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Leonine acquires Berlin production company Hyperbole Medien – The Hollywood Reporter

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German mini-major Leonine has acquired Hyperbole Medien, Bastian Asdonk’s Berlin-based television production company known for its non-fiction and entertainment formats.

The deal, which will take effect on June 1, will see Leonine take full control of Hyperbole, producer of award-winning documentary series Germany and political talk show 13 Fragen (13 Questions). The company primarily produces for German public broadcasters including ZDF, ZDFneo, zdf.kultur, NDR, SWR and MDR, as well as corporate clients including Sony Music, Red Bull and New Balance.

Financial details of the exchange were not disclosed. Asdonk will remain chief executive of Hyperbole and will be joined on the board by Christian Meinberger, chief digital officer of Leonine.

“[Hyperbole] has a clear profile, a sense of the times and is a successful mix of innovation and high quality journalistic formats. Hyperbole’s creative team is a great fit for us,” said Fred Kogel, CEO of Leonine. “Together we will extend our existing IP with new formats and, cross-media, extend the reach of our content.”

Leonine adds Hyperbole to its growing stable of television and film production companies. The German studio, owned by private equity groups KKR and Atwater Capital, already controls German TV channels i&u TV, Madame Zheng Production, Odeon Fiction, SEO Entertainment, W&B Television, as well as Wiedemann & Berg Film.

European Post-Production Company Chooses Infortrend Scalable NAS for Performance, Efficient Management, and Storage Flexibility

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TAIPEI, May 24, 2022 /PRNewswire/ — Infortrend® Technology, Inc. (TWSE:2495), an industry-leading enterprise storage provider, helped optimize a creative production company’s post-production NAS storage capacity by Europe with the EonStor CS scale-out NAS. The Infortrend NAS solution maximizes storage capacity, eases management, and provides flexible storage expansion to increase post-production productivity.

A creative post-production house in Europe which specializes in creative commercials, post-production editing and animation as a one-touch, have storage issues that need to be addressed. They were the winner of the world’s most recognized international advertising awards, the Clio Awards, and to have a client list that includes world famous brands such as Coca-Cola, Nike, Riot Games, etc. However, the the explosion in data volume has left them with performance and storage capacity issues.

The studio uses three NAS storage systems for special effects and non-linear editing, as well as file sharing, backup and archiving. Their main challenge is that the data is stored in three independent volumes, which makes it difficult to efficiently use storage capacities and the manual maintenance required to organize the data on the corresponding NAS systems. Therefore, the customer wants to replace their storage system with a single-volume solution to save management effort while providing dynamic scalability.

To meet their needs, Infortrend offered five of their EonStor CS3024 scale-out NAS solutions. Multi-node scale-out NAS architecture provides a single volume for easy management and expansion. The system can be further expanded by scaling up to 144 nodes and up to 84 hard drives per node, reaching approximately 100PB of storage capacity to keep up with ever-growing projects.

The outstanding performance of EonStor CS3024 is HDD-based and cost-effective for 4K video editing, the 5-node cluster can support up to 34 layers of stutter-free concurrent playback. With four SSDs built into each node as cache, it provides lower latency and improves read/write performance. Additionally, the solution provides a complete data protection design, including RAID and Erasure vsode to prevent data loss caused by disk or node failures.

“EonStor CS has all the prerequisites a post production house needs with its performance, flexible scalability, and a variety of data protection mechanisms for that extra peace of mind to easily create and edit,” said Frank LeeSenior Director of Product Planning at Infortrend.

Learn more about EonStor CS and M&E shared storage

About Infortrend

Infortrend (TWSE: 2495) has been developing and manufacturing storage solutions since 1993. With an emphasis on in-house design, testing and manufacturing, Infortrend storage delivers performance and scalability with the latest standards, user-friendly data, personal follow-up, sales support and unparalleled value. For more information, please visit www.infortrend.com

Infortrend® and EonStor® are trademarks or registered trademarks of Infortrend Technology, Inc.; Other trademarks are the property of their respective owners.

SOURCE Infortrend Technology

European Post-Production Company Chooses Infortrend Scalable NAS for Performance, Efficient Management, and Storage Flexibility

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TAIPEI, May 24, 2022 /PRNewswire/ — Infortrend® Technology, Inc. (TWSE: 2495), an industry-leading enterprise storage provider, helped optimize a creative production company’s post-production NAS storage capacity by Europe with the EonStor CS scale-out NAS. The Infortrend NAS solution maximizes storage capacity, eases management, and provides flexible storage expansion to increase post-production productivity.

A creative post-production house in Europe which specializes in creative commercials, post-production editing and animation as a one-touch, have storage issues that need to be addressed. They have won the world’s most recognized international advertising awards, the Clio Awards, and have a client list that includes world famous brands such as Coca-Cola, Nike, Riot Games, etc. However, the explosive volume of data has left it with performance and storage capacity issues.

The studio uses three NAS storage systems for special effects and non-linear editing, as well as file sharing, backup and archiving. Their main challenge is that the data is stored in three independent volumes, which makes it difficult to efficiently use storage capacities and the manual maintenance required to organize the data on the corresponding NAS systems. Therefore, the customer wants to replace their storage system with a single-volume solution to save management effort while providing dynamic scalability.

To meet their needs, Infortrend offered five of their EonStor CS3024 scale-out NAS solutions. Multi-node scale-out NAS architecture provides a single volume for easy management and expansion. The system can be further expanded by scaling up to 144 nodes and up to 84 hard drives per node, reaching approximately 100PB of storage capacity to keep up with ever-growing projects.

The outstanding performance of EonStor CS3024 is HDD-based and cost-effective for 4K video editing, the 5-node cluster can support up to 34 layers of stutter-free concurrent playback. With four SSDs built into each node as cache, it provides lower latency and improves read/write performance. Additionally, the solution provides a comprehensive data protection design including RAID and erasure code to prevent data loss caused by disk or node failures.

“EonStor CS has all the prerequisites a post production house needs with its performance, flexible scalability, and a variety of data protection mechanisms for that extra peace of mind to easily create and edit,” said Frank LeeSenior Director of Product Planning at Infortrend.

Learn more about EonStor CS and M&E shared storage

About Infortrend

Infortrend (TWSE: 2495) has been developing and manufacturing storage solutions since 1993. With an emphasis on in-house design, testing and manufacturing, Infortrend storage delivers performance and scalability with the latest standards, user-friendly data, personal follow-up, sales support and unparalleled value. For more information, please visit www.infortrend.com

Infortrend® and EonStor® are trademarks or registered trademarks of Infortrend Technology, Inc.; Other trademarks are the property of their respective owners.

SOURCE Infortrend Technology

Ram Gopal Varma booked for cheating Rs 65 lakh production house: The Tribune India

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Hyderabad, May 24

Hyderabad Police have booked filmmaker Ram Gopal Varma for allegedly cheating a production house out of Rs 56 lakh.

Following a complaint filed by Koppada Sekhar Raju of Sekhara Art Creations, a case was registered at Miyapur Police Station under Cyberabad Police Station.

The plaintiff alleged that Varma borrowed money from him to produce a film “Disha” with the promise to return it before the said film was released but he did not repay it.

The film was based on the gang rape and murder of a veterinary doctor near Hyderabad in 2019 by four people, who were later killed by police in an alleged encounter.

Raju told police he met Varma through a mutual friend, Ramana Reddy, a few years ago.

Complainant said he gave Rs 8 lakh in January 2020 and another Rs 20 lakh few days later.

RGV, as the filmmaker is popularly known, promised to repay the amount in six months. Raju said RGV approached him in February 2020 and borrowed another Rs 28 lakh citing financial issues.

The plaintiff told police that RGV had promised to refund the full amount no later than when the film was released, but in January 2021 he later learned that the filmmaker was not the film’s producer.

He alleged that the filmmaker cheated on him.

A case under Sections 406 (Criminal Breach of Trust), 417 (Punishment for Cheating), 420 (Cheating and 506 (Punishment for Criminal Intimidation) of the Indian Penal Code (IPC) has been registered against RGV.

IANS

European Post-Production Company Chooses Infortrend Scalable NAS for Performance, Efficient Management, and Storage Flexibility

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TAIPEI, May 24, 2022 /PRNewswire/ — Infortrend® Technology, Inc. (TWSE: 2495), an industry-leading enterprise storage provider, helped optimize a creative production company’s post-production NAS storage capacity by Europe with the EonStor CS scale-out NAS. The Infortrend NAS solution maximizes storage capacity, eases management, and provides flexible storage expansion to increase post-production productivity.

A creative post-production house in Europe which specializes in creative commercials, post-production editing and animation as a one-touch, have storage issues that need to be addressed. They were the winner of the world’s most recognized international advertising awards, the Clio Awards, and have a client list that includes world famous brands such as Coca-Cola, Nike, Riot Games, etc. However, the the explosion in data volume has left them with performance and storage capacity issues.

The studio uses three NAS storage systems for special effects and non-linear editing, as well as file sharing, backup and archiving. Their main challenge is that the data is stored in three independent volumes, which makes it difficult to efficiently use storage capacities and the manual maintenance required to organize the data on the corresponding NAS systems. Therefore, the customer wants to replace their storage system with a single-volume solution to save management effort while providing dynamic scalability.

To meet their needs, Infortrend offered five of their EonStor CS3024 scale-out NAS solutions. Multi-node scale-out NAS architecture provides a single volume for easy management and expansion. The system can be further expanded by scaling up to 144 nodes and up to 84 hard drives per node, reaching approximately 100PB of storage capacity to keep up with ever-growing projects.

The outstanding performance of EonStor CS3024 is HDD-based and cost-effective for 4K video editing, the 5-node cluster can support up to 34 layers of stutter-free concurrent playback. With four SSDs built into each node as cache, it provides lower latency and improves read/write performance. Additionally, the solution provides a complete data protection design, including RAID and Erasure vsode to prevent data loss caused by disk or node failures.

“EonStor CS has all the prerequisites a post production house needs with its performance, flexible scalability, and a variety of data protection mechanisms for that extra peace of mind to easily create and edit,” said Frank LeeSenior Director of Product Planning at Infortrend.

Learn more about EonStor CS and M&E shared storage

About Infortrend

Infortrend (TWSE: 2495) has been developing and manufacturing storage solutions since 1993. With an emphasis on in-house design, testing and manufacturing, Infortrend storage delivers performance and scalability with the latest standards, user-friendly data, personal follow-up, sales support and unparalleled value. For more information, please visit www.infortrend.com

Infortrend® and EonStor® are trademarks or registered trademarks of Infortrend Technology, Inc.; Other trademarks are the property of their respective owners.

Quote

Show original content:https://www.prnewswire.com/news-releases/european-post-production-house-selects-infortrend-scale-out-nas-for-performance-efficient-management-and-storage-flexibility-301553386.html

SOURCE Infortrend Technology

‘Spinning Gold’ Director Tells MTV Story, Starts Production Company Hero Partners (EXCLUSIVE)

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“Spinning Gold” director Timothy Scott Bogart will tell the story behind MTV through his new production company.

Hot on the heels of the Cannes market launch of “Spinning Gold,” the story of Casablanca Records founder Neil Bogart, the director unveiled Hero Partners, a partnership with producing partner Jessica Martins of Hero Entertainment, and producer and financier of “Spinning Gold”. Chris Torto.

More Variety

Dedicated to streamlining independent film financing, the new venture will fully fund four to five films a year, providing a one-stop shop to fund and produce a slate of music-focused projects across film, TV and theater. (Broadway).

Torto has raised an initial feature film production fund of $100 million, highlighted by a slate of original pop musicals including “Marian,” a period film set to modern music that tells the true story by Robin Hood. Production begins in Italy in November with Bogart at the helm and Martins and Torto producing.

The true story of MTV’s launch, which is planned as both a feature film and a Broadway musical, with writing by Bogart and original MTV VJs Mark Goodman and Alan Hunter serving as executive producers, is also planned for the initial list. Martins and Torto will produce.

“Content has always been king, and content creators have always been the currency of the kingdom,” Bogart said. “Enabling these creators not only to have their passion projects funded, but also to protect their rights to those projects along the way is a cornerstone of the Hero Partners philosophy.

“Chris’ financial support was the reason we were able to complete ‘Spinning Gold’ before selling it, retain the soundtrack and Broadway musical rights, and tell this deeply personal story exactly as it should be told. We look forward to emulating this process with our next list.

Bogart said the challenge has always been to secure financing for his films, while retaining “critical rights” like soundtrack, Broadway and touring, which he says are “extraordinary extensions of the brands of almost always impossible to preserve”.

Martins added: “The path to independent financing has evolved over the years into a complex maze of tax credits and pre-sale loans, coupled with equity financing that has become increasingly difficult to obtain. When we first shared our vision for how we wanted to fund Spinning Gold, Chris, whose success over the years has been defined by battling expected industry norms, immediately embraced our centered vision. on the artist for a new type of studio in the tradition. early United Artists and major independents like Goldcrest Films. And then he went further, asking if that model could be the basis of not just this movie, but an entire company committed to questioning the way things had always been.

Hero has also committed funding for a Broadway musical adaptation of “Spinning Gold,” slated for the 2023/2024 season.

Bogart will direct from his book and produce alongside Martins and Torto. The main cast members of Spinning Gold are in talks to return to star in the Broadway musical.

The best of variety

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Click here to read the full article.

European Post-Production Company Chooses Infortrend Scalable NAS for Performance, Efficient Management, and Storage Flexibility

0

TAIPEI, May 24, 2022 /PRNewswire/ — Infortrend® Technology, Inc. (TWSE: 2495), an industry-leading enterprise storage provider, helped optimize a creative production company’s post-production NAS storage capacity by Europe with the EonStor CS scale-out NAS. The Infortrend NAS solution maximizes storage capacity, eases management, and provides flexible storage expansion to increase post-production productivity.

A creative post-production house in Europe which specializes in creative commercials, post-production editing and animation as a one-touch, have storage issues that need to be addressed. They have been winners of the world’s most recognized international advertising awards, the Clio Awards, and have a client list that includes world famous brands such as Coca-Cola, Nike, Riot Games, etc. However, the explosive volume of data has left it with performance and storage capacity issues.

The studio uses three NAS storage systems for special effects and non-linear editing, as well as file sharing, backup and archiving. Their main challenge is that the data is stored in three independent volumes, which makes it difficult to efficiently use storage capacities and the manual maintenance required to organize the data on the corresponding NAS systems. Therefore, the customer wants to replace their storage system with a single-volume solution to save management effort while providing dynamic scalability.

To meet their needs, Infortrend offered five of their EonStor CS3024 scale-out NAS solutions. Multi-node scale-out NAS architecture provides a single volume for easy management and expansion. The system can be further expanded by scaling up to 144 nodes and up to 84 hard drives per node, reaching approximately 100PB of storage capacity to keep up with ever-growing projects.

The outstanding performance of EonStor CS3024 is HDD-based and cost-effective for 4K video editing, the 5-node cluster can support up to 34 layers of stutter-free concurrent playback. With four SSDs built into each node as cache, it provides lower latency and improves read/write performance. Additionally, the solution provides a comprehensive data protection design including RAID and erasure code to prevent data loss caused by disk or node failures.

“EonStor CS has all the prerequisites a post production house needs with its performance, flexible scalability, and a variety of data protection mechanisms for that extra peace of mind to easily create and edit,” said Frank LeeSenior Director of Product Planning at Infortrend.

Learn more about EonStor CS and M&E shared storage

Contact Infortrend at Conduct an investigation

About Infortrend

Infortrend (TWSE: 2495) has been developing and manufacturing storage solutions since 1993. With an emphasis on in-house design, testing and manufacturing, Infortrend storage delivers performance and scalability with the latest standards, user-friendly data, personal follow-up, sales support and unparalleled value. For more information, please visit www.infortrend.com

Infortrend® and EonStor® are trademarks or registered trademarks of Infortrend Technology, Inc.; Other trademarks are the property of their respective owners.

SOURCE Infortrend Technology

Integrated audio production studio RODE RØDECaster Pro II; Pre-order at B&H Photo

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Rode RODECaster Pro II Integrated Audio Production Studio

https://www.bhphotovideo.com/c/product/1696424-REG/rode_rcp2_rodecaster_pro_2_podcasting.html

Version II Updates

Of course, the big question is, “What’s wrong with version II?” Here are the top five highlights:

  • Premium boutique-class preamps with a complete overhaul, tons of gain, and mic/line/instrument inputs
  • A customizable mixer with RGB color coding and increased sound power
  • Extensively programmable SMART pads for initiating sounds, shows, mix actions, and more.
  • Two iOS-compatible USB Type-C ports for connecting multiple computers or mobile devices
  • High quality advanced Bluetooth input/output, Wi-Fi and Ethernet

These and other improvements are presented in the same tabletop form factor as the original RØDECaster Pro II, but now with a slightly smaller footprint.

4 premium high-gain preamps

Designed to hold their own against expensive and boutique microphone preamplifiers, the RØDECaster Pro II’s new Revolution preamps deliver sleek transparency and detail with ultra-low noise (just -131.5 dBV) and incredible gain up to 76dB, allowing robust recording levels even for low-output dynamic mics – no mic amplifiers, boosters or normalization needed.

