, “Hurricane,” the living legend walked into a performance of “Jail Pt. 2” with DaBaby and Marilyn Manson, but while he was trying to get into the song, her voice kept cutting out. Ye got frustrated and threw his mic to the ground, seemingly ending the show.

As the reactions continue to pour in, check out some of the most popular posts below and let us know what you thought of the moment in the comments.

Saloon Media Promotes Betty Orr to SVP and Expands Production Team – TBI Vision

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From left to right: Betty Orr, Pam McNair and Elizabeth St. Philip

Canadian prodco Saloon Media, owned by Blue Ant Media, has propelled Betty Orr to the rank of SVP of Production, alongside two new recruits to the production team.

Orr, who joined Saloon Media when it launched in 2013, has been promoted from head of production to a new expanded role, which will see her continue to work closely with director Michael Kot to lead all aspects of the Saloon production activity.

During her tenure with the company, Orr served as an executive producer on shows such as Canada’s Drag Race for Crave, Prime Video Ted Bundy: Falling in love with a killerand T+E paranormal hotel.

Prior to Saloon, Orr worked with eOne, Cineflix, White Pine Pictures, Decode Entertainment (DHX Media), Jim Henson Productions and CBC.

New hires include Pam McNair as production manager and Elizabeth St. Philip as lead producer. Both have worked with Saloon before, with McNair serving as producer on projects such as Canada’s Drag Race and Ted Bundy: Falling in love with a killer. McNair will report to Orr and, in his new role, will produce factual series for US and international markets.

St. Philip, who will report to Kot, meanwhile directed and produced the feature-length documentary 9/11 Children for Salon. Previously, she was a senior producer for CTV, where she covered national news for 20 years.

“Betty’s vision and expertise have been invaluable in developing Saloon’s business from the day our doors opened. We are excited to have her take on this expanded role as we continue to grow our production presence,” said Kot.

“Pam and Elizabeth are the best-in-class designers we’ve had the opportunity to work with on several projects over the past few years, and we’re extremely fortunate to now have them bring their talents to our full-time team.”

Alia Bhatt wants to build her production house in the next 10 years, wants to make films that have her rushing to the sets

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Alia Bhatt, who is ending a decade in movies this year, says she wants to continue proving her mettle by being part of films that “make her heart flutter”.

The 28-year-old actress, daughter of filmmaker Mahesh Bhatt and actress Soni Razdan, made her film debut as student of the year 2012 alongside fellow debutants Sidharth Malhotra and Varun Dhawan.

When she entered the film industry, the actress said she wanted to balance her acting career and wanted to show off her versatility as an actress. “(So) I chose difficult and less secure roles,” the actor said.

Going forward, Bhatt, whose film credits include Highway, Udta PunjabDear Zindagi, Raazi and Gully Boy, said she wants to work on projects that focus on characters and mass artists.

“Now in this part of life I want to do high profile characters and mass performers because that’s not easy to do either. First I wanted to prove to myself that I could act, then prove to the world, what happened simultaneously. And it will continue to happen. I don’t disappoint people.

“From now on, I just want to enjoy movies. Now it’s about, ‘I’m going to make a movie that will make my heart beat.’ movie that makes me want to rush to the sets. And that’s now my process and it will make me happy along the way,” Alia told PTI.

Last year, the actor also became a producer with darlings, which she supported under her Eternal Sunshine Productions banner. The upcoming dark comedy is billed as the story of an eccentric mother-daughter duo starring Shefali Shah and Alia.

The film, also produced by Shah Rukh Khan’s Red Chillies Entertainment, also stars Vijay Varma and Roshan Mathew.

“I’ve been in the industry for 10 years and my next 10-year plan is to build my production house,” she added.

Alia is also excited about her upcoming film Jee Le Zaara, a road drama starring Priyanka Chopra Jonas and Katrina Kaif. It will be directed by Farhan Akhtar who co-wrote the film with his sister Zoya Akhtar and Reema Kagti.

“It’s high time the girls got together and made a movie together,” Alia said.

We will then see her in Gangubai Kathiawadi, directed by Sanjay Leela Bhansali. Also produced by Bhansali and Jayantilal Gada’s Pen Studios, the film will hit screens on Friday.

His other upcoming projects also include pan-Indian magnum opus RRR, superhero film Brahmastra and rocky romance drama Aur Rani Ki Prem Kahani.

Alia Bhatt Gets Candid About Building a Production House Over the Next Decade of Her Career

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Actress Alia Bhatt has managed to build up an impressive resume over the years in Bollywood as she has covered a huge number of genres through her choice of movies and roles. From highway for I love you Zindagi, audiences watched as the young actor smoothly transitioned from a carefree youth to a spy on a national mission. With a career spanning nearly a decade, her next release, Sanjay Leela Bhansali’s Gangubai Kathiawadionly proves that she has a lot more to offer with her acting prowess.

Along with acting, the 28-year-old star has also dabbled in production by funding darlings under its Eternal Sunshine Production banner last year. Speaking of the same, the actress revealed the new chapter in her career that she wants to work on for the next decade.

Alia Bhatt on building a production house in 10 years

In an interview with PTI, the young actress revealed that she would like to focus on building her production house, Eternal Sunshine Production, in the next ten years. She said, “I’ve been in the industry for 10 years and my next 10-year plan is to build my production house.” The banner was created by the actor in March last year and funded the upcoming black comedy darlings featuring Alia herself with veteran actor Shefali Shah.

The young actor also talked about choosing characters that will “make his heart race” after spending 10 years in Bollywood. She said, “Now in this part of life, I want to do high profile characters and mass performers because that’s not easy to do either. I first wanted to prove to myself that I can act, then to prove to the world, which happened simultaneously, ”

Learn more about Gangubai Kathiawadi

Set to release on February 25, the film is directed by Sanjay Leela Bhansali and also features Ajay Devgn as Karim Lala, Shantanu Maheshwari, Vijay Raaz, Seema Bhargava Pahwa, Indira Tiwari and more. Apparently, Emraan Hashmi and Huma Qureshi are set to make an appearance in the film. The film and crew recently enjoyed its premiere at the 72nd Berlin International Film Festival.

(With PTI entries)

Image: Instagram/@aliaabhatt

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Airlot 21 virtual production studio is hosting an open house for media and industry professionals on February 24, 5-9 p.m., on the Universal Studios Florida backlot

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The Airlot invites media and industry professionals to our Open House on February 24, 2022, 5-9 p.m. at 2000 Production Plaza, Orlando, FL 32819. Airlot will demonstrate how the virtual technology works and will have a question and an answer Platform. Airlot virtual production technology is similar to the technology used on Star Wars, The Batman and The Mandalorian.

ORLANDO, Fla. (PRWEB) February 21, 2022

The Airlot invites media and industry professionals to our Open House on February 24, 2022, 5-9 p.m. at 2000 Production Plaza, Orlando, FL 32819. Airlot will demonstrate how the virtual technology works and will have a question and an answer Platform. Airlot virtual production technology is similar to the technology used on Star Wars, The Batman and The Mandalorian.

What is the Airlot? Come experience it. Airlot virtual production technology is similar to the technology used on Star Wars, The Batman and The Mandalorian. The Airlot is a virtual production stage that we rent to television and film producers. Our 120′ circumference virtual production LED wall will immerse the actors in the scene, using the latest XR and 4K technologies.

Virtual production is a paradigm shift in the way films are made. Unprecedented integrated visual effects create a workflow of speed, efficiency and creative freedom never before achieved in Hollywood cinema. Creatives can preview, search virtually, and collaborate remotely.

Gone are the days of producing expensive films on location, using unrealistic green screens or creating cumbersome sets and backgrounds. With The Airlot technology, television and film productions can be produced faster and easier than ever before. At The Airlot, you can film as if you were on location anywhere in the world or beyond.

Robert Cota, Founder, and Marco Victorino, Co-Founder, are excited to work with Pamela Tuscany, Vice President of Production at USFPG. Robert and Marco will demonstrate the Airlot technology at 6:30 p.m. Women in Film (WIF) filmmakers and producers will be on hand to answer questions and provide information to interested parties.

Virtual production is here to stay, and The Airlot is setting the stage for Hollywood productions to reap the rewards. The Airlot works at the studio level to help filmmakers and producers embrace the future with The Airlot as a turnkey virtual production solution for any size production. Airlot’s strategy is to help accelerate Hollywood’s transition to virtual production.

RSVP today: [email protected] and add the event to your calendar.

Angel Howansky 562 458-6700

For the original version on PRWeb, visit: https://www.prweb.com/releases/the_airlot_21_virtual_production_studio_is_having_an_open_house_for_media_and_industry_professionals_on_feb_24th_5_to_9_p_m_on_the_backlot_of_universal_studios_florida/prweb18507125.htm

Virtual Production Studio Airlot 21 is hosting an open house for media and industry professionals on February 24, 5-9 p.m., on the Universal Studios Florida backlot |

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ORLANDO, Florida., February 21, 2022 /PRNewswire-PRWeb/ — The Airlot invites media and industry professionals to its open house on February 24, 2022from 5 p.m. to 9 p.m. at 2000 Production Plaza, Orlando, Florida 32819. Airlot will demonstrate how the virtual technology works and have a Q&A platform. Airlot virtual production technology is similar to the technology used on Star Wars, The Batman and The Mandalorian.

What is the Airlot? Come experience it. Airlot virtual production technology is similar to the technology used on Star Wars, The Batman and The Mandalorian. The Airlot is a virtual production stage that we rent to television and film producers. Our 120′ circumference virtual production LED wall will immerse actors into the stage, using the latest XR and 4K Technology.

Virtual production is a paradigm shift in the way films are made. Unprecedented in-camera visual effects create a workflow of speed, efficiency and creative freedom never before achieved in Hollywood implementation. Creatives can preview, search virtually, and collaborate remotely.

Gone are the days of producing expensive films on location, using unrealistic green screens or creating cumbersome sets and backgrounds. With The Airlot technology, television and film productions can be produced faster and easier than ever before. At The Airlot, you can film as if you were on location anywhere in the world or beyond.

Robert CoteFounder and Marco Victorin, co-founder, are excited to work with Pamela Tuscany, VP of Production at USFPG. Robert and Marco will demonstrate Airlot technology at 6:30 p.m. Women in Film (WIF) filmmakers and producers will be on hand to answer questions and provide information to interested parties.

Virtual production is here to stay, and The Airlot is setting the stage for Hollywood productions to reap the fruits. The Airlot works at the studio level to help filmmakers and producers embrace the future with The Airlot as a turnkey virtual production solution for any size production. Airlot’s strategy is to help accelerate from hollywood transition to virtual production.

RSVP today: [email protected] and add the event to your calendar.

Angel Howansky 562 458-6700

Media Contact

Angel HowanskyThe Publicity Team, +1 562 458-6700, [email protected]

SOURCE The Airlot

Airlot 21 virtual production studio is hosting an open house for media and industry professionals on February 24, 5-9 p.m., on the Universal Studios Florida backlot

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Airlot Studio

“We are thrilled to be part of this dynamic new production method that the Airlot 21 will provide to our long-time customers and production partners. The Airlot 21 is the perfect complement to the deep bench strength of Production Services and talent available at Universal Orlando, says Pamela Tuscany

The Airlot invites media and industry professionals to our Open House on February 24, 2022, 5-9 p.m. at 2000 Production Plaza, Orlando, FL 32819. Airlot will demonstrate how the virtual technology works and will have a question and an answer Platform. Airlot virtual production technology is similar to the technology used on Star Wars, The Batman and The Mandalorian.

What is the Airlot? Come experience it. Airlot virtual production technology is similar to the technology used on Star Wars, The Batman and The Mandalorian. The Airlot is a virtual production stage that we rent to television and film producers. Our 120′ circumference virtual production LED wall will immerse the actors in the scene, using the latest XR and 4K technologies.

Virtual production is a paradigm shift in the way films are made. Unprecedented in-camera visual effects create a workflow of speed, efficiency and creative freedom never before achieved in Hollywood cinema. Creatives can preview, search virtually, and collaborate remotely.

Gone are the days of producing expensive films on location, using unrealistic green screens or creating cumbersome sets and backgrounds. With The Airlot technology, television and film productions can be produced faster and easier than ever before. At The Airlot, you can film as if you were on location anywhere in the world or beyond.

Robert Cota, Founder, and Marco Victorino, Co-Founder, are excited to work with Pamela Tuscany, Vice President of Production at USFPG. Robert and Marco will demonstrate the Airlot technology at 6:30 p.m. Women in Film (WIF) filmmakers and producers will be on hand to answer questions and provide information to interested parties.

Virtual production is here to stay, and The Airlot is setting the stage for Hollywood productions to reap the rewards. The Airlot works at the studio level to help filmmakers and producers embrace the future with The Airlot as a turnkey virtual production solution for any size production. Airlot’s strategy is to help accelerate Hollywood’s transition to virtual production.

RSVP today: [email protected] and add the event to your calendar.

Angel Howansky 562 458-6700

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Canada’s largest film and television production studio to be built in Burnaby

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Hollywood North will see much-needed additional production capacity: Construction of a new film and television production studio campus immediately north of the SkyTrain Lake City Way station in Burnaby could begin in late 2022.

Bridge Studios confirmed to Daily Hive Urbanized that it is moving ahead with plans to build the facility on a 19-acre site at 3131 Lake City Way.

Named “Bridge Studios -Lake City-“, it will have over one million square feet of total floor space, including 21 sound stages covering a combined total of 340,000 square feet, as well as 330,000 square feet of space support such as factory outlets, wardrobe, props, set decoration and build bays, and 150,000 square feet of production office space.

While some of Metro Vancouver’s biggest new film studios in the past 20 years have been made by converting existing warehouse buildings, this will be a brand new purpose-built facility. The property’s two existing warehouse buildings, totaling 253,000 square feet, will be completely demolished to construct the new structures.

There will also be parking for 1,000 vehicles, mostly underground, to accommodate staff needs, and over a mile of film truck parking space directly behind the sound stages.

Future site of Bridge Studios Lake City at 3131 Lake City Way, Burnaby. Existing buildings will be demolished for new purpose-built structures. (Colliers International)

bridge studios lake city 3131 Lake City Way burnaby

Future site of Bridge Studios Lake City at 3131 Lake City Way, Burnaby, adjacent to Lake City Way SkyTrain station. Existing buildings will be demolished for new purpose-built structures. (Google Maps)

Ron Hrynuik, managing director of Bridge Studios, told Daily Hive Urbanized that it will be the largest full-service movie studio in Canada, which includes a wide range of facilities, equipment and services.

Bird Construction was recently awarded a contract worth over $200 million to build the campus. The facility could be ready for production in 2025.

“We are very pleased to have the opportunity to complete another important project for this client, as well as to contribute to the growth and prosperity of the community,” said Teri McKibbon, p.resident and CEO of Bird Construction.

“This large-scale project leverages the proven execution experience of our team and contributes to the continued expansion of our portfolio of projects in the BC market, while continuing to strengthen our relationship with this client. for which we have executed a number of projects across Canada.”

Further details of the redevelopment will be released later this year.

bridge burnaby studios north hollywood

Larco Investments owns Bridge Studios in Burnaby. (Bridge Studios)

Bridge Studios, owned by local developer Larco Investments, is located on Boundary Road near SkyTrain Gilmore station. The new Lake City campus will be considerably larger than their first facility.

Larco acquired the Lake City Way property in a deal worth $140 million in February 2020.

In November 2021, the City of Burnaby announced that it had selected Larco’s $136 million bid to purchase the city-owned vacant 17-acre site at 3990 Marine Way within the grounds of Big Bend in South Burnaby. Larco will develop the site into a major film and television production studio.

Larco also acquired a five-acre site at 7705 Griffiths Drive, adjacent to SkyTrain’s Edmonds Maintenance Center in Burnaby, for a smaller studio. Existing self-storage structures will be demolished for new purpose-built studios.

That same month, a partnership between Aquilini Development and local First Nations announced plans to redevelopment the 40-acre Willingdon Lands immediately west of the BCIT Burnaby campus. The project will include a 450,000 square foot production studio in new purpose-built structures, as well as 5,000 homes.

In late 2021, construction also began on a major film and television production campus on a vacant 33-acre site next to the 216th Street interchange of the Trans-Canada Highway in the Township of Langley. It will be a purpose-built new campus for Martini Film Studios, with 16 sound stages totaling 370,000 square feet, support space reaching 224,000 square feet, and production office space reaching 135,000 square feet. The new Martini Film Studios campus will open in 2024.

In October 2021, the Vancouver Economic Commission reported that the film, television, animation and post-production industry generated a combined total of $3.4 billion for the economy of Colombia. British in 2020, even with the effects of the pandemic. In doing so, he supported 65,000 jobs across British Columbia.

A severe shortage of studio space in Metro Vancouver has limited the amount of potential work and the number of jobs the local film and television industry can generate.

Gunvant Thakor’s Production House ‘Jigar Studio’ Is Next Big Thing With His Accomplishments

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oi-Oneindia Staff

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Posted: Thursday February 17th 2022, 03:30 PM [IST]

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Since the pandemic, entertainment has become the main focus of every household. Even during the lockdown, people were able to cope thanks to some amazing pieces delivered by artists around the world. Gunvant Thakor is a known face in the Gujarati film industry as he has been running his production house for a long time now. He has delivered major projects including Tuto Sajan Mara Kadje Korani co-produced with Vikram Thakor, Preet Jhuke Nahi Saath Chhute Nahi, Tu Mari Nai To Koini Nai and Prem Ni Majburi, Nandlala and Jiv Hatheli By Muki Didho Tara Re Bharose, and many Suite .

Gunvant Thakor's production house

Gunvat started his career as a small village boy who dreamed of being a big name in the entertainment industry. He was born in Lhor in Mehsana district to a family in financial difficulty. His family wanted to raise him in another city and they soon moved to Thaltej, Ahmedabad. He started his career by finishing his studies and then joined a small business where he walked 12 km every day to get to his place of work. Gunvat’s hard work paid off when he finally opened his first production house under the name Laxmi Studios. Shortly after his son was born, he named it “Jigar Studios”. He has worked with big names including stars like Vikram Thakor in the project named Meldi Mano Madhado and others include Jignesh Kaviraj, Aakash Thakor, Naresh Kanodiya, Hiten Kumar, Hitu Kanodiya, Firoz Irani, Rajdeep Barot and Rakesh Barot among others.

Gunvant Thakor said: “I saw a lot of struggles before I could be here. I learned a lot from my parents because they always inspired me to work hard to get what I deserve. They worked hard so that I reach a point where I can start my professional career, I hope I will continue to work on new projects and give my best as a producer.

Article first published: Thursday, February 17, 2022, 3:30 p.m. [IST]

Screen Queensland calls for post-production companies to participate in internship scheme

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Screen Queensland is inviting expressions of interest from Queensland post-production, digital and visual effects companies to take part in a new internship program as part of a campaign to grow the post-production sector. production in the state.

Screen Queensland’s Post, Digital and Visual Effects (PDV) Professional Placement Program will support one-year paid internships for up to five early to mid-career professionals across all of the PDV disciplines, including post-production, post-production audio and visual effects.

Screen Queensland chief executive Kylie Munnich said the introduction of the program comes with the increase to 15% of the state’s PDV incentive announced last October by Queensland Premier Annastacia Palaszczuk , as well as a lowering of the minimum expenditure threshold from $500,000 to $250,000 for greater accessibility.

Munnich notes that “these competitive changes are already having a dramatic impact on the number of productions applying for the PDV incentive, providing an immediate boost to the local post-production sector, which enjoys a top notch reputation. , both nationally and internationally.

“Queensland now has the most competitive POS incentive on Australia’s east coast which, in conjunction with the Federal Government’s location incentive and Screen Queensland’s production pull strategy, is pushing even more local, interstate and international companies to hire Queensland post-production facilities.

“This new internship program is important to ensure Queensland has a strong pool of post-production professionals to meet this increased demand for local, interstate and international productions to choose Queensland for their post-work.

“We are helping the industry to further develop its skills and ability to meet the growing demand for highly technical post-production work, be it sound, editing, animation, special effects, color grading, etc.”

Post-production companies operating in Queensland, and with more than 50% of their workforce based in the state, can submit an expression of interest to host up to five placements, for which Screen Queensland will contribute $50,000 each toward salary in accordance with MEAA. industry awards.

Early to mid-career post-production practitioners who have been resident in Queensland for more than six months can register now to be notified when applications for internships open. Applications are encouraged from those who identify as Aboriginal and Torres Strait Islander, female, LGBTQIA+, culturally and linguistically diverse, living with disabilities, and from underrepresented ages and socio-economic backgrounds .

Munnich adds “this is a compelling opportunity for post houses in Queensland to cost-effectively increase capacity, while providing invaluable on-the-job training for new talent, eager to learn skills and networks in this exciting and growing sector of our state.”

Recent projects completing post-production in the state include Paramount Pictures’ The Infernal Machine at Serve Chilled; The Best Surf Movie Ever from Bronte Pictures at the Post Lounge; ScaryGirl is produced in partnership with Brisbane’s Passion Pictures and Like A Photon Creative; Bluey Seasons 1-3 at Ludo Studio; and MGA Entertainment’s LOL Surprise! OMG – The movie at the Pixel Zoo.

Expressions of interest, including full eligibility criteria, are available online at screenqueensland.com.au and close Tuesday 8 March.

Image: Behind the scenes at Ludo Studio, in production on Bluey, supported by the Queensland Government through Screen Queensland’s Post, Digital and Visual Effects (PDV) incentive.

Related Articles

December 21, 2021 – Screen Queensland bids farewell to Jo Dillon as Creative Director

December 16, 2021 – Screen Queensland announces first members of its Equity and Diversity Task Force

December 11, 2021 – Screenworks will offer workshops and events as part of the North Queensland Regional Program

November 5, 2021 – Launch of a new training program for emerging practitioners in Queensland’s screen industry

October 19, 2021 – New screen studio site unveiled for Cairns

August 25, 2021 – Screen Queensland launches new fund to support innovative projects across Australia

January 14, 2021 – Screen Producers Australia will offer the 2021 Conference and Content Marketplace program online

June 25, 2020 – Screen Producers Welcome $50 Million in Federal Government Funding

March 27, 2020 – Tough times for cinemas with all Australian screens closed

May 28, 2019 – Big Screen Video completes over 750 installs in Australia and New Zealand

September 19, 2018 – The new giant screen in Fed Square will be used as the live viewing site for the AFL Finals

May 31, 2018 – Create NSW announces members of Western Sydney Arts, Screen and Culture Roundtable 2018


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Rock Shore Completes Baltimore County Video Production Studio

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Rock Shore Media’s recent expansion includes two separate studios within its one-story Flex/R&D building. The first studio contains a 30ft long and 12ft high LED wall with a 142.5 degree curve. The second studio is equipped with a white cyclorama 45 feet long, 24 feet deep and 15.5 feet wide. Each studio is equipped with overhead rigging for lighting and substantial power for various production applications. (photo sent)

Baltimore County-based video production company Rock Shore has completed installation of its state-of-the-art XR LED studio in its expanded production space at the Caton Research Center in Arbutus.

The technology provides a “global environment” that dramatically improves production quality, reduces or entirely eliminates the travel time and expense required for offsite filming, and is designed to retain more projects in the Baltimore area. Last year, the company of eight video professionals leased an additional 6,000 square feet of space at its location at 3918 Vero Road to accommodate the new studio.

XR Studio technology is differentiated by its ability to reproduce realistic environments, which greatly benefits cinematographers, directors, talents, agencies and clients during the production process.

In January, Rock Shore spent a few days using their new technology to produce a preview of what customers can expect when using the LED wall. In three days, the team was able to film in Southeast Asia, a Californian forest, the landscape of Wyoming and various apartment and office buildings.

Rock Shore Media’s recent expansion includes two separate studios within its one-story Flex/R&D building. The first studio contains a 30ft long and 12ft high LED wall with a 142.5 degree curve. The second studio is equipped with a white cyclorama 45 feet long, 24 feet deep and 15.5 feet wide. Each studio is equipped with overhead rigging for lighting and substantial power for various production applications. It is now the only video production technology of its kind available in the Baltimore-Washington area.

Pooja Entertainment Becomes First Labor Indian Production House To Announce Film In Metaverse

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From the most discussed topic in 2021 to today’s reality, Metaverse is the new big thing that uses AR and VR to create spaces for rich user interaction that mimics the real world. Paris Hilton, Snoop Dogg were some celebrities who bought virtual space in the Metaverse. Pioneer of movement in India and Indian entertainment is none other than Pooja Entertainment. Pooja Entertainment has purchased its first virtual land in the Metaverse, becoming the first-ever production house to step into this exciting new universe.

Called Poojaverse – this space will be a virtual space for creators to create never-before-seen quality immersive experiences for viewers, starting with their recently announced project “BadeMiyan ChoteMiyan”, making it the first-ever Indian film to be announced in the Metaverse.

As the visionaries and industry leaders that they are, big bosses Deepshikha Deshmukh and Jackky Bhagnani have spared no effort to not only own this pioneering digital business, but also to make the experience a powerful experience for the public. While other actors around the world are still considering this new avenue, Pooja Entertainment has already owned this exciting prospect and brought it to life in their inimitable way.

Speaking about Poojaverse and its vision, producer Deepshikha Deshmukh said, “Metaverse is the new frontier of the internet. It’s a new way to connect and engage with our audience and fans. People have ended up spending so much time online, whether for work, education, or entertainment. With the increased use came the concurrent growth of blockchain technology. Metaverse is becoming the future of virtual hangouts and will be the new way to consume content. I’m super happy to have our biggest and most ambitious project – BadeMiyan ChoteMiyan in the metaverse. Poojaverse is one step away from our end in that same direction. With time and a more nuanced understanding of this virtual space. We intend to make Poojaverse the go-to space for quality entertainment and various aspects of filmmaking in the digital world.

Speaking about their plans to bring the BadeMiyan ChoteMiyan franchise into the Metaverse experience, producer Jackky Bhagnani says, “I believe digital dominance has always been seen as something of the times to come, but things have changed with the pandemic. A world created as a result of this technology and the ideology of digital replication of real life, Metaverse, reigns supreme. It is no longer a futuristic idea, but one that has already begun to take shape and take on an ever-changing form. We’re really excited to announce our foray into our own virtual space – Poojaverse and our next big BadeMiyan movie ChoteMiyan – the first ever Indian movie to feature its announcement on the Metaverse.

The announcement video for ‘BadeMiyan ChoteMiyan’ wrote “blockbuster” all over and created major buzz across all platforms, leaving her fans captivated. The team at Pooja Entertainment is thrilled to reunite two generations with their greatest action artist – BadeMiyan ChoteMiyan with two megastars Akshay Kumar and Tiger Shroff playing the two titular characters. This Pooja Entertainment production is set to be released in five languages ​​Hindi, Telugu, Tamil, Kannada and Malayalam and is expected to break all box office records when it hits the big screen in Christmas 2023.

The production studio prepares the ground for the virtual opening ceremony of the European Football Championship

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Later UEFA Champions League Finalsone of the world’s most anticipated annual football events, pop stars Marshmello, Khalid and Selena Gomez shared the stage for a dazzling opening ceremony at Portugal’s third-largest football stadium, never there set foot.

The stunning video performance took place in a digital twin of the Estádio do Dragão, or Dragon Stadium, rendered by Madrid MR Factorya company specializing in virtual production.

The studio, which has been at the forefront of using virtual productions for film and television since the 1990s, now brings its virtual sets to life with the help of Nvidia StudioRTX and Omniverse GPUs, a real-time collaboration and simulation platform.

MR Factory’s previous projects include the popular Netflix series Money theft and red skyand feature films like Jeepers Creepers: rebirth.

With NVIDIA RTX Technology and real-time rendering, MR Factory can create stunning visuals and 3D models faster than before. And with NVIDIA Omniverse EnterpriseMR factory allows remote designers and artists to collaborate in a virtual space.

These advanced solutions help the company accelerate design workflows and take virtual productions to the next level.

Images courtesy of MR Factory.

“NVIDIA is fueling this new workflow that allows us to enhance creative opportunities while reducing production times and costs,” said Óscar Olarte, co-founder and CTO of MR Factory. “Instead of traveling to places like Australia or New York, we can create these scenarios virtually – you go from creating content to creating worlds.”

Preparing the virtual stage for the UEFA champions

MR Factory received the draft UEFA Champions League Final Opening Ceremony amid heavy travel restrictions due to the pandemic. The event was originally scheduled to take place at Istanbul’s Atatürk Stadium, Turkey’s largest sports arena.

MR Factory captured footage of the stadium and used it to create a 3D model for the music video. But with the changing conditions of the pandemic, UEFA changed the location for a stadium to Porto, on the Portuguese coast – with just two weeks to go before the project deadline.

MR Factory had to quickly create another 3D model of the new stadium. The team used NVIDIA technology to achieve this, with real-time rendering tools accelerating their creative workflows. To create stunning graphics and set up the scenes for virtual production, MR Factory uses cutting-edge applications such as Autodesk Arnold, DaVinci Resolve, OctaneRender and Unreal Engine.