Professional-grade Neutrik XLR-1/4″ combo jacks provide connection points for microphones (+ 48V phantom power is available for condenser mics), line-level sources like mixers, and rack gear , or instruments such as electric guitar and bass. Additionally, pairs of analog input channels can be linked for easy recording of stereo mic setups or stereo outputs of synthesizers, DJ mixers or external equipment.

Studio-grade processing and effects

Give your productions the polish and impact they need with authentic emulations of classic APHEX hardware processors – Aural Exciter elevates clarity and brilliance, Big Bottom adds a warm, deep low-frequency punch, and Compellor glues the all with compression/leveling – plus other widely used processors including reverb, delay, pitch shifter, EQ, high pass filter, noise gate, de-esser, robot effects , etc.

Use the VoxLab Editor to quickly manipulate parameters across multiple processors via three intuitive controls, or access the Advanced Editor (on-screen or with RØDE Central on a computer) for complex editing. Use preloaded presets, save your own and load them anytime to call up your favorite settings right away. Thanks to the internal 1.5 GHz quad-core audio engine, the RØDECaster has impressive processing power and great potential for future upgrades.

8 programmable smart pads

Instead of the sound pads of the original model, the RØDECaster Pro II has programmable SMART pads. Each SMART pad can trigger audio files such as music or sound clips, activate special effects, send MIDI commands to software or hardware, or perform mixing functions such as fades, music ducking and beeps.

Bank switch buttons below the pads allow easy access to eight banks for a total of 64 unique actions. Making the pads even better is color-selectable pad lighting, a handy way to remember which effect is on which pad.

Customizable multi-channel color-coded mixer

The 9-channel mixer features six channels equipped with broadcast-quality physical faders and three virtual channels. Physical faders and virtual channels are freely assignable to the four analog inputs, USB and Bluetooth interfaces and SMART pads, and it is possible to expand via digital hosting and hardware integrations in future updates. Each channel of the RØDECaster Pro II offers a pan control, a mute button and a listen button (solo before or after fader). With channel-specific color coding, you are assured of quick identification of your sources.

Stereo/multitrack recording and USB audio

Record individual stereo or fully separated multitrack files (in uncompressed WAV format for maximum audio quality or MP3 format to save storage space and extend recording time) to a microSD card or USB storage such as an external drive. Alternatively or simultaneously, you can use the RØDECaster Pro II as a high-quality USB audio interface for streaming/recording to a computer. In keeping with the industry standard audio resolution for video production, the RØDECaster Pro II operates at 24-bit/48kHz.

Monitoring for all

Four high-power headphone outputs with ¼-inch jacks provide clear personal monitoring for the host and up to three guests, while separate color-coded volume controls allow all attendees to easily control their own volume levels. helmet. Connect a pair of active speakers to the 1/4″ line outputs if you need to amplify your content for a live audience, or go wireless and monitor via a Bluetooth speaker to check the mix on another system.

Specialties adapted to podcasts

The inclusion of “Producer Talk Mode” lets you communicate with guests without affecting the recording, and mix-minus on Bluetooth and USB channels prevents the person on the other end of the call from overhearing annoying echo. Equipped with advanced Bluetooth connectivity, the RØDECaster Pro II can be used for ultra-high quality phone call integration, flawless audio streaming, convenient wireless monitoring, and more.

Something that really shocked me about the RØDECaster Pro II was the presence of not one, but two USB Type-C ports, allowing two computers or mobile devices to be connected simultaneously and unlocking some great options for everything from remote podcasting to complex streaming setups. These USB connections are MFi-certified for seamless integration with iPads and other iOS devices, and they support two-way MIDI communication for seamless gaming with DAWs and streaming software.

Fast Workflow

As the perfect way to instantly switch between production types such as podcasts, live streams and game commentary, the Rode RØDECaster Pro II allows you to save several “Shows” containing all the settings of the device. Custom presets for RØDE microphones (like the PodMic) and other popular models are available to help you get great sounds fast. The large 5.5-inch color touchscreen with haptic feedback and automatic brightness adjustment also contributes to the efficiency of the RØDECaster. Where the screen of the original model was flat, this one is tilted upwards for optimal viewing. Next to the touch screen, a rotary encoder is placed for optimum efficiency. navigation and control.

Additional Features

Given the two methods of powering the RØDECaster Pro II – via the included AC adapter or via USB Type-C PD (30W), it’s equally ready to live in your home studio or join you when you venture into the world. In both cases, the option RØDECover II, a tough polycarbonate cover that protects it from debris, dust and spills, is available to protect the RØDECaster Pro II. Prepared for worldwide use, the device is programmed in 10 languages, including English, Chinese, Japanese, Korean, French, German, Italian, Spanish, Portuguese and Hindi .

Providing high-speed communication with computers and other devices, Wi-Fi and Ethernet connections (new to the Version II model) offer functionality for firmware updates, software and hardware integration, and more. Firmware updates are key to the continued evolution of the RØDECaster Pro II, and RØDE has many plans for new firmware and additional hardware accessories, like colored cables, carrying bags and mounting options.

Too good to resist

While even minor improvements over the previous generation RØDECaster Pro made it a compelling choice, the substantial improvements in the RØDECaster Pro II make it too tempting to pass up.

Rode Rodecaster Pro II Announcement – Learn more about Explora
https://www.bhphotovideo.com/explora/videos/pro-audio/rodecaster-pro-ii-announcement

Rode RØDECaster Pro II: A sequel worth the wait
https://youtu.be/dTG-zKBnD6w

About B&H Photo Video

As the world’s largest source of photographic, video and audio equipment, as well as computers, drones and home and portable entertainment, B&H is known worldwide for its attentive and knowledgeable sales force and excellent customer service, including fast and reliable delivery. B&H has been satisfying customers worldwide for over 45 years.

Website visitors can access a variety of educational videos and insightful articles. the B&H YouTube Channel has an unparalleled wealth of educational content. Our entertaining and informative videos feature product overviews from our in-house specialists. You can see B&H Event Space presentations from many of the world’s leading experts and interviews with some of the most dynamic people in technology. Access this exciting resource by subscribing to the B&H YouTube channel here. In addition to videos, the B&H Explora Blog features new product announcements, equipment reviews, helpful guides, and tech news written by product experts and industry professionals, as well as our award-winning products podcasts.

Contact information
Henry Posner

B&H Photo Video, Pro Audio
212-615-8820
https://www.bhphotovideo.com/

SOURCEB&H Photo

Renders Reveal Lionsgate’s Next Production Studio in Newark, New Jersey

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New renderings from Great Point Studios, a film and television studio investment company, are the first to reveal a new production studio in Newark, New Jersey. The production studio will replace Seth Boyden Terrace, a partially abandoned 12-building housing complex formerly operated by the New Jersey Housing Authority located between Weequahic Park and Newark Airport.

Lionsgate is confirmed as the studio’s long-term tenant and will have naming rights to the property upon completion. The New Jersey Performing Arts Center, a partner institution, will manage public affairs and community relations for the studio and create educational programs and internships for Newark high school and college students.

Aerial view of the former Seth Boyden Terrace residential complex and future Lionsgate studio in Newark

The 300,000 square foot complex will include several production stages ranging from 20,000 to 30,000 square feet. Additional components include office and administrative space at the rear of the house, parking for 400 cars and 65 trucks, and on-site production services including grip and power, equipment, props, set construction, restaurants, on-site catering, cleaning service and Security.

The new studio is expected to create over 600 long-term job opportunities and generate over $800 million annually.

“One of my administration’s priorities has been to improve New Jersey’s motion picture industry and create new sources of revenue for our state,” said New Jersey Governor Phil Murphy. “With the addition of Lionsgate Newark Studio, New Jersey will solidify its position as a television and film production hub with its proximity to all forms of transportation and access to more than 14,000 qualified union members in the region. As a result, the introduction of Lionsgate Newark Studio not only promotes the economic vitality of our state, but also provides good jobs and access to opportunity for all members of the South Ward community.

Street-level rendering of Lionsgate's new studio and production facility in Newark, New Jersey - Courtesy of Great Point Studios

Street-level rendering of Lionsgate’s new studio and production facility in Newark, New Jersey – Courtesy of Great Point Studios

The development site spans 12 acres and is now owned by a joint venture between Great Point Studios and private equity firm Lindsay Goldberg. Matrix Development will serve as the project developer and Gensler is retained as the official architect.

The studio is expected to open in 2024.

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A black-owned film production company presents short films to a national audience at its second Oscar qualifying film festival

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Poster of Full View Production’s narrative short, DERRICK.

Film crew on set

A still from the set of Full View Production’s narrative short, DERRICK

Full view of the production logo

It is very important that we tell our own stories in our own way.

— Marcus Lewis, President and CEO of Full View Productions

DETROIT, MICHIGAN, USA, May 23, 2022 /EINPresswire.com/ — Full View Productions’ short film DERRICK will screen at this year’s American Black Film Festival in Miami, June 15-19, 2022.

DERRICK is a short film about a man who struggles to reconnect with his loved ones after a devastating loss, he fights internal and external battles to navigate everyday life. The narrative short has screened at several film festivals, including the Toronto Black Film Festival, Capital City Black Film Festival, and Martha’s Vineyard African American Film Festival (another Oscar-qualifying film festival held in august).

“It’s very important that we tell our own stories in our own way.”
Marcus Lewis, President and CEO of Full View Productions

This short was an opportunity for the talented group of Detroit filmmakers from Full View Production to practice their skills for their own creative content which they plan to do more of in the future. Full View Productions is committed to telling cultural stories, usually for corporate clients. With a full in-house staff to guide customers through the production process and a wide range of in-house equipment ranging from cameras, lights, audio and even Michigan’s first and only Kira cinematic robot, Full View Productions is the Detroit production house. coming soon for all your cinematic needs.

About Full View Productions
Full View Productions is a full-service, minority-certified, Black-owned video production company located in Detroit, MI. Full View brings the best creativity, technical expertise and collaborative energy to corporate clients interested in telling cultural stories so they understand the production process, enjoy it and get the visual content they need. Full View uses cinema-grade equipment and technology to deliver engaging visuals that capture the customer’s vision. Full View’s diverse portfolio of corporate videos, commercials and creative content demonstrates their dedication to developing exceptional ideas and providing production and post-production services.

About the American Black Film Festival (ABFF)
The American Black Film Festival (ABFF) is an annual event dedicated to recognizing black talent and showcasing quality film and television content by and about people of African descent. Dedicated to the belief that diverse artists deserve the same opportunities as their mainstream counterparts, ABFF founder Jeff Friday conceived the festival in 1997 as a vehicle to strengthen the black entertainment community by fostering resource sharing, l education and artistic collaboration. Now in its 26th year, the festival has become a cornerstone of diversity in Hollywood, providing a platform for emerging black artists – many of whom have gone on to become today’s most successful actors, producers, writers, directors and comedians. today. ABFF is owned by ABFF Ventures LLC, an entertainment company specializing in the production of live events that promote black culture and achievement.

Rachel Washington
Full view of productions
+1 313-355-6900
write to us here
Visit us on social media:
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DERRICK from the Full View production

A black-owned film production company presents short films to a national audience at its second Oscar qualifying film festival

0

Poster of Full View Production’s narrative short, DERRICK.

Film crew on set

A still from the set of Full View Production’s narrative short, DERRICK

Full view of the production logo

It is very important that we tell our own stories in our own way.

— Marcus Lewis, President and CEO of Full View Productions

DETROIT, MICHIGAN, USA, May 23, 2022 /EINPresswire.com/ — Full View Productions’ short film DERRICK will screen at this year’s American Black Film Festival in Miami, June 15-19, 2022.

DERRICK is a short film about a man who struggles to reconnect with his loved ones after a devastating loss, he fights internal and external battles to navigate everyday life. The narrative short has screened at several film festivals, including the Toronto Black Film Festival, Capital City Black Film Festival, and Martha’s Vineyard African American Film Festival (another Oscar-qualifying film festival held in august).

“It’s very important that we tell our own stories in our own way.”
Marcus Lewis, President and CEO of Full View Productions

This short was an opportunity for the talented group of Detroit filmmakers from Full View Production to practice their skills for their own creative content which they plan to do more of in the future. Full View Productions is committed to telling cultural stories, usually for corporate clients. With a full in-house staff to guide customers through the production process and a wide range of in-house equipment ranging from cameras, lights, audio and even Michigan’s first and only Kira cinematic robot, Full View Productions is the Detroit production house. coming soon for all your cinematic needs.

About Full View Productions
Full View Productions is a full-service, minority-certified, Black-owned video production company located in Detroit, MI. Full View brings the best creativity, technical expertise and collaborative energy to corporate clients interested in telling cultural stories so they understand the production process, enjoy it and get the visual content they need. Full View uses cinema-grade equipment and technology to deliver engaging visuals that capture the customer’s vision. Full View’s diverse portfolio of corporate videos, commercials and creative content demonstrates their dedication to developing exceptional ideas and providing production and post-production services.

About the American Black Film Festival (ABFF)
The American Black Film Festival (ABFF) is an annual event dedicated to recognizing black talent and showcasing quality film and television content by and about people of African descent. Dedicated to the belief that diverse artists deserve the same opportunities as their mainstream counterparts, ABFF founder Jeff Friday conceived the festival in 1997 as a vehicle to strengthen the black entertainment community by fostering resource sharing, l education and artistic collaboration. Now in its 26th year, the festival has become a cornerstone of diversity in Hollywood, providing a platform for emerging black artists – many of whom have gone on to become today’s most successful actors, producers, writers, directors and comedians. today. ABFF is owned by ABFF Ventures LLC, an entertainment company specializing in the production of live events that promote black culture and achievement.

Rachel Washington
Full view of productions
+1 313-355-6900
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DERRICK from the Full View production

The teenage production team behind Ramsgate’s cooking program are set to start series two – The Isle Of Thanet News

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Filming for Xen’s Cooking

The young team behind an unusual cooking competition program filmed in Ramsgate are planning a second series.

Xen’s Cooking, which was filmed in Chatham and Clarendon grammar by a cast of former students, involves contestants with little or no cooking experience competing to impress the judges with dishes from around the world.

The first series, released last year via a Youtube channel, features Thanet students, teachers and a guest judge – Marc Campos of Ramsgate’s Marc-Pierre’s Kitchen behind and in front of the camera.

The first series garnered enthusiastic audiences, prompting plans for a larger second series.

Producer Sid Britton, 18, said: “Me and some school friends got together to do the first season, released on YouTube last December, as a passion project that allowed us to express our creativity and our affection for the production, and we look forward to continuing the show for a second season, using a crowdfunding page to raise funds.

“The first season of ‘Xen’s Cooking’ was entirely funded out of the pockets of the cast and crew that made it.

“A second season would bring two new contestants into the kitchen to impress a new roster of guest judges with their minimal dining experience in a format similar to the first, but with a larger, more ambitious production.”

The small production team of 10-15 people are aged 18 or under and most are former Chatham and Clarendon students. The show created a “competition kitchen” in the school and was also a vehicle to promote local businesses. The team is currently working on securing Thanet sites and guest judges for the second series.

Sid said: “We started to think about who we would like to contact and we have many ideas planned. We would like to shoot in the summer so that it will be ready to be released by the end of the year.

The purpose of the fundraiser is to help finance the larger scale production with camera, lighting and sound equipment as well as pay the cast and crew behind it.

In the fundraiser, Sid says, “Having the money to spend to continue the project not only allows the next generation of filmmakers to have a hands-on experience on set that aims to be as professional as possible, but also provides the continuation of a series that entertained many with its first five episodes last year from a new perspective.

Find series 1 of Xen’s Cooking here (be aware that some swear words are included)

And find Xen’s Cooking on facebook here

Production Team and Executive Producers Announced for 74th Emmy Awards

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NBC and the Television Academy today jointly announced that Done+Dusted, in association with Hudlin Entertainment, will produce the 74th Emmy® Awards, scheduled for September 12 on NBC. Ian Stewart, Reginald Hudlin, Byron Phillips and Jane Mun will serve as executive producers for the three-hour, coast-to-coast live broadcast that begins at 8 p.m. ET / 5 p.m. PT.

Hamish Hamilton will lead for the fifth year.

A host and location will be announced later.

“For the past few years, we’ve been hoping to welcome everyone who makes live TV magic back into THE ROOM at the Emmys,” said Ian Stewart, president of Done+Dusted. “Fortunately, this year it looks like we can. Let’s celebrate the best of television together. It’s party time again!”

Hudlin added, “I’m so excited to be back at the Emmys with Done+Dusted. Television is now in its new golden age and celebrating its brilliance across all genres is so much fun to do.”

Jen Neal, Executive Vice President of Live Events for NBCUniversal Television and Streaming, said: “With quality television in abundance more than ever before, the Emmys have become the de facto awards where everyone feels they have a stake. and likes to root for their favorite shows.NBC is extremely proud to welcome the return of the 74th Emmy Awards and present a three-hour television show that will give audiences a glimpse into why this is truly a time without precedent – from what we watch, where we watch and how we watch – to television history.”

One week before the broadcast, the 2022 CREATIVE ARTS EMMY AWARDS will take place over two consecutive nights on Saturday, September 3 and Sunday, September 4. An edited presentation will air Saturday, September 10 at 8 p.m. ET/PT on FXX.

The Television Academy seeks to broaden the horizons of television excellence. It strives to empower the storytellers who shape the evolving television space through the programs, publications, and events of the Academy and its Foundation. And it celebrates those who have led excellence by recording their stories and recognizing their accomplishments with accolades and awards, including television’s most coveted award, the Primetime Emmy® Award.

Production company disputes Nadine Dorries’ claim on fake Channel 4 reality show | Nadine Dorries

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Nadine Dorries’ claim that a Channel 4 reality show in which she appeared on second-hand paid actors is “baseless”, according to the production company that made the show.

The culture secretary told parliament on Thursday she believed the 2010 show Tower Block of Commons, in which she was one of many MPs who went to live in deprived communities, used paid actors to play so-called real people.

His request is of deep concern to Channel 4, as Dorries is currently trying to push through the privatization of the public but commercially funded broadcaster. Any suggestion that a show she appeared on might have been faked could have serious consequences for the broadcaster’s future.

Dorries told the Culture Selection Committee on Thursday that she believed the show had hired paid actors for the program. In the reality show, Dorries was sent to live on the estate in South Acton, west London, sparking a minor scandal when it was revealed the MP had smuggled in a £50 note, which , according to her, was intended to buy presents for the children of her hosts.

She told Parliament she believed the hosts had been planted by the show’s producers.

“I found out later that they were actually actors,” she told deputies.

“The parents of the boys in this program actually came here to have lunch with me, and contacted me to say, in fact, that they were in drama school, and that they didn’t really live in an apartment, and they weren’t real. And even, if you remember, there was a pharmacist or someone I went to see who was preparing food – she was also a paid actress.

Love Productions, which made the program and also does The Great British Bake Off, said it believed its claim was false but pledged to investigate if the Culture Secretary had any evidence.

A spokesperson said: “Love Productions does not use actors to impersonate contributors in any of its constructed documentary or factual series. Nadine Dorries was involved in the making of Tower Block of Commons for Channel 4 at alongside other genuine contributors, and we are convinced that his claims are unfounded.

“However, we take the allegations seriously and will investigate thoroughly. We are also awaiting Nadine Dorries’ response to Channel 4’s request for evidence to back up her claims.

Dorries told parliament that Channel 4 would be privatised, despite widespread opposition from the media industry.

Channel 4 also pushed back hard against some of its other evidence at the select committee, including its claim that the broadcaster is not invested in the government’s upgrade program and its suggestion that Channel 5 spend more on commissioning regional.

Optiminastic Media Launches OTT Production House 4Dots Production

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Optiminastic Media launched 4Dots Production, an OTT production house. With this launch, the company aims to capitalize on the growth in the OTT digital streaming sector. Additionally, the launch of 4Dots Production marks Optiminastic Media’s foray into the digital entertainment industry. 4Dots Production will work closely with OTT, digital and social media platforms to create web shows for millennials in India and globally.

The OTT sector in India and globally is full of opportunities and with this in mind, and with the intention of being a part of this sector, we have launched 4Dots Production as a production house that will create shows specifically for OTT and digital platforms, Akshae Golekar, Founder, Optiminastic Media said. “There is currently a lack of production houses creating such content and we believe that with the right partners on our side, we can bridge this gap. We have partnered with talented people and will work closely with them as we begin this new adventure,” he added.

According to the company, 4Dots Production will bring together professionals from the entertainment space and aim to create a concept-driven project that targets the millennial consumer. “4Dots Production seeks to fill existing gaps in the current ecosystem with content, creating new opportunities and engagement techniques for brands and platform custodians. For its debut project, 4Dots Production has partnered with director Arbaaz Afzal, DOP Nawaraj Thapa, executive producer Ganesh Kharal, associate director Aradhya Mahashilkar and writer Siddharth Goyel,” the company said.

Optiminastic Media offers services in performance marketing, content marketing and influencer marketing. The agency has worked with brands such as Nykaa, CoinDCX, Runwal, Bata Nepal, Aviva Life Insurance, OYO, Sesa Hair Oil, MX Player among others for their digital campaigns. Optiminastic Media has offices in Mumbai and Dubai and recently launched Click2Collab, a global influencer marketing platform.

Also Read: Chemin Esports Appoints Himanshu Chandnani as Marketing and Talent Consultant

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Virtuos acquires art production studio Glass Egg

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Virtuos announced the completion of the acquisition of Glass Egg Digital Media, an arts production company based in Vietnam.

The Ho Chi Minh-based company specializes in 2D and 3D art services, including concept design and 3D vehicles. He has contributed to several AAA titles such as Call of Duty: Modern Warfare, Marvel’s Spider-Man and Demon Souls.

Glass Egg employs 400 people, bringing Virtuos’ Vietnamese workforce to over 1,000 in total. Virtuos aims to increase that figure to 1,500 employees and is expected to open another studio in Vietnam in June to support its expansion there.

As part of the acquisition, Glass Egg will rebrand itself as “Glass Egg – a Virtuos Studio” but will continue to operate independently, with CEO Phil Tran and CFO Steve Reid remaining in their respective roles.

Terms of the agreement were not disclosed.

“We are delighted to welcome the Glass Egg team to the Virtuos family,” said Gilles Langourieux, CEO of Virtuos. “With its strong brand equity, coupled with its significant and long-term local operations, Glass Egg demonstrates excellent synergies with Virtuos, and we look forward to leveraging our combined expertise to reinforce our commitment to excellence.”

Glass Egg CEO Tran added, “We are honored to be part of an industry stalwart, Virtuos. It means our staff will have the opportunity to expand their skills and undertake a wider range of projects, which will also benefit our customers. With the support and resources of Virtuos, we are motivated to contribute significantly to the industry in its next phase of growth.”

In January, Virtuos also acquired Ukrainian art production studio Volmi Games.

Christine Quinn claims the Selling Sunset production team manipulates women

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When Christine Quinn joined Alex Cooper on his infamous and candid ‘Call Her Daddy’ podcast, fans knew they were in for an explosive treat – but no one could have predicted the bombshells she dropped. Christine opened up about everything from Chrishell Stause and Jason Oppenheim’s “opportunistic” relationship to her departure from the Oppenheim band. But what really shocked people were his comments about what it was like to work with infamous “The Hills” producer Adam DiVello.

Quinn accused DiVello of being “sick” while revealing that he had received numerous complaints about his behavior. The actress shared her own shocking experience: “He actually told me to go fall down the stairs and kill myself at some point.” She added: “He was threatening me and yelling at me. There were other people around, witnessing this.”

According to Quinn, she got into it with DiVello after accusing producers of using “editing magic” to encourage false storylines at her expense. “He basically scolded me for being too honest and I said, ‘This is my real life and that didn’t happen and you know that’, to which he was yelling and yelling at me,” she asserted. The realtor said he filed multiple complaints against DiVello.

As for Quinn’s allegations that the cast was manipulated by production, she shared an important note: “It’s a male-dominated industry in production where they manipulate the women. They harass them. They mentally torture them and intimidate them.”

Virtuos acquires art production studio Glass Egg

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Virtuos announced the completion of the acquisition of Glass Egg Digital Media, an arts production company based in Vietnam.

The Ho Chi Minh-based company specializes in 2D and 3D art services, including concept design and 3D vehicles. He has contributed to several AAA titles such as Call of Duty: Modern Warfare, Marvel’s Spider-Man and Demon Souls.

Glass Egg employs 400 people, bringing Virtuos’ Vietnamese workforce to over 1,000 in total. Virtuos aims to increase that figure to 1,500 employees and is expected to open another studio in Vietnam in June to support its expansion there.

As part of the acquisition, Glass Egg will rebrand itself as “Glass Egg – a Virtuos Studio” but will continue to operate independently, with CEO Phil Tran and CFO Steve Reid remaining in their respective roles.

Terms of the agreement were not disclosed.

“We are delighted to welcome the Glass Egg team to the Virtuos family,” said Gilles Langourieux, CEO of Virtuos. “With its strong brand equity, coupled with its significant and long-term local operations, Glass Egg demonstrates excellent synergies with Virtuos, and we look forward to leveraging our combined expertise to reinforce our commitment to excellence.”

Glass Egg CEO Tran added, “We are honored to be part of an industry stalwart, Virtuos. It means our staff will have the opportunity to expand their skills and undertake a wider range of projects, which will also benefit our customers. With the support and resources of Virtuos, we are motivated to contribute significantly to the industry in its next phase of growth.”

In January, Virtuos also acquired Ukrainian art production studio Volmi Games.

Ballistic is hiring a production team leader

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Ballistic Beer brews beer at several Queensland homes, but much of it is brewed in Salisbury.

If you want to join them in this brewery, they hire a production team leader.


Job Description: Production Team Leader

Ballistic Beer is a multi-award winning brewery with five home locations across Queensland. We are passionate about crafting and delivering the best possible beer experience for everyone, regardless of taste, knowledge and preference or style.

We promote our core values ​​at every opportunity – Fostering community, striving for quality and excellence, striving for continuous improvement and always ensuring care, acceptance and respect.

We are a young company working in the dynamic brewery and hospitality industry and believe that beer is the best drink in the world! It encourages conversation, nurtures community and fosters collaboration.

About the role

The ideal candidate will have worked in breweries in the brewing and quality departments and will be looking to progress into a supervisory role within a brewery.

The Brewery Production Team Leader reports to the Head Brewer and plays a “hands-on” role encompassing the day-to-day management of the performance of the brewery and the brewery team, as well as the operational duties of the brewery, at the need.

Brewery operational tasks

  • Wort production
  • Washing and filling of barrels
  • Help in the packaging line
  • Fermenters CIP and BBT
  • Filtration
  • Dry Hopping
  • Cultivation, storage and inoculation of yeast

The main functions of this role include:

  • Supervise and develop a small team of brewers
  • Work with the Quality Manager to oversee quality control, lab and cleaning
  • Regular maintenance of the brewhouse and other brewery equipment
  • Assistance in the development of new products
  • Participate in marketing activities as required including events and trade shows/festivals etc.

The candidate will be able to demonstrate the following:

  • The love of quality beer
  • The ability to lead a team
  • Minimum 3 years of experience in a production brewery
  • Strong technical knowledge of brewing, packaging, brewing and sensory science
  • A mechanistic nature
  • Well-developed communication skills
  • Current Australian driving license
  • QLD and RSA forklift license preferred

A beer related qualification or relevant tertiary/commercial experience will be highly appreciated.

This is a full-time position based at our Salisbury brewery.

To apply, please send a copy of your CV to: [email protected]

For more information, please call Kerie Obrien on 0408 275 807.


Revealed! Reason why Anushka Sharma left her production house

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Bollywood has many actors and actresses who have their own production house. In 2013, actress Anushka Sharma and her brother Karnesh Sharma launched their own production house. The name of the brother-sister duo’s production house is ‘Clean Slate Filmz’ which has produced numerous films under its banner. The honor killing action thriller ‘NH10’ was the first film to be produced under the production’s banner. The film cast Anushka Sharma in the lead role. Anushka played a fierce and independent woman who rises against all odds to get revenge for her husband’s death.

In a few years, the production house has produced many movies and web series like Paatal Lok, Bulbul and Pari. In March 2022, the actress left her co-owned production house. Speaking about why she left the production house, she said, “My industry is all about ‘running, running, running – it’s a frantic race, and you just have to be part of it. But I’m more than a rat in a frantic race. I want to enjoy my life. I love acting in movies, I love being in a room full of creative people, discussing ideas, finding ways to make a scene and thinking about audience reaction. It is so nice; I never want to give it up. That’s why I had to make a sacrifice”.

“The production is a 24/7 job, which of course I really liked. I know the vision I have for the company is the same as my brother’s, and I know that vision will be maintained. What we wanted to do is create shows and movies without clutter, with content, and promote new talent – ​​we will continue to do that,” she concluded.

Meanwhile, after Anushka’s voluntary exit, Clean Slate Filmz’ first release is the family thriller series “Mai” on Netflix. The series stars Sakshi Tanwar, Wamiqa Gabbi, Vivek Mushran, Raima Sen and Prashant Narayanan in key roles.

Must Read: Cannes 2022 Day 1 – Tamannaah Bhatia to Urvashi Rautela, Best Dressed Actresses

Production studio Lionsgate expected to create 600 jobs in New Jersey’s largest city

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New Jersey’s biggest city is about to get cinematic attention, and it’s going to need a big crew to keep it afloat.

Newark Mayor Ras J. Baraka and Governor Phil Murphy recently announced that Lionsgate will open a brand new 12-acre television and theater complex in Newark, valued at over $125 million.

The facility will be the first “purpose-built studio” in New Jersey to cater specifically to television and film production, according to Release of Mayor Baraka. The studio is also expected to create more than 600 new jobs, with priority going to Newark residents.

“The completion of a project of this magnitude in Newark is a monumental victory for our city,” said Mayor Baraka. “It will bring hundreds of new jobs, create new educational opportunities for our students, and invigorate the revitalization of the South Ward.”

The project is the result of a partnership between Great Point Studios and the New Jersey Performing Arts Center (NJPAC), which will manage the installation. The complex will also offer educational programs and internships for Newark high school and college students.

“The introduction of Lionsgate Newark Studio not only promotes the economic vitality of our state, but also provides good jobs and access to opportunity for all members of the South Ward community,” Governor Murphy said.

The location in the South Newark neighborhood was chosen for its proximity to Newark Liberty International Airport, the Port of Newark, NJ TRANSIT, the PATH system and several major highways. The facility is expected to open in late 2024.

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Dhanush’s production house’s YouTube channel hacked; later restored | Tamil Cinema News

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Major news shocked Dhanush fans on Tuesday, May 17, after the video for the song “Rowdy Baby” was removed from YouTube. According to reports, Dhanush’s production house’s YouTube channel was hacked and Sai Pallavi and Dhanush’s song, which had over 1 billion views, was removed from the channel.

The production house taking to Twitter via Digital Media Production said Wunderbar Films’ YouTube channel had been hacked and would be recovered. The statement reads: “Today, early morning, @wunderbarfilms_youtube channel has unfortunately been hacked and will be recovered shortly. @YouTubeIndia is assisting us in the process.”

Later, the production house announced on May 18 that his account had been restored.

The production house is owned by Dhanush and it was launched in 2010. Aishwaryaa Rajinikanth and Dhanush started the company together when she made her directorial debut in Tamil cinema with the movie ‘3’ starring Dhanush and Shruti Hasan. After ‘3’, the company produced hit hits like ‘Ethirneechal’, ‘VIP’, ‘Naanum Rowdy Dhaan’, ‘Kaala’, ‘Vada Chennai’, ‘Maari’ and ‘Maari 2’.

On the work side, Dhanush is awaiting the release of his film “Thiruchitrambalam” which is scheduled for theatrical release in July. Following this, he also has “The Gray Man” which will be released on OTT. Dhanush is currently filming for the Tamil-Telugu bilingual film ‘Vaathi’ which is being directed by Venky Atluri after completing his filming schedule for ‘Naane Varuven’ which marks Dhanush and Selvaraghan’s collaboration after a decade.

[Mise à jour]Kim Sae Ron Arrested For Drunk Driving + Upcoming Dramas Agency And Production Team To Share

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[Mise à jour]Kim Sae Ron Arrested For Drunk Driving + Upcoming Dramas Agency And Production Team To Share

Updated on May 18 KST:

Kim Sae Ron’s GOLDMEDALIST Entertainment agency has provided an update following the announcement of his recent DUI (driving under the influence).

Read the statement below:

Kim Sae Ron took a blood test for accurate results, and after the test, she was escorted home by her guardian without further investigation.

The blood test results will be available in two weeks, and Kim Sae Ron will faithfully respond to police questioning afterward.

The production team of the upcoming Netflix series “Hunting Dogs” (literal translation) which Kim Sae Ron is a part of also commented, “We are currently in the middle of filming. The filming schedule will be adjusted and the public schedule will be announced as soon as possible. that it will be organized after an in-depth discussion.

Origins (1) (2)

Original post:

Kim Sae Ron is being investigated for driving under the influence of alcohol.

On May 18, a source from Seoul Gangnam Police Station said, “Kim Sae Ron was charged with drunken driving this morning.

According to reports, Kim Sae Ron was driving around 8 a.m. KST in the Cheongdam District of Gangnam this morning when she crashed into a structure. The police measured his blood alcohol level at the scene of the incident, but Kim Sae Ron wanted a blood test done, so they went to the hospital.

The source continued to share, “Once the blood has been drawn, we will have the National Forensic Service check the blood alcohol concentration.”

In response to the initial reports, a representative from Kim Sae Ron’s GOLDMEDALIST Entertainment agency stated that they are verifying the information.

Source (1) (2)


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A major new television and film production studio is being built in Newark, NJ

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Light, camera, action!