“One of the most exciting technologies for us right now is NVIDIA RTX because it allows us to render faster and in real time,” Olarte said. “We can instantly mix real items with virtual ones.”

MR Factory also uses camera tracking technology, which allows it to capture all camera and lens movement on stage. They use these images to then combine live elements with the real-time virtual production environment.

Over 80 people across Spain worked on the virtual opening ceremony, and with the help of NVIDIA RTX, the team was able to complete the integrations from scratch, render all visuals, and finish the project at time for the event.

Create vast virtual worlds

One of MR Factory’s core philosophies is to enable remote working, as this provides the company with more opportunities to hire talent from anywhere. The studio then empowers this talent with the best creative tools.

Additionally, MR Factory developed the Metaverse as a way to produce movies and television scenes. The pandemic has heightened the need for real-time collaboration and interaction among remote teams, and NVIDIA Omniverse Enterprise is helping MR Factory achieve this.

With Omniverse Enterprise, MR Factory can significantly reduce production times, since several people can work simultaneously on the same project. Instead of completing a scene in a week, five artists can work in Omniverse and get the scene ready in a day, Olarte said.

“For us, virtual production is a way to create worlds – and from those worlds come video games and movies,” he added. “So we build a library of content as we produce it, and the library is compatible with NVIDIA Omniverse Enterprise.”

MR Factory uses a render farm with 200 NVIDIA RTX A6000 GPUs, which provide artists with the GPU memory they need to quickly produce stunning work, deliver high-quality virtual productions, and perform real-time rendering.

MR Factory plans to use Omniverse Enterprise and the Render Farm on future projects to streamline creative workflows and bring virtual worlds together.

The same tools MR Factory uses to create the virtual worlds of tomorrow are also available free to millions of individual NVIDIA Studio creators with GeForce RTX and NVIDIA RTX GPUs.

Learn more about NVIDIA RTX, Omniverse, and other powerful technologies behind the latest virtual productions by signing up for free to GTCMarch 21-24.

Al Michaels, Cris Collinsworth and the NBC production team did their best for Super Bowl LVI

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Al Michaels and Cris Collinsworth began their Sunday Night Football partnership on NBC in 2008. If Super Bowl LVI was their last game together, that ends a successful run. Their chemistry was on display throughout the Los Angeles Rams’ 23-20 win over the Cincinnati Bengals. Unlike a three-man stand where analysts have to work together to get points across, Collinsworth and Michaels forged a conversation and gave each other the breathing room that makes them one of the best announce teams in all of sports. .

With many rumors that Michaels will be heading to Amazon (to call Thursday Night Football) or ESPN (to return to Monday Night Football), Al hinted that Super Bowl LVI could be his last game for the Peacock when he called for Collinsworth to “come and slide here one last time”.

NBC reruns were perfect. The angles on the Rams’ sloppy extra point in the first half made it clear that starter Johnny Hekker’s snap was slipping out of his hands. Also, on a nifty play by the Bengals in the first half, running back Joe Mixon threw a touchdown pass to Tee Higgins, Michaels had the right call and Collinsworth stopped play using clean replays. from the production truck led by producer Fred. Gaudelli and director Drew Esocoff.

When the Bengals scored to open the second half on a 75-yard touchdown pass from Joe Burrow to Higgins, it appeared defenseman Jalen Ramsey was down.

However, NBC found multiple replays that showed Higgins actually pulling off Ramsey’s face mask and tossing it aside, in what should have been offensive pass interference. It would have been the perfect time to bring in rules analyst Terry McCauley, but as with the rest of the game, he wasn’t used much.

It’s because there weren’t many penalties all night. There were flags thrown on back-to-back plays in the final two minutes of the Rams’ game-winning drive, including a suspicious holding penalty on the Bengals where Collinsworth and Michaels questioned the validity of the call.

As the defenses took control of the game (especially the Rams), Collinsworth was able to show the failure of the Bengals offensive line as Burrow was sacked multiple times, seven times in total. Although unpleasant to watch, NBC even offered a great angle replay of Joe Burrow’s apparent knee injury, capturing him screaming in pain immediately after the clumsy blow.

As an analyst, Collinsworth gets paid for second-guess calls, but he made several correct first guesses, including a run from Joe Burrow fourth in the third quarter. Michaels was only happy to give him credit for predicting the race.

With the game close throughout, Michaels and Collinsworth didn’t have to go into blowout mode, sticking to the coaching strategy.

As with previous Super Bowls, NBC used the Big Game to launch a new scoring bug and graphics package. Compared to the previous scorebug, this new version was cleaner and less cluttered. It certainly looked better than a leaked build that came out earlier in the week. The graphics were also cleaner and designed to look better on screen.

During pregame coverage, NBC gave time to some of the NFL’s biggest stories, including the Brian Flores trial. This lawsuit was even mentioned by President Joe Biden during the traditional Super Bowl presidential interview. Insider Mike Florio has raised the possibility that Washington Commanders team owner Dan Snyder could be kicked out of the league after new allegations of sexual misconduct.

Most of the time, however, the pregame was used to heavily promote cable programming from NBCUniversal, Peacock, and of course the Olympics. (Running simultaneously to the Super Bowl for the first time, leading to a whirlwind week for Mike Tirico.)

After the game, Michaels paid tribute to sideline reporter Michele Tafoya who is leaving sports television to pursue other projects. Michaels left his future open, but punched partner Collinsworth over what appeared to be the end of their 13-year partnership.

As for career changes, the departure of Tafoya asked Rams defensive tackle Aaron Donald if this was his last game and while he was emotional, he didn’t bite the question.

If this is the last game for Michaels and Collinsworth, they emerged victorious. It would likely be the last Super Bowl for the 77-year-old Michaels. NBC’s next turn in the rotation would be in 2026; Amazon obviously isn’t a factor in Super Bowl coverage, and even if it somehow lands on ESPN/ABC, their first Super Bowl opportunity won’t be until 2027. Even as good that Michaels was last night, it seems unlikely that he’ll still be calling games at that time. (Although if anyone can, it’s him.)

As this was his 11th Super Bowl broadcast tying him with CBS and Fox’s Pat Summerall, Michaels proved he could still rise to the occasion, create the right mood and set his partner up for success.

Overall, the NBC production gets an A, and Michaels and Collinsworth also get a solid A.

Thus ends another season of the NFL, one of media’s biggest properties culminating in the biggest night on television. If you’re wondering: It’s Fox’s turn for the Super Bowl next year.

Alia Bhatt reveals her 10-year plan includes building her production house and ‘may not always star in film’

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Alia Bhatt reveals what she plans to do professionally in the next 10 years (Photo credit – Instagram)

Alia Bhatt has an interesting lineup that fans are looking forward to. While she plays a central role in SS Rajamouli’s RRR, the actress will play the lead character in Sanjay Leela Bhansali’s Gangubai Kathiawadi. While her acting career is impressive, Sadak 2 has recently set foot in the production space and is ready for her debut project Darling which will be released this year.

In a recent chat, the Gully Boy actress got candid about several things, including her plan for the next 10 years, taking on producer responsibilities so early in her Bollywood career, and more. For those unaware, Alia launched Eternal Sunshine Productions in 2021. Read on to find out all she had to say.

During a recent interaction with Film Companion, Alia Bhatt was asked about her decision to become a producer and if it was a burden, in response to that, Gangubai actress Kathiawadi said, “It’s not a burden.” She continued, “You recognize the potential of the script and ultimately you put it together and if I’m a producer I get a percentage of the profits. It’s a big thing for me.

Alia Bhatt added: “It’s not like I’m not going to make money. But for me, it was never about the money. It’s actually about – If I’ve reached 10 years in the industry where I think I’m in a good position to support new work and new talent. It’s not just about powering my engine, it’s now about using that fuel and powering other engines as well.

Speaking about her future plan, Alia said, “I understood why I couldn’t be part of the creative production process. It’s not about mass production or providing funding. It’s about putting a project in a creative way, holding hands with the director or writer, and maybe not always starring in the film. It’s something I want to do. If you ask me for my next 10-year plan, it’s in building my production house.

Alia Bhatt further added that she was thrilled as a producer to “fund new voices, to tell great stories. Moving, moving, sometimes a strange psychological thriller. Adding that she wants to tell unpredictable stories, the actress said, “I don’t think I can do the big tentpole movies. I don’t think I can produce films like that. I don’t have the mind for it and it requires another mind and ability all together. Alia signed off saying she wanted to produce the “warm, fuzzy, touching movies” we see on OTT.

We wish you all the luck to succeed in these projects.

Stay tuned to Koimoi for more.

Must read: Madhubala biopic directed by Imtiaz Ali was rejected by the actress’ sister in New Zealand, her other sister is still up for the film!

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Construction underway of a huge film production studio in Metro Vancouver

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In just over two years, BC’s thriving film and television production industry will receive much-needed new additional studio capacity to take on more coveted work from Hollywood.

In late 2021, Martini Film Studios (MFS) began construction of its expansion facility on an undeveloped 33-acre site just southwest of the 216th Street interchange of the Trans-Canada Highway in the township. of Langley.

The campus will have 16 soundstages – each 23,000 square feet for a total soundstage area of ​​approximately 370,000 square feet. and building bays.

Two five-story buildings also provide approximately 135,000 square feet of office space to further support operational and production planning needs. This brings the total building area of ​​the campus to approximately 730,000 square feet.

And to take into account the growing use of electric vehicles, the company is installing 80 charging stations on the ground.

All of this is expected to be completed in mid-2024, and it will be one of the largest film and television production facilities in Canada.

Construction progress in December 2021: Martini Film Studios new campus at 216 Business Park in the Township of Langley. (Google Maps)

martini film studios langley campus construction december 2021

Construction progress in December 2021: Martini Film Studios new campus at 216 Business Park in the Township of Langley. (Google Maps)

martini film studios langley campus construction december 2021

Construction progress in December 2021: Martini Film Studios new campus at 216 Business Park in the Township of Langley. (Google Maps)

Martini Film Studios first opened in the area in 2017 in two existing warehouses at 9390-9390 198th Street and 19714 96th Avenue near the 200th Street interchange of Highway 1 in Langley Township . The two existing facilities have a total area of ​​approximately 250,000 square feet.

But unlike MFS’s first two buildings and most other studios that have opened elsewhere in Metro Vancouver over the past two decades, the new 216th Street campus is built entirely from the ground up with purpose-built structures. designed to meet the most optimized production needs.

“This is a brand new, state-of-the-art studio campus with purpose-built, modern soundstages,” Gemma Martini, CEO of Martini Film Studios, told Daily Hive Urbanized this week.

“Many existing studio facilities in the area are conversions of industrial buildings, but the new Martini Cinema Studios have been purpose-built as a cinematic destination, with all the spaces and support facilities to accommodate major productions filming in the region. region.

216 Langley Business Park

Location plan showing the site of 216 Business Park in the Township of Langley. (Real Estate Advisors Form)

Plans for the new MFS campus were first announced in September 2019 during the Toronto Film Festival.

The facility is the largest use of the future Langley 216 Business Park, which spans 80 acres with retail and office space. The film studio will occupy the designated warehouse development area of ​​the business park.

“We’ve had an incredible response from all of the major studios and networks. They’ve been extremely supportive during the design phase of the new facility and want to discuss opportunities to film future productions here when the studio doors open,” said said Martini.

The expansive soundstages accompanied by the substantial ancillary, support and office spaces will allow the campus to accommodate up to five productions for filming simultaneously. Up to 700 people could work in the field every day.

MFS will retain the use of its existing facilities, which are benefiting from new investments to reduce their carbon footprint. Earlier this month, the company announced that existing facilities have switched to renewable natural gas, making the Walnut Grove-area studio the first film production facility in British Columbia to use FortisBC’s carbon-neutral program. .

She says they aim to achieve net zero energy consumption on existing installations by the end of this year. In addition, the company supports an initiative that equips productions with resources to implement sustainable practices and reduce their environmental impact.

Currently, Netflix is ​​the primary user of existing MFS facilities, which have hosted shows such as space force, snowdropsand Sabrina the Teenage Witch. TV shows such as Virgin River, Supergirl, SEEI, and Snake-eyes also filmed at their remote properties.

Martini Film Studios

Exterior of a sound stage at the existing Martini Film Studios facility in Langley. (Martini Cinema Studios)

Martini Film Studios

Special effects during a film production at Martini Film Studios. (Matthew Harrington/Martini Film Studios)

In October 2021, the Vancouver Economic Commission reported that the film, television, animation and post-production industry generated a combined total of $3.4 billion for the economy of Colombia. British in 2020, even with the effects of the pandemic. In doing so, he supported 65,000 jobs across British Columbia.

Of this total economic impact, approximately $2.5 billion came from film and television productions, including 48 live-action scripted television series, a 30% year-over-year increase.

The BC industry has also been a major global beneficiary of increased spending on productions by streaming giants Netflix, Disney+, Apple TV+ and Amazon Prime. In 2020, British Columbia accounted for approximately 66% of all new streaming projects in Canada.

But a severe shortage of production space in Metro Vancouver is hampering the potential growth of the local film and television production industry.

The area has one of the lowest industrial vacancy rates in North America; in the fourth quarter of 2021, according to CBRE, Metro Vancouver’s industrial vacancy rate was just 0.9%. These shortage conditions persist despite the construction of 1.2 million square feet of new industrial space completed during the quarter, offset by strong pre-letting levels due to strong demand.

Currently, in response to demand, there is a record 9.4 million square feet of industrial space under construction, with 77% of that space already pre-leased.

Martini Film Studios

Exterior of a sound stage at Martini Film Studios at its existing facility in Langley. (Martini Cinema Studios)

With a continuing shortage and rising industrial rents, local studios have turned their attention in recent years to a strategy of building purpose-built new facilities on undeveloped sites.

In November 2021, for example, after conducting a months-long bidding process, the City of Burnaby announced its decision to sell an undeveloped 17-acre city-owned site in South Burnaby to Larco Investments for construction of a major new production studio. At this site, Larco plans to build 16 sound stages with a combined total of over 300,000 square feet of studio floor space, as well as factory shops and offices. Larco also owns and operates Bridge Studios.

Larco also has two other production studio projects in Burnaby that are in various stages of planning. This includes a 19-acre site currently occupied by a large warehouse at 3131 Lake City Way (next to SkyTrain Lake City Way station), as well as a five-acre property at 7705 Griffiths Drive (next to Edmonds Maintenance Center of SkyTrain) which would see its self-service storage structures demolished for a new purpose-built facility.

That same month, a partnership between Aquilini Development and local First Nations announced plans to redevelop the 40-acre Willingdon Lands immediately west of the BCIT Burnaby campus. The project will include a 450,000 square foot production studio in new purpose-built structures, as well as 5,000 homes.

The new Martini Film Studios campus at 216 Business Park marks the beginning of a production studio construction boom in Metro Vancouver.

The company’s potential growth through its major expansion plans attracted David Shepheard, who became vice president of MFS in July 2021. In the spring of 2021, after five years in the role, Shepheard stepped down as director of the Creative Economy and Vancouver Film Commissioner for the Vancouver Economic Commission.

“This is such an important time with the expansion of the studio and the building of the brand, under the inspiring leadership of Gemma Martini and in collaboration with the incredible George August Patterson. There are many exciting projects underway, so stay tuned. listening,” Shepheard wrote in a LinkedIn post.

£1.6m virtual production studio unveiled at Ulster University

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A new £1.6million virtual production studio has been launched at Ulster University by Economics Minister Gordon Lyons.

The state-of-the-art facility is backed by funding of over £536,000 through the Department of Economics and will provide screen industry skills education to students at the university.

Speaking after touring the studio at the University of Ulster’s Belfast Campus, the Minister said: “I am delighted to be launching the Ulster Virtual Production Studio at the University of Ulster. This new facility , supported by my department, will provide teaching and learning spaces for students in the screen industry-related fields and further strengthen the pool of skills in this dynamic and growing sector.

“Students will have access to state-of-the-art production and visual effects facilities not available anywhere else in Northern Ireland or the RoI. the screen on some of the live productions made here in Northern Ireland.”

The Minister added: “The Virtual Production Studio is a high quality addition to Ulster University’s offering, responding to the changing skills landscape and aligning well with my 10X economic vision. department for a decade of innovation.”

The minister was given a tour of the virtual production studio by UU’s Acting Executive Dean of Arts, Humanities and Social Sciences, Professor Frank Lyons, who commented: “With the screen industries continuing to To grow in Northern Ireland, it is important that we have a pipeline of graduates with the skills and knowledge to specialize in production and research and development led by creativity and technology.

“We are responding to industry reports that there is a skills shortage in virtual production. We prioritize teaching and research using state-of-the-art technology supported by expert multinational companies to ensure that our students graduate with the creative, technical and professional skills and knowledge to work on film and television sets locally and lead the way in games and animation, nationally and internationally, to advance the creative industries.

“With the introduction of the Ulster Screen Academy and the Virtual Production Studio at Ulster University, we are driving a skills revolution in production pipelines across converging sectors with applications across film, broadcasting, advertising, animation, games, immersion and visual effects.”

During his visit, the Minister met with Fiona McLaughlin, founding co-director of Taunt Studios, who recently used virtual production studios to create a short film.

Fiona commented: “It was an amazing opportunity to be one of the first companies to shoot in Ulster University’s virtual production facilities. As an independent animation studio, we’ve spent the last few years of working with real-time technologies and a growing VFX pipeline, putting us in an excellent position to utilize virtual production techniques.To explore this emerging area of ​​filmmaking, we have teamed up with director duo JAK and specialists from the Ulster University Screen Academy to create the short film “A Thing Called Joy”. The results have been outstanding, and it will certainly be the start of a whole new toolkit for visual effects and filmmaking.”

Lyons launches £1.6m virtual production studio at Ulster University

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Economy Minister Gordon Lyons today launched a new £1.6million virtual production studio at the University of Ulster.

Economy Minister Gordon Lyons (centre) with Fiona McLaughlin, co-founder of Taunt Studios and Professor Frank Lyons, acting executive dean of arts, humanities and social sciences at UU.

The state-of-the-art facility is backed by over £536,000 in funding through the Department of Economics and will provide screen industry skills education to students at the university.

Speaking after touring the studio at Ulster University’s Belfast campus, the Minister said:

“I am delighted to launch the Ulster Virtual Production Studio at Ulster University. This new facility, supported by my department, will provide teaching and learning spaces for students in fields related to the display industry and further strengthen the skills pipeline in this dynamic and growing sector.

“Students will have access to state-of-the-art production and visual effects facilities not available anywhere else in Northern Ireland or the Ivory Republic. I am also delighted that the university is facilitating opportunities for collaboration with the screen industry on some of the live productions made here in Northern Ireland.

The Minister added:

“The Virtual Production Studio is a high quality addition to Ulster University’s offering, responding to the changing skills landscape and aligning well with my department’s 10X economic vision for a decade of ‘innovation.”

The Minister was given a tour of the virtual production studio by UU Acting Executive Dean of Arts, Humanities and Social Sciences, Professor Frank Lyons, who commented:

“With the screen industries continuing to grow in Northern Ireland, it is important that we have a pool of graduates with the skills and knowledge to specialize in production and research and development led by creativity and technology.

“We are responding to industry reports that there is a skills shortage in virtual production. We prioritize teaching and research using state-of-the-art technology supported by expert multinational companies to ensure our students graduate with the creative, technical and professional skills and knowledge to work on film sets. and television locally and lead the way in games and animation, nationally and internationally, to advance the creative industries.

“With the introduction of the Ulster Screen Academy and the Virtual Production Studio at Ulster University, we are driving a skills revolution in production pipelines across converging sectors with applications across film, broadcasting, advertising, animation, games, immersion and visual effects.”

During his visit, the Minister met with Fiona McLaughlin, founding co-director of Taunt Studios, who recently used virtual production studios to create a short film.

Fiona commented:

“It was an amazing opportunity to be one of the first companies to shoot in Ulster University’s virtual production facilities. As an independent animation studio, we’ve spent the past few years working with real-time technologies and a growing VFX pipeline, which puts us in an excellent position to utilize virtual production techniques. To explore this emerging area of ​​cinema, we have teamed up with director duo JAK and specialists from Ulster University Screen Academy to create the short film ‘A Thing Called Joy’. The results have been outstanding, and it will certainly be the start of a whole new toolkit for visual effects and filmmaking.”

More information about Ulster University Screen Academy can be found at: UU website

Notes to Editors:

1. The Ulster Virtual Production Studio is supported by £425,000 from the Higher Education Research Investment Fund, an investment fund managed by the DfE and jointly funded by the Department for Business, Energy and Industrial Strategy (BEIS) and the DfE. The DfE also provided an additional £111,759 of higher education capital funding for the project.

2. The Department may take photos and videos during announcements and events to publicize its work. Photographs, interviews, videos or other recordings may be given to media organizations for publicity purposes or used in promotional material, including in publications, newspapers, magazines, other print media, television, radio and electronic media (including social media and the Internet) . Photographs and videos will also be stored in the Department’s internal records management system. The Department will retain photographs and recordings only as long as necessary for the purposes for which they were obtained. The Department’s privacy policy is available on our website.

3. To keep up to date with Department news, you can follow us on the following social networks:

Twitter- @Economy_NI

Facebook – @EconomyNI

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LinkedIn– NI Department of Economics

4. For media enquiries, contact the Department of Economics Press Office at [email protected]

5. The Executive Information Service runs an after-hours service for media inquiries only between 6:00 p.m. and 8:00 a.m. Monday to Friday and on weekends and public holidays. The permanent press officer can be contacted on 028 9037 8110.

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Coloradan works on the Beijing Olympic production team

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A Colorado DJ and producer have been working on the Olympics for 20 years. They were both hired after working on the X Games in Aspen.

BEIJING, China — An Olympic trip is a dream come true for any athlete, but also for the people who work and support the athletes just steps behind the scenes. A number of Coloradans have been chosen to have this experience as part of the Beijing Live Olympic Events production team.

“Just honoured, lucky and grateful to be part of other Olympics,” said Coloradan Kutcher Miller. He produced for the Olympics for 20 years. He was hired after working on the X Games in Aspen.

In Beijing, he produces the show in the Big Air arena.

“So I’m hired by the Olympic Committee to work with a team of around 25 locals and I have an announcer who is from the UK,” he explained.

“And just to see the stories unfold, right? That’s one of the biggest things about the Olympics is you see people win their first gold medal. There are so many aspects to it that it gives me chills and just to think of being a part of that is very special.”

These are Olympic moments that Michael Nakagawa does not take for granted. The Aspen resident was spotted at the X Games 20 years ago, where he was a DJ.

“It was around the time when the Olympics had more sports aimed at younger audiences. Snowboarding and freestyle skiing were very popular and they wanted to bring the culture from that to the Olympics,” said said Nakagawa. said DJ Naka G. “So I was asked to do my first [Olympic] Games in 2010 in Vancouver and we are there.”

This year, Nakagawa is the DJ for the alpine skiing events in Beijing. He said working for the Olympics is something he never imagined doing and he hopes it will inspire others to pursue their dreams.

“One of my favorite quotes is, ‘Your dream is free, but the hustle is sold separately,’ and there’s a lot of truth to that,” he said. “You know you’re going to fail but it’s okay, you’re going to learn from your failures, you’re going to pick yourself up and you’re going to keep moving forward and if you keep doing this you’re going to achieve your dreams.”

“I never imagined I would be in this position,” Miller added. “Anything is possible if you put your mind to it, you will achieve it. »

Miller said they get tested for COVID every day before leaving for their sites. He’s been there for over three weeks, so that’s over 21 times. But said to have the unforgettable experience, it is definitely worth it.

SUGGESTED VIDEOS: Beijing Olympics

https://www.youtube.com/watch?v=videoseries

Sync NI – Launch of £1.6m virtual production studio at Ulster University

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Economy Minister Gordon Lyons has launched a new £1.6m virtual production studio at the University of Ulster.

The state-of-the-art facility is backed by over £536,000 in funding through the Department of Economics and will provide screen industry skills education to students at the university.

Speaking after touring the studio at the University of Ulster’s Belfast Campus, the Minister said: ‘This new facility, supported by my department, will provide teaching and learning spaces for students in the fields related to the screen industry and will further strengthen the skills pipeline in this dynamic and growing sector.

RELATED: Fostering Greater Diversity and Equality for Women in Tech: What Can We Learn from Intersectionality?

Mr Lyons also added: “Students will have access to state-of-the-art production and visual effects facilities not available anywhere else in Northern Ireland or the RoI. I am also delighted that the university is facilitating opportunities for collaboration with the screen industry on some of the live productions made here in Northern Ireland.

The Minister was given a tour of the virtual production studio by UU’s Acting Executive Dean of Arts, Humanities and Social Sciences, Professor Frank Lyons, who commented: “With the screen industries continuing to To grow in Northern Ireland, it is important that we have a pipeline of graduates with the skills and knowledge to specialize in production and research and development led by creativity and technology. We are responding to industry reports that there is a skills shortage in virtual production. We prioritize teaching and research using state-of-the-art technology supported by expert multinational companies to ensure our students graduate with the creative, technical and professional skills and knowledge to work on film sets. and television locally and lead the way in games and animation, nationally and internationally, to advance the creative industries.

RELATED: Sync NI – Ulster University and Partners to Receive Funding for New Research Center

During his visit, the Minister met with Fiona McLaughlin, founding co-director of Taunt Studios, who recently used virtual production studios to create a short film.

Fiona commented, “As an independent animation studio, we’ve spent the past few years working with real-time technologies and a growing VFX pipeline, which puts us in an excellent position to utilize production techniques Virtual. To explore this emerging area of ​​cinema, we have teamed up with director duo JAK and specialists from Ulster University Screen Academy to create the short film ‘A Thing Called Joy’. The results have been outstanding, and it will certainly be the start of a whole new toolkit for visual effects and filmmaking.”

More information about Ulster University Screen Academy can be found at: https://www.ulster.ac.uk/screen-academy

Source: Written from press release.

About the Author

Aoife is an NI Sync Writer with previous experience in print, online and broadcast media. She has a keen interest in all things technology. To get in touch with Aoife, feel free to send her an e-mail or log on to LinkedIn.

Have a news-related tip you’d like to see covered on Sync NI? Email the editorial team for our consideration.

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Simply Thrilled, a standard corporate video production company in Nottingham

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Simply Thrilled, a creative video production and marketing company, uses state-of-the-art technology to produce quality films for its clients.

Simply Thrilled is a video creation agency whose business is to produce spectacular films for its many clients. As an excellence-oriented company, they conduct their business by gathering the best ideas that would yield satisfying results. Based on this, they use their idea generation tool to produce magic in the hearts and minds of their audience. They also use social intelligence that removes rich analytics from hours of corporate video content online, and the best pieces of video content are then analyzed across 500+ pieces using a proprietary creative tool. With these procedures, they can produce videos that will captivate the audience of their respective clients.

In response to a question about their services, the Simply Thrilled spokesperson commented: “We worked with a BAFTA-winning actress to help the NHS communicate better, brought mindfulness meditation to the noise of the download festival, attached a camera to a ball for a rugby match, and works with the young poet laureate to promote a secret library. This and many more are the beginning of what we are capable of doing, and all an interested person has to do is call us to make films together”.

Like a video marketing company in nottingham, Simply Thrilled has the experience and portfolio to provide excellent services to its many clients. They have a passion for shooting videos that will delight audiences in ways they’ve never experienced. Indeed, ideas and creativity are at the heart of what they do and they offer a full service approach from the seed of an idea to its delivery, marketing, advertising and much more. The quality of their work has earned them over 50 million views on YouTube with hundreds of thousands of comments, likes and shares.

The Simply Thrilled spokesperson added, “We prioritize learning about industry trends, competitor strategy and potential partnerships, and it’s all done to get better at what we do – provide top-notch services to our many customers. We also use art and science to grab the public’s attention. This is made possible by our proprietary creative generation tool known as ViralPixel which helps create effective and engaging videos.”

At Simply Thrilled, they are focused on providing customers with high quality videos. With their dedication and equipment, they are able to meet the diverse needs of customers and help them reach a wider audience. To learn more about their corporate video production in Nottinghamthose interested can visit their website for more information.

About Simply Thrilled:

Simply Thrilled is a creative video production company that has the experience and skills to provide excellent services to many clients. Some of their clients include Bose, Boots, Download Festival, The Guardian, Universal, Island Records and many more. Organizations looking for a standard corporate video production company in Nottingham can trust the services offered by Simply Thrilled.

Contact information:

just delighted

Nottingham address:

16 Commerce Square, Nottingham

Telephone: +44 115 8114 241

London address:

Kemp House, City Road, London

Telephone: +44 203 916 5132

E-mail: [email protected]

Website: https://www.simply-thrilled.com/

Media Contact
Company Name: just delighted
E-mail: Send an email
Call: +44 844 357 3389
Address:16 Trade Square
City: Nottingham, NG1 1HS
Country: UK
Website: https://www.simply-thrilled.com/

Sanjay Dutt launches his own production company and wants to bring ‘the golden age of heroism’ –

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Bollywood actor Sanjay Dutt is now opening his own production company named Three Dimension Motion Pictures. He said he was opening a production company to bring back the golden age of heroism in Bollywood.