Plans have been announced to build a major new film and television production facility in Newark between Weequahic Park and Newark Liberty International Airport.

Gov. Phil Murphy, who signed legislation four years ago reinstating New Jersey’s movie tax credit program, noted that Thomas Edison invented the movie theater in New Jersey.

“We are not only committed to making film and television production a critical driver of our economy, we are actively restoring our historic location to a world-class location,” he said Tuesday.

Great Point Studios, a studio investment and management firm specializing in film and television infrastructure, and the New Jersey Performing Arts Center are partnering with global content company Lionsgate on the project.

Rendered courtesy of HLW

Rendered courtesy of HLW

An economic engine for NJ

The governor said the Garden State surpassed $500 million in film and television production investments last year, a total that is expected to continue growing.

“We are committed to working with the industry to ensure mutual growth and benefit,” he said.

He noted that the Newark project will create “several hundred new long-term jobs, with priority, I might add, for Newark residents, and an annual revenue impact expected to exceed $800 million.”

He said there is a huge demand for large sound stages in the Northeast, due to the way TV and movies are filmed.

“We get weekly calls from production teams asking not only about our incentive programs, but also where there might be potential studio space,” he said.

Rendered courtesy of HLW

Rendered courtesy of HLW

The governor said New Jersey offers diversity, great union talent and great incentives, and several more production studios are being built in New Jersey, including a huge one set to be built in Bayonne.

“Film production frankly becomes our ‘if we build it, they’ll come a while.'” Newark and New Jersey are each ready for our big shot.

Newark Mayor Ras Baraka described the project as a “monumental victory” for his city, noting “it will bring hundreds of new jobs, create new educational opportunities for our students, and reinvigorate the revitalization of the South Ward.” .

Rendered courtesy of HLW

Rendered courtesy of HLW

A unique partnership

Great Point Studios will own the 12-acre, 300,000-square-foot modern full-service entertainment complex.

The facility will be built near Newark Liberty International Airport and operations are expected to begin in late 2024.

It will include production stages ranging from 20,000 to 30,000 square feet, offices, support space and parking for 400 cars and 65 trucks. The facility will offer a full suite of on-site production services, including grip and electrical, equipment, props, set construction, restaurants, on-site catering, cleaning service and security.

NJPAC will manage public affairs and community relations for the studio and create educational programs and internships for Newark high school and college students.

Lionsgate will receive naming rights for the studio.

David Matthau is a reporter for New Jersey 101.5. You can reach him at [email protected]

Click here to contact an editor about a comment or correction for this story.

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NHL sets up new production studio at Hudson Yards NYC headquarters for Stanley Cup Playoffs

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The facility is deployed during the playoffs to Stanley Cup Stories and Third period live

As the NHL drops the puck in the second round of the Stanley Cup playoffs tonight, the league is flexing its production muscle with a new state-of-the-art studio at its new headquarters at One Manhattan West. The studio and accompanying control room, which launched this month for the Playoffs, is being used to produce the new Stanley Cup Stories YouTube digital series and will serve as the home of the new Third period live second-screen experience on YouTube from conference finals.

All photos by Melynda Pilon/NHLI via Getty Images

“It is a multi-faceted space that has been designed to be extremely flexible, which is required in today’s production world,” says Matt Celli, Vice President/Coordinating Director of NHL Studios, who oversaw the project. “We can do a traditional sports show or we can do a social media stand-up type show. Whatever the type of content, we can execute it in the look our content team wants. We also have state-of-the-art LED walls and state-of-the-art technology in the control room, so there’s plenty of [technological] firepower.”

The studio space, designed by Jack Morton Worldwide and manufactured by Black Walnut, features a 12 x 7 ft. LED display, five 65-inch vertical screens. LED screens and 12 walls of horizontal monitors. The NHL deployed two Panasonic PTZ box cameras and two other Panasonic robots on the ceiling (two Panasonic flypack robots are also used around the building). The new space also includes a Telemetrics OmniGlide robotic pedestal that allows new looks to be added to the screen and a wide range of possibilities for making creative use of the space.

“We seek to do our best to be credible in the content world,” says Celli. “We wanted to create a flexible space that looked great that could be broadcast but also could really turn heads and open eyes in the digital space.”

The SMPTE ST-2110-based installation was integrated by NEP and is built around an EVS Dyvi software-defined production switch and a Lawo IP router. Other key equipment includes the 12-channel EVS XS replay server (eight inputs/four outputs), two Ross Xpression CG/graphics systems (four output channels total), and Clear-Com intercoms.

“This [facility] is skinny and mean,” Celli says. “We have three or four people managing everything here compared to a traditional production environment, which would require more than 10 people. It’s thanks to the advanced technology we have in the control room, which provides a lot of [automation] and streamlines workflow.

In addition to the studio, the NHL has built more than half a dozen full editing suites (along with thin clients that allow users to edit at their desks), as well as several audio and graphics mixing rooms to service NHL Studios and NHL Original Production Teams.

“First and foremost, everything here is spoken. Right now I can log into an editing room and watch an edit happen live,” NHL Chief Creative Officer/EVP Steve Mayer said of the new production plant. “The connectivity in this building is amazing, but we’ve also kept the connectivity to people’s homes. Whether you’re in the office, at home or on the go, you always have access to everything.

The studio debuted for production Stanley Cup Stories, a VOD series streaming exclusively on YouTube every Thursday at 4 p.m. ET featuring the best content from teams across the league.

The next step will be Third period live, which will be uploaded exclusively to YouTube at the start of the third period for each game beginning with the Conference Finals. The show will serve as a complementary experience to the linear broadcast and will feature a more casual and conversational format. Additionally, the show will seek to engage more deeply with the NHL fanbase using chat clients available through YouTube.

“We want to create a sense of community where fans can come and have fun with each other and engage with the host as well,” says Mayer. “You should feel like you’re sitting in your living room or in a sports bar with a group of friends.”

He adds that Third period live will feature a strong integration of puck and player tracking, as well as a game component showing live odds and predictions. Similar to ESPN’s Manningcast and a cavalcade of other alternative presentations these days, Third period live will also feature celebrity guests brought on the show remotely.

Third period live will be broadcast live exclusively on YouTube as part of the NHL’s goal to bring more live content to the platform.

“We really want to deepen the YouTube space and create a community on YouTube where our fans can go and enjoy the live content we create,” Mayer says. “It’s something we haven’t done in the past: a feature-length show created specifically for this platform. We think there is definitely a future in this.

Production company NI wins commission for Britain’s most expensive homes from Channel 4

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Channel 4 has commissioned another series chronicling the sale of some of Britain’s most expensive homes, produced by Waddell Media in Co Down.

ameras will follow the process of selling a new batch of multi-million pound homes and ‘high net worth’ individuals buying into Britain’s most expensive homes.

The channel ordered eight-hour programs, double the previous order of eight half-hour programs.

Holywood-based Waddell Media has teamed up with luxury UK estate agency Sotheby’s International Realty to produce the series.

“This glossy documentary series will give viewers fascinating insight into the most incredible properties on the market while offering unique insight into the glamorous lifestyles of ultra-wealthy buyers and sellers,” according to Waddell Media.

“Each episode will feature multiple properties including one valued at over £20million and much of the show will be dedicated to the property journeys of the HNW (high net worth) people featured.”

Channel 4’s Jasper Hone said: “We are delighted to be working with Waddell Media and UK Sotheby’s International Realty on another series of Britain’s most expensive homes, allowing us all to take a look at the interior of the extraordinary and extravagant homes of the super-rich”.

Jannine Waddell, Managing Director of Waddell Media, added: “We are absolutely delighted to be commissioned by Channel 4 again for an outstanding series from Britain’s most expensive homes. This exclusive access-focused series will showcase the UK’s most incredible homes, from castles to country estates. to London penthouses; all with exorbitant price tags. »

Waddell Media is among independent production companies in Northern Ireland that have said they fear losing out if the privatization of Channel 4 goes ahead.

The channel does not produce its own programmes, but commissions them exclusively from independent companies – an economic model which could change in the event of privatization.

Gameloft opens a new production studio in Paris

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Over the years, Gameloft played a key role in the mobile games market. The French video game publisher presented us with incredible titles like the Asphalt series, Six Guns, Sniper Fury, Gangstar Vegas, and much more. Gameloft is now adding another new studio in Paris, the French capital, it will be the company’s 18th studio in total.

Gameloft’s new Parisian studio will work on a new free-to-play game

Over the past few years, Gameloft has been actively working to leverage the company’s expertise in free-to-play games, and to do this, Gameloft has been working on a new title which they describe as “an action and sports oriented experience for multiplayer and crossplay.”

The new studio in Paris will focus primarily on this title and will be led by Gameloft’s studio director, Julien Billard. The new title Gameloft is working on will supposedly be released on both PC and console, the new studio will be located close to the existing Gameloft and will employ up to 30 people by the end of this year.

Gameloft can benefit from the support of the French government

It comes as French President Emmanuel Macron, in his presidential election campaign, said he wanted to do “France the land of video games“, including a hub for game development and esports. CEO of Gameloft Stephane Roussel says the company is definitely international and multicultural but the roots are in France.

We are delighted to be able to contribute to the development of this flourishing industry in the French market and to offer new opportunities to talents thanks to the opening of this new studio in the heart of Paris.

Stéphane Roussel, CEO GAMELOFT

With the game industry growing rapidly across the globe, there is a need for businesses to build more infrastructure and hire more staff to meet the needs of this massive consumer base.

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“I am more than a rat in a frantic race”

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Anushka Sharma leaves her production house: “I’m more than a rat in a frantic race”

Anusha Sharma opens up about her decision to leave her production and distribution company Clean Slate Filmz in a recent interview.

Speaking to Harper’s Bazaar, the Zero actress explained her decision, saying, “My industry is ‘running, running, running, it’s a frantic race,’ and you just have to be a part of it. But I’m more than a rat in a frantic race.

“I want to enjoy my life. I love acting in movies, I love being in a room full of creative people, discussing ideas, finding ways to make a scene and thinking about audience reaction. It is so nice; I never want to give it up. That’s why I had to make a sacrifice,” she added.

The 34-year-old added: “The production is a 24/7 job, which of course I really appreciated. I know that the vision I have for the company is the same as the one of my brother, and I know that vision will continue.

Concluding his statement, Sharma noted, “What we set out to do, create shows and movies without clutter, with content, and promote new talent, we will continue to do.”

The actress announced in March 2022 that she was stepping down from her production business which she started with her brother Karnesh Ssharma in 2013.

She wrote in an Instagram post: “I have decided that whatever time I have I will devote to my first love, acting! Therefore, I have decided to retire from the CSF, convinced that the most capable person, Karnesh, advances the vision with which it was created in the first place.

A production company in Thorpe launches a new project

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A Thorpe-based PRODUCTION company has been inspired by winning a coveted award to start a new film project.

Longhurst and Putt Productions was stunned when its film Lucas and Albert beat out Hollywood blockbusters like 1917 to win Best Feature at the 2021 National Film Awards.

Today, Anthony Longhurst is not resting on his laurels and is working hard to produce his next project.

He said: “As for Lucas and Albert, when they announced that we had won, everything happened in slow motion, I was totally speechless.

“Initially when we were nominated I called the National Film Awards because I thought it was a hoax.

“When we won, hardly anyone knew about us or the movie.

“Next time we want a bigger budget to involve more people in the area.”

Lucas and Albert was written by Longhurst and his collaborator Robert Putt, it follows two aging hitmen who are forced to do one last job.

In the film, the two main characters are responsible for guarding a house.

Longhurst and Putt’s latest project, Babysitters, is about what happens in this house.

Anthony added: “I wouldn’t say it’s a sequel but more of a ‘match’ as ​​the two films are linked.

“The babysitters will be told through flashbacks and talk about friendship, loyalty and the ugly case of the crime.

“Gangsters shouldn’t be worshiped by heroes and they usually endanger innocent people who end up losing more than just their freedom.”

People who are victims of their environment is a very important subject for Anthony.

He starred in hit shows like Eastenders, The Bill and London’s Burning, but witnessed hardship growing up in the East End before moving to Thorpe.

Anthony said: “Sometimes working class people don’t have a chance.

“I didn’t know anyone who had gone to college when I was growing up.

“Now you see people like Gary Oldman and Danny Boyle coming to North Essex, so hopefully we can take advantage of that and energize the area.”

Filming for Babysitters is set to begin in early 2023. For more information, visit bit.ly/3l9dqtI.

Viacom18 Studios Partners with Taapsee Pannu Production House for Dhak Dhak Starring Fatima Sana Shaikh, Ratna Pathak Shah, Sanjana Sanghi and Dia Mirza : Bollywood News

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Viacom18 Studios and Outsiders Films Productions in association with BLM Pictures announce their new film Dhak Dhak. The studio behind powerful narratives and strong female characters of Kahaani, Queen, Mary Kom for Padmaavat has now teamed up with Outsiders Films to bring you the compelling story of four women and their life-changing journey to the highest motorable pass in the world.

Viacom18 Studios Partners with Taapsee Pannu Production House for Dhak Dhak Starring Fatima Sana Shaikh, Ratna Pathak Shah, Sanjana Sanghi and Dia Mirza

Commenting on the association, Ajit Andhare, COO, Viacom18 Studios says: “Dhak Dhak is a touching story of four women who embark on a journey emerging from their cocoons and discovering themselves through this journey of introspection and adventure. It was the perfect script and resonates well with our storytelling DNA.

The film stars Fatima Sana Shaikh, Ratna Pathak Shah, Dia Mirza and Sanjana Sanghi as the protagonists. Dhak Dhak, is co-produced by Taapsee Pannu, Pranjal Khandhdiya and Ayush Maheshwari. The film is co-written by Parijat Joshi and Tarun Dudeja and directed by Tarun Dudeja.

Viacom18 Studios Partners with Taapsee Pannu Production House for Dhak Dhak Starring Fatima Sana Shaikh, Ratna Pathak Shah, Sanjana Sanghi and Dia Mirza

Producer Taapsee Pannu says, “At Outsiders Films, we aim to produce films that are meaningful and entertaining. We tried to give the audience a visual experience they have rarely seen on screen. Dhak Dhak tells the story of four women who realize that freedom is to be possessed and never given. Viacom18 Studios has been a crucial part of my journey in the film industry since Chashme Baddoor, Shabaash Mithu and now to Dhak Dhak. With Viacom18 Studios and Ajit, we have a partner who has a great vision of differentiated cinema. I’m sure this ride will be rewarding.

Producer Pranjal Khandhdiya adds, “Partnering with Viacom18 Studios is an important milestone for Outsiders Films as we embark on a new journey and bring back the best of big screen experiences for audiences. Dhak Dhak is a first-of-its-kind story about four strong characters and a memorable bike ride through scenic locations. Dhak Dhak is sure to captivate our audience.

The film is currently in production and will hit screens in 2023.

READ ALSO: Dobaaraa by Anurag Kashyap with Taapsee Pannu will be released on August 19

More pages: Dhak Dhak Box Office Collection

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Film production team Go-Forth Pest Control ranks in top 2022 Hermes Creative Awards competition

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Greensboro, NC, May 15, 2022 — (PR.com) — Out of more than 6,500 submissions across the United States and dozens of other countries, Go-Forth Pest Control was named a Platinum and Gold winner in the Hermes Creative 2022 International Awards Competition. The Hermes Creative Awards recognize outstanding work in the industry while promoting the philanthropic nature of marketing and communications professionals.

Hermes Creative Awards is an international competition for creative professionals involved in the concept, writing and design of traditional and emerging media. Hermes Creative Awards is administered by the Association of Marketing and Communications Professionals (AMCP). The international organization is made up of several thousand marketing, communications, advertising, public relations, digital and independent media production professionals. The AMCP oversees awards and recognition programs, provides judges, and rewards outstanding achievement and service to the profession.

“We are thrilled to celebrate the impressive achievements of our 2022 Hermes Creative Awards,” said Devin Forbes, Go-Forth’s Director of Photography and Content Strategist. “I am extremely grateful that our marketing department understands that it is extremely important that our company has a deep and tactile experience in the world of cinema. The fact that Go-Forth has achieved this recognition speaks volumes about our commitment to providing great content not only to the company, but also to our customers.

Being a Platinum or Gold winner is a tremendous achievement symbolized by the meticulously detailed Hermes Platinum and Gold awards. About 17% of the entries won Platinum, the highest award, and about 20% the Gold Award.