Sanjay Dutt, in a recent interview, said that Bollywood has lost the manliness of the heroes they were known for. South Indian films like BahuBali and Pushpa were hugely successful then and these films centered on the heroism of heroic roles. In the Hollywood season, veterans like Denzel Washington, Kevin Costner and Mel Gibson enforce heroic rules that add to that little gap that Bollywood lacks. He also said that the “golden age of heroism” simply cannot die in Bollywood if it exists in Hollywood and the South. So he starts this production company to find those days of heroism.

the production house includes the directorial debut of Siddhant Sachdev’s horror-comedy The Virgin Tree. This film will feature newcomers. The rest of the films under the banner include the planned family drama. They also include action films with new actors with “the mature man as the hero”.

The veteran actor already has an immense experience of 4 decades in the Bollywood industry. He’s had a lot of ups and downs throughout his career with breakups, controversies, drug addiction, and even terrorism charges. He even served prison and his life was also transformed into a successful Bollywood cinema. He recently saw in Bhuj the pride of India. 2022 is also a big year for the 62-year-old actor. With movies like Kgf-2, Bhramaastra and Samsheera slated for release this year.

Sanjay Dutt launches his own production company and wants to bring “the golden age of heroism” –

0

Bollywood actor Sanjay Dutt is now opening his own production company named Three Dimension Motion Pictures. He said he was opening a production company to bring back the golden age of heroism in Bollywood.

Sanjay Dutt, in a recent interview, said that Bollywood has lost the manliness of the heroes they were known for. South Indian films like BahuBali and Pushpa were hugely successful then and these films centered on the heroism of heroic roles. In the Hollywood season, veterans like Denzel Washington, Kevin Costner and Mel Gibson enforce heroic rules that add to that little gap that Bollywood lacks. He also said that the “golden age of heroism” simply cannot die in Bollywood if it exists in Hollywood and the South. So he starts this production company to find those days of heroism.

the production house includes the directorial debut of Siddhant Sachdev’s horror-comedy The Virgin Tree. This film will feature newcomers. The rest of the films under the banner include the planned family drama. They also include action films with new actors with “the mature man as the hero”.

The veteran actor already has an immense experience of 4 decades in the Bollywood industry. He’s had a lot of ups and downs throughout his career with breakups, controversies, drug addiction, and even terrorism charges. He even served prison and his life was also transformed into a successful Bollywood cinema. He recently saw in Bhuj the pride of India. 2022 is also a big year for the 62-year-old actor. With movies like Kgf-2, Bhramaastra and Samsheera slated for release this year.

Local publishing house launches in-house audio production company to venture into podcasting and audiobooks

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Number Three Productions, GracePoint Publishing’s in-house audio production company.

GracePoint Publishing of Colorado Springs, Colorado has launched Number Three Productions as they expand into the audio business.

We amplify voices and disrupt the world… We do this by helping the voiceless find their voice, and always looking three steps ahead to see where we can amplify voices in whole new places.

—Marc Packard

COLORADO SPRINGS, COLORADO, USA, Feb. 7, 2022 /EINPresswire.com/ — As the podcast industry continues to grow, Colorado-based publishing company GracePoint Publishing is opening its in-house audio production studio and its branches in a new media space with Number Three Productions. This new expansion of GracePoint’s ever-growing media business provides authors, entrepreneurs, and creatives of all kinds a new way to share their message and contributes to GracePoint’s diverse in-house offerings.

GracePoint is a leading publisher of books focused on everything from self-help and human design to fantasy fiction and business. Having many number one bestsellers under their belt, they continue to expand in new ways to stay on top of their industry. Number Three Productions is a byproduct of their desire to expand beyond the written pages, having first started with print books to accommodate eBooks and now audiobooks and podcasts. Authors now have the option of telling their own stories or launching companion podcasts that further expand on the themes of their books.

Number Three Productions operates locally through an in-house studio in Colorado Springs as well as remotely through podcast hosting platforms and schedules recordings for all audio needs through 2022 and beyond.

What started as a simple discussion between GracePoint co-founders Karen Curry Parker and Michelle Vandepas with current Number Three Productions director Mark Packard, the audio production company launched with several podcasts and an audiobook already at its active. Priding itself on amplifying voices by going beyond the traditional distribution models of podcast and audiobook distribution, Number Three Productions seeks to be a leader in creating the new economy of shared resource creators to disrupt the world.

“I love the mission of Number Three Productions: we amplify voices and disrupt the world. Quite a company! We do this by helping the voiceless find their voice and always looking three steps ahead to see where we can amplifying voices in new places. We are and will continue to be the leader in the birth of our new economy that creates shared, sustainable and equitable resources. We will be by your side as you amplify your voice in the world!” says Packard, director of Number Three Productions. Giving his personal attention to each client and ensuring their message is amplified and true to their voice and platform, Mark is dedicated to quality and reaching new horizons in audio for both Number Three Productions and its customers.

In his diverse background with degrees in math and economics as well as experience in audio production, dance performance and music composition, Mark has a unique understanding of the world of sound. With a deep understanding of quantitative data such as statistics associated with his creative projects in audio, Mark offers his clients intuitive concepts to help them amplify their voice without having to sacrifice important algorithmic aspects of launching the audio. audio and creating an audience. Now lending its talents to GracePoint Publishing’s new audio production ventures, Number Three Productions helped revive existing podcasts to more than double audiences, recording and editing a comprehensive audiobook in stellar quality and ushering in a new collective of creatives who had previously been speechless.

Number Three Productions is part of the GracePoint Matrix and is the first audio production company to amplify voices to disrupt the world.

Carly Fahey-Dima
GracePoint Publishing
+1 719-527-1404
write to us here

Sanjay Dutt launches his 3D film production company in a bid to revive the golden age of heroism in showbiz

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Apart from acting, many Bollywood celebrities, over the years, have multiplied their investments in different other businesses. The recent path the actors have taken is to set up a production house. After Shah Rukh Khan, Saif Ali Khan, Ajay Devgan, Anushka Sharma, it is now Sanjay Dutt who has also launched his own production company. Yes, you read that right. In a bid to bring back the golden age of heroism in the film industry, actor Munna Bhai MBBS is launching his production company called “Three Dimension Motion Pictures”.

Sanjay also assured that he wanted to fill the void that was missing in Hindi cinema. Dutt added, “What Denzel Washington, Kevin Costner and Mel Gibson are doing in Hollywood, I think there’s a little gap missing here. I’m trying to reclaim that gap, from a hero of this age.

Talking about his production company, the actor mentioned that Three Dimension is preparing a slate which includes the horror comedy “The Virgin Tree”, which will be directed by Sidhaant Sachdev, who was TV, music video and assistance experience and will make its feature film debut, with a cast of four newcomers.

Also, after being asked about Sanjay’s upcoming movies, he revealed that he will be seen in a few movies under his production house. In the same vein, the shooting of the first film under Three Dimensions will take place on the parquet floors in May.

Bollywood star Sanjay Dutt launches production house and announces his first film

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Bollywood actor Sanjay Dutt launches production company Three Dimension Motion Pictures in a bid to bring back the golden age of heroism in the industry.

Dutt cited the recent pan-India box office success of South Indian film “Pushpa” and the films of “Baahubali” filmmaker SS Rajamouli as examples of the larger-than-life heroism vanished in Bollywood.

A still from the movie ‘Pushpa’
Image credit: IMDb

“We’re trying to reclaim what we had, what South Indian movies are doing now,” Dutt told Variety. “When we entered the film industry, we started with heroism, heroic roles, mass love and everything, and I saw that stop. And I’m trying to revive that.

Dutt made his debut with “Rocky” in 1981, at a time when the leading men of mainstream Indian cinema were written as a full heroic ensemble. Today, this genre in the Hindi film industry has shrunk to a niche, or a “little hole” as Dutt describes it.

Tina Ambani Sanjay Dutt Rocky

Tina Ambani Sanjay Dutt Rocky
Image credit: IMDB

“What Denzel Washington, Kevin Costner and Mel Gibson are doing in Hollywood, I think there’s a little gap missing here. I’m trying to reclaim that gap, from a hero of this age, who can play and who can fight and who can stand up for their rights,” the actor said.

“The golden age — it just can’t die. Even if you look at Hollywood, it exists there, and in the South. I don’t know what happened to Bollywood. But that’s what we’re trying to reclaim – those days of heroism,” he added.

Three Dimension is preparing a slate that includes horror-comedy “The Virgin Tree,” which will be directed by Sidhaant Sachdev, who has experience in television, music video and assistance and will make his feature film debut , with a cast of four newcomers.

Principal photography begins in May.

tab-sanjay-dutt-1555580794216

Sanjay Dutt
Image credit: IANS

The rest of the list is yet to be titled, but includes family drama, action movies with younger actors, and other action movies with a mature man as the hero.

“I won’t play in all of them, but in some of them,” says Dutt.

“I would like to relax as a producer, after 40 years in the industry – to be on the sets on the other side. It will be an experience for me, I have never been in this chair before. impatiently.”

While the Three Dimension slate also includes series for streaming platforms, the films are all intended for theatrical release. “I believe in the big screen – I know it can never go out. “I know OTT (streaming) is a huge part of cinema today. But I know that eventually theaters will open up and there will be movies just for theaters,” Dutt said.

The actor blames the vanished heroism of Bollywood squarely on the costumes.

Sanjay Dutt in KGF 2

Sanjay Dutt in KGF 2
Image Credit: Supplied

“I feel like this whole corporate structure that is encroaching on our space in Bollywood has ruined everything.

“Because these guys who sit on the table and give money, have no right to interfere with the director for his creation, or with the actors or to give their opinion on a content or a scenario , when [they] have no idea, when it’s none of their business,” the actor said.

“Their business is financing and that’s where the business stops. But once you start interfering with the script, the direction, the budgets and this and that, things get messy, and that’s why I think we lost a lot of good stuff during that time,” Dutt adds.

“Whereas in the South, this corporate structure does not exist. From the producer, to the director, to everyone involved in the crew, they are passionate about making great movies and that’s what has worked for them.

“And that went against us because that passion to make movies or that passion to do something big and work and play is gone. Which I think will come back. At least in my business, it will come back.

TAB 190923 Munnabhai-1569247388427

A scene from Munnbai MBBS
Image Credit: GN Archives

As an actor, Dutt has several films delayed due to Covid, including the historic “Prithviraj” alongside Akshay Kumar, the period action drama “Shamshera” with Ranbir Kapoor and the crime drama “ KGF: Chapter 2″, the sequel to the 2018 Kannada-language film that became an all-India blockbuster.

Dutt’s own life was colorful enough to be adapted as a Bollywood film. A popular actor from the 1980s to the present day, he has also gone through a period of drug addiction, endured multiple bereavements and overcome cancer.

From 1993 to 2016, Dutt was in and out of prison for possessing weapons during the 1993 Bombay bombings.

“I served time in prison and got out. Then I was welcomed by the film industry, which is like family to me and it’s always great how they supported me,” Dutt said.

“And then it was that phase of cancer, which I also came out of. I’m doing great now.

Sanjay Dutt and Satish Maneshinde

Image credit: AP

While the actor had a string of hits behind him, Rajkumar Hirani’s ‘Munna Bhai MBBS’ and its sequel ‘Lage Raho Munna Bhai’, produced by Vidhu Vinod Chopra, endeared Dutt to a whole new generation of fans.

Dutt says he asked Hirani and Chopra several times about Part Three and suggested that since he and Warsi are now older, the script reflects that.

“They are thinking and God willing it will happen,” Dutt says.

When asked if Three Dimension would be the logical home for a streaming series about Dutt’s life, he replied, “You put that seed in my head, I’ll think about it now.”

VI Kaeche Liburd Joins PBS Production Team For Marian Anderson’s Documentary Premiere February 8

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Virgin Islander Kaeche Liburd has joined the PBS production team for The American Masters – Marian Anderson: “The Whole World In Her Hands,” which will air nationwide Tuesday, February 8 at 9:00 p.m. EST, 10:00 p.m. AST.

In honor of Black History Month and February 27, 1897, Anderson’s 125th birthday, the documentary will inform audiences of recorded conversations, artifacts and thousands of letters and photographs. According to American director Rita Coburn, “Anderson’s words, thoughts, and feelings are embedded in the film and reveal a tenacity that belied its time and gender.”

As a documentarian herself, St. Thomas native Liburd was aroused by Anderson’s story, and she jumped right in with his offers to join the PBS production team. “It was a kind of synergy where I took the time to express what came out of it. It was not only the opportunity to learn more about Marian Anderson, but also the interest – to what point we impact the arts both against the tide and against adversity.

Liburd felt an immense sense of pride, she said, but she was particularly interested in the “who and the” why “of Anderson. “I like a story of ‘overcoming,’ and Marian Anderson is that story. .”

Kaeche Liburd (Submitted Photo)

“While black history is celebrated, so many people who come to it recently are not always sure or clear – depending on their education or stage in life – and they don’t know what it’s for!” They think — Marian Anderson — we’ve outgrown the civil rights movement, so like everything else, there’s no appreciation for the past, Liburd said.

Anderson was an artist-activist who performed in the 1930s on the steps of the Lincoln Memorial, joined by tens of thousands of people after she was told she could not perform at the Constitution Hall of the Daughters of the American Revolution because of a “whites only” concert. Politics. She gained interracial support from First Lady Eleanor Roosevelt, the NAACP, Howard University, and other leaders of her time.

It fits with a lot of American history and American history. You’re American until we tell you you’re not, or not American enough…and we, as black women, know it, Liburd said.

“That’s what gives her more power…past performances…women stepping into their own space and taking control of their lives is super important, especially at a time when people have to stand up for their humanity. I’m especially excited when women can also make their way.

Liburd’s interest in the arts did not begin with his desire to learn more about Marian Anderson. She played saxophone in the elementary school band taught by Senator Steven Payne and learned piano from Pastor White at Smith Bay. “Music is a wonderful legacy, whether you play it or not,” she said. “It’s alive in you.”

Kaeche Liburd Poetry Book (Submitted Photo)

“Even though I was pursuing a career in science, which I studied in college, I still took a dance class and had the opportunity to do plays. I didn’t realize it at the time, but I kept a whole me, a whole soul. It’s encouraging to see my doctor or engineer friends who have kept the part of art alive in them. This is an important part of his next chapter. It’s to keep the art especially alive for young people, she says.

“I hope this piques the interest of people who may even feel a little distracted, overwhelmed, or otherwise undecided about where life will take them next. I think art is always the experience that lets you go where you want to go and do what you want to do – as the song says – and really, really take a break for the artistic part – to take a movie, a movie is inspiring , if you dare.

Kaeche Liburd Poetry Book (Submitted Photo)

Liburd is currently working on a coming-of-age story about a Caribbean girl. Its provisional name is “The Way” or “The Immigrant’s Way”. This is for anyone making a geographic shift…whether economically or culturally, she said. It’s about seeing how those changes can go against the grain for someone and also for the people in their life, she said. The story continues as the person navigates the expectations in “adult goals” or “re-adult goals.” Liburd readers can expect this new literary adventure in the near future.

Kaeche Liburd Poetry Book (Submitted Photo)

Kaeche Liburd wrote, produced and directed “I Am the Diaspora”, which will debut at this year’s Pan-African Film Festival. She said it started as a curious exploration of how identity is found and how you answer the question “Who are you?” “We have the bioassays and all the other things we can look at,” she said. A person who strongly believes in oral tradition, Liburd began interviewing people in Inglewood, California about their childhoods, and the film Diaspora emerged.

She brings to the arts three collections of poetry sold on Amazon.com:

“Powerful People / Powerful Poetry”

“people power”

“Fill Yourself Up / Poems Powered by You” – Her most recent book, which encourages the reader to keep a journal after each poem.

For more information:

pbs.org/americanmasters

www.kaechelibur.com

@readytoboss on Twitter, Instagram, Snapchat

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Sanjay Dutt launches production house Three Dimension Motion Pictures

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Posted: Posted Date – 12:47 PM, Mon – Feb 7, 22

Mumbai: Bollywood actor Sanjay Dutt launches production company Three Dimension Motion Pictures in a bid to bring back the golden age of heroism in the industry.
Sanjay cites the recent pan-Indian box office success of South Indian film “Pushpa” and the films of “Baahubali” filmmaker SS Rajamouli as examples of the larger-than-life heroism that is missing in Bollywood, variety.com reports.

“We’re trying to reclaim what we had, what South Indian movies are doing now,” Dutt told Variety.

“When we entered the film industry, we started with heroism, heroic roles, mass love and everything, and I saw that stop. And I’m trying to revive that.
Sanjay made his debut with “Rocky” in 1981, at a time when the leading men of mainstream Indian cinema were written as a full heroic ensemble. Today, this genre in the Hindi film industry has shrunk to a niche, or a “little hole” as Dutt describes it.

“What Denzel Washington, Kevin Costner and Mel Gibson are doing in Hollywood, I think there’s a little gap missing here. I’m trying to reclaim that gap, from a hero of this age, who can play and who can fight and who can stand up for their rights,” the actor said.
“The Golden Age – it just can’t die. Even if you look at Hollywood, it exists there, and in the South. I don’t know what happened to Bollywood. But that’s what we’re trying to reclaim – those days of heroism,” he added.

Three Dimension is preparing a slate that includes horror-comedy “The Virgin Tree,” which will be directed by Sidhaant Sachdev, who has experience in television, music video and assistance and will make his feature film debut , with a cast of four newcomers.

Principal photography begins in May.

The rest of the list is yet to be titled, but includes family drama, action movies with younger actors, and other action movies with a mature man as the hero.

“I won’t play in all of them, but in some of them,” says Dutt.

“I would like to relax as a producer, after 40 years in the industry – to be on the sets on the other side. It will be an experience for me, I have never been in this chair before. impatiently.”

While the Three Dimension slate also includes series for streaming platforms, the films are all intended for theatrical release. “I believe in the big screen – I know it can never be extinguished. “I know OTT (streaming) is a big part of cinema today. But I know the theaters will eventually open up and there will be movies just for theaters,” Dutt said.

The actor blames the vanished heroism of Bollywood squarely on the costumes.
“I feel like this whole corporate structure that is encroaching on our space in Bollywood has ruined everything.

“Because these guys who sit on the table and give money, have no right to interfere with the director for his creation, nor with the actors or to give their opinion on a content or a scenario , when [they] have no idea, when it’s none of their business,” the actor said.

“Their business is financing and that’s where the business stops. But once you start interfering with the script, the direction, the budgets and this and that, things get messy, and that’s why I think we lost a lot of good stuff during that time,” Dutt adds.

“Whereas in the South, this corporate structure does not exist. From the producer, to the director, to everyone involved in the crew, they are passionate about making great movies and that’s what has worked for them.

“And that went against us because that passion to make movies or that passion to do something big and work and play is gone. Which I think will come back. At least in my business, it will come back.

As an actor, Dutt has several films delayed due to Covid, including the historic “Prithviraj” alongside Akshay Kumar, the period action drama “Shamshera” with Ranbir Kapoor and the crime drama “ KGF: Chapter 2″, the sequel to the 2018 Kannada-language film that became an all-India blockbuster.

Dutt’s own life was colorful enough to be adapted as a Bollywood film. A popular actor from the 1980s to the present day, he has also gone through a period of drug addiction, endured multiple bereavements and overcome cancer.

From 1993 to 2016, Dutt was in and out of prison for possessing weapons during the 1993 Bombay bombings.

“I served time in prison and got out. Then I was welcomed by the film industry, which is like family to me and it’s always great how they supported me,” Dutt said.
“And then it was that phase of cancer, which I also came out of. I’m doing great now.

While the actor had a string of hits behind him, Rajkumar Hirani’s ‘Munna Bhai MBBS’ and its sequel ‘Lage Raho Munna Bhai’, produced by Vidhu Vinod Chopra, endeared Dutt to a whole new generation of fans.

Dutt says he asked Hirani and Chopra several times about Part Three and suggested that since he and Warsi are now older, the script reflects that.

“They are thinking and God willing it will happen,” Dutt says.

When asked if Three Dimension would be the logical home for a streaming series about Dutt’s life, he replied, “You put that seed in my head, I’ll think about it now.”

With his new production house, Sanjay Dutt wants to bring back ‘the golden age of heroism’: The Tribune India

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IANS

Bombay, February 7

Bollywood actor Sanjay Dutt launches production company Three Dimension Motion Pictures in a bid to bring back the golden age of heroism in the industry.

Sanjay cites the recent pan-Indian box office success of South Indian film “Pushpa” and the films of “Baahubali” filmmaker SS Rajamouli as examples of the larger-than-life heroism that is missing in Bollywood, variety.com reports.

“We’re trying to reclaim what we had, what South Indian movies are doing now,” Dutt told Variety.

“When we entered the film industry, we started with heroism, heroic roles, mass love and everything, and I saw that stop. And I’m trying to revive that. ” Sanjay made his debut with “Rocky” in 1981, at a time when the leading men of mainstream Indian cinema were written as a full heroic ensemble. Today, this genre in the Hindi film industry has shrunk to a niche, or a “little hole” as Dutt describes it.

“What Denzel Washington, Kevin Costner and Mel Gibson are doing in Hollywood, I think there’s a little gap missing here. I’m trying to reclaim that gap, from a hero of this age, who can play and who can fight and who can stand up for their rights,” the actor said.

“The Golden Age – it just can’t die. Even if you look at Hollywood, it exists there, and in the South. I don’t know what happened to Bollywood. But that’s what we are trying to recover – those days of heroism,” he added.

Three Dimension is preparing a slate that includes horror-comedy “The Virgin Tree,” which will be directed by Sidhaant Sachdev, who has experience in television, music video and assistance and will make his feature film debut , with a cast of four newcomers.

Principal photography begins in May.

The rest of the list is yet to be titled, but includes family drama, action movies with younger actors, and other action movies with a mature man as the hero.

“I won’t play in all of them, but in some of them,” says Dutt.

“I would like to relax as a producer, after 40 years in the industry – to be on the sets on the other side. It will be an experience for me, I have never been in this chair before. I’ I can’t wait to be there.”

While the Three Dimension slate also includes series for streaming platforms, the films are all intended for theatrical release. “I believe in the big screen – I know it can never be extinguished. I know OTT (streaming) is a huge part of cinema today. But I know cinemas will eventually open up and that there will be movies just for theaters,” Dutt said.

The actor blames the vanished heroism of Bollywood squarely on the costumes.

“I feel like this whole corporate structure encroaching on our space in Bollywood has ruined everything.

“Because these guys who sit on the table and give money have no right to interfere with the director for his creation, nor with the actors or to give their opinion on a content or a scenario, when [they] have no idea, and it’s none of their business,” the actor said.

“Their business is the financing and that’s where the business ends. But once you start interfering in the script and in the direction and in the budgets and this and that, then things get messy, and that’s it. That’s why I think we lost a lot of good things during this time,” Dutt adds.

“Whereas in the South, this corporate structure does not exist. From the producer to the director, including all the people involved in the team, they are passionate about making good films and that is what has worked for them.”

“And that went against us because that passion to make movies or that passion to do something big and work and play is gone. Which I think will come back. At least in my business, it will come back. “

As an actor, Dutt has several films delayed due to Covid, including the historical ‘Prithviraj’ alongside Akshay Kumar, the period action drama ‘Shamshera’ with Ranbir Kapoor and the crime drama ‘KGF : Chapter 2’, the sequel to the 2018 Kannada-language film that became a pan-Indian blockbuster.

Dutt’s own life was colorful enough to be adapted as a Bollywood film. A popular actor from the 1980s to the present day, he has also gone through a period of drug addiction, endured multiple bereavements and overcome cancer.

From 1993 to 2016, Dutt went in and out of prison for possessing weapons during the 1993 Bombay bombings.

“I served time in prison and got out. Then I was welcomed by the film industry, which is like family to me and it’s always been great how they supported me,” Dutt said.

“And then it was this phase of cancer, which I also came out of. I’m doing great now.”

While the actor had a string of hits behind him, Rajkumar Hirani’s ‘Munna Bhai MBBS’ and its sequel ‘Lage Raho Munna Bhai’, produced by Vidhu Vinod Chopra, endeared Dutt to a whole new generation of fans.

Dutt says he asked Hirani and Chopra several times about Part Three and suggested that since he and Warsi are now older, the script reflects that.

“They are thinking and God willing it will happen,” Dutt says.

When asked if Three Dimension would be the logical home for a streaming series about Dutt’s life, he replied, “You put that seed in my head, I’ll think about it now.”

#sanjaydutt

Sanjay Dutt launches production company to revive Bollywood heroism

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Bollywood star Sanjay Dutt (the Munna Bhai franchise, ‘Vaastav’, ‘Khal Nayak’) launches production company Three Dimension Motion Pictures in a bid to bring back the golden age of heroism in the industry.

Dutt cites the recent pan-India box office success of South Indian film “Pushpa” and the films of “Baahubali” filmmaker SS Rajamouli as examples of the larger-than-life heroism vanished in Bollywood.

“We’re trying to reclaim what we had, what South Indian films are doing now,” Dutt said. Variety. “When we entered the film industry, we started with heroism, heroic roles, mass love and everything, and I saw that stop. And I’m trying to revive that.

Dutt, 62, the son of respected actors-turned-politicians Sunil and Nargis Dutt, made his debut with “Rocky” (1981), at a time when the leading men of mainstream Indian cinema were written as a full heroic ensemble. In today’s Bollywood, this genre is reduced to a niche, or a “little hole” as Dutt describes it.

“What Denzel Washington, Kevin Costner and Mel Gibson are doing in Hollywood – I think there’s a little gap missing here. I’m trying to reclaim that gap, from a hero at that age, who can perform and who can fight and who can stand up for themselves,” Dutt says.

“The Golden Age – it just can’t die. Even if you look at Hollywood, it exists there, and in the South. I don’t know what happened to Bollywood. But that’s what we’re trying to reclaim – those days of heroism,” adds Dutt.

Three Dimension is preparing a slate that includes horror-comedy “The Virgin Tree,” which will be directed by Sidhaant Sachdev, who has experience in television, music video and assistance and will debut with a cast of four newcomers. Principal photography begins in May.

The rest of the list is yet to be titled, but includes family drama, action movies with younger actors, and other action movies with a mature man as the hero.

“I won’t play in all of them, but in some of them,” says Dutt. “I would like to relax as a producer, after 40 years in the industry – to be on the sets on the other side. It will be an experience for me, I have never been in this chair before. impatiently.”

While the Three Dimension slate also includes series for streaming platforms, the films are all intended for theatrical release. “I believe in the big screen – I know it can never be extinguished,” says Dutt. “I know that OTT [streaming] is an important part of cinema today. But I know that the cinemas will eventually open up and there will be films only for cinemas.

Dutt blames the vanished heroism of Bollywood squarely on the costumes. “I feel like this whole corporate structure that’s just encroaching on our space in Bollywood has ruined everything. ‘interfere with the director for his creation, nor with the actors or to give their opinion on a content or a scenario, when [they] have no idea, when it’s none of their business,” Dutt says.

“Their business is financing and that’s where the business stops. But once you start interfering with the script, the direction, the budgets and this and that, things get messy, and that’s why I think we lost a lot of good stuff during that time,” Dutt adds. “Whereas in the South this corporate structure does not exist. There are people who, from the production or the producer, to the director, to everyone involved in the crew…they are passionate about making good movies and that’s what has worked for them. And that went against us because that passion to make movies or that passion to do something big and to work and play is gone. Who I think will come back. At least in my business it will come back.

As an actor, Dutt has several films delayed due to the release of COVID-19, including the historical “Prithviraj” alongside Akshay Kumar, the period action drama “Shamshera” with Ranbir Kapoor and the crime drama “KGF: Chapter 2”, the sequel to the 2018 Kannada-language film that became an all-India blockbuster.

Dutt’s own life was colorful enough to be adapted as a Bollywood film, and it is. A popular actor from the 1980s to the present day, Dutt has also gone through a period of drug addiction, endured multiple bereavements, and overcome cancer. From 1993 to 2016, Dutt was in and out of prison for possessing weapons during the 1993 Bombay bombings.

“I served time in prison and faced it and got out. And I was welcomed by my film industry, and it’s absolutely my family, and it’s always great how they supported me and they still support me,” Dutt says. “And then it was this phase of cancer, which I came out of. And I’m fine.

While the actor had a string of hits behind him, Rajkumar Hirani’s “Munna Bhai MBBS” (2003) and its sequel “Lage Raho Munna Bhai” (2006), produced by Vidhu Vinod Chopra, endeared Dutt to a whole family. new generation of fans. Dutt plays the genius rogue Munna Bhai, who ends up being an inadvertent benefactor and Arshad Warsi plays his trusty sidekick Circuit. The movies have been hugely successful and fans are clamoring for a third movie.