Go-Forth Pest Control received awards for the following entries:

Entry Title: “The Go-Forth Machine” Category: Electronic Media / Social Media / Interactive Media | Video | 156. Corporate Image Award: PLATINUM

Entry Title: “Insectorcist” Halloween Promo Category: Electronic Media / Social Media / Interactive Media | Video | 166. Marketing (Service) Award: PLATINUM

Listing Title: NC Fusion U23 2021 Season Promotion Category: Pro Bono Award: Gold

Entry Title: “Cover the City” Community Spotlight Category: Pro Bono Award: Gold

Go-Forth Pest Control, founded in 1959 in High Point, NC, has additional branches in Lake Norman, Charlotte, Raleigh, Columbia, SC and Richmond, VA. It is a third generation family business. Go-Forth’s mission is to be people-focused in all that they do, and by holding themselves accountable to the highest standards of service and professionalism, they will drive the growth of their team and their business. Go-Forth is committed to being a modern, innovative industry leader with the personal touch of a local family business. Go-Forth is home to seven NC Statewide Technicians of the Year. The company is also a winner of the Family Business Award, Triad Best Places to Work, PCT Top 100, Triad Fast 50 and one of Inc’s fastest growing companies. Magazine in America. For more information please visit http://Go-Forth.com.

Will ‘KGF 3’ soon be released on the courts? Production house Yash-starrer provides clarification

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Popular actor Yash is currently basking in the success of his film KGF: Chapter 2, which was directed by Prashanth Neel and made waves in the film industry. After the massive success of the film, there were online rumors that the next installment of the film, KGF 3 will hit the floors soon and fans were over the moon with the news. However, the makers of the film have now taken to social media to post a clarification on the matter.

KGF 3 going to the floors soon?

The news on KGF Chapter 3 being out in the world and hitting the floors quickly grabbed the headlines following the success of KGF 2. Hombale Films, which is the film’s production house, has now released a statement clarifying the news that has made the rounds. Karthik Gowda, the executive producer of KGF the franchise took to Twitter and mentioned that the news on KGF Chapter 3 is just “speculation”. He mentioned that the production house has many projects in the works and won’t be releasing KGF 3 “anytime soon.” However, he mentioned that when the movie was ready to air, they would make the announcement “with a bang.” He wrote, “The news circulating is just speculation. With many exciting projects ahead of us, we @hombalefilms won’t be launching #KGF3 anytime soon. We’ll let you know with a bang when we start working on it.”

‘KGF 2’ at the box office

The Yash starter has skyrocketed at the box office since hitting the big screens. The film became the third highest-grossing film of all time, as it fetched a whopping ₹1129.38 cr. It beat SS Rajamouli’s RRR, which also made waves at the box office. Prashanth Neel movie is also the highest grossing movie of 2022 so far and continues to break records. Outside of India, the film is also doing extremely well overseas and grossed a whopping ₹1169.71cr worldwide. Apart from Yash, the film also saw Sanjay Dutt, Raveena Tandon, and Prakash Raj playing pivotal roles in the film.

Image: Instagram/@alwaysramcharan

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‘Arrival’ Writer Eric Heisserer, VFX and Production Studio Luma Team for Ted Chiang Story ‘Division By Zero’ (Exclusive)

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Short story writer Ted Chiang and writer-producer Eric Heisserer are teaming up for the first time since their Oscar-winning collaboration, Arrival.

Heisserer produced the 1991 adaptation of Chiang’s story, Division by zerowhose rights have been scooped up by Luma Features, the longtime visual effects company now pushing development and production.

More from The Hollywood Reporter

Henry Dunham, who made his feature film debut at the 2018 Toronto International Film Festival with the well-received thriller The Impasse at Sparrow Creekwill write the screenplay by adapting the original work and will direct the project.

Heisserer will produce under his Chronology banner, alongside Luma’s Payam Shohadai, Grady Gamble and Kyle Franke. Carmen Lewis of Chronology will executive produce. Franke will oversee production for Luma, which will fund development and production.

Zerooriginally appeared in Full Spectrum 3 Charger, chronicles what happens when the math no longer matches, once a math teacher discovers that 1 = 0. The revelation upends the universal foundation of math and society and ultimately the foundation of her relationship with her husband .

“Ted’s writing resonates with me, compels me to revisit his stories regularly,” Heisserer noted in a statement. “Division by zero was among my favorites, but I didn’t see how it could live on as an adaptation until Henry and I talked about it at length as mutual fans. I’m so excited to collaborate with Ted again and see Henry’s vision for this moving story come to life with the creative support of the artists at Luma.

Luma is a 20-year-old creative studio that got its start in visual effects, most recently working on films such as Tomorrow’s War, King Richard and Shang-Chi and the Legend of the Ten Rings as well as in the live events space. He is now making inroads into his own productions and is currently in charge of his first original film, The silence of mercy. Made in partnership with The Blast List Productions, the film is directed by Floria Sigismondi (runaways, The Handmaid’s Tale) and stars Annabelle Wallis and Raffey Cassidy.

Division by zero is precisely the type of creative, ambitious, and deeply poignant film we aspire to make at Luma,” said the company’s Chief Development Officer, Kyle Franke. “We couldn’t be more thrilled to support the incredible talents of Ted and Eric, a combination that has already proven magical, and a talented and up-and-coming filmmaker like Henry.”

Heisserer is the creator of the Netflix fantasy series, shadow and boneas well as the author of the Netflix hit, bird box. It earned a nomination for Best Adapted Screenplay for Arrivalthe sci-fi thriller directed by Denis Villeneuve.

Dunham is replaced by UTA, Anonymous Content and Stephen Clark from Lichter, Grossman. Chiang is replaced by WME and Janklow Nesbit.

The best of The Hollywood Reporter

Click here to read the full article.

The production house reveals the truth behind the project

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Mumbai, first published May 13, 2022 at 7:34 am IST

The world of entertainment and cricket got a huge surprise when speculation about a Tamil collaboration between former Indian cricket captain Mahendra Singh Dhoni and Southern superstar Nayanthara started making rounds on Thursday. Although these rumors had been going on for a while, they gained momentum on Thursday when reports quoting a certain Sanjay began circulating.

According to reports, a man, named Sanjay, who claimed to have worked with megastar Rajinikanth, has alleged that MS Dhoni’s production house ‘Dhoni Entertainment’ will announce a big Tamil project soon. The fan further claimed that the production house is considering casting superstar Nayanthara for the lead roles.

ALSO READ: Nayanthara, Abushka Shetty, Rashmika Mandanna To Have Unsuccessful Marriage?

The man, Sanjay, also allegedly claimed that the news of the great Tamil collaboration between Nayanthara and MS Dhoni would only be announced after the end of the current Indian Premier League (IPL) 2022 season. Even as these claims were circulating, fans across the cricket and showbiz worlds had become very excited to see this great collaboration. However, their happiness was short-lived.

Shortly after these rumors surrounding Dhoni and Nayanthara’s collaboration, the former’s production house released a statement denying all claims. In an official press release, the production house of MS Dhoni said: “Dhoni entertainment is not currently working with anyone named Sanjay. these allegations of fraud. However, our team is currently working on a variety of exciting projects which we will soon share with all of you. Stay tuned and watch this space for more.”

Check their full statement here:

READ ALSO: Cannes 2022: Nayanthara, Pooja Hegde, Akshay Kumar, these stars to walk the red carpet

The rumors seemed to have accelerated, especially after Nayanthara’s filmmaker fiancé Vignesh Shivan was seen in a TV commercial with Dhoni. However, the statement from the production house has now cleared all air around the supposed Tamil project.

Last updated May 13, 2022 at 07:34 IST

Ed Helms Production Company Promotes Brett Harris to Vice President – Deadline

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Pacific Electric Picture Company of Ed Helms and Mike Falbo has promoted Brett Harris to vice president. Brett will continue to work on the company’s film, scripted and unscripted television, and podcast slates.

At Pacific Electric, Harris recently worked on True Story with Ed & Randall for Peacock. Prior to that, he was a producer on Aunty Donna’s Big Ol’ House of Fun for Netflix/Universal TV, which currently owns 100% on Rotten Tomatoes. On the feature side, Harris co-produced Coffee and Karim for Netflix in 2020 and related product Corporate animals and Ode to Joyboth released in 2019. He began his career as an assistant at Universal Pictures before joining Pacific Electric.

Founded by Ed Helms and Mike Falbo in 2012, Pacific Electric Picture Co. is a production company with a first deal with Universal Television. On the feature side, they produce Coffee and Karim for Netflix in 2020, directed by Michael Dowse and starring Ed Helms, Taraji P Henson, Betty Gilpin and David Alan Grier, and Corporate animals written by Sam Bain and directed by Patrick Brice, which premiered at the 2019 Sundance Film Festival.

Dubai firm joins ‘Abdelinho’ film production team

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How Bollywood expertise can cement cultural ties between Saudi Arabia and India

RIYADH: Film and entertainment collaborations are expected to play a crucial role in the promising new era of cross-industry cooperation between Saudi Arabia and India under their strategic partnership.

Barely four years after film screening resumed in the Kingdom, influential players in India’s multi-billion dollar film industry, better known as Bollywood, are being urged to seize the opportunities opening up in a rapidly evolving country that now aspires to be a world-class film hub.

The fact that India is a market with immense potential and the presence of a large Indian diaspora in the Kingdom make the nation of 1.38 billion people a natural partner for Saudi Arabia as it seeks to diversify its economy away from oil and towards the creative industries. , among other areas.

An agreement between Saudi sports authorities and the Indian Ministry of Ayush aims to promote the teaching of yoga in the Kingdom. (Provided)

“I see huge potential for future collaboration on film production and other cultural sectors between India and Saudi Arabia,” Saudi Culture Minister Prince Badr bin Abdullah bin Farhan wrote in an article. opinion piece for The Times of India newspaper on May 1, following a three-day visit.

“We have seen many synergies along the cinema value chain, such as co-producing family-oriented content, developing infrastructure and promoting local talent.”

As part of Saudi Arabia’s Vision 2030 social and economic reform program, the government aims to increase household spending on cultural and entertainment activities inside the Kingdom from 2.9% to 6%.

To achieve this, the Kingdom has generously allocated resources to the national film industry, as well as the opening of dozens of new cinemas, concert halls, sports arenas and recreational facilities across the country.

Having long enjoyed cordial diplomatic and trade relations with New Delhi, the Saudi authorities are now aiming to establish mutually beneficial ties with India’s highly successful Hindi film industry.

Last month, Saudi Culture Minister Prince Badr bin Abdullah bin Farhan met with Bollywood executives in Mumbai during a three-day visit to India. (Provided)

The Saudi Ministry of Culture established its dedicated Film Commission in February 2020 to help transform the Kingdom’s film industry into a major economic engine.

Existing collaborations with Bollywood have already increased the distribution and exhibition of Indian films in Saudi Arabia.

“Kaala”, a film by iconic Indian actor, producer and screenwriter Rajinikanth, became the first Indian film released in the Kingdom in 2018, while acclaimed Bollywood film “83” premiered at the International Film Festival. Red Sea movie in 2021.

Prince Badr also met Bollywood star Shah Rukh Khan in Mumbai. (Provided)

The potential returns from an expanded partnership are enormous. The global film and video market reached a value of nearly $234.9 billion in 2020, having grown at a compound annual growth rate of 2.4% since 2015.

The market is expected to reach $318.2 billion by 2025 and $410.6 billion by 2030.

“With India’s film industry being one of the largest and most famous in the world, and as Saudi Arabia aims to become a world-class film hub with an expected contribution of $6.9 billion to the GDP of the Kingdom by 2030, there are many opportunities for the film industries of both nations,” Prince Badr said.

Prince Badr also met Bollywood star Akshay Kumar in Mumbai. (Provided)

“From talent to production, distribution and technical know-how throughout the value chain, there are many areas where the two countries can collaborate and create content suitable not only for their respective countries. , but also to a global audience. ”

As Chairman of the Film Commission, Prince Badr led a Saudi delegation to India in April to discuss ways to expand cultural partnerships, particularly in the film industry.

The delegation included representatives from Film AlUla, a company established in early 2020 by the Royal Commission for AlUla with a mandate to promote filming in the historic AlUla region of Saudi Arabia and develop a film-friendly ecosystem to support filmmaking. productions.

The historic region of AlUla in Saudi Arabia attracts international film productions. (Provided)

During the Saudi delegation’s visit, Film AlUla representatives met with prominent Indian filmmakers including Shah Rukh Khan, Salman Khan and Akshay Kumar.

“India’s film sector is one of the best known and most successful in the world and during our recent visit we were delighted to meet many of the industry’s most famous individuals and entities,” Abdullah said. Al-Eyyaf Al-Qahtani, the Film Commission’s CEO, told Arab News.

“With our own film industry among the fastest growing in the Middle East and North Africa, we can learn a lot from Bollywood and provide opportunities for major Indian productions and companies in Saudi Arabia. We look forward to continuing to strengthen ties with India as the Saudi film sector reaches new heights, both at home and abroad.

India and Saudi Arabia have enjoyed decades of strong economic and socio-cultural ties since formal relations were established in 1947.

Existing collaborations with Bollywood have already increased the distribution and exhibition of Indian films in Saudi Arabia. (Provided)

These ties were cemented in the 1950s when King Saud and Prime Minister Jawaharlal Nehru exchanged visits – a cordiality that has continued to this day with similar visits from Saudi Crown Prince Mohammed bin Salman and India’s Prime Minister. Narendra Modi.

In the meantime, trade partnerships between the two nations have developed rapidly. In the financial year 2017-2018 alone, India-Saudi bilateral trade stood at $27.48 billion, up from $25.1 billion in the previous year, according to India’s Economic Times newspaper.

Plans to bring Bollywood to Saudi Arabia have been underway for several years. In February 2019, the Kingdom’s General Entertainment Authority signed two agreements with Indian companies pledging to organize a series of concerts featuring the best artists in Hindi cinema.

The deals were struck at the Saudi-India Forum in New Delhi during Crown Prince Mohammed bin Salman’s visit to India in 2019, when he considered over $100 billion in investment opportunities in India.

QUICKREALITIES

The film industry is expected to contribute $6.9 billion to Saudi GDP by 2030.

Indo-Saudi bilateral trade reached $27.48 billion in the financial year 2017-2018.

Saudi Arabia signed trade deals with India worth $100 million in 2019.

Significantly, the highlight of the final day of the Red Sea International Film Festival in Jeddah last December was the presence of a number of Bollywood celebrities, including Ranveer Singh and Deepika Padukone, who brought everything their glamor at the world premiere of the film “83.”

In comments to Arab News, Singh said, “I’m really happy to be here. This is my first time in Saudi Arabia. I’ve always been fascinated by Saudi culture and hope to get a taste of it tonight.

“83” was released in the Gulf region on VOX cinemas on December 23, a day before its worldwide release.

Bollywood celebrity Ranveer Singh at the Red Sea International Film Festival in Jeddah last December. (Provided)

“I think the opening that we Bollywood artists have in Saudi Arabia is a great opportunity to showcase the talents of these two beautiful countries,” said Abu Malik, an Indian singer and music manager based in Mumbai. , to Arab News.

“Many shows have been held in Saudi Arabia with immense success. I hope to have the opportunity to perform a musical show in Saudi Arabia soon.

The film industry is not the only area where the two nations have been keen to encourage collaboration. Along with strategic investments, emphasis has been placed on strengthening cultural ties.

For example, on June 21 last year, coinciding with International Yoga Day, the Leadership Development Institute of the Saudi Ministry of Sports signed a memorandum of understanding with the National Institute of Yoga Morarji Desai, an affiliate to the Indian Ministry of Ayush, to promote the teaching of yoga. in the Kingdom.

Acceptance of the physical and mental health benefits of yoga has been facilitated by the Kingdom’s burgeoning investment in sports and public health initiatives. (Provided)

The agreement paved the way for the establishment of formal yoga standards and courses in Saudi Arabia and for collaborations in research, education and training.

Yoga, originating in India, is a popular activity all over the world. In Saudi Arabia, acceptance of the physical and mental health benefits of yoga has been facilitated by the Kingdom’s burgeoning investment in sports and public health initiatives.

“Saudi Arabia’s Vision 2030 has a lot of potential and promise for creating a mutual cultural heritage between two nations that have rich histories and strong ties,” Shobhaa De, an influential columnist and Indian socialite, told Arab News.

Shobhaa De

De, who has written 22 books including ‘Bollywood Nights’, added: “Beyond Indian cinema, there is enormous potential to enrich the cultural landscape in deeply meaningful ways.”

For Riyadh as for New Delhi, the commemoration of 75 years of Indian independence is a valuable opportunity to reflect on past decades of strong economic and socio-cultural relations while looking to the future.

“India continues to be a market of great strategic importance to Saudi Arabia, and we are seeing a steady increase in opportunities for cooperation and knowledge sharing between the two nations, as well as synergistic investments for growth. mutual,” Prince Badr said in his speech. Publisher of the Times of India.

“Through consistent and meaningful engagement with government entities, strategic partners and wider participants in India, we look forward to strengthening this highly promising sector as we together shape a common future for our nations.”

CJ ENM To Open New Drama Production Studio In Japan With Naver’s Webtoon Service Wing

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[Courtesy of CJ ENM]

SEOUL – CJ ENM, a media company that created the Oscar-winning film ‘Parasite,’ will open a new drama production studio in Japan through cooperation with the webtoon service wing of South Korean web services giant Naver, in as part of efforts to establish a multi-studio system and strengthen global content competitiveness.

The new studio tentatively named “Studio Dragon Japan” will be set up by the end of June 2022 with a capital injection of 30 billion won ($23 million) from Naver Webtoon’s Japanese subsidiary, LINE Digital Frontier, and of CJ ENM with his drama production studio. “Dragon Workshop.”

CJ ENM said that its expertise in content development, financing, production and distribution will be combined with the intellectual property of LINE Digital Frontier, which is a popular digital cartoon platform in Japan.

Since the Japanese drama market is centered on domestic demand driven by terrestrial channels, it is rare to produce major online video service (OTT) dramas for fans around the world. CJ ENM aims to produce differentiated content from existing Japanese series in a short period of time using source IP from Naver Webtoon and LINE Digital Frontier.

Webtoon, also known as webcomics, is an online cartoon service. Naver Webtoon offers webcomics content in different languages. Popular digital comics have been recreated in various content, including games, TV series, and movies.

“Studio Dragon Japan will serve as a bridgehead for skilled creators in South Korea and Japan to interact, as well as a gateway to the global expansion of competitive content,” said Kang Cheol-gu, head of drama business at CJ ENM in Japan. in a statement on May 12. “We will produce premium dramas targeting various global OTTs and other new channels.”

Building on the growing popularity of its content, CJ ENM, together with twenty popular cable TV channels, launched an aggressive campaign for content production targeting the global market. The company has produced films and dramas based on Naver’s webtoons and web novels since its parent group signed a strategic partnership with Naver in October 2020.


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Exclusive: Film Soho to launch virtual production studio in central London

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Talent-led film and TV group Film Soho is set to launch the first virtual production studio in Soho, central London.

The permanent V-Studios facility is set to open later this year and will be based in Portland Mews Soho. It will include a 10m x 5m LED wall and will be powered by Extended Reality (xR) disguise technology, which blends virtual and physical worlds.

It is the latest of a number of new virtual production studios being built across the UK and around the world, as new technology allows filmmakers to use walls made up of LED panels which, at the using a game engine, display scenery and visual effects in real time, all directly on the board. Major movies and TV series using the technology include Disney’s The Mandalorianfox Avatar and those of Netflix 1899.

Film Soho’s V-Studios “will allow filmmakers to place actors in breathtaking, fully controlled virtual environments, without ever having to leave central London, and will feature 1.5mm pixel pitch, which which means productions will be able to get closer to the screen like never before,” Film Soho said in a statement.

The studios’ technology will also be able to provide other solutions, such as pre-visualization, virtual scouting, additional photography and feature film shots.

Nick Hamson and Chris Greenhill, Founders of Film Soho, commented: “Film Soho is delighted to launch the first ever virtual production stage in the heart of Soho at the end of this year. As a talent and production-focused company, it made perfect sense for us to integrate virtual production into our filmmaking offering. We are delighted to be able to showcase this incredible technology to the international film community at Cannes. »

Annabel Martin, Director of Operations, added: “We are on the verge of a huge change, altering cinema as we know it. We’re particularly excited about the preview, as it will really elevate and ultimately improve the content being created, while reducing the carbon footprint. It’s an extremely exciting time for us as a company to be involved in this new era of cinema.

Film Soho will premiere the technology in the garden of the Grand Hotel at the Cannes Film Festival on Friday, May 20.

The Film Soho group comprises a number of brands, including Soho Talent, which develops and works with established players to co-produce content; the Captain Dolly production company run by Sally Phillips and Ronni Ancona; Studio Soho Distribution; Cinema station; and KrADR, which offers a new ADR (automated dialogue replacement) studio that has worked with Netflix (Boy Top) and Universal (The abbey in the town center).

Jo Byeong-kyu’s Comeback Drama Lands In Troubled Waters, Production Crew Apologize

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Jo Byeong-kyu’s returning drama production team recently came under fire for causing inconvenience to locals. As the news spread through South Korean online forums, the production team of story of a loser issued an apology on May 11.

The team apologized for causing inconvenience to residents. He said staff on the ground did their best to reduce his discomfort. The team also assured everyone that they would take careful steps to avoid causing trouble.

story of a loser will be the actor’s first drama since being embroiled in school bullying allegations. Consequently, the trouble-landing drama increased its negative spotlight.


story of a loser production team featuring Jo Byeong-kyu apologizes for causing inconvenience to locals

On May 9, a netizen uploaded photos of the production team of story of a loser, featuring The strange meter‘s Jo Byeong-kyu, who caused extreme trouble. The team parked their vehicle right in front of the surfer’s door.

After the resident reported it, they moved the truck. However, in the evening, an SUV was parked in the same place.

Addressing the issue, the production team acknowledged the netizen’s grievances and apologized for the incident.

“While filming “History of A Loser” on May 9, [we] caused inconvenience that impacted the living spaces and movements of some residents. The production team met directly with those involved and apologized while explaining our position at the time.

The team added that they had tried not to let residents suffer any discomfort, but again apologized for not paying attention to detail.

“The production team worked hard to routinely downplay the discomfort for residents, but we apologize once again for not paying more attention during filming.”

They then ended the statement by assuring that they would be more careful.

“We will make careful efforts during the filming stages not to cause any discomfort to any residents in the future. We express our deep appreciation to all residents for their understanding, and apologize once again.”

Additionally, the resident had also complained about loud noises from the filming.

Meanwhile, the resident also shared that she had to raise her voice with the production crew to move their SUV after staying longer than the promised five minutes.

Jo Byeong-kyu and her agency HB Entertainment consistently denied the bullying allegations in February and March 2021. The company even posted screenshots of some accusers’ apologies.

Jo Byeong-kyu, 26, has been away from the spotlight for months to land another lead role. Since last June, the actor has been in talks to appear in story of a loser, an adaptation of a webtoon of the same name. He was then cast in a pro bono role in an independent film.

Jo Byeong-kyu was also reportedly cast in the film. Even if I die, again last September alongside Junhoe from ikON.


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Fremantle acquires majority stake in Irish production company Element Pictures

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Global content production and distribution company Fremantle announced today that it has acquired a majority stake in award-winning Irish film and drama production company Element Pictures – the successful independent production company behind the global phenomenon normal peopleOscar-winning films The favourite and Bedroomand the highly anticipated new TV series, Conversations With Friends.

Working across production, distribution and exhibition, Element Pictures is managed by co-founders Ed Guiney and Andrew Lowe, with offices in Dublin, London and Belfast. The deal was spearheaded by Fremantle Group COO and Continental Europe CEO Andrea Scrosati and Lorenzo De Maio of De Maio Entertainment. In a statement, the company said the acquisition further underscores Fremantle’s strategic plan to invest in and grow high-end production companies and creative talent around the world.

Upcoming television productions from Element Pictures include Conversations with friendsbased on Sally Rooney’s early literary sensation set to be among the hottest TV releases of 2022. The 12-part series was developed and produced by Element Pictures, directed by Lenny Abrahamson and Leanne Welham, co-written by Alice Birch and will premiere on BBC and Hulu on May 15, 2022, and will roll out worldwide shortly thereafter.

This follows Element Pictures’ award-winning adaptation of Sally Rooney’s bestselling novel normal peoplereleased in 2020, which received acclaim and record ratings worldwide.

Element Pictures’ Recent Film Credits Include Lenny Abrahamson’s Oscar, Golden Globe and BAFTA Awards Bedroom and The little stranger; Academy Award, Golden Globe and BAFTA by Yorgos Lanthimos The favourite with Olivia Colman, The Killing of a Sacred Deer and Lobster (Jury Prize, Cannes), and Sebastián Lelio Disobedience; and that of Sean Durkin The nest.

Element Pictures turns 21 this year and it is incredibly exciting for us and our wonderful colleagues to enter an ambitious new phase of growth in partnership with our friends in Fremantle at a truly exciting time for our industry. We are huge fans of the people of Fremantle, their vision for the future and the amazing talent they work with in film and television. Working closely with Jen, Andrea, Lorenzo, Christian, Jens and their brilliant team will allow us to grow and grow our existing relationships with the world’s best creators and expand our ability to make exceptional films and TV series for audiences. international. .

Ed Guiney and Andrew Lowe, Founders – Element Pictures

Fremantle is proud to invest in and partner with the best creative minds in the industry. Ed, Andrew and the incredible team at Element Pictures certainly fall into this category. They have built an amazing business, which has become one of the most exciting and innovative creative production companies in Europe. We look forward to working closely with their immensely talented creators, helping them build on their slate of high quality, sophisticated and powerful productions. Creative freedom will be at the very heart of this partnership, and everyone at Fremantle is excited to work with the Element Pictures team and support its growth internationally.

Andrea Scrosati, Fremantle Group COO, CEO Continental Europe

Last August, RTL Group announced its aim to increase Fremantle’s annual revenue target to €3 billion by 2025.

The acquisition of Element Pictures is part of Fremantle’s broader growth strategy to invest in production companies, content and talent around the world to find the best creative ideas, develop and build strong intellectual property and unavoidable. The investment in Element Pictures follows acquisitions over the past 12 months, including the acquisition of UK-based independent production company Dancing Ledge (The answering machine), scripted by Italian production company Lux Vide (Devils, Leonardo), the international development and production company Fabel (Bosch), the Australian-American television production company Eureka Productions (parental guidance, Finding Magic Mike) and UK unscripted production company Label1 (Hospital, five guys a week, Soldier) and 12 production labels in Norway, Sweden, Finland and Denmark from Nordic Entertainment Group (This is Nice Group). In addition to spearheading the deal, De Maio Entertainment, a Fremantle-backed company, will be a strategic advisor and partner to the entire Element Pictures lineup, using its vast experience to optimize strategy and maximize the impact and success of each project.

Element Pictures’ current television in production includes The gallows pole (BBC/A24), the star-studded BBC period drama from critically acclaimed director Shane Meadows and Nancy Harris’ eight-part comedy-drama The dry (BritBox/RTE/ITV Studios/Screen Ireland), which is currently streaming on Britbox and will be on RTÉ in the fall. Previous television includes the co-production of The Dublin Murders with Fremantle-backed Euston Films.

Films currently in post-production include Sebastián Lelio wonderment (Netflix), with Florence Pugh; Yorgos Lanthimos’ poor things (Searchlight Pictures), starring Emma Stone, Mark Ruffalo and Willem Dafoe; Stephen William’s historic biopic Knight (Searchlight Pictures), with Kelvin Harrison Jr; and Joanna Hogg The Eternal Daughter (BBC Films/A24) starring Tilda Swinton.

Recent film releases from Element Pictures include Phyllida Lloyd’s Se, and The Souvenir Part II by Joanna Hogg (BBC Films/A24) which had its world premiere at the 2021 Directors’ Fortnight.

Production Team Of Upcoming Jo Byeong Gyu Drama Apologize For Causing Inconvenience During Filming

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The production team for Jo Byeong Gyu’s upcoming drama “History of Losers” (literal title) has released a statement apologizing for any inconvenience caused during filming.

On May 9, a netizen called “A” claimed that the production crew had parked illegally, causing inconvenience to residents. The online post included a photo of a large vehicle blocking the resident’s front door and the fire truck-only street.

“A” repeatedly demanded that the car be removed, but the car still blocked the front door until late at night. Additionally, “A” also complained about noise levels during filming.

The production team responded with the following statement on May 11:

We deliver the production team’s statement regarding the controversy that erupted today around the filming of “History of Losers”.

During the filming of “History of Losers” on May 9, [we] caused inconvenience that impacted the living spaces and movements of some residents. The production team met directly with those involved and apologized while explaining our position at the time.

The production team worked hard to minimize resident discomfort on a regular basis, but we apologize once again for not paying more attention during filming.

We will make careful efforts during the filming stages so as not to cause any discomfort to any residents in the future. We express our deep gratitude to all residents for their understanding and apologize once again.

Based on the webtoon of the same name, “History of Losers” is a story of love and relationships that could turn anyone into a loser.

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Co-Curious expands its production team | tv tonight

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The non-profit film, television and theater production company Co-Curious has expanded its production by appointing Clare Atkins (Stateless, The Heights) as story producer and Kali Reid (8 nights west, Clickbait) as a creative producer.

Co-Curious slate includes feature film Khanawritten by Arka Das (Here in the west) and Blake Ayshford (Mystery Road) and works with four writers from underrepresented backgrounds in Western Sydney for Netflix’s Creative Equity Fund. Co-Curious has previously collaborated with Emerald Productions on Here in the west which opened the Sydney Film Festival in 2021.

Co-Curious CEO Annabel Davis said, “Over the next 12 months, Co-Curious will seek to consolidate our learning and build on our body of work both in theater and on screen to to achieve a set of ambitious new goals. Counting and Cracking in theater and Here Out West on screen have helped us refine our unique development model with a focus on learning and development in the years to come.

Bali Padda is also appointed Head of New Work, Stage.

Atkins (left picture) is a screenwriter, script editor, script producer and head of development with 20 years experience in the Australian television industry. She joins ABC’s Co-Curious where she served as Head of Development, supporting story and script development for dramas and comedies including Stateless, Fires, Significant Others, Operation Buffalo, The Heights, Les Norton, Diary of an Uber Driver, Content and Here. In the West. She is the author of Nona & Me, a young adult fiction novel written while living in Arnhem Land, which was shortlisted for the Children’s Book Council of Australia Awards 2015. Her second novel, Between Us, won the Children’s Book Council of Australia Book of the Year for Older Readers 2019 and was shortlisted for the Premier of Victoria, Premier of New South Wales and Premier’s Literary Awards. Her first picture book, Egg, will be released in 2022.

Reid (right picture) just wrapped post-production on the ABC series 8 Nights Out West and served as associate producer on Netflix’s hit thriller Clickbait. In 2019, Reid executive produced the Screenability Film Makers Fund for Create NSW, which premiered at the Sydney Film Festival. Previously, she was the script development coordinator at Matchbox Pictures, where she developed award-winning projects including Stateless, The Heights, Glitch and Secret City. Prior to television, Kali was a curator and produced live work for the Sydney Festival, Campbelltown Arts Centre, Art & About, Underbelly Arts Festival and Carriageworks, among others.

Game Of Thrones stuntman sues production company for injury

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Game of Thrones stuntman Casey Michaels is suing HBO’s Fire & Blood Productions over an injury she suffered while filming the show’s final season.

One of The iron Throne‘ stuntman is suing for an injury she suffered in the show’s final season. George RR Martin posted A game of thrones in 1996, but it wasn’t until 2011 that the franchise became a pop culture sensation. HBO The iron Throne ran for eight seasons and saw the citizens of Westeros fight for the Iron Throne while battling the White Walkers. The series remains popular even after going off the air in 2019, with a prequel series, Dragon Housewhich comes out this year and Martin is working on the next book in his series titled The Winds of Winter.

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Although The iron Throne continues to be a profitable IP for HBO, the show’s seventh and eighth seasons in particular have been panned by fans and critics. The final season was the shortest in the franchise, consisting of only six episodes, which made storylines very rushed. In the first episodes of The iron Throne season 8, the conflict focused on the battle against the White Walkers before Jon Snow and Daenerys came into conflict with the Lannisters. Episode 3 “The Long Night” was a monumental installment in the series, seeing the deaths of Melisandre, Jorah Mormont, Theon Greyjoy, and the Night King, who was killed by Arya Stark.


Related: What Went Wrong With Game of Thrones Season 8

Many stuntmen participated in the last season of The iron Throne, but now someone is suing for an injury they suffered on set. According to Variety, Casey Michaels is suing Fire & Blood Productions for $5 million. Michaels played a Wight in “The Long Night” and suffered a “severe fracture dislocation of the left ankle“following a stunt where she came down from a rooftop. Court documents say 28 stuntmen were involved in the scene, with groups of 4 to 5 walking off the roof at a time. The actors received l ‘order to leave the roof of the plateau “as if unaware of the fall, in keeping with the zombie nature of the Wights,‘ before landing on boxes and mats below.



Michaels claims the platform was unsustainable with the number of people falling and climbing over the cardboard boxes leading to her injury as she was the last Wight to fall. For four years, Michaels underwent multiple foot surgeries (one of which involved the insertion of a plate and screws) and physical therapy while suffering from trauma and depression. The stuntwoman claims she still has trouble with basic duties, but the production company denies her claims. Fire & Blood Productions claims that the platform Michaels landed on was “durable and didn’t get compressed when a stuntman got down on the mattress and rolled over” and that she did not perform the stunt as instructed. They further stated that the injury was “caused either by the plaintiff’s failure to properly perform the alleged stunt and/or with the skill and care of a reasonably competent stuntman, or by pure accident.”


Michaels is an experienced stuntwoman, working in many big-budget franchises like Star Wars and Marvel, so there’s certainly weight behind her claim that the conditions on The iron Throneall were not sure. However, with four years having passed since Michaels’ injury, it will be difficult for a court to determine what really happened on the day of the accident. Given the severity of Michaels’ injuries and lack of compensation, the lawsuit doesn’t seem outlandish, but it’s hard to say how the case will unfold until Michaels and Fire & Blood Productions release other statements.