Dutt says he asked Hirani and Chopra several times about Part Three and suggested that since he and Warsi are now older, the script reflects that. “They are thinking and God willing it will happen,” Dutt says.

Hirani directed the biopic “Sanju” in 2018 with Ranbir Kapoor playing Dutt.

“It was an amazing and very emotional journey for me to watch the movie, and I love how Raju portrayed all the characters in the movie, and he wrote it so well, but there’s still so much to say” , says Dutt. “You can’t tell in two hours and 30 minutes. And there are so many chapters in my life that can teach the younger generation or inspire them – it can be both. And I wish someone could make a huge series out of it. I’m not saying a great life journey – I don’t want anyone going through what I’ve been through. But it’s definitely a learning process for the younger generation to hear this story.

So would Three Dimension be the logical home for a streaming series about Dutt’s life? “You put that seed in my head, I’ll think about it now,” Dutt said.

“Wait for the video…I have the production team on it now”

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Eddie Jones managed to find some levity following Saturday’s 20-17 loss to Scotland, with the beaten England manager joking ironically that he already has a production team already working on the production of a Rassie Erasmus type video. criticism of the refereeing decisions taken during the Guinness Six Nations opening match at Murrayfield.

England looked set for victory after a dominating second-half effort saw them overturn a 6-10 interval insufficient to lead 17-10 with 16 minutes remaining when they called their lone scorer Marcus Smith down.

However, they soon imploded, with yellow card Luke Cowan-Dickie conceding a penalty try and Scotland then followed up with a penalty in a scrum after loose Joe Marker got stuffed with a throw to the lineout without an English hooker on the pitch.

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England then disallowed a game-tying penalty to come down the line in the dying minutes and the game then ended in frustration, with referee Ben O’Keeffe choosing not to reward scrum dominance with the penalty which would have allowed the replacement of George Ford. the chance to draw with the last kick.

Jones refused to be drawn into criticizing the referee. He instead brushed off the question, referring to Springboks director of rugby Erasmus, who filmed a 62-minute rant after the first Lions Test last July, criticism which earned him a two-month full ban from all rugby .

“It was three points at the end and the referee becomes quite influential in those situations. Wait for the video, man. It comes out. I have the production team on it now. It’s called “Rassie In Love With”. It’s my production team, so I’m preparing,” Jones joked during his post-game press conference.

“We have only ourselves to blame”, he added, adopting a more serious reflection on the defeat in the first round. “We’re massively disappointed to have lost and Scotland deserved to win, but we dominated a lot of the game but didn’t get the points for dominance.

“At the end of the day rugby is a pretty simple game – if you dominate you have to get points and you have to get enough points to be ahead of the opponent at the end. The result is the result and it’s hard for us to start the tournament like this. We had a good preparation and played with a lot of dynamism and determination. We will go to Italy next week and we will do even better.

On Cowan-Dickie he said: “Luke is disappointed, it happens in the moment. He played exceptionally well and he’s very disappointed, but all the boys are supporting him. On removing the Smith talisman, he added: “We felt George could come in and do some work for us in the last 20 minutes.”

As for the costly decision to allow Marler to step into the lineout without asking sub Jamie George to take him, the coach commented: “We thought we would wait for a scrum because we wanted to keep the back rowers . At this point Scotland were moving the ball a lot and we felt we needed that third back rower. Certainly, I would take the blame for that.

“We kicked well. We forced a number of line drops and attacked well from there (in the first half). They defended very well. We were held over the line once. Could we have been a little more clinical in our attack? Yes, and we would like to do so in the future.

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Connemara production company is now a film and television training center – Connacht Tribune – Galway City Tribune:

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More than 100 heart patients across the west have reaped the benefits of an innovative digital cardiovascular disease prevention and recovery program developed by the Croí Heart Disease and Stroke Charity in Galway last year .

This according to figures compiled for the Croí MySláinte scheme, which were presented to Health Minister Stephen Donnelly, as he officially opened its virtual launch at an event attended by stakeholders last week.

The program, funded by the government’s 2019 Sláintecare Integration Fund, had to be delivered virtually due to restrictions on traditional healthcare delivery imposed as a result of the Covid-19 pandemic.

Croí’s pivot to virtual broadcasting involved the creation of a newly developed interactive platform, which allowed participants to access the program from the comfort and safety of their homes, including access to videos pre-recorded videos, resources and links to weekly live Zoom sessions.

A total of 105 people, who had experienced a cardiac event such as a heart attack, chose to participate in the initiative.

The participants were aged between 35 and 84 and came from heart centers in the west of Ireland, including Galway, Mayo, Sligo, Limerick and Donegal.

After a total of 423 virtual consultations over a twelve-week period, a series of health improvements resulted for those involved.

These saw physical activity levels increase almost sixfold; improved blood pressure control from 24% to 68%; and achievement of LDL cholesterol goals increased from 14% to 41%.

More than half of participants (57%) lost more than 2% of their body weight, with almost a quarter (23%) losing 5% or more – and participants’ anxiety and depression levels increased been reduced by more than half.

Many participants were also living with other health conditions such as diabetes, arthritis, chronic kidney disease and cancer, which also means broader benefits for their other conditions.

The program, supervised by a consultant cardiologist, was delivered by a specialized interdisciplinary health team consisting of a cardiology nurse prescriber, a physiotherapist and a dietitian.

Croí Head of Health Programmes, Dr Lisa Hynes, has revealed that cardiovascular disease is the leading cause of death and disability in Ireland – and globally.

“We know that every year about 10,000 people die here from cardiovascular disease or cardiovascular disease,” she said.

“Cardiac rehabilitation programs, which are traditionally delivered face-to-face, have been proven to reduce cardiovascular death and disability.

“Through the Croí MySláinte virtual program, we are proud to have developed a new way of providing this care with clinical results comparable to those seen in traditional face-to-face programs,” she added.

Croí CEO Neil Johnson said the results of the program speak for themselves.

“Like so many other post-pandemic changes, I believe that the future delivery of health care will never be the same,” he said.

“I believe the future of heart health programs like this must involve a hybrid approach of in-person and virtual delivery.

“With Croí MySláinte, we have seen that age is not a barrier to accessing or participating in an online digital program. With help, people of all ages can engage once they have the basics of a device and access to broadband. Our program has had over 70% attendance and over 80% retention, with participants describing the program as “life changing” and “saving lives”.

“We know that in pre-pandemic Ireland we historically had low uptake of cardiovascular disease prevention and rehabilitation programmes.

“Providing a combination of online and in-person approaches means we can improve adoption levels and meet patient needs,” he added.

For anyone concerned about their heart health or seeking information on heart disease or stroke, contact the Croí Health Team on 091 544310 or visit www.croi.ie

SAG Awards production team led by EPs Jon Brockett and Kathy Connell

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Jon Brockett has been tapped to serve as executive producer for this year’s Screen Actors Guild Awards, joining EP Kathy Connell at the helm. Brockett had previously served as the show’s producer and has been a part of the SAG Awards since its fifth show, while Connell has been at the ceremony since its debut in 1995.

Brockett and Connell are part of this year’s production team, which the SAG Awards announced on Thursday. Hazy Mills Productions’ Sean Hayes and Todd Milliner Are Not Returning, who EPs with Connell from the 2019 and 2020 in-person events, as well as last year’s pre-recorded virtual special.

For 2022, as previously reported, the SAG Awards are shaking things up by moving the venues, to the Barker Hangar in Santa Monica. It’s still unclear if there will be a host for the show, which airs Feb. 27 at 8 p.m. ET on TNT and TBS. The show will also be available the following day on HBO Max.

Joining Connell as EP, Brockett will oversee the annual SAG Awards telecast and all related operations, including the SAG-AFTRA Special Projects Department, and serve as the SAG Awards Liaison to the SAG-AFTRA Foundation, which is the primary beneficiary of the issue. In his previous role, Brockett already handled the creative aspects of the production, overseeing packages, talent engagement, as well as submissions, voting, FYC campaigns and seating.

SAG Awards Committee members JoBeth Williams, Daryl Anderson, Jason George, Woody Schultz and Elizabeth McLaughlin will return as producers for SAG-AFTRA. Benn Fleishman and Gloria Fujita O’Brien are returning as producers on behalf of Avalon Harbor Entertainment.

Director Sandra Restrepo is new to the production team; her recent directing credits include the Soul Train Awards, “New Year’s Eve Live: Nashville’s Big Bash”, “A Grammy Salute to the Sounds of Change”, and “My Gift: A Christmas Special from Carrie Underwood”.

Writers Matt Roberts and Beth Sherman return for the third consecutive year, joined by Nefetari Spencer. His songwriting credits include American Music Awards, BET Awards, Emmy Awards, MTV Movie & TV Awards, Soul Train Awards and “Dick Clark’s New Year’s Rockin’ Eve”.

The musical director for the SAG Awards will be Diane Louie, who is joining the show for the first time. Louie’s recent credits include Academy Awards, Emmys, Kennedy Center Honors, Musicares, and more.

Production designer Joe Stewart joins the SAG Awards production team for the 18th year. Stewart has won five Emmy Awards and an Art Directors Guild Award. Her live event credits include the American Music Awards, NAACP Image Awards, Miss America, ESPY Awards and more.

Lighting designer Simon Miles returns to the SAG Awards production team for the fifth year; Jen Coyne-Hoerle was promoted to coordinating producer overseeing box office, seating, rules and regulations, submissions, FYC campaigns, and voting for on-air and pre-show awards. Also returning this year are Kristen Hansen Brakeman as Supervising Producer, Bob Dussault as Post-Producer, and Patrick J. Doody as Film Segment Producer.

Maggie Barrett Caulfield has been promoted to co-producer and returns for her 22nd show overseeing talent booking. Sarah Cowperthwaite and Joe Petrovich are joining the production team as talent producers, and Christina Canseco has been hired as publicity executive.

Kristen Bell launches creative studio, production company Dunshire Productions – Deadline

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Actress-producer Kristen Bell (The right place, Veronique March) today announced the launch of Dunshire Productions, a new Los Angeles-based creative content and production studio on which it has partnered with longtime creative collaborators including director-producer Morgan Sackett (The right place, hacks), director, producer and editor Dean Holland (The right place, The Unicorn), Troy Bailey, founder of Bailey Brand Management, and Benjamin Hart, multidisciplinary designer and creative director.

Dunshire will focus on producing creative advertising content and campaigns for brands, including traditional TV spots and short form digital content, and will also have an entertainment content arm to develop, produce and create various entertainment projects . The company will partner with its sister agency, Brains on Fire, to offer a full suite of services from branding to web, social media, experience and beyond, marketing agency and Bailey’s advertising platform providing direct access to top talent for advertising campaigns. .

Bell and its partners have previously collaborated on campaigns for companies such as Hello Bello, helping this baby-focused brand achieve annual sales of more than $200 million over a three-year period.

“Dunshire Productions is really us selfishly chasing that first day of summer camp, because we all love working with each other. Every time we complete a project together, we want it to continue. We so are we,” the company founders said in a joint statement. “What makes the five of us work so well together is that Kristen is a natural playmaker and Morgan slips in as a stretch 5. Sorry, what? We are NOT going back to the Lakers starting lineup? Got it.

“We’re just going to go back to the Dunshire Productions office and focus on what else we do super well,” they continued, “creating good things people want to watch and doing it with good people only. ( But we still think the Lakers could use us.)”

Bell is an award-winning actress and producer known for her work in films such as Frozen, Frozen 2, bad moms and Forget Sarah Marshalland in series including Veronique March and The right place. She also produced and starred in the new Netflix series, The woman at home opposite the girl at the windowand the Daytime Emmy nominated web series momsplaining for Ellen Tube.

Sackett is a two-time Emmy winner who recently produced the Amy Poehler documentary Lucy and Desi and the hit HBO Max series, hacks. He was also executive producer and director of the series Bell The right place and the hit NBC comedy Parks and recreationamong many other projects.

Holland is an Emmy winner who was part of the production and editing crews for Parks and recreation. Additional credits include Separate together, To like, Office, Surroundings, The right place, Domestical economy and The Unicorn.

Prior to founding Bailey Brand Management, his talent agency specializing in celebrity representation for strategic marketing, advertising and business development partnerships with companies around the world, Bailey served as Vice President of International Celebrity Endorsements at WME.

Designer and Creative Director Hart is also Co-Chair and Creative Lead of Brains on Fire and Moonlights as NYT Bestselling Children’s Book Author, alongside co-author Bell. He has a long history of managing creative campaigns, large-scale organizational development, web development projects, and non-profit and for-profit strategic communications plans, including for brands such as Hello Bello, Warner Bros. , Spindrift, National Breast Cancer Foundation, AIGA and Suite.

Bell is represented by CAA and Schreck Rose Dapello; Sackett by ICM Partners and attorney Jonathan Gardner of Cohen & Gardner; and Holland by UTA and lawyer JR McGinnis of Felker Toczek Suddleson Abramson.

Prime Minister Nicola Sturgeon visits the Scottish Opera production studio in Glasgow

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First Minister Nicola Sturgeon visited Scottish Opera’s production studios in Glasgow, to mark the recent easing of Covid restrictions in Scotland’s entertainment sector.

The Prime Minister toured the Edington Street building, which was purpose-built in 1997 to house the Society’s technical and educational departments, by Scottish Opera chief executive Alex Reedijk and chairman Peter Lawson.

What did she do in the Scottish Opera building?

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She spent time in the rehearsal room for the new production of Benjamin Britten’s A Midsummer Night’s Dream, which is directed by Dominic Hill and opens at the Theater Royal Glasgow on February 22. The show’s cast and creative team met the Prime Minister, as did members of the children’s choir, aged 9 to 13 and hailing from across Scotland.

First Minister Nicola Sturgeon with the Children’s Choir of A Midsummer Night’s Dream during her visit to Scottish Opera’s production studios.

She also met many of the skilled craftspeople who form the backbone of Scotland’s vibrant theater and opera scene and fuel the film industry, including carpenters, metalworkers, scenic painters, designers, props , costume and wig makers as well as make-up artists. It is an important and growing industry in Scotland, which offers many opportunities for young people to develop their craft.

Also during the visit, Jane Davidson, the Society’s Outreach and Education Director, spoke with the Premier about Breath Cycle, Scottish Opera’s online project designed to benefit people with a range of conditions affecting lung health, especially Long Covid.

Carried out with the support of key NHS consultants and physiotherapists, the second block of Breath Cycle began last week following the success of the first sessions in 2021.

What did Nicola Sturgeon say?

Prime Minister Nicola Sturgeon said: “Today I saw how many skilled jobs production like this supports; the actors on stage, the people working behind the scenes designing sets and costumes, and the countless hours they devote to bringing a production like A Midsummer Night’s Dream to life.

“It is also remarkable that Scottish Opera is able to use its respiratory training to help people with long Covid, which we know cannot be managed with a one-size-fits-all approach, so to hear the difference that approach innovative fact is extremely impressive.

“I am immensely grateful to everyone who has adhered to the protective measures in place over the past few months – it is thanks to these collective efforts that we are now able to resume concerts, shows, sporting events and other events. urges all who are in a position to support productions like this to do so – you will be supporting the livelihoods of the many skilled artists who work in our vital performing arts industry.

‘Very welcome’

Alex Reedijk, Chief Executive of Scottish Opera, said: “After a difficult few years, the recent announcement of the easing of restrictions has been welcome to all of us in the entertainment industry across Scotland.

“Ours is such a huge industry, with a lockdown affecting so many artists, singers, musicians and workers and manufacturers behind the scenes.

“Throughout the pandemic we at Scottish Opera have worked hard to adapt our performances, moving them both online and off, but I have to say it is a real pleasure to be finally back in theaters. We will continue to prioritize the safety of our audiences, with reinforced ventilation and the compulsory wearing of masks in our rooms.

“As well as A Midsummer Night’s Dream, we have a packed schedule of upcoming shows, including an 18-venue Opera Highlights Tour, a The Last Aliens Primary Schools Tour which travels across Scotland from Glasgow to Shetland, as well as our Breathing and Memory Cycle Sessions We hope that as many people as possible will join us for these fantastic shows.

Kangana Ranaut completes filming for her production company’s first project with Nawazuddin Siddiqui; writes a heartfelt note | Hindi Movie News

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Bollywood actress, Kangana Ranaut, who is set to make her digital debut as a producer, with the upcoming film ‘Tiku Weds Sheru’ took to her Instagram handle to announce that she has finished filming the same.

Sharing a bunch of dearest moments with actors Nawazuddin Siddiqui, Avneet Kaur, Kangana penned a heartfelt note that read, “Today by the grace of God we have completed filming our first project of Manikarnika Films Pvt Ltd… it has been a rewarding experience and we have so many people to thank for it…”

She also added: “Heart felt gratitude to everyone who has been a part of this journey personally, emotionally or spiritually…Thank you…I look forward to bringing this gem to the world now…see you in theaters soon ❤️ #TikuwedsSheru”

Last year, Kangana announced the launch of its production house Manikarnika Films. Along with this, the actress also dove into the web space. “With ‘Tiku Weds Sheru’, Manikarnika Films is venturing into the digital space. It’s a love story and darkly humorous satire. In the digital space, we will be making more bold, new -age and niche,” Ranaut said. “We will also be launching new talent and taking risks with new concepts. We believe that the digital audience is slightly more evolved than the usual cinema audience,” she had told a new portal.

Apart from that, Kangana will next be seen in , “Dhaakad” with Arjun Rampal and Divya Dutta. She also has “Tejas” where she will be seen trying out for the role of an Air Force pilot. The actress was also roped in for ‘Sita: The Incarnation’.

Students embrace absurdity and foster artistic community with their production company

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This post was updated on February 2 at 9:45 p.m.

Born from a childhood friendship, Highball Media strikes a balance between discomfort and laughter.

When they launched the production company at the start of the COVID-19 pandemic, co-founder and third-year theater Student Lucy Urbano said her and third-year film and television student Charlie Stuip’s original goal was to give each other the opportunity to create the absurd art they had dreamed of creating since they were children. Since Highball debuted in the summer of 2020, Stuip said he’s assembled a board of producers and creatives from across the country who all have their own personal niche, from poetry to graphic design.

“We like to indulge in the grotesque and the absurd,” Stuip said. “Personally, through Highball, my dream is to make art (that accesses) that visceral emotion and experience in a way that can be really intimate and sometimes make people feel uncomfortable.”

[Related: Student film grapples with grief, heartache as homesickness in ‘Fragmentation of Home’]

Both being raised by artist parents in rather non-traditional homes, Urbano said she and Stuip felt somewhat alienated from their peers when they were younger. Part of a multi-ethnic, multi-generational household that included her professional drummer father and social activist grandparents, Urbano said her parents raised her to be an artist. That upbringing might be why she and Stuip felt their dream of starting a production company was within reach, she said.

“To meet (Stuip) when I was a kid, I was like, ‘Here’s that person who really understands where I’m from and really wants to be weird,'” Urbano said. “We found a community of people like that at art school, and finding yours is one of the greatest things. Together, we’ve also found so many other wonderful people.

Along with other board members, Stuip said Highball’s artistic method is to create a sense of discomfort and then break that discomfort through laughter. In a tribute to Dadaism with a darker and more emotional core, Stuip said Highball is a mix of interdisciplinary artists aiming to capture a similar bohemian spirit. She said some might feel that today’s younger generation doesn’t echo the wild community in which poets, filmmakers, photographers and actors all work together, and Highball seeks to change that.

In order to fulfill this goal at the start of the pandemic, Stuip and Urbano said they organized events that required no funding, such as remote monologue and photography competitions, as well as a virtual variety show with poetry and jazz. . Despite its challenges, Urbano said working remotely has had its fair share of blessings, like being able to work with creators who aren’t located in Los Angeles and having in-depth conversations about the company’s roots with Stuip.

“As an actress, they want you to be obedient and they want you to follow instructions,” Urbano said. “As much as I love being an actress and following instructions, as much as I have my own ideas. (Stuip and I) being isolated together pushed us to have these conversations in a more real way than before to realize that we were capable to start something ourselves.

Highball has since developed a network of friends and collaborators that Urbano says gives the company a greater diversity of perspectives. Literary director Roan Pearl said the board is highly collaborative when it comes to creating new projects. With her experience training as an actor before learning to direct, Pearl said she places particular importance on discussing what the characters are going through with the actors. As a director, Pearl said she prioritizes authenticity in many Highball productions by ensuring the actors are empathetic to the characters they play.

Since theater is an in-person art form, Pearl said the company is doing its best to stay safe while composing more in-person events to maintain the authentic connection with its audience. The goal of maintaining that bond has been present since Highball debuted in the company’s first in-person show, Stuip said, which was a production of a play she wrote and directed titled “Living Room Play.” Being a young company, Stuip said it was done rather in a hurry with limited resources and involved dragging a clawfoot tub into the dining room of someone’s apartment.

[Related: Alumni’s production services company finds success in entertainment industry]

Continuing to bring their thoughts to life, Urbano said the company is currently working on the production of her first short film “Goodbye Horses,” where she will be the lead costume designer. When the wave of the omicron variant subsides, Urbano said she hopes to host a fundraising craft fair that includes music and craft artists from UCLA and the greater Los Angeles area.

“When I was little, I knew I wanted more than anything to be an actress in LA, and I always thought it would be on someone else’s terms,” ​​Urbano said. “I can’t even describe how wonderful it is to do work that I am passionate about among other equally passionate people, all on our own terms, this gift for which I am so grateful.”

Industry veterans join forces to create the first digital production studio Prolific North

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Vin Chinnaraja, the founder of Branded3, has teamed up with global digital production expert, Steve Lawson, to create a first digital creative studio in Liverpool.

Lawson previously held senior roles at Isobar, Saatchi & Saatchi London and OMG’s Drum.

Digital Mill launches with “over 150 offshore digital experts” and its own automated asset generation platform.

They say the studio will work across all types of screens and media, from Digital Out of Home (DOOH), to social, display and video.

“I’m thrilled to team up with Steve for the launch of Digital Mill, to bring his 20 years of global manufacturing experience to a customer base with growing demand for connected digital experiences,” said Chinnaraja.

“Since the pandemic, we’ve seen huge demand from brands looking to connect their digital experiences across all types of screens and channels, and we’re excited to help advertisers more easily use different channels and platforms. at their disposal by quickly providing them with the assets they need, to gain a competitive advantage.

Chinnaraja co-founded research agency Branded3, which was acquired by Kin + Carter in 2013.

“It’s great to be working with Vin again and in a space that has come a long way over the past few years,” said Steve Lawson, CEO of Digital Mill.

“The last two years in particular have accelerated digital behavior and propelled it into every corner of people’s lives. Now is the perfect time to launch Digital Mill, combining automated technology with a talented team of production experts to deliver a fast, scalable and cost-effective solution tailored to the needs of every business.

How Denis Villeneuve and the production team kept epic sci-fi real [Video] – Deadline

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How Denis Villeneuve and the production team kept epic sci-fi real [Video] – Deadline

“Real”

That’s basically the gist of Denis Villeneuve’s take on Frank Herbert Dunes was destined to leave, says producer Mary Parent.

“Denis was clear from the start that he wanted to do as much world-building as possible,” says the 2015 Oscar-nominated producer The ghost on the latest sci-fi epic from Legendary Entertainment.

“Actually, to go and put your feet on the sand; the sets were built on these huge stages, the old Hollywood way,” Parent told Deadline’s Virtual House for Dunes, “Doing nothing on the computer…that’s part of why the film is so tactile.” Our visual chat included Oscar-nominated Villeneuve, Dunes DP and Oscar nominee Greig Fraser and composer Hans Zimmer.

Villeneuve’s vision is bearing fruit with Dunes have a great day today with some key nominations from the DGA for Villeneuve; PGA for Parent, Cale Boyter and Villeneuve; WGA for the adapted screenplay by Jon Spaihts, Eric Roth and Villeneuve; and the ACE Eddie Awards for the editing work of Joe Walker.

Fraser knew what Villeneuve wanted visually, “humility” and “scale”, having filmed in the desert of Wadi Rum, Jordan, the Rogue One: A Star Wars Story and Zero Tenebrous Thirty.

“Abu Dhabi acted like the sand dunes, they’re beyond scale and beyond size,” said Fraser, who assimilated the epic desert production, which compelled the crew and cast to shoot at odd hours of the night and day because of the heat. , at the big David Lean show Lawrence of Arabia.

One of Zimmer’s flairs was vocalist Loire Cotler, whose moan in the “Gom Jabber” theme provided a Middle Eastern sound and motif that continued throughout the film, giving Dunes divine sensibility.

Warner Bros.

One of the times we hear Cotler’s voice is when Paul Atreides’ (Timothee Chalamet) sense of pain is tested by his mother’s brotherhood, the Bene Gesserit, who are a pseudo-religious group. of all the female spies, nuns, scientists and theologians who have used genetic experimentation, galactic political interference and religious engineering to further their own agenda for the ascension of the human race with the advent of their elected, the Kwisatz Haderach. For George Lucas, who would have been inspired by Dunes with star wars, well, he would go on to name them Jedi in his own sci-fi canon.

“Reading the book as a teenager and making my own movie in my head…I felt the strength inside that character,” says the 1994 Oscar-winning composer The Lion King, “Paul hears his mother and obtains strength through generations and generations before him.”

Zimmer said of Cotler’s zing: “There’s honesty and commitment in everything she does. We weren’t looking for a singer, we were looking for a spirit.

Dunes grossed nearly $400 million WW, with Warner Bros., Legendary Entertainment, and Villeneuve already working on a sequel that will hit theaters exclusively on October 20, 2023.

Watch our conversation above and be sure to check out our Dunes initiated.

Anushka Sharma’s production house Clean Slate Filmz is teaming up with these OTT platforms in a Rs 400 crore deal, Check out!

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Anouchka Sharma‘s Clean Slate Filmz is set to produce films and series worth Rs 400 crore ($54 million) for netflix and Amazon Prime Video in the next year and a half.

Anushka Sharma’s Clean Slate Filmz is a major player in the streaming wars. The production house was founded by the actress and her brother Karnesh Sharma and will produce movies and series worth Rs 400 crore ($54 million) for Netflix, Amazon Prime Video, Bloomberg reports.

A Netflix spokesperson recently confirmed that the streaming giant is trying to carve out a foothold in India after six deals and will release three titles produced by Clean Slate Filmz in the coming months. Sharma declined to provide a full list of titles until they were officially announced.

He told Bloomberg that Clean Slate will release at least eight titles on Netflix and Prime Video over the next year and a half. “What’s happened over a period of time is that ambition is also increasing within studio systems,” “And that’s great for people like us.” Sharma said.

Clean Slate began its adventure in 2013 and released its first film in 2015, NH10, a critical and commercial success. Recently, it has produced more forward-thinking titles like Netflix’s Bulbul and Prime Video’s Patal Lok.

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The banner will release a new Netflix series in May starring Sakshi Tanwar. He is in production on Qala which will also be the acting debut of Irrfan Khan’s son, Babil Khan. Netflix has also announced that Anushka Sharma is bringing her acting back with the sports biopic Chakda Express based on the life of Indian pacemaker Jhulan Goswami.

The latest update comes weeks after the streaming giant slashed prices in a bid to attract more viewership to the platform and up its game against rivals in India.

Read more: Here’s the list of all the upcoming Marvel shows slated for release in 2022

Local Haunts: UNCSA grads pitch a movie and start a production company | Movie

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The Vampire subgenre has been around since Nosferatu in 1922, with various adaptations and preying on the bloodsucking creatures of the night.

“We didn’t want to create just a standard horror movie. Rather, we wanted to accommodate the concepts of exoticism and romance in a beach-themed film that features three vampiric women and the contrasting characters they represent,” said director and co-writer Jordan McLaughlin.






The 2019 graduate of UNCSA School of the Arts Film and Animation, along with his colleagues, Savannah Gisleson, graduate in directing, and Katie Sanderson, graduate with a BFA in film production and a minor in artistic entrepreneurship, decided to bring his film, Local Haunts, to life with the help of a few friends. In fact, the majority of the upcoming film’s crew are UNCSA alumni.

“I told her (Katie) about my upcoming project, which I had originally planned to have in Asheville, with a mountain perspective before deciding on a beach approach, and she fell in love with the idea. next thing i knew i had my producer over the next few months i had built a few outlines of the movie but none of them felt right so in early 2020 i asked Savannah to join me as a co-writer on the project,” McLaughlin explained. “We’ve worked on shorts and episodes together, but this was our first collaborative feature and our most special to date.

Local Haunts became the first ongoing feature for the trio’s new production company, Doomsday Soirée. Filming for the feature film will begin in the fall.