More: The Ending And Real Meaning Of Game Of Thrones Explained (In Detail)

Source: Variety

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‘Rust’ producers dispute agency quote as Alec Baldwin launches production company | app

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The production company behind ‘Rust,’ the low-budget western in which actor Alec Baldwin accidentally shot and killed cinematographer Halyna Hutchins during filming last fall, has challenged an agency’s findings. New Mexico that she violated her own security protocols.

In a filing on Tuesday, production company “Rust” disputed allegations that it violated industry security violations and disputed the proposed fine of $136,793.

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Alec Baldwin Launches Production Company Persona With Anjul Nigam – Deadline

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EXCLUSIVE: Alec Baldwin has teamed up with veteran actor and producer Anjul Nigam (Grey’s Anatomy) to form film and television production company Persona Entertainment, whose first project will go on sale at the upcoming Cannes market.

Baldwin and Nigam were among the producers of Rustthe film whose production was halted last year when DP Halyna Hutchins was killed by a bullet fired from a gun containing live ammunition.

Baldwin is set to star in and produce the first draft of Persona, a psychological thriller False Awakening, about a man whose waking nightmares begin to merge with his daily life. Baldwin will play a psychologist who forces the man to harness his superior powers to confront his past and prevent his life from degenerating into a violent psychosis.

The writer-director is Benjamin Tomson (Forgotten bayou). Nigam will produce and star in a supporting role. Robert Menzies (House at the end of the street) also produces under its Zed Filmworks banner. Amp International will launch worldwide sales in Cannes.

The film is set to begin principal photography this summer in the United States.

Baldwin lived his own waking nightmare following the Rust tragedy, when he received a loaded gun and accidentally shot Hutchins, who died from her wound. Baldwin starred in the unfinished film.

Three months ago, Hutchins’ family filed a wrongful death lawsuit against Baldwin, the film’s production companies, his other producers and other key crew members. Baldwin denied responsibility for the fatal shooting and later sought compensation through his own arbitration case.

In April, the New Mexico Department of the Environment issued a maximum fine to Rust Movie Productions for not properly following safety guidelines. The company disagreed with the findings and said it would appeal.

False Awakening is among the first new projects Baldwin has been announced for since the tragedy, though he has starred in several films since.

Baldwin and Nigam also collaborated on Rust by filmmaker Joel Souza Vic Crown on which the two served as producers, and they star in upcoming feature films Supercell and 97 minuteswith Nigam serving as executive producer on both pictures.

We’re told that Baldwin’s existing banner, El Dorado Pictures, a production company on Rust, Crown Vic, and series Matching game, will not be working on future film and television projects, but will focus on podcasts and publishing. The company previously had a deal with ABC Studios, but that pact expired.

30 Rock and The dead Star Baldwin said today of his partnership with Nigam: “I have enjoyed producing with Anjul Nigam for a few years now. He brings to the table the rare combination of skills that drives the process forward and results in something I’m proud to be a part of.

Nigam commented, “Alec and I complement each other perfectly and I couldn’t be more honored to be partnered with him. It’s exciting to have False Awakeninga film that pays homage to classics like The Exorcist and Rosemary’s babybe our first production.

Amp’s James Norrie added of the project: “A false alarm clock is a real condition. And that’s the stuff of nightmares. Ben has crafted a terrifying and believable storyline about a little-known condition that has all the hallmarks of the classic in the making. We are delighted to be part of the team.

Norrie, Stephen Foreht and Steve Straka will serve as executive producers, and Esther Egg and Matt Taylor are co-producers.

Baldwin is represented by ICM. Nigam is replaced by Ellis Talent Agency and DiSante Frank & Co.

Gaurav Kaushal on launching his production house Makshika Films – “Nepotism is real but if you’re determined no one can stop you”

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Most people think that unless you have strong connections or come from a certain lineage, it is almost impossible to break into Bollywood. However, every once in a while you come across a success story and let yourself be inspired. Gaurav Kaushal’s journey shows that if you are willing to work hard to achieve your dreams, nothing is impossible. After embarking on a career as a VFX artist about ten years ago, he finally realized his dream of having his own production house.

About the launch of Makshika Films, the enterprising producer says: “Recently, someone asked me if I came from a family of filmmakers. When I told him that I was from a middle class family in Delhi, he was shocked (laughs). having my own production house was quite a long time but it became a reality. It’s true that most production houses in the industry are owned by families of filmmakers. Nepotism is a reality but if you are determined, no one can stop you.”

Gaurav has hired young filmmaker Mihir Lath, who has worked as an associate with Shekhar Kapur in the past, to direct the Hindi adaptation of a French film whose rights have been acquired by the company. The female-centric film will be led by a prominent actress whose name will be revealed soon.

Talking about why he started the company, Gaurav says, “In this industry, I think a producer has to strike the right balance between creativity and business. Unfortunately, that rarely happens. A lot of people who s ‘sit in high chairs don’t prioritize the need to create good content.As a company, Makshika Films’ goal is to produce larger-than-life commercial films that would provide an immersive viewing experience to audiences .

Apart from movies, Makshika Films will also produce web series and other content. The company’s creative team is currently developing a show that will offer an in-depth look at the extent to which TV channels can opt for higher TRPs.

CG Eduversity launches its production house to take animation and multimedia education in India to the next level

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NNA |
Update:
May 10, 2022 12:42 p.m. STI

Pune (Maharashtra) [India]May 10 (ANI/PNN): CG Eduversity, a Pune-based premium animation, VFX and game design institute, will soon launch a production house that will give its students a unique opportunity to gain experience first-hand by working with and international customers first. In this production house, students will not only be able to learn the necessary skills from the best, but will also have the chance to show their understanding of design in front of industry leaders. CG Eduversity has been providing world class education in Animation, VFX and Design to Indian students for 5 years. Today, the institute is focused on expanding its operations and improving its quality bar with its latest production house.
The story of CG Eduversity began with Priyanka Aacharya, the founder and director of CG Eduversity, who transformed a local institution into a center of excellence, drawing on her experience in the higher education sector, her management skills and entrepreneurial spirit. CG Eduversity organizes cutting-edge animation, visual effects, games and design courses to become a one-stop career solution for students who want to shine in India’s growing animation and visual effects industry . Its courses are approved by UGC and affiliated with the National Skill Development Corporation (NSDC).

Through a systematically formulated academic program, the institute places equal emphasis on theoretical knowledge and practical training. It also provides Adobe certification for design and multimedia, making it an attractive destination for design enthusiasts. Additionally, CG Eduversity offers 100% job placement support to its students to help them get on the right path in their careers in animation and multimedia.
Sharing some thoughts on her new production house, the company’s founder, Priyanka Aacharya, said, “In recent years, the AVGC industry in India has taken by storm as more and more new talents are entering this industry.In order to survive and thrive in this growing industry, students and professionals need proper grooming and optimal exposure.Our new production house will give our students in-depth education and relevant industry experience. In addition, our strong network in the industry will allow students to build a strong portfolio of work and land the right jobs at once.”
CG Eduversity is a team of hand-picked animation and design professionals with extensive industry experience to provide students with the best learning experience. Additionally, all faculty members hold various international certificates from Microsoft, Adobe, and Autodesk, testifying to their authority in their respective fields.
CG Eduversity supports the culture of inclusive and experiential learning at an affordable price to train the best multimedia professionals. With the new production studio, the company takes a further step in its aim to make India’s AVGC industry world-class.
This story is provided by PNN. ANI shall in no way be responsible for the content of this article. (ANI/PNN)

Game Of Thrones Stunt Performer Sues Production Company HBO For $5 Million Over Injury

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A Game of Thrones stuntman is suing HBO-owned production company Fire & Blood Productions over injuries sustained during production of the fantasy series. According to court documents to which Variety has exclusive access, at the time of this writing, Casey Michaels is seeking nearly $5 million in damages.

Michaels’ claim goes that in February 2018, she suffered a “severe left ankle dislocation” while dressed as Wight during the Battle of Winterfell. According to court documents, a group of 28 performers dressed as Wights were ordered to descend from a 12ft roof ‘as if unaware of the fall, consistent with the zombie nature of the Wights’ . The performers descended in small groups, falling onto a platform below, made up of cardboard and mats. Michaels’ claim would have alleged that cardboard boxes “by their nature…are not durable and do damage.”

Michaels was the last performer to descend from the roof, landing feet first while wearing shin, knee, elbow, hip and back guards. As a result, Michaels underwent several foot surgeries and required the insertion of a plate and screws under his skin. She also underwent “long and intensive” physiotherapy and was treated for depression and trauma.

Fire & Blood says Michaels did not follow the instructions given by the stunt coordinator but fell “”like a pencil”, either rigidly or vertically”.

If the parties do not agree, the case could possibly be heard before a judge next summer.

Representatives for Michaels and HBO had no further comment.

The products discussed here were independently chosen by our editors. GameSpot may get a share of the revenue if you purchase something featured on our site.

Business News | CG Eduversity launches its production house to take animation and multimedia education in India to the next level

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Pune (Maharashtra) [India]May 10 (ANI/PNN): CG Eduversity, a Pune-based premium animation, VFX and game design institute, will soon launch a production house that will give its students a unique opportunity to gain experience first-hand by working with and international customers first. In this production house, students will not only be able to learn the necessary skills from the best, but will also have the chance to show their understanding of design in front of industry leaders. CG Eduversity has been providing world class education in Animation, VFX and Design to Indian students for 5 years. Now, the institute is focused on expanding its operations and improving its quality bar with its latest production house.

The story of CG Eduversity began with Priyanka Aacharya, the founder and director of CG Eduversity, who transformed a local institution into a center of excellence, drawing on her experience in the higher education sector, her management skills and entrepreneurial spirit. CG Eduversity organizes cutting-edge animation, visual effects, games and design courses to become a one-stop career solution for students who want to shine in India’s growing animation and visual effects industry . Its courses are approved by UGC and affiliated with the National Skill Development Corporation (NSDC).

Read also | LSG vs GT, IPL 2022 Live Cricket Streaming: Watch Lucknow Super Giants vs Gujarat Titans Free Stream on Star Sports and Disney+ Hotstar Online.

Through a systematically formulated academic program, the institute places equal emphasis on theoretical knowledge and practical training. It also provides Adobe certification for design and multimedia, making it an attractive destination for design enthusiasts. Additionally, CG Eduversity offers 100% job placement support to its students to help them get on the right path in their careers in animation and multimedia.

Sharing some thoughts on her new production house, company founder Priyanka Aacharya said, “In recent years, the AVGC industry in India has taken by storm as more and more new talents are entering this industry.In order to survive and thrive in this growing industry, students and professionals need proper grooming and optimal exposure.Our new production house will give our students in-depth education and relevant industry experience. In addition, our strong network in the industry will allow students to build a strong portfolio of work and land the right jobs at once.”

Read also | National Open Javelin Throw: Rohit Yadav wins the title on his senior men’s debut.

CG Eduversity is a team of hand-picked animation and design professionals with extensive industry experience to provide students with the best learning experience. Additionally, all faculty members hold various international certificates from Microsoft, Adobe, and Autodesk, testifying to their authority in their respective fields.

CG Eduversity supports the culture of inclusive and experiential learning at an affordable price to train the best multimedia professionals. With the new production studio, the company takes a further step in its aim to make India’s AVGC industry world-class.

This story is provided by PNN. ANI will not be responsible for the content of this article. (ANI/PNN)

(This is an unedited and auto-generated story from syndicated newsfeed, LatestLY staff may not have edited or edited the body of the content)

Epoch Films launches UK production house

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American commercial production company Bicoastal Epoch Films has expanded into the UK Alongside company founder Mindy Goldberg and partners Melissa Culligan and Martin de Thurah, Epoch’s London office will be run by former SMUGGLER Talent Director Megan Campbell and former Tony Kaye Films, Stink and SMUGGLER Producer Nick Fewtrell. Campbell was named Executive Producer and Talent Director UK, and Fewtrell as Managing Director and Executive Producer of Epoch Films UK.

Campbell and Fewtrell will collaborate, pitch projects and oversee talent. De Thurah, who over the past eight years has been an integral part of the evolution of the Epoch brand and a major catalyst in creating the company’s creative and spiritual DNA in the United States, will be the iron spearheading the instillation of the same philosophy through its role with the British entity. Together, the leadership team will share responsibility for maintaining the company’s creative culture, keeping diversity and inclusivity at the heart of the business and quality work at the forefront of Epoch projects.

The transition to Epoch Films UK for the Thurah filmmaker also marks a turning point in his career. After 17 years with Academy Films in the UK and 11 years with Epoch in the US as a partner and talent, he is making the full transition to being with Epoch on both sides of the globe.

Twice winner of the DGA Business Manager of the Year award, de Thurah said: “I was adopted, or taken into this Epoch family, in 2011. Sometimes you find people in your life where something clicks d a particular way. In 4th grade I wrote an essay saying “friends are very important, and so I’m glad I started school – if I stayed home all the time, I’d never meet new friends” . It’s important – you can have good hygge and good camaraderie. I guess I already had some kind of compass back then. They made me come,” he joked. “Academy Films was my first production company, before Bacon and Epoch…leaving them in the UK was a tough decision. It’s been an exciting time in my career, both in terms of directing and thinking about filmmaking. future. I want to do great work, mentor young directors, and help build a corporate culture for Epoch. It feels good to reach big milestones in life in new chapters.

Epoch Founder Mindy Goldberg said, “We’re just thrilled to have this all-star team of Megan Campbell and Nick Fewtrell join our team and launch our UK office with Martin de Thurah and them at the helm. . Megan is a talented executive full of energy and fresh ideas on how to build a business outside of traditional models and Nick is the yin to that yang. An accomplished producer, he’s a hands-on thinker who can do anything incredibly well and do it effortlessly. And Martin is the icing on the cake!

Over the past decade, Campbell has worked alongside many high-end creative production houses where she has represented talent and built communities. His global and diverse background in advertising, entertainment and technology across US, UK and EU territories provides the company with a unique and advantageous perspective on the ever-changing media landscape. Complementing this, Fewtrell has produced many projects for top directors at several production houses on both sides of the Atlantic. His over 25 years of in-depth production knowledge in the advertising, film and music video industries brings a multi-faceted intelligence essential to the constant demand for creative content in the advertising and entertainment arts arenas.

“When Mindy and Melissa approached me to launch Epoch in London, I was immediately excited to work with such tough women in the industry,” Campbell said. “It is an honor to be part of the arrival of such a forward-thinking and established company in the UK. I really look forward to building the Epoch office with its incredible list of directors alongside Nick Fewtrell and the incredible extended team in the United States”

Fewtrell commented, “What excited me the most about this opportunity was the diversity of the talent roster. To be able to mold a UK market offering into the mold that me and Megan believe in was too good to be denied. I am fortunate to have worked with some very talented people in our industry and to be able to bring this level of craftsmanship and creativity to market gives me enormous pleasure – building in turn on the ethos of Epoch that Mindy and Melissa worked so hard to achieve it.

Epoch Managing Partner/Executive Director Culligan added, “Europe is hungry for new voices. Brands are hungry for new voices – diverse voices that more accurately reflect the audiences they serve. We believe in this mission. We knew the time was right to enter the UK market to meet the constant demand for producing compelling creative content in the worlds of advertising and entertainment. We are delighted to have Megan and Nick leading our new office, working as a team across the US and in the UK/EU market together as one.

Epoch Films UK’s roster will be drawn with acclaimed directors from its US roster, including DA Yirgou, Dugan O’Neal, Emile Thalund, Emma Westenberg, Hannah Pearl Utt, JILL, Matias & Mathias, Matthew Swanson, Zachary Heinzerling, in more of Thurah’s partner, and his latest signed talents, Carl Sundemo and Ruganzu “Riggs” Howard.

The UK office is just the first step in Epoch’s larger plan to create opportunities for its talent across brand and content platforms. Alongside Epoch Films’ expansion into the UK/European market, the company will venture further into feature film and television by forging a new alliance and creating a 360 degree production entity with a European long-term production and management company. The two companies will work together to deliver the 360 ​​degree filmmaking model to brands, platforms and directorial talent. Details surrounding this alliance are expected to be announced this summer at the Cannes Film Festival and Cannes Lions. Currently, Epoch has two long-running television projects in various stages of development, including one based on a novel he chose and another centered around an off-Broadway solo show.

“Epoch’s team of directors and producers have been engaged in publicity as well as feature film projects since Epoch began 30 years ago. We succeeded in both. We’re just more adults now, so we’re ready to officially announce these efforts. I hope we achieve our expanded vision – that’s always the challenge,” commented Goldberg. “Our philosophy as a company has been to do great things – which we have done. Now we are laying that foundation for bigger things. What’s even better, as Martin shared, is how much we all sincerely love each other and want to support the success of everyone involved in the business globally It’s very exciting and a very good feeling.

Common Space Brewery – Los Angeles Area Brewery – Brewer/Wine Shop Member – Production Team Member – Brewbound.com Craft Beer Job Listing

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BREWERY COMMON SPACE: BREWER / CELLAR / MEMBER OF THE PRODUCTION TEAM

Brewery

Common Space Brewery is a brewery and production facility in Hawthorne, California. At Common Space, our goal is to improve people’s lives, one pint at a time.