VISIONS-Co-Writer (Savannah Gisleson).jpg

“The film is set in Lost Cove where three vampiric women find their own temporary home in this quiet seaside town,” Gisleson said. “The story follows Phaedra, our most prominent character, the one who stirs the pot and continues with traditional macabre vampiric practices, unlike the rest of the group. Tuesday is a lost immortal soul who seeks love and deeper meaning , continues to find her way in the world, but won’t let go of her past memories that prevent her from finding her place. And Katrina, the wisest, who is hundreds of years older, is content with her position, trying to exert the same energy on both Mardi and Phèdre. We drew a lot of inspiration from 60s and 80s B-horror movies that shared the surf culture and campy vibe we were looking for in our new world. film is about a world outside of itself, where you take off your rose-colored glasses to see the whole community is strange. Monsters can come from people, and in turn, illustrate the fear of the human psyche. In the story, every person we go with mpires connect dies, knowing that every new person who comes into their lives already knows the outcome, and the story is about coming to terms with it rather than hiding. What it means to connect with people when you know it’s temporary. »

Only a partial cast has been confirmed as the team continues to process casting call records. “We didn’t expect to get so much publicity for our project. We had people from all over the United States and learned a lot from watching others bring the characters to life with their own interpretations, and that’s how we found Cassandra Phillips-Grande, a multidisciplinary artist based in Vancouver, British Columbia, which will be playing on Tuesday,” Sanderson shared. “We were also fortunate to introduce our cast to Alexander Folk, who has been in Hollywood for over 50 years, Chase Yi, Sky Ebolar, Kenneth Best, Austin Kress and Chopper Bernet, whom you may recognize from his work. on Terminator. 3. »







VISIONS-Producer (Katie Sanderson).jpg

With the script completed and the film entering pre-production, the rise in COVID-19 cases presents a new challenge for the team.

“I recently moved to California, while Savannah resides in New York. We started planning coast to coast to meet with Katie to start scouting locations for the film,” McLaughlin explained. Living in a COVID world as a filmmaker isn’t ideal, but it hurts the industry as a whole.”

In the summer of 2020, after careful planning and multiple COVID tests, the team began searching California for the perfect principal filming location.







VISIONS-Photoshoot for the film.jpg

“We started in San Diego, then moved up to Pismo Beach and finished in Ventura. We were looking for a very specific atmosphere, and we hadn’t found it during our stay in California. While we were all together, we began to reminisce about our time at Winston-Salem, and it took us graduating to realize we had the aesthetic we were looking for right in front of us. The eerie atmosphere of storytelling is prevalent on Carolina beaches, especially off-season,” Sanderson said. “Also, North Carolina natives are very friendly and easy-going when interacting with filmmakers. They sometimes offer their space at no cost or hassle, unlike very well-known film communities who know all the protocol, prices , timeline, and knowledge of previous movies that were shot in the exact same location. It loses its value. Once, while we were shooting American Waste, our last short at UNCSA, we went to a junkyard at the middle of nowhere run by a husband and wife, whose hospitality was indescribable.

Doomsday Soirée prides itself on making family-style films, with strong community involvement on and off screen. “Everyone puts something into it, even if you don’t get anything out of it. It’s the labor of love and the bonds you create, especially when you’re attached to people who are interested in your project. Filmmaking is challenging, but it’s also meant to be fun, which shows in how crazy we’re willing to go with our characters and their dialogue. The mix of high and low art that blends with the combination of costumes, makeup SFX and cinematography,” McLaughlin explained. “It takes a village to make a movie and a decent budget to make sure it gets shot, but in the midst of it all it has the potential to be something big.”

For more news and updates, visit https://www.localhauntsfilm.com/the-crew. To donate, visit https://wefunder.com/localhauntsfilm.

Anushka Sharma and brother Karnesh’s production house strikes Rs 4 billion deal with Netflix, Amazon Prime Video

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Indian entertainment is booming and thanks to the OTT boom over the past couple of years, the OTT giants have upped their game in terms of content. India’s three major streaming platforms, namely Amazon Prime Video, Netflix and Disney+ Hotstar, continued to deliver compelling and intense content.

Now, according to a latest report from Bloomberg, Amazon Prime Video and Netflix have pumped big bucks into Anushka Sharma and her brother Karnesh Ssharma’s production house, Clean Slate Filmz. It turns out that Clean Slate Filmz and the OTT giants have struck a deal worth $54 million, or around Rs 4 billion. Yes, you heard right.

The report revealed that the deal is to release multiple movies and web series over the next few years. Speaking to Bloomberg, Karnesh Ssharma confirmed the development and said Clean Slate Films will release eight movies and series on these streaming platforms along with a few more over the next 18 months.

Karenesh is of the opinion that the competition between the OTT giants has resulted in a desire for experimentation and therefore also in increased budgets. “What’s happened over a period of time is that ambition is also growing within studio systems. And that’s great for people like us,” Karnesh Ssharma told Bloomberg.

Meanwhile, a Netflix spokesperson has confirmed that they have linked up with the actress’ production house and will be releasing three projects in the coming months. One of them is Anushka’s Chakda Express in which the actress plays the lead role based on the life of famous Indian cricketer Jhulan Goswami.

On APV, the production house of Anushka and Karnesh offered the very successful Paatal Lok which is one of the best web series of 2020.

ALSO READ: Anushka Sharma, Virat Kohli REACT to viral Vamika stadium photos: Caught off guard, our request remains the same

Coolr Opens Creative Content Production Studio

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LONDON — Digital agency Coolr has launched Coolr Studios, a creative production studio, to offer clients in-house social media content production.

The agency hired Ben Jones (pictured, right) to head TheLadBible’s Coolr Studios, where he was a development producer, creating branded content campaigns on YouTube, Instagram, Snapchat, TikTok and the LadBible platform . Social media influencer Jay Beech (left) has also joined the team as a creative producer.

The agency has previously produced content for global brands such as Samsung, Burger King, Pepsi and Deliveroo, and recently became an official creative partner of TikTok.

Coolr Founder and CEO Adam Clyne – who was COO of TheLadBible Group before founding the agency in 2017 – said Coolr Studios would offer a social and mobile-first approach to delivering “authentic, bold and creative to brands wanting to be at the forefront of social entertainment and original content.

Clyne (pictured, centre) said: “There has been a seismic shift in what Gen Z audiences want to watch, how they watch and where. As an agency, we have always put creativity and story-sharing at the center of what we do and we have extensive experience with video. It now makes creative and operational sense to build on our already strong foundation with Coolr Studios. The social landscape continues to evolve but the appetite for video does not wane.

Jones added, “With Coolr Studios, we aim to collaborate with leading creators, influencers and filmmakers in the social space. We want to create content at the speed of culture and with the platform it will appear on. I’m excited about the potential of what Coolr Studios can become.

Clean Slate Filmz, the production house of Anushka Sharma, signs a $54 million deal with Amazon Prime Video and Netflix

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Anushka Sharma’s Clean Slate Filmz signs $54 million deal with Amazon Prime Video and Netflix (Photo Credit – Instagram; Facebook)

Anushka Sharma is one of Bollywood’s most famous actresses. She owns a production house Clean Slate Filmz with her brother Karnesh Ssharma and has produced films and web series which have been released on Netflix and Amazon Prime Video. Now, the latest report claims that the production company has reached an agreement with the streaming giants. Scroll down to learn more.

Anushka and Virat Kohli have been making headlines recently after photos of their daughter Vamika were clicked during India vs SA ODI went viral on social media. While fans were thrilled to see Vamika’s face, parents weren’t so. They released a statement asking everyone to respect their privacy.

Now, Bloomberg’s latest report claims eight movies and series over the next 18 months will stream on Amazon Prime Video and Netflix. While he confirmed the deal but declined to reveal the full roster before they were officially announced. The deal is worth 4 billion rupees ($54 million) as the battle for content intensifies in one of the biggest entertainment markets in the world.

Netflix has reportedly confirmed that they will launch three upcoming productions with Anushka Sharma’s Clean Slate Films. However, Amazon Prime Video has not confirmed the deal as of this writing. While details are under wraps, the actress announced earlier this month her comeback film Chakda’ Xpress, based on the life and struggles of Jhulan Goswami, which will be released on Netflix.

Apart from that, Anushka’s production house will also feature Mai and Qala. Mai, which was announced in March 2021, will have Sakhi Tanwar in the lead. While Qala was announced in April 2021. The film will mark the Bollywood debut of Irrfan Khan’s son, Babil Khan. Both projects are confirmed to be released on Netflix.

The latest update comes weeks after the streaming giant slashed prices in a bid to attract more viewership to the platform and up its game against rivals in India.

So what do you think of Anushka Sharma and Karnesh Ssharma’s new deal with Clean Slate Films with Netflix and Amazon Prime Video? Let us know in the comments.

Must read: Taapsee Pannu Says She’s Surprised By Dad’s Reaction To Boyfriend Mathias Boe: ‘Pehli Baar Koi Complaint Nahi Aayi Hai’

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Anushka, Karnesh’s production house strikes ₹400cr deal with Netflix and APV | Web series

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Amazon and Netflix are teaming up with Anushka Sharma and Karnesh Ssharma’s production house, Clean Slate Filmz, for a deal worth around 400 crore ($54 million).

According to a Bloomberg report, Clean Slate Filmz will release eight movies and series on streaming services over the next 18 months. A Netflix spokesperson confirmed they would reveal three upcoming productions with Clean Slate Filmz, while Amazon did not immediately respond to a request for comment.

Clean Slate Filmz has produced NH10, Phillauri and Pari films for theaters, all of which star Anushka Sharma. He later also produced the critically acclaimed Netflix series Paatal Lok and film Bulbbul. Their next release will be Qala, with Tripti Dimri and Babil, the son of late actor Irrfan Khan, and Chakda Xpress with Anushka.

Read also : Paatal Lok review: Anushka Sharma’s show is Amazon’s dark-hearted but brave response to Sacred Games

Recently, Netflix slashed its subscription costs in India (while increasing them in the US) by up to 60% in a bid to take over market share from Amazon and Walt Disney Co, who currently dominate the platforms. entertainment in the country. Netflix co-founder Reed Hastings even talked about how the company failed to impress Indians. “The good news is that in all the other major markets we have the steering wheel turning. What frustrates us is why haven’t we had so much success in India, but we’re definitely looking into that “, did he declare. .

Karnesh told Bloomberg that competition among OTT giants has driven budgets up, as has the willingness to experiment. “What’s happened over a period of time is that ambition is also increasing within studio systems,” he said. “And that’s great for people like us.”

Close story

Anushka Sharma’s production house to launch 8 new titles on Amazon, Netflix and more worth over Rs 400 crore

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Anushka Sharma very recently announced her return to the entertainment industry in an acting role in the new Netflix project, Chakda’Xpress. The new Netflix project, which has uploaded an announcement video on YouTube to reveal the start of filming for the film, is part of a larger project.

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This content can also be viewed on the website comes from from.

Produced by Clean Slate Filmz, co-founded by Anushka Sharma and her brother Karan Ssharma, the project will be one of 8 titles the production house plans to release on the OTT platform in the coming years.

Anushka Sharma’s production house to release 8 films on Amazon, Netflix and more worth over Rs 400 crore

Talk to Bloomberg, Karan Ssharma has confirmed that the production house plans to release eight projects. A massive influx of Rs 400 crore is behind this big chunk of movies that Clean Slate Filmz plans to release on Netflix, Amazon Prime Video and other OTT platforms. In the past they had a super successful release with Paatal Lokwhich was released on Amazon Prime Video in 2020. As of now, the announced project, Chakda’Xpress on Netflix, seems to pack a strong punch.

As the names of all the projects have not yet been confirmed, Ssharma refrained from giving the list to the Bloomberg, according to their report. Clean Slate Filmz in the past also had success with NH10, a film about honor killings in India, which also starred Anushka Sharma and was released theatrically. However, with the rise of OTT, it makes sense to pour money into these projects. In fact, with competition intensifying and Amazon & Walt Disney Co. (which now owns Disney+ Hotstar, formerly Hotstar), Netflix recently cut its subscription costs by 60%. The monthly plan, which was previously priced at Rs 649/month, now costs Rs 199/month.

In the same way Chakda’Xpressa thriller series May and drama Qala are two other confirmed projects coming to Netflix, produced by Clean Slate Filmz.

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Amazon and Netflix sign Rs 400 crore deal with Mumbai production house to boost Indian content

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Mumbai: Amazon.com Inc. and Netflix Inc. are among the partner platforms of the Indian production house Clean Slate Filmz Pvt. to release movies and web series worth around 4 billion rupees ($54 million) as the battle for content intensifies in one of the biggest entertainment markets in the world.

Clean Slate Filmz, based in the heart of Bollywood in Mumbai, will release eight films and series on these over-the-top streaming sites along with a few more over the next 18 months, the studio’s 37-year-old co-founder, Karnesh Ssharma, told Bloomberg. Ssharma declined to provide a full list before their official announcement.

A Netflix spokesperson confirmed they would be rolling out three upcoming productions with Clean Slate Filmz, while Amazon did not immediately respond to a request for comment.

The release slate is the latest sign that film production is rebounding in the world’s most prolific film hub after being crippled by financial and logistical disruptions triggered by the Covid-19 pandemic, which shuttered cinemas and film sets movies across the country. Traffic brakes have eased and cinemas have reopened in recent months, to strenghten prospects for Indian studios.

The pandemic, which has forced people to consume more entertainment online, has also exposed India’s estimated 1.4 billion people to varied geographies and niche genres on an unprecedented scale.

More avant-garde studios

This fueled a race to secure content among the streaming giants, in favor of smaller but more forward-thinking studios like Clean Slate Filmz which produced the 2015 feature ‘NH10’, which starred the actor- Ssharma’s Bollywood sister. Anouchka Sharma and attacked the practice of so-called honor killings in India.

Last month, Netflix slashed its subscription in India costs up to 60% as it seeks to claw back market share from Amazon and Walt Disney Co., the country’s two leading online entertainment platforms. Netflix co-founder Reed Hastings last week expressed frustration that the streaming giant hadn’t gained traction in India, known for its very price-conscious consumers.

Competition among OTT giants has meant that budgets are on the rise, as has the willingness to experiment, according to Ssharma, whose studio is behind the acclaimed crime series “Paatal Lok” on Amazon Prime Video.

Clean Slate Filmz is now gearing up to release on Netflix »Chakda’Xpress“, a biopic where Anushka will play an Indian cricketer considered one of the greatest speed players in the world, as well as the thriller series “Mai” and the drama film “Qala”.

“What’s happened over a period of time is that ambition is also increasing within studio systems,” Ssharma said. “And that’s great for people like us.”- Bloomberg


Read also : Netflix’s outlook is disappointing. And it will take more than price increases to entice investors


House Levels Audio Post-Production Expands to New York – Deadline

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EXCLUSIVE: Established post-production venue Levels Audio has expanded to New York, with renowned industry veterans Sue Pelino and Kassie Caffiero leading its new facility.

The company contributed audio and postal elements to the original Peacock series True story with Ed and Randall and those of Netflix Applaud. Other credits include HBO Max Friends reunion special, NBC The voiceDisney+ Features Document Wolfgang and Oscar-winning short film Two distant strangers. Levels Audio was founded in Los Angeles in 1999 by multiple Grammy and Emmy winner Brian Riordan.

Multi-Primetime Emmy winner Pelino joins as lead re-recording mixer with Caffiero serving as vice president of business development for the East Coast. The duo have been collaborating for 35 years on projects like One Last Time: An Evening with Tony Bennett and Lady Gaga on CBS, miniseries Nuclear family for HBO and feature documentary Tom Petty, Somewhere You Feel Free: The Creation of Wildflowers.

On various music specials and documentaries, Pelino has worked with artists such as Beyoncé, Lady Gaga, Elton John, U2, Mariah Carey and others.

“I’m so excited to join Brian and his incredibly talented team at Levels,” said Pelino. “There’s nothing better than collaborating with like-minded people who speak the language of sound. Brian has an all-star band and I’m excited to start the year at his brand new East Coast studio.

Caffiero, who has held executive positions at Sony Music Studios and Broadway Video, has been instrumental in the commercial development of series and specials like Jerry Seinfeld. Comedians in cars having a coffee and The problem with Jon Stewart.

“I’ve always welcomed the challenge of finding a job and watching it unfold after it’s over and I love the diversity of all the shows that are on deck for 2022,” she said. “I couldn’t be prouder to continue working with Sue Pelino after all these years as we join Brian Riordan and his team.”

Levels East’s menu of services includes ADR and voice-over recording, Foley, multi-track music mixing, re-recording mixing in 5.1, 7.1 and Dolby Atmos, sound design, sound editorial and vocal tuning. He plans to add a full image finishing department soon, encompassing color correction, dailies and online editing.

“I can’t imagine a more natural extension of Levels than joining forces with Sue and Kassie,” Riordan said. “I had dreamed of working with them for several decades and always wanted to be present in New York, undoubtedly one of the greatest cities in the world. So much amazing content is coming out of New York and it’s more than exciting to be a part of it now. ”

Kulwinder Billa announced his production house titled ‘Ghaint Boys’; first project is in collaboration with Neeru Bajwa

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The year 2022 is surely one of the most forward-looking years, especially for Punjabi moviegoers. Many Punjabi film makers have already scheduled a list of movies to be released this year and every new day a special announcement is made.

Singer-actor Kulwinder Billa has now joined the roster and surprised his fans with a special announcement of him starting his own Home made appointed ‘Ghaint Boys’.

Image source: Instagram

Yes, you read that right, Kulwinder Billa has started his own production company and the first project is in collaboration with Neeru Bajwa Entertainemnt.

Taking to her Instagram account, Kulwinder Billa shared a brief note.

“Our ambition was to make a film by creating our own production company.
Thanks to your love, support and cooperation, today we will shoot our first film under the banner of our production company, “Ghaint Boys”. OmJee Star Studios supports Neeru Bajwa Entertainment.”

Not only that, but Kulwinder Billa has added another feather to his hat by starring in this upcoming film, which will be his first attempt at production. The film will be produced in collaboration with Omjee Star Studios Ghaint Boys Entertainment and Neeru Bajwa Entertainment.

ALSO READ: Shinda Grewal and Ekom Grewal Recreate Gippy Grewal’s Fun Video Titled ‘Thankyou Jasmin’

Image source: Instagram

“Oh Punjabi jinna de safar kahaniya bnnge” was also written in the photo shared by Kulwinder Billa. Although no official announcement has been made, the title of the film has yet to be revealed.

Apart from that, Kulwinder Billa is also working on Nishana, Golle Di Beggi and other projects.

Radio series a first for the new production company An Sp Idéal – Connacht Tribune – Galway City Tribune:

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Obituary by Dave O’Connell

Jim Fahy was a man of multiple paradoxes; a tall, imposing man who never sought to impose himself on anyone; an instantly recognizable face that only ever wanted to tell the story, never to be; a reporter for great international history… but just as happy to record the details of ordinary life.

Where there was no contradiction however, was in his commitment to his profession – his quest to bring the news to the masses, driven by a phenomenal work ethic, an insatiable desire to find the answers and a dedication to life to his role as RTÉ’s man in the West.

This dedication to his craft won him plaudits – his career was crowned with more than 40 awards for his work – but he always saw himself as the storyteller, never the story.

Like many of the best National Service broadcasters, he cut his teeth in the newspaper world – in Jim’s case, under the expert tutelage of Tuam Herald editor and owner JP Burke.

And he learned well from the Master, for in his 38 years as RTÉ’s first Western correspondent and Western editor, he set the standard for regional broadcasting, covering his journey with a curiosity and enthusiasm that never faded. never faded from the first to the last day.

His long-running series Looking West has rightly been named in recent days as his greatest legacy; those conversational documentaries that told – in first person and from memory – the story of Ireland through much of the past two centuries.

Always patient and stubborn, he would sit for hours and hours with those who could offer a direct line to the Famine – telling the stories they had heard from those who had lived through it.

Thus he opens a window, for example, into life in the Great Houses, chatting with those who dwell there – members of the aristocracy as well as servants – to gain insight into their lives and of the world around them.

He loved words – perhaps a throwback to his early days in print – but he also knew how to let a picture tell a story. And he also knew when to listen.

The past few days have also brought to mind his famous interview with the late Monsignor James Horan, set against the backdrop of JCB digging into the swampy mountain that would become Knock Airport, as he asked the question the world wanted – “Monsignor Horan, what exactly is going on here?”

“We’re building an airport…and we don’t have the money, but we hope to get it next week or the week after.”

You didn’t need an intrusion – just an ability to ask the question and step back to let the answer tell the story.

It has chronicled all of Galway’s great stories from the early 70s to 2011 – the rise and fall of Digital and the similar trajectory of Bishop Casey; All Ireland wins and loses; the Saw Doctors, Druid’s growth, the Arts Festival, the Races; the Brazilians in Gort; maritime tragedies; Christmas tears and farewells at Knock Airport; the Kiltartan floods and the Derrybrien mudslide; Michael D in the Dáil and the Áras – producing what good journalism is supposed to do…providing the first draft of the story.

The Kilreekill native who had long lived in Tuam was the station’s longest-serving regional correspondent when he retired in 2011. Truth be told, it wasn’t his decision; it was just the state broadcaster’s arbitrary policy of retiring people at age 65.

Typically, he wanted to disappear on the back of one last show – an article about Paul Fallon’s 1,000 mile charity run while at Oranmore on New Years Eve 2011, where he usually ran alongside, still posing questions as he tried to take his quiet leave.

But the great man was never going to be allowed to simply fade into the ether, and President Higgins led tributes to Jim in a personal message on Six One News that evening – saying how much he meant to us. miss and how Jim had accounted for everything. political, cultural and international events that had taken place in the West under his mandate as a journalist.

Fittingly, it was the speaker who once again led the tributes to Jim’s death this weekend, describing him as “one of Ireland’s finest broadcasters”.

“Jim will be most fondly remembered as the voice of RTÉ West of Ireland,” said Chairman Higgins.

Taoiseach Micheál Martin also took the time to remember “Jim Fahy’s distinct voice and eye for a story that revealed all facets of life in the West of Ireland, as well as the events major international events like 9/11”.

Because the man from Galway was one of the first European journalists to arrive in New York in the aftermath of the attacks of September 11, 2001.

Galway and the West were his daily rhythm, but the world was his oyster.

He had interviewed Mother Teresa and visited Somalia with former President Mary Robinson in the late 1990s – a decade after producing a series of shows from London about this latest generation of young people to migrate to Britain .

Typical of the man, once retired he made no effort to stay in the limelight; instead, he enjoyed life with Christina, her children, and her grandchildren; he pursued his passion for sailing and reading – and while he left this world far too soon at just 75, he put a lifetime into every day.

The recurring tribute from so many of his colleagues – from RTÉ and the wider journalistic community – was the advice he generously lavished, the encouragement he ceaselessly offered and the praise he never failed to give when a job was well done.

He thrived on the big stories but never failed the little ones either; he moved in exalted circles but had a passion for the ordinary and the marginalized – a need to tell their story in his benevolent and inimitable way.

Jim Fahy died at his home in Gardenfield, outside Tuam, on Friday evening, surrounded as always by his beloved family. His requiem mass was held at the Cathedral of the Assumption in Tuam on Monday, followed by burial in Kilbannon Cemetery.

He will miss his wife Christina the most, as will his son Shane, his daughter Aideen, his daughter-in-law Brenda, Aideen Colm’s fiancé, his cherished grandchildren Amy, Dylan, Hugh, Clodagh and Dara, his brother Pat and his wife Nora, his relatives, his friends – and everyone who knew him in the media world of which he was an integral part.

The mysterious Marvel production company could be an America Chavez series

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It was recently revealed that Marvel Studios had registered two other mystery production companies, both created to host a Disney Plus series set in the superhero universe.

Extremely Dangerous Productions and Prodigal Pie Productions don’t seem to offer any clues as to what they might be on the surface, but let’s not forget that the formation of Oakhaven Productions led a cabal of online sleuths down a rabbit hole that has finally resulted in the official announcement of Agatha: House Harkness.

A new theory from The Cosmic Circus has postulated that Prodigal Pie could be a codename for a one-man show featuring Doctor Strange in the Multiverse of Madness Newbie America Chavez, and that’s far from the craziest thing we’ve ever heard, even if it takes a hell of a leap of logic.

In short, New York resident and superheroine America Chavez has a well-known affinity for pizza, which was factored into both a comic book storyline alongside her local New York colleague and from Disney Plus, Kate Bishop (who even has a pizza dog), and a quest in the LEGO Marvel Super Heroes video game. Another word for pizza? Pie, of course.

Additionally, the word “Prodigal” may or may not refer to his return from the untapped vastness of the multiverse to his hometown in the Big Apple, safely within the Sacred Timeline.

Is it a stretch? Absolutely, but every streaming project pre-moon knight was headlined by a character first introduced to the big screen who wasn’t close to sniffing out an actual starring role, so that certainly can’t be ruled out just yet, either.

The Apprentice star Shama Amin defends the BBC show’s production team after quitting the show due to

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The apprentice Star Shama Amin has defended the BBC show’s production team amid criticism.

Amin quit the show three weeks into her run due to the pain she was experiencing with rheumatoid arthritis.

In Thursday’s episode (January 20), Amin told Lord Sugar at the start of the episode that she was giving up on the process.

She explained that the physical demands of the show coupled with the pain left her unable to compete.

Since the announcement, many have criticized the show’s production team, saying they haven’t adjusted things to allow Amin to stay in the competition.

However, Amin seemed to anticipate this while talking to reporters ahead of the episode.

“I spoke with the production and my husband and do you know what, both were absolutely amazing,” she said. “So supportive. It wasn’t an easy decision, but it was the right one and it was mine. Nobody ever made me feel guilty once.”

Amin added that “the production offered me everything I could have asked for to help me stay”, adding that she “always felt supported that this had to be my decision”.

Explaining her decision to quit, Amin said: “The days are long but in the first task I was fine,” she said. “At home, if my body needs to rest, I just know I can put my feet up and rest. But obviously, I couldn’t do that in this situation.

‘The Apprentice’ star Shama Amin has defended the show’s production team

(BBC/Boundless/Ray Burmiston)

“It was in the second task that the swelling started to get worse, but I didn’t want to have to leave halfway through the task. I was determined to get through it, and I did. »

She added: “We then had the day off and I was struggling to put my shoes on and I knew I was going to have to make a decision.” It was such a difficult decision, but the bottom line is that my health comes first.

“It was really a heart-to-head scenario, but first and foremost I’m a mum and after all of this I would be coming home to my kids.”

The apprentice continues Thursday, January 27 at 9 p.m. on BBC One.

London’s permanent virtual production studio, Studio 19, opens at Royal Lancaster London

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London’s permanent virtual production studio, Studio 19, opens at Royal Lancaster London

London's permanent virtual production studio, Studio 19, opens at Royal Lancaster London

UK – 4Wall’s Studio 19, London’s permanent virtual production studio, is now open on the 19th floor of the luxury Royal Lancaster London hotel in central London.

The custom-built studio includes both extended reality and green screen stages, as well as a full state-of-the-art virtual production suite to facilitate a range of virtual and hybrid events.

The studio features the latest in virtual production technology including Disguise VX2 media servers, PTZ cameras, high resolution ROE LED floor and Aluvision LED walls, as well as a full studio audio and lighting setup.

The custom control room is operated by a team of skilled technicians trained to deliver virtual and hybrid events at the highest level, and includes an editing suite and client production area. The 4Wall team can also support content creation and editing within Unreal, with a team of experts able to offer technical support within the Unreal suite.

In addition to the 19th floor facilities, studio users will also have access to Royal Lancaster London hotel services, which include luxury accommodation, catering, event spaces and suites, and more.

Director of Global Client Strategy Darren Poultney said, “We are excited to launch Studio 19 in 2022. Post-pandemic, we have rapidly evolved our virtual offering to meet the needs and expectations of our clients, and we We’ve continued to see growth across virtual and hybrid events, even as physical events return. While we are still dedicated to hosting physical events, it’s great to have a permanent studio and team to host virtual and hybrid events at the highest level for the foreseeable future.

London's permanent virtual production studio, Studio 19, opens at Royal Lancaster LondonLondon's permanent virtual production studio, Studio 19, opens at Royal Lancaster London

January 21, 2022

London’s permanent virtual production studio, Studio 19, opens at Royal Lancaster London

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London’s permanent virtual production studio, Studio 19, opens at Royal Lancaster London

London's permanent virtual production studio, Studio 19, opens at Royal Lancaster London

UK – 4Wall’s Studio 19, London’s permanent virtual production studio, is now open on the 19th floor of the luxury Royal Lancaster London hotel in central London.

The custom-built studio includes both extended reality and green screen stages, as well as a full state-of-the-art virtual production suite to facilitate a range of virtual and hybrid events.

The studio features the latest in virtual production technology including Disguise VX2 media servers, PTZ cameras, high resolution ROE LED floor and Aluvision LED walls, as well as a full studio audio and lighting setup.

The custom control room is operated by a team of skilled technicians trained to deliver virtual and hybrid events at the highest level, and includes an editing suite and client production area. The 4Wall team can also support content creation and editing within Unreal, with a team of experts able to offer technical support within the Unreal suite.

In addition to the 19th floor facilities, studio users will also have access to Royal Lancaster London hotel services, which include luxury accommodation, catering, event spaces and suites, and more.

Director of Global Client Strategy Darren Poultney said, “We are excited to launch Studio 19 in 2022. Post-pandemic, we have rapidly evolved our virtual offering to meet the needs and expectations of our clients, and we We’ve continued to see growth across virtual and hybrid events, even as physical events return. While we are still dedicated to hosting physical events, it’s great to have a permanent studio and team to host virtual and hybrid events at the highest level for the foreseeable future.

London's permanent virtual production studio, Studio 19, opens at Royal Lancaster LondonLondon's permanent virtual production studio, Studio 19, opens at Royal Lancaster London

January 21, 2022

Adele postpones Vegas shows, citing impact of coronavirus on production team

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“I’m so sorry, but my show isn’t ready,” she said in the video.

“We tried absolutely everything we could to get it in place on time and to get it good enough for you, but we were absolutely destroyed by delivery delays and covid. Half my crew, the half of my team are down with covid. They still are,” she added, apologizing to fans who traveled to watch her.

“I’m disgusted, and I’m sorry it’s at the last minute; we’ve been awake for over 30 hours now trying to figure it out, and we’re out of time,” Adele said. “I’m really embarrassed.”

She promised that all dates would be rescheduled.

Adele announced on January 20 that her Las Vegas residency would be postponed, citing delivery delays and her crew members testing positive for coronavirus. (Reuters)

The British singer’s announcement came a day before the opening of the Vegas show, ‘Weekends With Adele’, the start of a residency at The Colosseum at Caesars Palace which was due to run until April 16. Ticket prices ranged from a few hundred dollars up to $30,000 on resale sites, according to Forbes.

Some fans, many of whom had been looking forward to Vegas, were angry at the lack of notice.

“I traveled all the way from Sydney Australia to see Adele tomorrow in Vegas. I spent thousands of dollars on this trip and now she canceled the day before. Very unprofessional and heartbroken,” wrote a person on Twitter.

“I’m so overwhelmed” wrote another one.

Others were more optimistic“I’ve landed in Las Vegas to find Adele’s concert tomorrow has been canceled as I heard it was likely to happen. Those tickets will wait for another day. But here I am! I still love Adele. Life is short and precious, and I’m glad I at least tried.

“We understand the disappointment surrounding the postponement,” Caesars Palace said in a statement. declaration. “Adele is an incredible artist, extremely dedicated to her music and her fans. Creating a show of this magnitude is incredibly complex.

Pop star Pink said she understood the pressures, writing on Instagram: “Honey, I’ve been there. The pressure is immense and I’m disgusted for all of you. It will come together and it will be amazing when it does. American poet Amanda Gorman also commented, “We love you, thank you for doing the right thing even when it’s not easy.

Some fans wrote online that they were planning to meet up in Vegas anyway and suggested gathering outside the Colosseum later Friday to sing Adele’s hit “Hold On” through loudspeakers to rally and comfort the pop star.

The film production company plans to have an operating studio in orbit in space by 2024

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Space To travel is experiencing arguably its most significant moment since the space race. After several years, government activity on the subject has increased considerably after a kind of lull, especially in view of other missions to the Moon and beyond.

But perhaps even more important is the increased presence of the private sector in space. Many commercial spaceflights have already been made, and many more are expected to follow. Other industries have also been interested in making their mark in the space, including the movie industry.

A movie studio should be in orbit by 2024

Space Entertainment Enterprise, often referred to as “SEE”, has moved forward on a new project. He contracted Axiom Space to build a module that will serve as a studio for filming Movies in the space. The goal is for the studio, known as SEE-1, to be completed and launched by December 2024, CNBC reports. In addition to filmmaking, hopes are high that it can host other projects, including sporting events and concerts.

Initially, SEE-1 is to be attached to the International Space Station, according to Spaceflight Insider. The current design of the module is that it is inflatable and spherical in shape. At full expansion, SEE-1 would be about 20 feet in diameter.

Eventually he, along with other Axiom creations, would detach from the ISS. After separation, they would become a new orbiting spacecraft named Axiom Station.

Space Entertainment Enterprise was officially founded last year. It is owned by husband and wife production team Dmitry and Elena Lesnevsky. In collaboration with NASA, SEE plans to shoot a film in space soon.

Discuss this news on Eunomia

Whether or not that is before their studio launch remains to be seen. No official title for the upcoming film has been announced.

Axiom Space is one of many companies hoping to make a splash in the booming space tourism market. The company is not the only one aiming to soon have a private operational space station in orbit.

Blue Origin, Northrop Grumman and Nanoracks have also started taking steps in this direction.

It is not known exactly when any or all of the private sector space stations would be operational. But authorities apparently hope it will be before 2030.

A Russian film has already been partially shot in space

SEE probably hoped their film would have a specific historical distinction that it would be the first such scripted production to be at least partially produced in space. The finished product would still be impressive, but of course the first.

In 2021, a Russian film crew successfully boarded the ISS. There they worked on their film, known in English as “The Challenge” or “Doctor’s House Call”, slated for release in 2022.

The film’s plot would center around performing emergency heart surgery in space.

Cosmonaut Anton Shkaplerov led the flight to the ISS and is set to make an appearance in the film. Among those who made the spaceflight was actress Yulia Peresild, one of Russia’s biggest stars. Just like veteran cosmonaut Oleg Novitsky, who is expected to play an important role in “The Challenge”. The same goes for American astronaut Mark T. Vande Hei and Russian cosmonaut Pyotr Dubrov. Both were aboard the ISS when the film crew arrived and helped with production.

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Soundarya Sharma launches a production house called Mustard and Red Studio

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Bombay (Maharashtra) [India]January 20 (ANI/PNN): Reaching an important milestone in her Bollywood career, actress Soundarya Sharma launches her own production company called “Mustard and Red”. The 21-year-old actress views the move as an extension of her acting career and sees it as the fulfillment of her individualism. Mustard And Red is a film and fashion studio.

It’s every actor’s dream to eventually have their own production house. Most of them take this step late in their career. She decided to do it now because she didn’t want to apologize. There’s a saying that if opportunities don’t come your way, you have to create them. Several things are already on the program, including major fashion shows, web series and films from this studio. Soundarya Sharma will announce everything officially when things are more firmly in place. Mustard And Red Studio showcases the outfits on their social media using their owner as a model. These are mostly actress Soundarya Sharma’s airport looks. Mustard And Red Studio is just a small startup. It is not developed and famous till now. Things will fall into place little by little.

Since she wanted to spend the rest of her time doing something so productive, she decided to go into production. Going into production is a way to empower yourself by becoming independent. Along with her passion for acting, she had that kind of personality that would like to organize, put things together properly, and make things happen. Hence the production house Mustard And Red Studio would be a medium. This story is provided by PNN. ANI shall in no way be responsible for the content of this article. (ANI/PNN)

(This story has not been edited by the Devdiscourse team and is auto-generated from a syndicated feed.)

Soundarya Sharma launches a production house called Mustard and Red Studio

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NNA |
Update:
January 20, 2022 4:33 p.m. STI

Bombay (Maharashtra) [India]January 20 (ANI/PNN): Reaching an important milestone in her Bollywood career, actress Soundarya Sharma launches her own production company called “Mustard and Red”.
The 21-year-old actress sees the move as an extension of her acting career and sees it as the fulfillment of her individualism. Mustard And Red is a film and fashion studio.
It’s every actor’s dream to eventually have their own production house. Most of them take this step late in their career. She decided to do it now because she didn’t want to apologize. There’s a saying that if opportunities don’t come your way, you have to create them. Several things are already on the program, including major fashion shows, web series and films from this studio. Soundarya Sharma will announce everything officially when things are more firmly in place.

Mustard And Red Studio showcases the outfits on their social media using their owner as a model. These are mostly actress Soundarya Sharma’s airport looks. Mustard And Red Studio is just a small startup. It is not developed and famous till now. Things will fall into place little by little.
Since she wanted to spend the rest of her time doing something so productive, she decided to go into production. Going into production is a way to empower yourself by becoming independent. Along with her passion for acting, she had that kind of personality that would love to organize, put things together properly, and make things happen. Hence the production house Mustard And Red Studio would be a medium.
This story is provided by PNN. ANI shall in no way be responsible for the content of this article. (ANI/PNN)

Tom Cruise film producers sign deal with Axiom for space production studio

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The Axiom space station, with the circular SEE-1 module attached, is seen in an artist’s rendition.

Axiom space

The producers of Tom Cruise’s upcoming space movie announced plans Thursday to attach a studio to the International Space Station being developed by Houston-based company Axiom.

British studio Space Entertainment Enterprise, co-founded by producers Elena and Dmitry Lesnevsky, contracted Axiom to build the module. Called SEE-1, the module would be “the world’s first content and entertainment studios and multipurpose arena in space.”

SEE-1 is scheduled for launch in December 2024. It will be attached to the first Axiom module that the company plans to connect to its space station in September 2024.

“The addition of a dedicated entertainment venue to Axiom Station’s business capabilities in the form of SEE-1 will expand the station’s usefulness as a platform for a global user base and highlight the “range of opportunities that the new space economy presents,” said Axiom CEO Michael Suffredini. said in a statement.

A Space Entertainment Enterprise (SEE) spokesperson said in an email to CNBC that the company is “in production on the next Tom Cruise movie, which will be shot in space.” Cruise has yet to publicly comment on the space movie, but NASA announced in 2020 that the agency was working with the actor on the film.

Financial details of the studio’s deal with Axiom were not disclosed, and little is known about Cruise’s unnamed project, including how much it will cost.

“The company is currently in discussions with investors and business partners on the project with further fundraising expected soon,” Space Entertainment Enterprise said in a press release.

Tom Cruise in “Top Gun: Maverick”

Source: Paramount

The SEE-1 module is an inflatable module, according to Axiom, which will have a diameter of almost 20 feet. The use of inflatable modules is an increasingly popular approach by private companies developing space stations to build large living spaces, due to the advantage of launching into a smaller form factor and then expanding. to a greater volume once in space.

Defunct space company Bigelow Aerospace connected its inflatable BEAM module to the International Space Station in 2016, which NASA continues to use for cargo storage in the research lab.

Axiom previously won a $140 million contract with NASA to attach its first habitable module to the ISS. The company then plans to detach its modules before removal from the ISS, to create the free-flight Axiom Station.

Artist’s rendering of the company’s space station in orbit.

Axiom space

After Marathi serial actor’s outster, village sarpanch asks production house to stop filming

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A few days after famous Marathi actor Kiran Mane was ousted from a popular television show allegedly because of his political views on social media, the sarpanch of a village in Satara district, where the series is filmed, has sent a letter to the production house asking him to stop filming.

The show – ‘Mulgi Zali Ho’ – a Marathi language television series, aired on ‘Star Pravah’ channel, starred Mane as Vilas Patil. Mane alleged on Friday that he had been officially asked not to appear at the sets and that they (the manufacturers) had not officially informed him of the reason for this decision. “However, off the record, someone on the show said it happened because of the comments I make on social media,” he told PTI.

Filming for the Marathi serial is underway at a wada (traditional mansion) in Gulumb village, Wai tehsil, Satara district, western Maharashtra.

The sarpanch woman, who signed the letter written at the show’s production house could not be reached for comment, but the production team coordinator claimed on Sunday that the letter was issued ” inadvertently” and that the filming in the village is still on without any problem. The letter, signed by village sarpanch Swati Mane, is going viral on social media. He condemns the Marathi film industry ”for removing an actor who expressed his political views”.

The letter said that the series crew should not forget that in Maharashtra, democracy still works on the ideology of Chhatrapati Shivaji Maharaj, Chhatrapati Shahu Maharaj, Mahatma Phule and Dr. Babasaheb Ambedkar.

He said the gram panchayat is denying permission for the filming of the series which takes place in Gulumb village.

The production house’s executive producer and team coordinator, Sachin Sasane, however, said the letter was issued ”inadvertently” and claimed the local body in the village was of the opinion that the filming of the series was to continue.

He claimed that the shooting gave a source of income and job opportunities to the villagers. “How is it justifiable to stop the means of employment and gain inhabitants for a man, who was fired not because of his political views, but because of his bad conduct,” he said. he declares.

Sasane claimed that the letter was signed without hearing from their side (production house), but when the gram panchayat was presented from the other side, filming resumed.

Meanwhile, Mahadev Mhaskar, former vice president of Satara Zilla Parishad and a resident of Gulumb village said, “The problem is between the actor and the production house. Local residents are not connected to the case and we have asked members of the gram panchayat and the sarpanch to call a meeting and issue a clarification about it.” The shooting generated jobs in the village and the series also sends a positive message about baby girl, he says. Despite repeated attempts, the sarpanch could not be reached for comment.

(This story has not been edited by the Devdiscourse team and is auto-generated from a syndicated feed.)

Atlanta production company suffers $200,000 losses from burglary

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A Southwest Atlanta production company has become the latest victim in a series of similar break-ins in the metro area.

Surveillance cameras captured the armed robbery which cost the studio owner more than $200,000 in losses. The burglars were seen using something resembling a crowbar to open the front door.

The owner of Vivid Rich HQ says the theft not only affects his bottom line, but prevents him from mentoring young people in that community.

“It’s just a shame that we have to try to figure out how to rebuild all of this,” said co-owner Rory Walker.

On Friday, FOX 5’s Brian Hill visited Vivid Rich’s HQ. The equipment room contained empty crates that needed to be filled with expensive camera gear.

Surveillance footage captures thieves breaking into the production company in southwest Atlanta on January 9, 2022.

“Two red cameras: one Raven, one Helium, $70,000. Black magic, two of them, $20,000 more,” Walker explained.

A total loss between stolen equipment and damage is over $200,000.

“It has to be someone in the film community telling them where to go because they knew exactly where to go when my studio is a maze,” Walked detailed.

A community on edge over what appears to be an attack on this industry.

ANOTHER METRO ATLANTA PRODUCTION COMPANY CAMBRILLED, NEARLY $100,000 IN EQUIPMENT STOLEN

Thieves have targeted more than 30 production houses and movie studios in metro Atlanta over the past year, including one in December and another in November.

“It’s just supply and demand. They’re targeting things that they know they can sell. They didn’t pick up TV,” Walker said.

He went on to say that this is a major setback as customers have already canceled services for safety reasons or because he does not have the equipment to rent.

It also prevents it from offering mentoring programs to middle and high school students.

MILLIONS OF EQUIPMENT STOLEN BY THIEVES TARGETING GEORGIA’S FILM INDUSTRY

“So they come to the studio two, three times a month for a practical recording studio, a film studio, to be a writer. All kinds of things, so they can’t come anymore. We don’t have equipment,” he told us.

A GoFundMe has been set up to support the business. If you would like to donate, click here.

It is not known if any of the burglaries are related.

____

WATCH: FOX 5 NEWS LIVE COVERAGE

Mubi buys German sales and production company The Match Factory – Deadline

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Voracious arthouse streaming company and distributor Mubi continues to scale up operations beyond its initial online business model and today reached an eye-catching deal to buy European indie sales giant The Match Factory.

According to Mubi, The Match Factory’s current management team will remain in place and continue to work from Berlin to Cologne, while expanding its presence through Mubi’s offices in London, New York and Los Angeles. We’re gathering more information on how the two teams will work together.

Mubi has been expanding its business beyond streaming for a few years. The company works as a cinema distributor in the UK and US and has launched the Mubi Go cinema ticket initiative in the UK to provide its members with tickets as part of their membership.

He’s bought all the rights to the titles at festivals in recent years, a business that intensified at the 2021 Cannes film festival, where Mubi made waves by embarking on a buying spree that saw him wrap up chords for buzzing photos, including Benedetta, Memoria, Annette, and more.

Mubi has also made its way into production, investing in titles such as Mia Hansen-Løve’s A nice morning, winner of the Sundance Prize by Ekwa Msangi Farewell Love and that of Rachel Lang our selfnm

In the US, former Amazon head of cinema Jason Ropell has been working quietly as Mubi’s chief content officer for two years, building a team focused on in-house production rather than just licensing or buying. territory contracts. The relocation of all of The Match Factory’s activities, including The Match Factory Productions branch, reinforces this desire.

The Match Factory’s list of co-production credits includes Memory, Martin Eden, and The traitor. On the sales side, he took over titles including the winner of the Palme d’Or at Cannes Uncle Boonmee who can remember his past lives, and Oscar-nominated photos such as Waltz with Bashir and Toni Erdman.

Efe Cakarel, Founder and CEO of Mubi, said of the deal: “As long-time partners of The Match Factory, we have gained tremendous admiration and respect for Michael and his team. We couldn’t be more excited for them to join us in pursuit of the goal we clearly share: to bring beautiful cinema to moviegoers everywhere. Mubi and The Match Factory are very complementary businesses and we look forward to unite with our friends.

Michael Weber, Managing Director of The Match Factory, said: “When I embarked on The Match Factory adventure with my partners Reinhard Brundig, Viola Fügen, Thania Dimitrakopoulou, Jenny Walendy and the late Karl Baumgartner, I considered discover filmmakers and their stories, work with them and bring their best work to the world. I have taken great pleasure and satisfaction over the years in the many encounters with truly gifted people, creative minds, generous souls. Cinema is a dynamic and living ecosystem, constantly evolving and expanding.

Meet the “Love & The Constitution” production team

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Madeleine Carter

DIRECTOR

After a thirty-year career in documentary and non-fiction television production, “Love & the Constitution” is Madeleine Carter’s first independent feature-length documentary. She has worn several hats: executive producer, producer, director, videographer, editor and screenwriter during her career. over three years chronicling Congressman Jamie Raskin’s efforts to save American democracy from the ravages of the Trump administration. was a longtime executive producer of the National Geographic Channel and managed thousands of hours of documentary and non-fiction programming in nearly every genre – live, news, science, crime, environment, history and wildlife – producing shows daily television, weekly series, She was executive producer of “Brothers in War,” a two-hour special about the Vietnam War, nominated for an Emmy for Outs Long-Form Historical Documentary. Both Carter and Raskin grew up in Washington, D.C., but they first met and became friends in 1979 during their freshman year at Harvard, where Carter studied documentary filmmaking and Raskin studied government. Thirty-eight years later, Raskin became Carter’s congressman, and Carter became Raskin’s documentarian.

Christy Denes

MAIN EDITOR

Christy Denes is a Los Angeles-based editor specializing in intimate, visually creative, character-driven documentaries with the goal of creating empathy in audiences and catalyzing social change. His work has received Emmy Awards, a Peabody Award and has been seen on Netflix, Amazon, PBS, Paramount, CNN and the Sundance Film Festival. She is also a founding member of the Alliance of Documentary Editors, a national organization that campaigns for best practices within the industry, improved career sustainability, and diversity, inclusivity and mentorship in the documentary post-production.

Liz Fornango

SECOND EDITOR

Liz Fornango is originally from Missouri and has spent twelve years practicing her craft as a copywriter. Her work has been screened at international festivals as well as on your phone, and you might meet her on a long walk somewhere in Los Angeles.

Ed Barguiarena

COMPOSER

Ed Barguiarena is a songwriter, musician, producer, in Los Angeles, California. He writes music for films/documentaries, contemporary dance, theatre, songs, public art installations, etc. Clever storytelling is his thing and he thrives on the process of collaborating with others. Stubborn, dedicated and open-minded, Ed enjoys adventure in art and life. Center. He has designed and presented concerts, lectures, workshops, and gatherings for the Los Angeles Philharmonic, Kennedy Center, Music Center of Los Angeles County, San Francisco Symphony, Sundance Institute, and more.

Documentary film scores include:

In the Name of Our Son (PBS, 2016)

Raising Ryland (CNN Films, 2015)

Caesar’s Last Fast (Sundance Film Festival, 2014)

Production studio releases behind-the-scenes video of Taiwanese puppet film

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Taipei, Jan. 12 (CNA) Local production studio Pili (霹靂) International Multimedia on Tuesday released a video revealing behind-the-scenes footage of its upcoming fantasy film, “DEMIGOD: The Legend Begins,” which has a cast of glove puppets. Taiwanese.

The company is known for exclusively producing television programs and movies using traditional Taiwanese glove puppets. He began posting behind-the-scenes featurettes to promote the film on YouTube in October last year.

The latest video shows the studio’s attention to detail in constructing film sets and choosing to adopt practical effects over computer-generated imagery (CGI).

According to the studio, he decided to create new realistic sets to better match the size of the hand puppets, which are 80-90cm tall, a departure from the standard approach when making the weekly TV series.

Studio general manager Huang Liang-hsun (黃亮勛) said standard sets usually mimic a puppet scene which limits the camera angles that can be used, while new sets allow for greater flexibility when filming.

The studio also revealed that its art department made detailed, weathered sets that looked more realistic when paired with cinema-level lighting.

One of the sets, costing around NT$1 million (US$36,130), was set on fire to achieve the realism needed for a scene.

“We made sure that all the scenes on this set were completed and no reshoots were needed before turning it on,” director Cheng Pao-Pin (鄭保品) said. “We were very nervous, given that we only had one shot, and we had to make sure the picture looked good and our puppeteers were safe.”

“The realistic fire movements captured by high-resolution cameras were something special effects couldn’t replicate, and we were very pleased with the results,” Huang said.

In addition to hiring Japanese expert “Tokusatsu” Kakusei Fujiwara to help craft the costumes worn by real actors and create the illusion of gigantic mythical beasts, the studio also spent about three months completing a 48-second scene. .

The scene features one of the beasts, the Swordtail Qilin with saliva oozing from its mouth. The need for meticulous computer calculations and subsequent simulations was why it took so long to complete, the studio said.

The film, which premieres Jan. 28, stars the studio’s iconic hand puppet character Su Huan-jen (素還真), whose name is also the film’s Chinese title.

The studio’s last two Taiwanese puppet films, released in 2000 and 2015, earned NT$150 million and NT$20 million respectively at the local box office.

New project connects London artists of color with video production team

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A new initiative by the city and the Forest City Film Festival aims to connect emerging musical artists of color with experts in video production.

Content of the article

A new initiative by the city and the Forest City Film Festival aims to connect emerging musical artists of color with experts in video production.

Content of the article

Project ISO, named after a camera term, is a music video incubator launched this week by the festival and the London Music Office.

“The ISO Project is a big step for the arts in London and a much-needed model for a creative hub in general,” said Zahra Habib, Co-Founder and Executive Director of the ISO Project and a local musician.

“Talented artists from all walks of life live in this city and are hungry to create. However, we encounter a big obstacle – that is, we don’t have many opportunities to meet other artists and visionaries in imaginative and safe spaces. That’s why this project is so exciting.

There is no fee for musicians to apply and no expense to be part of the program, Habib said, noting that the production team is led by people of color and all members are paid for their work. .

For more information or to apply, visit the website londonmusicoffice.com or email Habib at [email protected]

Habib explained in documents that the program seeks to “connect London’s emerging color artists and designers to opportunities for experiential learning, artistic expansion, collaboration and to develop local talent in the cinema and music.

Videos created through the program will premiere at the Forest City Film Festival’s 2022 Music Video Showcase.

“The FCFF is always looking for ways to help emerging film artists develop their talents, and we all want to break down barriers and give artists who struggle to be heard a chance to stand out in the crowd,” said Dorothy Downs, Founder. and executive director of the film festival.

Content of the article

“Our music video competition is at the crossroads between film and music, and we’re thrilled to be able to encourage the creation of music and films that truly reflect our community.”

Downs and Habib noted that the need for the program was identified in 2020 when submissions to the inaugural video competition revealed “a clear lack of diversity among submitted artists.” The London Music Office then agreed to provide financial support for the first year of the project.

“Music and film are intrinsically linked,” said Cory Crossman, London’s music industry development manager. “Music videos offer a unique and powerful way to connect and share a story.

“The ISO project is an opportunity to share diverse stories from the London music community while providing hands-on mentorship to local musicians.”

[email protected]

Twitter.com/JoeBatLFPress

New project connects London artists of color with video production team

0

A new initiative by the city and the Forest City Film Festival aims to connect emerging musical artists of color with experts in video production.

Content of the article

A new initiative by the city and the Forest City Film Festival aims to connect emerging musical artists of color with experts in video production.

Advertising

Content of the article

Project ISO, named after a camera term, is a music video incubator launched this week by the festival and the London Music Office.

“The ISO Project is a big step for the arts in London and a much-needed model for a creative hub in general,” said Zahra Habib, Co-Founder and Executive Director of the ISO Project and a local musician.

“Talented artists from all walks of life live in this city and are hungry to create. However, we encounter a big obstacle – that is, we don’t have many opportunities to meet other artists and visionaries in imaginative and safe spaces. That’s why this project is so exciting.

There is no fee for musicians to apply and no expense to be part of the program, Habib said, noting that the production team is led by people of color and all members are paid for their work. .

Advertising

Content of the article

For more information or to apply, visit the website londonmusicoffice.com or email Habib at [email protected]

Habib explained in documents that the program seeks to “connect London’s emerging color artists and designers to opportunities for experiential learning, artistic expansion, collaboration and to develop local talent in the cinema and music.

Videos created through the program will premiere at the Forest City Film Festival’s 2022 Music Video Showcase.

“The FCFF is always looking for ways to help emerging film artists develop their talents, and we all want to break down barriers and give artists who struggle to be heard a chance to stand out in the crowd,” said Dorothy Downs, Founder. and executive director of the film festival.

Advertising

Content of the article

“Our music video competition is at the crossroads between film and music, and we’re thrilled to be able to encourage the creation of music and films that truly reflect our community.”

Downs and Habib noted that the need for the program was identified in 2020 when submissions to the inaugural video competition revealed “a clear lack of diversity among submitted artists.” The London Music Office then agreed to provide financial support for the first year of the project.

“Music and film are intrinsically linked,” said Cory Crossman, London’s music industry development manager. “Music videos offer a unique and powerful way to connect and share a story.

“The ISO project is an opportunity to share diverse stories from the London music community while providing hands-on mentorship to local musicians.”

[email protected]

Twitter.com/JoeBatLFPress

Advertising

Advertising

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New project connects London artists of color with video production team

0

A new initiative by the city and the Forest City Film Festival aims to connect emerging musical artists of color with experts in video production.

Content of the article

A new initiative by the city and the Forest City Film Festival aims to connect emerging musical artists of color with experts in video production.

Content of the article

Project ISO, named after a camera term, is a music video incubator launched this week by the festival and the London Music Office.

“The ISO Project is a big step for the arts in London and a much-needed model for a creative hub in general,” said Zahra Habib, Co-Founder and Executive Director of the ISO Project and a local musician.

“Talented artists from all walks of life live in this city and are hungry to create. However, we encounter a big obstacle – that is, we don’t have many opportunities to meet other artists and visionaries in imaginative and safe spaces. That’s why this project is so exciting.

There is no fee for musicians to apply and no expense to be part of the program, Habib said, noting that the production team is led by people of color and all members are paid for their work. .

For more information or to apply, visit the website londonmusicoffice.com or email Habib at [email protected]

Habib explained in documents that the program seeks to “connect London’s emerging color artists and designers to opportunities for experiential learning, artistic expansion, collaboration and to develop local talent in the cinema and music.

Videos created through the program will premiere at the Forest City Film Festival’s 2022 Music Video Showcase.

“The FCFF is always looking for ways to help emerging film artists develop their talents, and we all want to break down barriers and give artists who struggle to be heard a chance to stand out in the crowd,” said Dorothy Downs, Founder. and executive director of the film festival.

Content of the article

“Our music video competition is at the crossroads between film and music, and we’re thrilled to be able to encourage the creation of music and films that truly reflect our community.”

Downs and Habib noted that the need for the program was identified in 2020 when submissions to the inaugural video competition revealed “a clear lack of diversity among submitted artists.” The London Music Office then agreed to provide financial support for the first year of the project.

“Music and film are intrinsically linked,” said Cory Crossman, London’s music industry development manager. “Music videos offer a unique and powerful way to connect and share a story.

“The ISO project is an opportunity to share diverse stories from the London music community while providing hands-on mentorship to local musicians.”

[email protected]

Twitter.com/JoeBatLFPress

New project connects London artists of color with video production team

0

A new initiative by the city and the Forest City Film Festival aims to connect emerging musical artists of color with experts in video production.

Content of the article

A new initiative by the city and the Forest City Film Festival aims to connect emerging musical artists of color with experts in video production.

Content of the article

Project ISO, named after a camera term, is a music video incubator launched this week by the festival and the London Music Office.

“The ISO Project is a big step for the arts in London and a much-needed model for a creative hub in general,” said Zahra Habib, Co-Founder and Executive Director of the ISO Project and a local musician.

“Talented artists from all walks of life live in this city and are hungry to create. However, we encounter a big obstacle – that is, we don’t have many opportunities to meet other artists and visionaries in imaginative and safe spaces. That’s why this project is so exciting.

There is no fee for musicians to apply and no expense to be part of the program, Habib said, noting that the production team is led by people of color and all members are paid for their work. .

For more information or to apply, visit the website londonmusicoffice.com or email Habib at [email protected]

Habib explained in documents that the program seeks to “connect London’s emerging color artists and designers to opportunities for experiential learning, artistic expansion, collaboration and to develop local talent in the cinema and music.

Videos created under the program will premiere at the Forest City Film Festival’s 2022 Music Video Showcase.

“The FCFF is always looking for ways to help emerging film artists develop their talents, and we all want to break down barriers and give artists who struggle to be heard a chance to stand out in the crowd,” said Dorothy Downs, Founder. and executive director of the film festival.

Content of the article

“Our music video competition is at the crossroads between film and music, and we’re thrilled to be able to encourage the creation of music and films that truly reflect our community.”

Downs and Habib noted that the need for the program was identified in 2020 when submissions to the inaugural video competition revealed “a clear lack of diversity among submitted artists.” The London Music Office then agreed to provide financial support for the first year of the project.

“Music and film are intrinsically linked,” said Cory Crossman, London’s music industry development manager. “Music videos offer a unique and powerful way to connect and share a story.

“The ISO project is an opportunity to share diverse stories from the London music community while providing hands-on mentorship to local musicians.”

[email protected]

Twitter.com/JoeBatLFPress

‘Final Destination 6’ expands the production team

0

News nuggets to come Final Destination 6 were as rare as hen teeth, but a few interesting pieces fell off this week.

Jon Watts – whose last project was a short film titled SpiderMan: No Path Homepage– joined the team as a producer, according to a report on Deadline, and wrote the story treatment that will be turned into a screenplay by Lori Evans Taylor and Guy Busick.

The last Final Destination The flick – slated for a yet-to-be-determined debut on HBO Max – also has Craig Perry, Sheila Hanahan Taylor, and Dianne McGunigle on board as producers.

Watts said in a statement that he was a “big fan” of the Final Destination series since the first film. “So being able to participate in shaping a new story with the original team and New Line is going to be fun and exciting,” he added.

The original 2000 Final Destination– directed by James Wong from a screenplay he wrote starring Jeffrey Reddick and Glen Morgan – stars Devon Sawa, Ali Larter, Kerr Smith and Tony Todd. The story follows a teenager who cheats on death after having a premonition of a catastrophic airplane explosion. He and his friends are spared, but death later takes the lives of those who were to die on the plane.

The film was not well received by critics, but still made $ 113 million on a budget of $ 23 million and even won a Saturn Award for best horror film.

Keep reading Horror News Network for more updates on Final Destination 6.

The fashion production house offers a valuable look at winter trends

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LOS ANGELES, CA, USA, January 11, 2022 /EINPresswire.com/ – The Evans Group, a Los Angeles clothing manufacturer, has new information on custom fashion for winter.

In a recent blog post, the TEG team offers a unique look at some of the main winter fashion trends. While fashion industry trends may change, there always seem to be classic pillars that persist.

The article serves as a valuable touchstone both for readers interested in what the fashion industry has to offer and for emerging fashion designers looking to focus on these trends and similar garments.

Down jackets and winter fashion trends

For example, TEG exposes the resistance of the down jacket. Not only is it a useful outerwear that keeps you warm, but, as the Los Angeles-based clothing maker explains,

“Down jackets have always been a winter trend over the years, and it looks like this holiday season is no different. Brands like Stella McCartney and Givenchy are constantly improving old models of down jackets. This year, the new trendy puffer jacket is shorter this year, while the puffed parts are wider. They are less suited to your body shape.

And that is perhaps the main challenge of such a classic winter staple; find new and exciting ways to make it fresh. As TEG points out, because it’s colder outside, pieces like coats will always have a place by default. However, it’s up to the fashion designer to bring something truly unique to an already winning formula.

And, more importantly for emerging fashion designers, the clothing maker is currently offering winter sales, with 10% off orders placed before 2022. And after reviewing the services offered by The Evans Group, it’s is probably an opportunity for all fashion curious to dive into a new world of design.

Go incognito: subtle but elegant

Who would have thought that keeping things close to the waistcoat would be so stylish? As TEG pointed out, incognito clothing is turning out to be a classic winter fashion trend. For the uninitiated, incognito fashion is a trend where the wearer dons darker, more oversized clothing that makes the wearer appear undercover.

Besides making sense for a cold season, incognito fashion is also popular all year round.
Citing a recent appearance in a fashion show, TEG illustrates the possible increase in incognito clothing after winter.

“… incognito styles turned heads at the last Fashion Awards in London. Actor Billy Porter, surrounded by models wearing incognito coveralls, left a memorable impression on viewers’ minds.

Fashion giants like Dior produce clothes incognito. Is it possible to go undercover and produce a unique look with the clothes you wear? Absoutely.”

All about Moiré

Moiré is an ever popular fabric that can be found in many clothing lines, from emerging designers to established fashion production houses. As TEG specifies:

“Moiré, the versatile wavy fabric, is making waves this winter. Whether it’s a moiré blazer for a Christmas party or a dress for a fancy restaurant, moiré is always one of the fabrics we love to see.

Moiré is a unique pattern that works as both a quasi-optical illusion and an attractive fashion pattern. The experienced pattern makers at TEG in Los Angeles have extensive experience with Moiré to ensure that any designer can use the unique fabric.

Who would have thought that science and fashion could join forces for something people love to wear?

The enduring legacy of knitwear

Of course, knits like sweaters will always be in fashion during the fall and winter seasons. Knitwear, especially oversized sweaters, are incredibly versatile and still popular with consumers. TEG sums up the mesh perfectly; adding a cheeky and succinct description of beloved fashion clothes:

“Of course knitwear and winter go hand in hand like freshly fallen snow and a nice cup of hot chocolate. If there’s one thing you can count on in the fashion industry, it’s a stylish outfit including knits. In particular, oversized knits are booming. So break out these oversized styles to get started on this winter sweater trend.

Putting it all together with winter fashion accessories

Finally, TEG doubles the fashion pillars with winter fashion accessories. Specifically, scarves and boots have the most potential this winter season.

How New Fashion Designers Capitalize on Starting a Clothing Line

In addition to offering the reader a unique take on winter fashion trends, TEG allows fashion designers to tap into different ways to use clothing manufacturers in 2022 and beyond.

Jennifer Evans and her company provide unique options for fashion designers looking for a small-run clothing manufacturer that serves both the Los Angeles metro area and well beyond the US borders.

After consulting Jennifer Evans herself, the aspiring fashion designer meets the creative design team and participates in creative services of breathtaking depth.

The creative process, filled with brainstorming sessions, fashion moodboard building and everything in between, ensures that fashion designers have ultimate creative control over their own clothing line.

After finalizing all the creative details, the fashion tech pack, or blueprint, is handed over to the pattern maker and other professionals in the clothing maker. Once in the hands of the model maker, the extensive design process, filled with pattern writing, draping, sewing and cutting, continues.

Depending on the size of the clothing order, the fashion designer can complete their order in a matter of weeks. If the designer orders a smaller clothing line (and TEG itself doesn’t offer a minimum), designs are completed faster, especially with rush orders.

Either way, fashion designers of all experience levels can find a valuable creative ally in Jennifer Evans and The Evans Group. Regardless of the area of ​​expertise, residency and more of a designer, TEG is there for you.

About the Evans Group
The Evans Group, founded in 2005, is a full-service fashion development and production house based in Los Angeles and San Francisco. Since its inception, The Evans Group has worked with over 2,000 clothing brands and designers.
Learn more about The Evans Group on their website: https://tegintl.com

Jennifer evans
The Evans group
+1 800-916-0910
write us here

Entertainment production studio Globe Studios now known as ANIMA

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By Patricia Mirasol

Globe Studios, an entertainment production studio backed by the Globe Group of Companies, announced its new name on January 5. ANIMA is now a brand in its own right, and the new name signifies the changes the production studio will deliver, ANIMA Director Quark B. Henares said in a press release.

“We wanted something that felt more suited to the industry and medium that we care about,” he said. “It was so hard for us to let go of the Globe Studios name because we have done and accomplished so much in our five years of existence, but I believe we can only move forward with ANIMA.”

The telecommunications company has always given ANIMA creative leeway, even in its days of Globe Studios, Mr. Henares said. Business world in a Facebook post.

“Who would have thought that a major telecommunications company would greenlight a four-hour black-and-white musical by Lav Diaz?” he asked referring to the movie Halimaw’s Panahon (Devil’s Season). “Or an experimental horror like Midnight in a perfect world?”

ANIMA’s current projects include Kuwago’s Sharingthe first Filipino feature film to premiere at the Sundance Independent Film Festival in over 15 years, and Simulated His Gitnaa Suggested by Langit derivative series. It is also strengthening its collaborations with sports media property One Championship, as well as entertainment programming channels WeTV, Netflix and HBO Go.

The production studio works in long and short formats, and in different genres. He has the podcasts Nandito Sila and Come to the house (which chronicle both supernatural and clairvoyant encounters), though he also creates branded content, live performances, and music videos. He advertised Globe Telecom’s #SafeAtHome, Kiana P. Valenciano Pasko na Sinta ko music video and homeschool vlog series featuring Globe Ambassadors like Judy Ann S. Agoncillo.

“[Our] audience is mostly millennials and Gen Z who want to see something different in the entertainment they consume,” Mr. Henares said. “Themes vary across everything from adulthood and relationships to gender issues and politics. They constantly challenge us and we love that.

Like everything else, navigating the pandemic has also posed a challenge for the entertainment industry.

Mr. Henares said Business world that the Metro Manila Film Festival taught them that people are afraid to go back to the cinema anytime soon.

“We’ve really taken a step back to see how our audiences consume content and shape our stories to better fit that paradigm,” he said.

Mr Henares added that it is the stories – and how they are delivered – that matter.

“We’re doubling that with ANIMA, so you can expect more on YouTube, on Spotify, on TikTok,” he said. “Everywhere that!”

Among ANIMA’s past projects are the films Fangirl and Goyo: Ang Batang Generaland the series Gaya in Pelikula and OTJ: The missing 8.

I want to create my own production company soon: Devtosh Mukherjee

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Devtosh Mukherjee, the casting director, aims to do a good job in the industry.

” class=”lazy img-responsive” data-src=”https://www.iwmbuzz.com/wp-content/uploads/2022/01/i-wish-to-start-my-own-production-house- soon-devtosh-mukherjee-920×518.jpg” width=”920″ height=”518″ alt=”I want to start my own production house soon: Devtosh Mukherjee” />

Actor and casting director Devtosh Mukherjee wants to start his own production house and live his dreams. Beginning his journey at a young age, he achieved decent milestones with the support of his family and friends in the industry.

Talking about his journey so far, he says, “I come from a middle class family from Aligarh (Utter Pradesh). I left my hometown and came to Mumbai to achieve something big in life. I’m happy to be part of the television industry that I gave my 3 years to. I started my journey at a young age and managed to work with various production houses. I learned a lot from each production house. I started my work as a TV artist and made many series like Muskaan, Daman Mitti ka, Savdhaan India etc. I always focused on my work and gave the best of myself. I am also happy that the production houses appreciated my work and gave me opportunities in my life.

When asked who has been his support in the industry, he shares, “I have always been supported by the people in the production houses. I have now opened my casting company (Casting 24/7 Casting Co.) and work as a casting director. I worked as a casting assistant before and went through the nuances. I think it’s been a give-and-take relationship with some great people in this industry.

Devtosh thinks Abhishek Arora and Vishal Gupta (casting director) are his inspiration in the field, he says, “I am inspired by Ankit Jaiswal (executive producer), Vishal Gupta (casting director), Sonu Singh Rajput (director of casting). They have had an incredible and inspiring journey in this industry. I see myself creating my own production house because it is my dream.

I wish you good luck, boy!!

Also read: We share a “pyaara sa rishta” with actors: Rishabh Thakur

Launch of a new talent management and production company, Namoff & Co.

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Jen Namoff launched Namoff & Company, a new talent management and production company representing clients in television, film, music and theater.

Over a 15-year career in entertainment, Namoff has covered artist representation, casting, talent management and production in New York and Los Angeles. His production credits include “How to Succeed in Business Without Really Trying” (with Daniel Radcliffe, Darren Criss and Nick Jonas), “The Last Five Years” (with Anna Kendrick and Jeremy Jordan) and “Into The Woods” at the Public Theater starring starring Amy Adams and Jessie Mueller. Namoff has been nominated for two Tony Awards and was previously the co-founder of Soffer/Namoff Entertainment.

“I have been blessed to be a part of this incredible industry, absorbing every lesson that has come my way,” Namoff said in a statement. “To all the mentors along the way, the colleagues who have made me better, the clients who make work fun – and the muses who make it essential – it’s thanks to you.”

Namoff & Company’s artist roster includes Tituss Burgess (“Unbreakable Kimmy Schmidt”), Sasha Allen (“The Voice”), Tammy Blanchard (“A Beautiful Day in the Neighborhood”), Kuhoo Verma (“Plan B”) and Katrina Lenk (“The Band Visit”).

John Bautista and Doug Middlebrook will join Namoff & Company as Chief Operating Officer/Talent Manager and Creative Director/Producer, respectively. Bautista previously worked in talent management at Soffer/Namoff Entertainment and in the talent department of the New York office of Innovative Artists. Middlebrook’s experience includes commercial Broadway productions, concert tours and film production. He previously worked with Jujamcyn Theaters in the creative operations department and spent a year touring internationally with Ariana Grande.

“We are inspired by artists who push boundaries, guiding them to reach their creative potential in all areas. We are committed to telling relevant, inclusive and forward-thinking stories,” reads the newly formed company’s mission statement.

Kirti Kulhari launches a production house, to star in the first project

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Kirti Kulhari launches a production house, to star in the first project


January 11, 2022, 12:15 a.m.
2 minute read

Did you know: Kintsukuroi, a Japanese word, means the art of repairing broken pottery with gold

Kirti Kulhari, who was last seen in a musical drama Shaadisthana Disney+ Hotstar release, launched its production label, Kintsukuroi Films.

In the first company, she will also play.

Title Nayekathe film’s shooting schedule began this month.

It’s billed as a “fast-paced dark comedy thriller” and will feature the Indu Sarkar actress in the central role.

Why is history important?

  • With this move, Kulhari joins the league of young actresses like Anushka Sharma, Kangana Ranaut, Priyanka Chopra Jonas and Deepika Padukone, all of whom have set up their own production houses.
  • It allows them to give wings to their ideas, to title them, and also to be the ones to throw faces.
  • Kulhari, like them, plans to do the same, and we all agree.

“The idea is also to create opportunities for young talent”

“The intention is also to create a more egalitarian and collaborative atmosphere in the process of making a film,” said the Pink the actress said in a statement.

“Unfortunately, there is a hierarchy…I would seek to bridge that gap and respect the talent on the table as an equal. The idea is also to create opportunities for young talent…whether it’s ‘writers, directors, actors, technicians.”

That’s all you need to know about ‘Nayeka’

Nayeka was written and directed by Ajaykiran Nair.

The film revolves around a struggling actress who unknowingly falls into the trap of a crime. Kulhari plays a cop.

The twists and turns of events lead to a cat-and-mouse chase throughout the film.

Besides Kulhari, the film is backed by Ward Wizard Entertainment and Yatin Gupte and Sajid Melek’s Vashisht Upadhyay.

Kulhari will next be seen in “Human”

Apart from NayekaKulhari will also appear in Human.

She shares space alongside actors like Shefali Shah, Vishal Jethwa, Ram Kapoor, Seema Biswas and Aditya Srivastava.

Human revolves around the bitter side of pharmaceutical companies and the lengths they can go to for profit.

Like its latest release, this one is also a Hotstar release. It hits the platform on January 14.

Lionsgate strengthens its development and production team with new hires and promotions

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Lionsgate has bolstered the film group’s development and production teams with several new hires and promotions.

“We have an exceptionally talented and versatile development and production team. They have edited 16 films since the start of the pandemic. As we grow our department, we promote from within, while hiring familiar faces and recognizing the outstanding contributions and dedication of our incredible team,” said Erin Westerman, President of Production at Lionsgate. in a press release.

See the new hires and promotions below:

James Myers has renewed his contract with the studio as executive vice president and will expand his strategic management role within the department. His most recent projects include “Borderlands, a video game adaptation starring Cate Blanchett, Kevin Hart, Jamie Lee Curtis and Jack Black; “The Unbearable Weight of Massive Talent” starring Nicolas Cage as Nicolas Cage; and ” Shotgun Wedding” with Jennifer Lopez.

Brady Fujikawa returns to Lionsgate as executive vice president of production. Prior to his last position as head of development at Bron Studios, Fujikawa worked on several feature films, including director Ben Stiller’s “London,” which stars Oscar Isaac.

Meredith Wieck has become senior vice president and will oversee the studio’s highest priority projects. Those responsibilities currently include directing “The Hunger Games” prequel “The Ballad of Songbirds and Serpents,” a third sequel to “Now You See Me,” and another “Dirty Dancing” feature. His most recent projects were overseeing the development and production of “Are You There God?” It’s me, Margaret”, the adaptation of the classic novel by Judy Blume; and “The Unbreakable Boy”.

Aaron Edmonds has been promoted to Vice President. Edmonds was a key executive championing “The 1619 Project,” a portfolio of film, television and multimedia programs to be produced by Lionsgate, The New York Times and Oprah Winfrey’s Harpo Films. He oversaw “Antebellum” with Janelle Monáe, as well as directed production of Hulu’s Eugenio Derbez-directed comedy “The Valet.” Other titles on his list include “48 Hours in Las Vegas,” Dennis Rodman’s next project; “Border countries” ; and “White Bird: A Wonderful Story.”

Chelsea Kujawa has been promoted to vice president. During her tenure at Lionsgate, she worked on “American Underdog,” a sports biopic about NFL legend Kurt Warner’s rise from supermarket storekeeper to Super Bowl MVP; the next chapter in the Keanu Reeves action franchise, “John Wick 4”; and “Are you there God?” It’s me, Margaret. She was previously an executive at Paramount.

Jorge Alfaro joins the studio as director of development. Alfaro has a background in banking and finance and comes to Lionsgate from production company El Estudio, where he was director of creative affairs and ran its feature film department. He was previously head of development and production at Eugenio Derbez’s 3Pas studios. His current projects include “48 Hours in Vegas”; “West Pointer” from writer-director Rod Lurie and star KJ Apa; and “Shadow Force” with Kerry Washington.

“It’s always a special pleasure to recognize the hard work of those who have earned their promotion,” Westerman said. “James, Meredith Aaron and Chelsea have been superstars throughout their careers and it’s exciting to reunite with Brady and welcome Jorge to our team.”

Production Company Culture House Announces West Coast Expansion – Deadline

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EXCLUSIVE: Film and TV production company Culture House is expanding its Los Angeles offices with two key new hires.

Founding Partner Carri Twigg will lead the West Coast office for the growing list of projects. She is joined by a new recruit, Jaimie Woo, who has been named Senior Development Producer reporting to Twigg. Woo will lead the development of the company’s premium documentary and unscripted slate. She will also be a senior consultant at the consultancy firm Culture House.

Twigg and Woo previously worked together in the White House during the Obama administration for then-Vice President Joe Biden. Prior to Culture House, Woo worked for Emmy-nominated writer/director Sam Esmail.

Kristie Lutz has been named head of production, overseeing the growing demand for production management in the area of ​​high-end documentaries, unscripted and branded content. She will be based in New York and report to founding partner Nicole Galovski. Prior to Culture House, Lutz held creative positions at HBO, Adult Swim and Univision, producing original content for broadcast, streaming and the web.

Culture House’s west coast expansion now has 25 staff between the coasts as the company prepares to launch podcast and script divisions in 2022. The Black, Brown and Women-owned production company founded in 2019 by executive producer Raeshem Nijhon and founding partners Carri Twigg, head of development and Nicole Galovski, head of production, has become a go-to company for A-list talent looking to make TV and film with a message. Twigg will move to run Culture House LA while Nijhon and Galovski will continue to run its New York headquarters.

“I am beyond thrilled to be a colleague with Jaimie again, especially in a new iteration: storytelling at the intersection of pop culture and politics. The rare combination of creativity and depth of understanding of Jaimie’s Contemporary America makes him an ideal candidate for Culture House as we continue to develop our premium doc and unscripted slate and build the culture board,” said Twigg.

“We are thrilled to be working with Kristie – her creative approach to operations coupled with her expertise in producing unscripted and scripted content is invaluable in guiding our growing slate of projects,” Galovski said.

Culture House has several projects currently in production for Netflix, Disney+ and Hulu, including hair tales, an intimate exploration of black women, beauty and identity through the distinctive lens of black hair, set to premiere this summer. The series is a co-production with the Onyx Collective and OWN from executive producers Tracee Ellis Ross and Michaela Angela Davis. Produced by Joy Mill Entertainment, Culture House, Tetravision and Harpo Films. Raeshem Nijhon, Carri Twigg and Oprah Winfrey also serve as executive producers.

Culture House is represented by WME and attorney Daniel Benge at Fox Rothschild LLP.

Gary Vaynerchuk launches production studio for consumer-centric content

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VaynerX and VaynerMedia’s Gary Vaynerchuk launched a new production studio, Eva Nosidam Productions, to create non-traditional, consumer-friendly content. The name, which spells Madison Ave. backwards, signifies the intention of the company: to be the antithesis of traditional advertising by creating advertisements that do not look like advertisements.

Maya Brewster-Dorian will lead Eva Nosidam Productions as Head of Production, reporting directly to Vaynerchuk.

Maya Brewster-Dorian will direct Eva Nosidam Productions.

The production house, based in Long Island City in Queens, New York, will create branded mini-documentaries and series for social media, music videos, podcasts, augmented and virtual reality, events, guerrilla marketing and facilities. The studio has fully equipped stages, equipment and post-production capabilities.

“As a modern storytelling and production company, Eva Nosidam Productions will create content that people really want to watch,” Vaynerchuk said in a statement. “The name is the punchline – we have every intention of shaking up the industry by rejecting yesterday’s Madison Avenue approach to advertising and revealing what’s going on in the culture for our customers.”

Brewster-Dorian brings over 20 years of production experience to this role and has been with VaynerX since last April. She previously founded Network Réseau, a facilitation company that connects brands with new ways of producing content. His experience ranges from working for advertising agencies such as Saatchi & Saatchi and J. Walter Thompson to production companies such as Anonymous Content, Partizan Entertainment and RadicalMedia.

“What unites everything we do at Eva Nosidam Productions is a desire to create the most consumer-centric, culturally relevant content that truly resonates with people,” said Brewster-Dorian. in a press release.

Kirti Kulhari becomes a producer with Nayeka and launches a production house

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Kirti Kulhari has started her own production house called Kintsukuroi Films, whose first project will be a dark comedy thriller Nayeka in which she will star.


Speaking about this new venture, she says, “Starting a production house was an organic thought that stuck with me for a few years. As an actor, these last three years have been very fruitful for me and made me want to broaden my horizons and deepen other aspects of cinema. I now want to go further because I feel the need to support quality content and tell the world unique, rare and heartfelt stories. “


“The intention is also to create a more egalitarian and collaborative atmosphere in the process of making a film. Unfortunately, a hierarchy exists in the way things work and I would aim to bridge this gap, to embrace and respect the talent brought to the table on an equal basis. The idea is also to create opportunities for young talent…whether they are screenwriters, directors, actors, technicians,” she says.

Kirti Kulhari

Talking about the meaning of the production house’s name, Kirti says that “Kintsukuroi” is a Japanese word that means the art of repairing broken pottery with gold. The idea behind this thought is that when something is broken, gold is used to fix it, making it even more beautiful than its original broken state.


Early in her journey as a producer with the feature film Nayeka, Kirti said, “When Vashisht (producer) first introduced me to the film last year, I was immediately on board as a actor and I can proudly say that I couldn’t have asked for a better start to my journey as a producer too. The type of content I choose as an actor is pretty much the content I would like to create as a producer as well. Nayeka is a fun space for me to explore something I’ve never done before. It’s a fast-paced dark comedy thriller and features some very young, dynamic and talented people coming together. Director and screenwriter Ajaykiran Nair has done a wonderful job. A unique script like this is a perfect start to my journey as a producer.

Nayeka is the story of a struggling actress who mistakenly gets caught up in a crime…followed by a cat-and-mouse hunt leading to a crazy series of events, reveals Kirti who started filming for the film on January 2.

Kirti Kulhari launches her production house Kintsukuroi Films and announces the first film Nayeka under a new banner : Bollywood News

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Actor Kirti Kulhari has launched his own production house called Kintsukuroi Films, whose first project will be a dark comedy thriller Nayeka in which it will appear.

She says, “Starting a production house was an organic thought that stuck with me for a few years. As an actor, these last three years have been very fruitful for me and made me want to broaden my horizons and immerse myself in other aspects of cinema. I now want to go further because I feel the need to support quality content and tell the world unique, rare and heartfelt stories.”

“The intention is also to create a more egalitarian and collaborative atmosphere in the process of making a film. Unfortunately, a hierarchy exists in the way things work and I would aim to bridge this gap, to embrace and respect the talent brought to the table on an equal footing. The idea is also to create opportunities for young talent…whether they are writers, directors, actors, technicians,” says Kulhari.

Talking about the meaning of the name of the production house, Kirti expresses, “Kintsukuroi is a Japanese word that means the art of repairing broken pottery with gold. The idea behind this thought is that when something is broken, gold is used to fix it, making it even more beautiful than its original broken state.

Likewise, with my production house, through the stories I aspire to tell, I wish to mend broken hearts and fill the void in people’s lives through the art of filmmaking. Producing content that helps people heal their brokenness is the core idea behind the name of the production house.

At the start of her career as a producer with a feature film Nayeka, Kulhari said, “When Vashisht (producer) first introduced me to the film last year, I was immediately on board as an actor and I can proudly say I couldn’t have dreamed a better start for my journey as a producer. The type of content I choose as an actor is pretty much the content I would like to create as a producer as well. ‘Nayeka’ is a fun space for me to explore something I’ve never done before. It’s a fast-paced dark comedy thriller about very young, dynamic and talented people coming together. Director and screenwriter Ajaykiran Nair has done a wonderful job. A unique script like this is a perfect start to my journey as a producer.

“Nayeka is the story of a struggling actress who mistakenly gets caught up in a crime…followed by a cat-and-mouse hunt leading to a crazy series of events,” reveals Kirti who started to shoot for the film on January 2.

Directed and written by Ajaykiran Nair, Nayeka is produced by Yatin Gupte and Sajid Melek’s Ward Wizard Entertainment, Vashisht Upadhyay and Kirti Kulhari’s Kintsukuroi Films.

ALSO READ: “I’m an actor who likes to talk about different topics when I touch on a script” – says Kirti Kulhari about Human

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Fort McMurray production company hopes Spider-Man fan flick will spur growth of local movie scene

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M’Guphynn Media, a Fort McMurray-based production company, says their latest Marvel fan film shows how the film industry is growing at all levels locally and across Alberta.

The fan movie is called Miles Behind and follows Miles Morales, one of many different versions of Spider-Man inside the Spider-Verse. Morales saves Peter (not Parker) from a mugging. But the situation quickly spirals out of control and Morales must peacefully defuse a tense situation before it turns violent.

The production crew is entirely from Fort McMurray but was shot in Calgary to simulate New York. Matt Salem, Marketing Director of M’Guphynn Media, said the local film scene is small but vibrant and growing. There are also more people working on their own projects and planning to film bigger projects in the area.

“Alberta as a whole is becoming the next nexus for cinema in Canada,” Salem said. “Because, as we know, a lot of people are filming in Vancouver. It’s called Hollywood North. But in recent years a new tax credit has been introduced to allow many larger film projects to come here. ”

Salem said he was helping a production company scout filming locations in the area for a big upcoming project in Fort McMurray. He could not give any details.

Fort McMurray Wood Buffalo Economic and Tourism Development (FMWBEDT) said in a previous interview that it hopes to begin attracting film and television productions to the area. The group has listed filming locations in trade publications, such as Winter Road, Athabasca Sand Dunes, Boreal Forest, Empty Warehouses and the Old Airport Terminal.

A film based on a Stephen King novel will be filmed in Fort McMurray, but FMWBEDT could not provide further details. All the band could confirm was that the production company is Indigenous-owned, features a well-known actress who is American and Indigenous, and was going to be filming in the Northwest Territories.

In January 2020, the provincial government introduced the Alberta Film and Television Tax Credit. This program covers 22%, or 30% for Alberta-owned productions, of eligible expenditures for production and labor costs.

It was announced last August that Alberta’s Film and TV Tax Credit has brought in nearly $1 billion to the province, generating approximately 9,000 direct and indirect jobs in the province since January 2020. .

The big-budget HBO series Last of Us was recently filmed in Fort MacLeod, which is also where scenes from Interstellar and Ghostbusters: Afterlife were filmed. The HBO series is the biggest production to be shot in Canada.

HBO said the province’s improved incentive for film and television production makes it a particularly attractive destination for the company.

Salem said the team plans to produce more films in Fort McMurray in order to advocate for the community.

“I really hope this helps get more people – not just within our community, but in Alberta in general – to film here and work in film,” he said.

Miles Behind can be viewed on M’Guphynn Media’s YouTube channel.

-With files by Vincent McDermott

[email protected]

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Local Balloon Artist Joins Production Team for NYE Celebration in New York | Way of life

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Some traditions are simply timeless. And one of the best on this list is the iconic New Year’s Eve Ball ceremony in Times Square, New York. Local balloon designer Jacqueline Jackson said she was honored to be part of the prestigious countdown celebration.

“The live scene was phenomenal. The lights, music, confetti and people waving their balloons with the metallic streamers were just spectacular. The Waterford crystal ball is the cake, but the confetti and balloons are the icing, as technical director Treb Heining would say,” Jackson said. the gleaner.

She said she was heartened to see the celebrations, especially as the world continues to grapple with the impact of the COVID-19 pandemic. “Just seeing people wave their balloons and being happy even in these trying times we are all going through was enough for me. To be in the most famous place in the world for New Years and knowing that I was part of the spreading joy and happiness while ringing in a new year, with new dreams and hope, was fulfilling,” said balloon artist and creative director of Balloon by dit Jaki Jade.

Jackson said it was while watching the ball drop a few years ago that she noticed the incorporation of balloons. Fascinated by the production, which paid close attention to every detail in a precise and timely manner, the creative wanted to know more. So she took a screenshot of a branded ball and contacted the sponsor.

When this route did not produce the desired results, Jackson extended his search to previously published newspaper articles and past television coverage. Not understanding his findings, she called the company back and they revealed it was someone working in upstate New York.

Finding that piece of the puzzle meant she was close to solving the mystery of the bullet drop. “I got my hands on a list of all the balloon artists in the area, and that’s how I found the person. We talked for hours about the event and what it takes to put on an event of this magnitude. I told him that I am very open to being part of the team. I invited him to Jamaica to participate in an event I was planning, but the global pandemic hit and we had to postpone,” she explained.

Disappointed, Jackson was even more affected by the death of her mother. “I felt like a complete failure,” she admitted. But all hope was not lost. A visit to her family in the United States would give her the breathing space she needed and help her reconnect with her loved ones. It would also give him the chance to finally meet the man behind the balloons at the official balloon drop ceremony, Danny Magowan. Magowan has been doing the Times Square balloon segment for 28 years.

She contacted him upon arrival to say she was in the United States and asked if his offer to be part of the amazing once-in-a-lifetime opportunity was still on the table. Suffice it to say, Jackson, along with his sister and niece, drove 22 hours to reach New York in time for his first official layover on Dec. 29.

“My adrenaline was so high, as you can imagine. I jumped with an open heart and mind. All moving parts and timing had to be executed with precision. I was part of the balloon crew and engineer scattering confetti [team] for the event. The team was responsible for preparing 25,000 colorful biodegradable balloons with metallic gold streamers for the revelers, all of which were branded Planet Fitness, a sponsor for many years,” she revealed. She added: “The inflated balloons were placed in reserved pods strategically placed in the streets near the main stages. At a certain hour, the balloons were distributed by our street team to the public present. This created a wave of excitement. It was an incredible sight to see.

Jackson shared that the team only had one window of opportunity — 10 minutes — to toss the confetti. “It’s not a gimmick. We had to make it spectacular. In the art of doing this, one must have a certain amount of knowledge. Understanding the wind pattern, praying for no rain, and hoping it’s cold enough (not too cold) to create a spectacular and long-lasting aftereffect for the confetti was crucial.

Of the two debutants on the balloon and confetti team, Jackson said she was extremely grateful to be under Magowan’s tutelage. Detailed in his approach, she said he communicated every step of the way, imparting his knowledge and wisdom as he went. Following the success of the event, she hopes to work with her team in the years to come and explore other new and exciting opportunities.

“I feel so blessed. I have always wanted to be part of something bigger than myself. I know I was completely guided by spirit and my mother to do this. Danny and the team were warm , welcoming and amazing I was able to work with world class confetti technical directors Treb Heining and Bill Schaffell Everything was perfectly aligned I am now on a new journey because I answered the call of my new assignment. I hope I have made Jamaica proud,” she added.

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Sacramento dance and media production studio owner creates Forbes

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Tamaira “Miss Tee” Sandifer is a Sacramento entrepreneur and the owner of Studio T Dance and Media Production center.

SACRAMENTO, Calif. – In what is sure to be an inspiration to many, a Sacramento entrepreneur made Forbes magazine’s “Culture 50 Champions List”.

Tamaira “Miss Tee” Sandifer is a Sacramento entrepreneur and the owner of Studio T Dance and Media Production Center, 2410 Fair Oaks Blvd, #130.

“It was a surprise to me and certainly an honor, but a big part of it is the fact that they shine a light on companies using unconventional means to serve communities that lack resources,” Sandifer said. .

Although she spends much of her time in Sacramento, Miss T, as she prefers to be called, has school programs all over California. However, she loves talking about her Fair Oaks resort.

“We have our selfie room where we young people visit and can create well-produced pictures or short videos, TikTok things like that,” Sandifer said. “We have a podcast room, talk about anything you want. Our tech room for professionals, artists and young people to create content. We have students on site who we train on how best to publish and produce the content.”

Today, the center offers several possibilities, but it all started with dance.

“It was all born out of the dance, actually what we were trying to do was keep the kids off the streets,” Sandifer said. “They were involved in a number of bad things… teenage pregnancy, drugs, third party homicide, so we thought we could close our shop, go to the communities where these kids are lost and start with them. learn to dance, that’s what they want.”

Head to the official site to start a class.

North Highlands nursery school hopes to stay open during COVID pandemic

Video Production Enterprise Services Market – Growing Demand From Industry Professionals – Industrial Computing

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Mercedes EQXX electric powertrain to go into production, company promises

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  • Mercedes-Benz unveiled its Vision EQXX concept at the CES tech show this week.
  • The powertrain stands out with a promising range of 620 miles thanks to a compact, energy-dense battery and engine, both developed in-house by Mercedes.
  • With 201 horsepower and a top speed limited to 87 mph, it deviates sharply from the flagship Mercedes image of yore.

    Mercedes has released more details on the pioneering Vision EQXX concept powertrain that was showcased earlier this week, with the company confirming that the first car to use a version of the long-range EV powertrain will be in production by 2024.

    “It’s more than a concept car, it’s a technology program,” CTO Markus Schäfer told reporters in an online call after the unveiling. “Everything in this car will be mass-produced. The battery, for example, is an early prototype of the chemistry you’re going to see in the next generation of concept cars.”

    The improved energy density of the new battery is due to the new generation silicon carbide anodes that Mercedes developed in-house, allowing the EQXX to store energy similar to that of the EQS 107.8 kWh pack in 50% smaller space. Mercedes also plans to use the same technology for smaller capacity packs, which will be lighter and cheaper, but the company’s engineers are also insisting that the EQXX’s claimed 620-mile range will be achievable within daily conditions rather than simple mock tests. “It’s 1000 km on real streets, so the WLTP range [the way Europe measures electric range] will be even higher, ”said Eva Greiner, chief drive system engineer. We are promised that the Vision EQXX will be sent to the real world to prove its ability to deliver these numbers.

    Mercedes manufactured engine

    We’ve also learned that the ultra-efficient 201bhp engine that turns the EQXX’s rear wheels is a radial flow unit that has been developed in-house by Mercedes based on the technology it already uses. Work on it preceded the company’s recent acquisition of Yasa, a UK manufacturer of high-performance axial-flow motors. Merc’s next-generation compact electric vehicles will use this new radial flow unit, with Schäfer confirming the plan is to also offer all-wheel drive by adding a second motor; it is assumed that axial flow motors will therefore be reserved for more efficient models. The EQXX (and the production cars that will share its powertrain) were designed for efficiency rather than pure speed, but even using a single engine Greiner says it can go from zero to 62 mph in Respectable 7.0 seconds, although the concept’s top speed is limited to just 87 mph.

    The relatively modest horsepower of the new engine also allows the battery to use air cooling rather than liquid cooling. This may seem technically backward to the larger EV market, where almost all cars now use liquid cooling (the Nissan Leaf being the notable resistor). But careful temperature management through what is described as a cooling plate at the base of the cell pack means that the EQXX can dispense with the use of a more energy-intensive cooling system, which is part of its incredibly frugal consumption of six miles per kWh. That’s about 50 percent better than the longer-range Tesla, the 405-mile Model S, which gets about four miles per kWh.

    Despite the air-cooled, Schäfer promises that the new powertrain can still support respectable charging speeds, with the targeted ability to support rates that will add at least 186 miles of range in 15 minutes to the when production versions hit the market. He also points out that if you have a battery over 600 miles, you won’t have to worry about recharging it as often.

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    Tokyo game maker Nexon buys production company from Marvel directors

    0

    Tokyo-based Nexon said it would invest $400 million for a 38% stake in AGBO, which produced Netflix Inc.’s hit “Extraction” and has several film and TV projects in development on the streaming services.

    The transaction values ​​AGBO at $1.1 billion, and AGBO has the option to seek an additional $100 million from Nexon in the first half of 2022.

    The agreement does not require either company to produce movies or games using the other’s intellectual property, but executives from both have said they will seek opportunities to work together. Nexon will get two seats on AGBO’s board, but the Russos and their executives will continue to own the majority of the company and control the board.

    AGBO is the latest independent production company to benefit from a wave of funding, showing how the era of streaming has dissolved funding boundaries for entertainment that seeks global audiences. Through this deal, Nexon games and properties could be adapted for AGBO film and television projects. Both companies hope to replicate the Russo Brothers’ success in franchise adaptations at Walt Disney Co.’s Marvel Studios, signaling Hollywood’s continued focus on blockbuster entertainment that can sell tickets, toys and more.

    The deal follows a series of investments capitalizing on a surge in production driven by Wall Street’s adoption of streaming services at major studios and tech giants such as Apple Inc. and Amazon. com Inc. Last summer, Reese Witherspoon’s Hello Sunshine was sold to a company. backed by Blackstone Inc., a move that effectively placed a “for sale” sign in front of similar entities.

    Since then, children’s entertainment company Moonbug Entertainment Ltd. was acquired by the same Blackstone-backed company, which this week also bought a 10% stake in actor Will Smith’s Westbrook Inc. for around $60 million. SpringHill Co., the entertainment company co-founded by basketball phenom LeBron James, unloaded a stake in October. Similar deals are expected to follow, according to investors and production company executives.

    Some of Nexon’s brands are relatively unknown in the United States, but popular in parts of Asia with games such as “Dungeon & Fighter” and “MapleStory”. The company is focused on games and immersive worlds that can take years to explore, chief executive Owen Mahoney said.

    The company’s expansion into film and television follows the hiring of Nick van Dyk, a former executive in Disney’s corporate strategy division and head of the film and television division at Activision Blizzard Studios. Mr. van Dyk runs Nexon Film and Television.

    AGBO, which the Russos co-founded in 2017 with Mike Larocca, has had a mixed track record with some releases, such as action thriller “21 Bridges” and war drama “Cherry.” His slate of upcoming projects includes several of the big-budget action movies Netflix and other services are producing to rival the big screen, like “The Gray Man” starring Ryan Gosling as a rogue law enforcement agent. CIA.

    A spokeswoman for private company AGBO declined to provide detailed financial results for the studio. The company was profitable in 2021, according to a person familiar with the matter, and combined budgets for its productions have approached $1 billion over the past year.

    Despite co-directing one of the highest-grossing theatrical releases of all time, “Avengers: Endgame,” Joe Russo said joining a video game company made more sense after observing the likes of her four children, all under the age of 25. “A movie theater is not necessarily the main source of entertainment for them,” he said.

    Nexon touched on a potential deal last summer over tuna tartare and salad at the Bel-Air Hotel in Los Angeles, according to people involved in the deal. AGBO CEO Jason Bergsman sat down with Mr. van Dyk and discussed their shared interests, including building immersive fictional worlds and using technology such as Epic Games Inc.’s Unreal Engine. In September, Nexon introduced AGBO to an investment, which AGBO referred to an investment bank that was in talks with many potential investors on its behalf.

    “It’s become clear that our companies have a similar mindset about the future of franchise entertainment, which has good potential for us to work together,” Bergsman said.

    The deal does not secure Nexon’s rights to acquire a majority stake in AGBO, according to a person familiar with the matter.

    AGBO plans to use some of Nexon’s capital to develop new film and television franchises, Mr. Bergsman said. The money will allow AGBO to have a bigger stake in some of its productions, especially some that are slated for theatrical release and potentially video games, he said.

    This story was published from a news agency feed with no text edits

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    90% of Virtual Junkanoo production team had COVID-19

    0

    Mario Bowleg, Minister of YOUTH, Sports and Culture.

    By EARYEL BOWLEG

    Tribune journalist

    [email protected]

    Minister of YOUTH, Sports and Culture, Mario Bowleg, revealed yesterday that 90% of the team contracted to produce a Junkanoo virtual show had COVID-19, which affected production.

    A day after telling The Tribune that the quality of the production could have been better, Mr Bowleg repeated to reporters that the Bahamian company hired for the job faced challenges that made the production substandard.

    Asked about these challenges, he said: “We (are) in a COVID environment and unfortunately 90% of the production team have contracted COVID and they have not been able to do their work which would allow them to respect the deadline or to do their job for perfection I should say to allow them to meet the deadline that we wanted to broadcast the production.

    “Unfortunately, the work they would have provided would not have been enough to satisfy us, but once again I’m not taking anything away from them. They will correct their mistakes and we will move forward.

    The show aired on January 1 on TV and social media, but viewers complained about the quality of the production.

    Mr Bowleg said once industry stakeholders and ministry officials have reviewed the corrected programme, it will be re-released.

    Mr. Bowleg also gave a breakdown of the cost of production.

    The Ministry of Youth, Sports and Culture previously said the virtual Junkanoo budget for New Providence, Grand Bahama and the Family Islands was $300,000.

    The ministry said it provided $126,000 to Junkanoo groups as a stipend, giving grants of $11,000 to seven Category A groups and $7,000 to seven Category B groups.

    “In production and advertising, the Ministry of Youth, Sports and Culture spent $24,000 on production and $200 on sound advertising.

    “The remaining balance of the $300,000 will be spent on virtual parades for Grand Bahama and the Family Islands,” the ministry said in a statement released over the weekend.

    Full Sail University will create a virtual production studio

    0

    We usually think of extended reality in terms of display. However, extended reality is also used in the production of media that may or may not be viewed in an immersive way. As various factors make these means of production more popular, the small number of people familiar with virtual production is increasingly in demand.

    Full Sail University is mobilizing to meet these needs and bring more value to future students by investing in its own virtual production studio.

    Wait, what is virtual production?

    To understand the type of virtual production we are talking about, we have to take off the helmet for a minute. After all, a headset isn’t strictly necessary to view or even enter certain immersive environments. We’re talking room-scale VR here.

    Early virtual reality experiences predate head-mounted displays and instead used projectors to transform a room into a virtual environment without the aid of a head-mounted display. The best example is the CAVE system appeared in the mid-1990s.

    See also: Discover The Forge: a Metaverse XR Studio system from Prox & Reverie

    These systems are difficult to move, in addition to being expensive and complicated. Still, they found use cases in military and corporate training, professional sports training, and film production. As computing and graphic display improved, this same principle was adapted to larger areas with better quality.

    The television series The Mandalorian is filmed in a virtual production studio that encloses a set in 21-foot-tall LED screens with a diameter of 75 feet. The system eliminates the need to travel between locations, eliminates weather-related complications, and gives creators unparalleled control over highly believable sets.

    It’s the kind of extended reality we’re talking about when we talk about virtual production. So what does Full Sail do? And why?

    Full Sails Studio

    In November, Full Sail University announced plans to build a virtual production studio on its campus in Winter Park, Florida. The studio, with a budget of over $3 million, is expected to be 16 feet tall and 40 feet wide, with a straight panel 18 feet long.

    “We knew this was the next logical step in our 40+ year investment in technology,” Full Sail University Director of Visual Arts Education Rick Ramsey said in a statement shared with AR Post. “Virtual production is the direction the industry is heading in, and we’re proud to bring the future of the entertainment industry to our students today.”

    An investment of this magnitude must benefit a large number of people. The staff and administration intend to open the space to students in a variety of programs, including simulation, game design, animation, cinematography, show production, and others. The decision even won the support of community organizations, including the Orlando Economic Partnership (OEP).

    “As businesses increasingly adopt virtual and augmented reality technology, Full Sail University continues to prove itself as a national leader,” said OEP CEO Tim Giuliani. “Full Sail’s critical investment in our region’s digital infrastructure will act as a beacon to attract, house and foster the growth of professional productions right here in Orlando.”

    See also: One of the biggest VR/AR centers in America is…Orlando?

    Why now and then

    Despite the size of the investment, the virtual production studio was an easy sell, according to Ramsey. The time-saving pitch process was spent on research.

    “From the moment it was proposed to our leaders, they supported the adoption of this new technology for our campus,” Ramsey said AR Post. “Although the decision was not long in coming, our teams conducted extensive research to ensure that we created a state-of-the-art facility that would meet the needs of our students, as well as professional productions. ”

    Perhaps surprisingly, the pandemic had little influence on the decision – or at least, little direct influence. The studio is being built due to industry demand, which is currently fueled by COVID-19. The Mandalorian, specifically cited by Ramsey, was able to continue production during the pandemic in part because virtual production facilitates small in-person production teams.

    “We make it a point to listen to industry, employers, alumni and our students,” said Ramsey. “As we kept our finger on the pulse of these bands, it was obvious that by creating our own virtual production studio, we would be able to better serve these bands now and in the future.”

    Finally, although the studio’s primary focus is education, the source said the university plans to use the studio to create content. Working with production companies interested in using the technology could create unique networking and hands-on opportunities for students.

    “We have had several offers to collaborate with outside production companies to produce TV series and feature films, many of which are still under consideration. Above all, we will focus on academics,” said Ramsey. “Our first priority is to use the facility to create ‘real life’ production experiences for our degree programs that teach these disciplines.”

    An exciting cinematic future

    Virtual production is coming, and Full Sail may be the first university to prepare its students for this future. We must remember that this does not just benefit university students: we all stand to benefit from the content created by the graduates of these programs.

    Dreamz Production House distributes covers for the New Year

    0


    The objective of this initiative was to provide shelter to the less privileged living in harsh winter conditions.

    According to the agency, winter is always a challenge for poor families, especially the homeless, who are hit hard by inclement weather.

    Dreamz Production House has undertaken this initiative to celebrate the New Year by sharing the warmth of love with the underprivileged in society.

    About 500 blankets were distributed to the poor and disadvantaged in different parts of South Delhi, including:

    • Lajpat Nagar
    • Kalkaji
    • Chanakyapuri
    • RK Puram
    • Hauz Khas, and
    • Mehrauli.

    Sharad Chaudhary, founder of Dreamz Production House, says: “Like every year, the agency distributes blankets during the winter to warm up. We are all so privileged to have all the comforts of life and our little gesture of kindness can make a person’s face smile. “

    Chaudhary adds, “Now is a time to think about all the people who might need our help in different ways. Let’s all spread a message of love and oneness, and inspire others to do the same. Let’s be the reason for someone else’s happiness. this new year. ”

    “I was so worried thinking about how I would protect my family in this cold weather, as many people lost their lives to the freezing cold. Due to financial difficulties, we were unable to afford coverage for the whole family. At the right time, Dreamz Production House provided me and members of my community with blankets. From now on, we will sleep comfortably at night, ”says one beneficiary.

    Anubha Vashisth, co-owner of Dreamz Production House, says: “We are delighted to see the smiling faces of the blanket recipients, because nothing is more precious than a blanket for the poor during the winter season.

    “For someone living on the streets, a warm blanket is an assurance that there is someone who cares about them. It is also a meaningful gift for the season,” adds Vashitst.

    Vashitst concludes: “We hope that people will come forward and give disadvantaged people hope and a break in their lives and motivate them to hope for a better future. “

    Chaudhary pointed out that initiatives like this provide opportunities to educate the general masses to help others who are not privileged enough and urge people to come forward to spread the heat.

    For more information, visit www.dreamzproductionhouse.com. You can also follow Dreamz Production House on Facebook, Twitter or on Instagram.

    CSI Dreamz production house Dreamz Production Giving back to the community blanket distribution Sharad Chaudhary New Years Day



    Urusei Yatsura’s New Anime Reveals Main Voice Cast And Production Studio

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    The latest anime adaptation of Rumiko Takahashi’s iconic ecchi comedy Urusei Yatsura has officially revealed both its lead voice and the studio overseeing its production.

    Source: Urusei Yatsura (2022) Official website

    RELATED: Tsuburaya Productions Announces New Gridman Universe Animated Film from Studio Trigger

    First announced earlier this year with a full-page newspaper ad, the upcoming Urusei Yatsura anime received more details last Saturday after the conclusion of a special countdown featured on the official website. from the Serie.

    Reaching “zero” on January 1, the timer finally gave way to the first look at the series, which treated viewers to promotional artwork featuring Lum as well as a brief look at the animation style of Urusei Yatsura.

    Along with these visual previews, the series also revealed its main voice cast, which will see Hiroshi Kamiya (Gamma #1, Dragon Ball Super: Super Hero) voice Ataru Moroboshi:

    Source: Urusei Yatsura (2022) Official website

    And Sumire Uesaka (Hayase Nagatoro, Don’t Toy with Me, Miss Nagotoro) voices Lum herself:

    Source: Urusei Yatsura (2022) Official website

    RELATED: Detective Conan: The Bride of Halloween Gets an Official Release Date, New Trailer & Visual Teaser

    Additionally, the preview also revealed that the series will be helmed by JoJo’s Bizarre Adventure: Golden Wind directors Hideya Takahashi and Yasuhiro Kimura for David Productions.

    To celebrate the series announcement, original series mangaka Rumiko Takahashi has shared a message and new artwork on the series’ official website.

    Source: Urusei Yatsura (2022) Official website

    “Happy New Year to you all,” Takahashi wrote, according to a machine translation. “The Year of the Tiger, ‘Urusei Yatsura’ will be made into an anime again. The character designer is Naoyuki Asano of “Osomatsu-san” fame. I love ‘Osomatsu-san’ and watched it flawlessly , so I’m very happy.

    Source: Urusei Yatsura (2022) Official website

    RELATED: Star Blazers: Space Battleship Yamato 2205 Drops New Part 2 Trailer

    She continued, Forty years ago, “Urusei Yatsura” was also blessed with top voice actors, including Toshio Furukawa and Fumi Hirano. This time too, Hiroshi Kamiya as Ataru, Sumire Uesaka as Lum, and all the other characters were played by top-notch voice actors, and I’m amazed at how gorgeous they are. We hope you enjoy the game as much as we do.

    “The script is also very interesting, and I’m really looking forward to seeing how directors Takahashi and Kimura will visualize it,” she concluded. “I’m sure people who were fans in the past and people who don’t know ‘Urusei Yatsura’ will appreciate this work, so please watch it.”

    Source: Urusei Yatsura (2022) Official website

    First published in 1978, Urusei Yatsura follows the daily exploits of Ataru, an average Earth male, and Lum, the princess of an alien race known as the Oni, after a series of events bring this last to believe that the two are married.

    A sensation in Japan, the series found worldwide popularity with the premiere of its first anime adaptation in 1981, which ran for a total of 195 episodes over the next five years.

    Source: Urusei Yatsura Omnibus Vol. 1 (2019), Viz Media

    Produced in honor of the 100th anniversary of the manga’s publisher, Shogakukan, the Urusei Yatsura anime is set to run for four full “runs” starting in 2022, though no word has been given as to whether it will. will take place consecutively or not.

    Are you excited for a new adaptation of Urusei Yatsura? Let us know your thoughts on social media or in the comments below!

    NEXT: Mobile Suit Gundam: Cucuruz Doan’s Island Movie Gets New Teaser, Key Visual & Official Release Date

    Volkswagen sets up new battery production company for electric vehicles – FutureCar.com

    0


    author: Vineeth Joel Patel

    With so many automakers relying on electric cars, batteries are going to be hard to come by in the near future. Earlier this year, Volkswagen said more than 70% of its European sales will come from electric cars by 2030. In other regions, such as China and the United States, the automaker estimates that electric cars will account for 50% of its sales. To achieve these big goals, Volkswagen is going to need a whole bunch of car batteries. Instead of looking to other companies for its needs, Volkswagen recently announced that it will be launching a separate European company that will take care of all of its battery needs.

    New battery gigafactories are coming

    The new battery company will be in charge of all activities involving a battery for an electric car. This includes processing raw materials to create batteries and recycling old ones. The aim is to keep things in-house as much as possible and to help Volkswagen become the world’s leading manufacturer of electric vehicles. As part of the new battery company, VW will build six gigafactories in Europe, the first of which will be located in Salzgitter, Lower Saxony and become operational in 2025.

    The Salzgitter gigafactory will have an annual capacity of 20 gigawatt hours when it is first commissioned, with production expected to double to 40 gigawatt hours at a later date. The Salzgitter plant will also house the automaker’s battery research and development center, as well as the brand’s battery recycling plant.

    “We want to provide powerful, inexpensive and durable vehicle batteries to our customers, which means we need to be active at all stages of the battery value chain that are critical to success,” said Thomas Schmall, Member of the technology board. at Volkswagen AG and CEO of Volkswagen Group Components. “We are now concentrating our energy in Salzgitter, with the aim of encouraging innovation and securing the support of the best partners for our new business in the future. We already have a strong battery team in Salzgitter consisting of 500 employees from 24 countries — and we continue to strengthen this team at the executive level. “

    Why have battery factories?

    Volkswagen’s second gigafactory will be commissioned in northern Sweden and will be built by start-up Northvolt AB. The German automaker has a 20% stake in the start-up, so it makes sense to use its connections for another company. The gigafactory in Sweden will be tasked with producing batteries for Volkswagen’s premium electric cars and will start production next year. Other gigafactories will be installed in Spain and Eastern Europe. All six sites will be launched before the end of 2030.

    Going forward with building a company that focuses solely on Volkswagen’s electric car batteries comes at a time when the German automaker is looking to expand its EV push. This year’s serious supply chain issues have given automakers something to think about: move operations in-house. Tesla set the standard by investing heavily in battery production at its own facilities and has become a major force in the industry, leading others to follow a similar path.

    Previous


    Kenan Thompson creates the production company “Artists For Artists”

    0


    Acomedian and comedian Kenan thompson focuses on empowering creatives in the entertainment space to appropriate their art through the launch of a new production company, Variety reported.

    The company, called Artists for Artists, was designed to help creators in the content development process. AFA, which he co-founded with John Ryan Jr., align artists and brands with global distribution platforms and ensure creatives retain the rights to the projects they develop. Thompson and Ryan’s company will also serve as an incubator for creators to produce a range of projects in different mediums.

    the Saturday Night Live The actor says his own experiences navigating the business world of the entertainment world inspired him to create Artists for Artists. “All artists looking to start a business, come see us. John and I are excited to grow businesses with talent that are OWNED AND MANAGED by talent, ”he shared in a statement, according to the outlet. “We’ve all been involved in projects that we as artists wish we had more of, so we knew it was time to start a business that reflects that. “

    Ryan added that he was amazed at the lack of ownership among talent in Hollywood and is hopeful the AFA will be instrumental in resolving the issue. “Kenan and I have been friends for almost two decades, and it was time to create the change we wanted to see in the industry,” he said. “We believe that talent and brands should be controlled by talent and the brand itself. With AFA, our film, television and live entertainment artists have the creative freedom to own their own content and commerce to release to market. One of the projects scheduled for release under the AFA is Mike Tyson: The Undisputed Truth, Part 2.

    Several black actors have started their own production companies. Actor Yahya Abdul-Mateen II created a production imprint dubbed House Eleven10 to highlight various narratives.

    SEE ALSO:

    Actor Yahya Abdul-Mateen II creates production company and signs partnership with Netflix

    The boss moves: Queen Latifah’s production company signs deal with Audible

    7 photos


    Mega Production House has no idea?

    0


    Fans generally expect their favorite stars to have their own production houses. Indeed, they can promote, release and produce their films on a large scale without depending on foreigners. When Ram Charan announced Konidela Production Company, the Mega Fans also felt happy.

    But the production house gradually becomes synonymous with poor planning. Their next company, Acharya, as we know, went for a lackluster release in February. The team had been around long enough and finally announced an update yesterday as a New Years special.

    This is the release of the third single ‘Saana Kashtam’ on January 3 at 4:05 pm. Fans are furious at this excruciating planning. Any New Years movie poster or song is scheduled for release on December 31 or January 1. So that it goes viral in the New Years parties.

    “It doesn’t make sense to come out on January 3 when the Hungama is over. When you can’t plan and execute your own movie promotions, what’s the point of having a production house? “Ask the fans.

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