We operate a 30-barrel, 3-vessel brewhouse, RO water filtration system, centrifuge, yeast lab, steam disinfection keg line and back pressure canning line to produce a variety of year-round and unique recipes. We focus on quality and love good clean lagers and anything hopped. Our five best-selling beer styles are Mexican Lager, German Pilsner, Hazy IPA, West Coast Rotating IPAs, and a Hazy Fruity Milkshake. We expect to produce around 5,000 barrels of beer in 2022.

Our values

Improvement: We foster a community focused on continuous improvement. Every day we work to improve our beer, our business and ourselves.

Transparency: We function better as a company when we communicate openly, honestly, openly and respectfully with each other.

Agility: We embrace optimism, meeting challenges with resilience and a willingness to pivot in response to unforeseen circumstances.

Collaboration: We work diligently for each other. We are stronger together through our diversity and we use our voice to do good and support those who do good.

Position Summary

Our production team of 5 people work collaboratively under the direction of our head brewer, Andy Link, to handle all of the following tasks:

  • Recipe development

  • Material handling

  • Wort production

  • Management of fermentation, dry hopping and maturation

  • Sampling, measurements, yeast management and other laboratory work

  • Clarification and carbonation of beer

  • Canning and barreling

  • Cleaning

The ideal candidate

Common Space is an equal opportunity employer that truly believes that the diversity of our team makes us stronger. We encourage people of all genders, races, ethnicities, ages, orientations and creeds to apply.

A senior member of our production team is leaving Los Angeles, and we need someone with experience in wort production and/or cellar work to join us. This hire deviates from our standard “up” training approach from the inside, and we see it as an opportunity to hire someone who has experience in a different environment. This parameter could be a brewing operation of a different scale, a brewery with a different purpose, or a number of other factors. We hope your brewing experiences can add nuance to our skill set as a team.

Our ideal candidate possesses the following personal qualities:

  • Passion for craft beer

  • Desire to learn and grow as a brewer

  • Pride in a job well done

  • Strong interpersonal skills and team values

  • Positive attitude, good humor and good sense of humor

  • Honest and responsible

  • Autonomous accomplished in finding solutions to problems

Our ideal candidate would have the following experience:

  • Hands-on expertise in CIP and SIP practices

  • Significant experience in wort production, cellar operations and/or canning line operations

  • Good understanding of the brewing process

  • Forklift, pallet truck and scissor lift operation

Terms

  • At least 2 years of brewing experience

  • At least 21 years old

  • Able to lift 55 pounds

  • Able to work safely with chemicals, steam, pressure, varying temperatures and loud noises

Other things we are passionate about

  • Degrees in brewing science or related fields

  • Experience in the beverage industry or other production industries

  • Management or training experience

  • home brewing

  • Cicerone Certification

  • Charitable work

  • Rad life experiences

Compensation

The hourly wage for this position is $19-$25 and is highly dependent on level of experience. The remuneration also includes:

  • Paid leave and public holidays

  • Health, dental, vision and life insurance benefits

  • Continuing Education Opportunities

  • Free beer

Please submit your resume and cover letter. In your cover letter, please describe what inspires you and what you hope to achieve with Common Space.

Cheers!

Metaverse Developer VA Corporation Acquires Production Studio ROOT M&C

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VA Corporation and ROOT M&C logos [EACH COMPANY]

Metaverse developer VA Corporation has acquired ROOT M&C, an immersive content production studio, for an undisclosed amount, the company announced Monday.

VA Corporation is a metaverse platform and content developer founded in January last year. It has received investments from major tech companies such as LG Electronics and gaming companies such as Pearl Abyss and Com2uS.

The purchase of ROOT M&C, a company specializing in the production of virtual reality (VR) and augmented reality (AR) content, will expand VA Corporation’s portfolio and lead to films and dramas using the latest visual effects, a declared VA Corporation.

For the first project, the two companies will co-produce a new type of audition program to be broadcast on the cable channel MBN June. Titled “Avatar Singer,” the program will be a singing audition program but with virtual avatars battling for a winning spot.

“VA Corporation plans to build a close network among its subsidiaries, including ROOT M&C,” the company said in a press release. “We will diversify our business models by strengthening the technologies and the value chain we have.”

VA Corporation has nine subsidiaries under its wing, including visual effects company mofac, film distributor Acemaker Movieworks, and content production company Focus X.

BY YOON SO-YEON [[email protected]]

Jack Campbell, Rebecca Campbell Launch Sales, Production Company Jackrabbit Media (Exclusive) | New

Jack, US sales veteran Campbell and Rebecca Campbell started Arizona-based Jackrabbit Media to focus on third-party feature sales and acquisitions, AVoD aggregation, and in-house productions.

The husband and wife team plans to produce two to three commercial films a year and will be at their stand on the Croisette next week in Cannes to present the slate and business plan to long-time partners and new partners in the ‘industry.

Jack Campbell is President and CEO of Jackrabbit Media and has worked in sales for 21 years. Rebecca is a COO and comes from a financial background in public company reporting and compliance. They most recently owned Octane Entertainment which they purchased from the original owner in May 2019.

Sales and Acquisitions Director Andi Jackson gives the company a European presence and has recently moved to the UK.

Two feature films shot in the last two and a half years. Christian Sesma’s action thriller Pay stars Val Kilmer, Luke Goss, Mike Hatton and Paul Sloan and is produced by Jack Campbell, Sesma, Hatton and Goss.

horror thriller Influencer filmed in Thailand last November and December and will be the first production released under the new company, which will screen at Cannes. Kurtis David Harder directed from a script he co-wrote with Tesh Guttikonda about a social media influencer on a backpacking trip to Thailand whose travels take a dark turn. Cassandra Naud, Emily Tennant, Rory J. Saper and Sara Canning star.

Harder, whose production credits include V/H/S/94product Influencer with Guttikonda, Brandon Christensen, the director of Still/Born, Z and Superhost, as well as Campbell and Micha Henry. Campbell said Jackrabbit secured private funding for three more Harder feature films to shoot over the next two years.

“We are so grateful for all the support from family, friends and customers,” the Campbells said. “Moving to Arizona has been a blessing for our family and our business and we couldn’t think of a better time or place to launch Jackrabbit in Cannes next week as we finally return to the markets in person.”

Influencer

Jack Campbell recently teamed up with longtime friend and mentor Anthony E. Zuiker, creator of the CSI: Crime Scene Investigation franchise, to develop an action/sci-fi franchise Killer 51which Zuiker will write and Campbell will produce alongside Zuiker and Anthony Callie (Boss Level, Acts of Violence, Escape Plan 2: Hades). Sales of this title are expected to begin in Toronto. Dimiter Nikolov is a production consultant.

Jackrabbit’s Cannes Sales List Includes Supernatural Sci-Fi Jonah currently filming in British Columbia and starring Osric Chau and Alaina Huffman; horror thriller Eradication of The boy behind the door and The Djinn producer Ryan Scaringe; and horror thriller Nothing of Sharknado director Anthony C. Ferrante.

Rounding out the initial list is a fantasy action title Ike Boys with Billy Zane; romantic sci-fi The time capsule from producer Amanda Marshall (God’s country); western horror Ghosts of the Ozarks with David Arquette and Tim Blake Nelson; and thriller Precipitate with Siobhan Fallon Hogan and Robert Patrick.

Doyle Brunson Life Story Sold to a Film Production Studio

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Posted on: May 5, 2022, 12:32 p.m.

Last update: May 5, 2022, 01:52 a.m.

The life story of Doyle Brunson, one of five players to win the World Series of Poker (WSOP) Main Event more than once, is shown on the big screen.

Doyle Brunson WSOP Main Event poker movie
Poker legend Doyle Brunson in 2018 shows off the 10-2 pocket cards that won him the World Series of Poker Main Event in 1976 and 1977. Brunson’s life story is being turned into a feature film. (Picture: USA TODAY)

Deadline reported this week that Radar Pictures had acquired the film rights to Doyle’s biography. The 88-year-old retired from professional poker in 2018 after a career spanning more than 50 years.

Radar Pictures is an independent production company that finances and produces its own feature films. The studio is behind titles such as Jumanji and Riddick – with The Rock and Vin Diesel respectively – as well as The last Samourai with Tom Cruise. Radar has produced 80 films since 1984, with box office earnings exceeding $9 billion in sales.

Radar’s Justin Smith will be responsible for producing Brunson’s life story for the big screen. A poker player himself, Smith is eager for this opportunity.

Many game and poker scripts have been sent to me. None of them intrigued me as much as Doyle’s story. Smith said Deadline.

“Having played the greatest games of poker myself with Doyle, I am extremely honored to be in a unique position to be able to help tell his story and accurately capture the environment from an inside perspective,” said added Smith.

Almost unprecedented career

Doyle Brunson was the last man standing in the main events of the 1976 and 1977 WSOP. Only three others have won the world’s most prestigious poker tournament in consecutive years, the others being Johnny Chan, Johnny Moss and Stu Ungar.

In addition to his two WSOP Main Event titles, Brunson’s illustrious career includes eight additional WSOP bracelets. The Texas native, a longtime Las Vegas resident, was inducted into the World Series of Poker Hall of Fame in 1988.

Brunson’s life was not without controversy. Big poker was investigated by the SEC in late 2005 after Brunson publicly announced his intention to buy the World Poker Tour, a publicly traded company at the time.

News of Brunson’s takeover sent WPT stocks skyrocketing. But when the deal fell through, Brunson and his investors fell silent when the SEC inquired about the true intent of their offer. Although the case dragged on for two years, the SEC finally dropped the investigation in 2007.

High-stakes movies

Doyle Brunson’s upcoming biopic will be another feature film focused on the game of poker. But with the untitled film likely at least a year or two away from its premiere, here are a few other poker-focused movies for your viewing pleasure.

  • Rounders (1988) – Often cited as the best poker picture of all time, the star-studded film starring Matt Damon, Edward Norton and John Malkovich tells the story of a high-stakes underground poker game.
  • The Cincinnati Kid (1965) — The oldest poker movie on our list, The Cincinnati Kid features Steve McQueen in the lead role of Eric “The Kid” Stoner, a Depression-era poker player who stakes his reputation as the game’s top newcomer against Lancey “The Man” Howard.
  • Molly’s Game (2017) – A more recent theatrically released film, Molly’s Game tells the true story of Molly Bloom, the infamous “Poker Queen” who hosted high-stakes games for Hollywood celebrities.

Doyle Brunson Life Story Sold to Film Production Studio

0

Posted on: May 5, 2022, 12:32 p.m.

Last update on: May 4, 2022, 03:58h.

The life story of Doyle Brunson, one of five players to win the World Series of Poker (WSOP) Main Event more than once, is shown on the big screen.

Doyle Brunson WSOP Main Event poker movie
Poker legend Doyle Brunson in 2018 shows off the 10-2 pocket cards that won him the World Series of Poker Main Event in 1976 and 1977. Brunson’s life story is being turned into a feature film. (Picture: USA TODAY)

Deadline reported this week that Radar Pictures had acquired the film rights to Doyle’s biography. The 88-year-old retired from professional poker in 2018 after a career spanning more than 50 years.

Radar Pictures is an independent production company that finances and produces its own feature films. The studio is behind titles such as Jumanji and Riddick – with The Rock and Vin Diesel respectively – as well as The last Samourai with Tom Cruise. Radar has produced 80 films since 1984, with box office earnings exceeding $9 billion in sales.

Radar’s Justin Smith will be responsible for producing Brunson’s life story for the big screen. A poker player himself, Smith is eager for this opportunity.

Many game and poker scripts have been sent to me. None of them intrigued me as much as Doyle’s story. Smith said Deadline.

“Having played the greatest games of poker myself with Doyle, I am extremely honored to be in a unique position to be able to help tell his story and accurately capture the environment from an inside perspective,” said added Smith.

Almost unprecedented career

Doyle Brunson was the last man standing in the main events of the 1976 and 1977 WSOP. Only three others have won the world’s most prestigious poker tournament in consecutive years, the others being Johnny Chan, Johnny Moss and Stu Ungar.

In addition to his two WSOP Main Event titles, Brunson’s illustrious career includes eight additional WSOP bracelets. The Texas native, who has lived for a long time in Las Vegas, was inducted into the World Series of Poker Hall of Fame in 1988.

Brunson’s life was not without controversy. Big poker was investigated by the SEC in late 2005 after Brunson publicly announced his intention to buy the World Poker Tour, a publicly traded company at the time. News of Brunson’s takeover sent WPT stocks skyrocketing. But when the deal fell through, Brunson and his investors fell silent when the SEC inquired about the true intent of their offer. Although the case dragged on for two years, the SEC finally dropped the investigation in 2007.

High-stakes movies

Doyle Brunson’s upcoming biopic will be another feature film focused on the game of poker. But with the untitled film likely at least a year or two away from its premiere, here are a few other poker-focused movies for your viewing pleasure.

  • Rounders (1988) – Often cited as the best poker picture of all time, the star-studded film starring Matt Damon, Edward Norton and John Malkovich tells the story of a high-stakes underground poker game.
  • The Cincinnati Kid (1965) — The oldest poker movie on our list, The Cincinnati Kid features Steve McQueen in the lead role of Eric “The Kid” Stoner, a Depression-era poker player who stakes his reputation as the game’s top newcomer against Lancey “The Man” Howard.
  • Molly’s Game (2017) – A more recent theatrically released film, Molly’s Game tells the true story of Molly Bloom, the infamous “Poker Queen” who hosted high-stakes games for Hollywood celebrities.

LADWP Recognizes Production Company, Industry, and California Department of Parks and Recreation for Their Artistic Use of Reclaimed Water

Caption: From left to right, Marvin Schober, Reclaimed Water Utilities Specialist LADWP; Rafael Villegas, LADWP program manager for Operation NEXT; Stephanie Campbell, Superintendent of Los Angeles State Historic Park; Craig Sap, Acting District Superintendent for the California Department of Parks and Recreation, Hana Sooyeon Kim, Chief Set Designer for “Sweet Land,” The Industry; Marian Perez-Seda, production manager for “Sweet Land”, The Industry; Jesus Gonzalez, LADWP Recycled Water Policy Manager; Edneisha Lee, Utility Specialist LADWP Premier Accounts; John Lockett, Reclaimed Water Utilities Specialist LADWP

May 4, 2022 (LOS ANGELES) – The Los Angeles Department of Water and Power (LADWP) recently honored both the State of California, the Department of Parks and Recreation and the production company The Industry for the production of “Sweet Land” held at Los Angeles State Historic Park in Chinatown for their creative and unique use of recycled water.

State Parks and Recreation and Industry designed an immersive experience using the park’s reclaimed water irrigation system, instead of drinking water, to create a water spray feature that has served as a backdrop for the images projected on their outdoor stage. “Sweet Land” was performed at the park from February to March 2020

At an awards ceremony hosted by LADWP and held at the park, LADWP representatives presented California State Parks and Industry representatives with the 2021 Customer Award of recycled water of the year.

The Recycled Water Customer Award is a unique recognition of LADWP’s reclaimed water customers and their achievements in water conservation and sustainability. The aim of the award is to increase awareness of water recycling best practices and the benefits they can bring to organizational operations, finances and the overall environment we all share.

This is the ninth year that LADWP has recognized a recycled water customer for their efforts to increase the use of recycled water in the City of Los Angeles, but this is the first time that they have recognized a customer for their artistic use of recycled water.

Operated by the State of California, Department of Parks and Recreation, the Los Angeles State Historic Park has been LADWP’s recycled water client since 2017, using recycled water for irrigation. Since then, the park has compensated enough drinking water to serve more than 1,400 homes.

But it’s the park’s creative use of recycled water that has earned LADWP special recognition this year.

“The 2021 Recycled Water Customer of the Year recipient has taken historic steps to use only recycled water in the production of the ‘Sweet Land’ park, overcoming technical hurdles to ensure its production was in full compliance with public health regulations for the use of reclaimed water,” said Rafael Villegas, Operation NEXT Program Manager. “This new and different way of reusing water is a true testament to our client’s commitment to water management and environmental conservation.

“This production was truly a fabulous and innovative experience,” said Craig Sap, acting district superintendent for the California Department of Parks and Recreation. “We opened this park understanding the need to be sustainable when it comes to water use, and working with LADWP has been an incredible experience. We really want to thank LADWP, The Industry, all the artists and people who have worked for The Industry.

“We are very grateful for all the help from LADWP. The production paid homage to the land where we held the performances, and especially to the water that flows through the land. Hopefully the arts community can work with the City of Los Angeles to come up with more creative solutions to ensure a sustainable water supply,” said Yuval Sharon, Director of Sweet Land, the Industry.

LADWP remains focused on its goal of promoting the benefits and safety of reclaimed water for non-potable purposes through public engagement and stakeholder partnerships.

Looking to the future, LADWP invests in resilient and sustainable local water supplies through groundwater recharge, stormwater capture, additional conservation, maximizing water recycling, and developing water resources. a new local water source using purified recycled water. This includes the bold initiative, Operation NEXT, which aims to provide a new local water supply from recycled water by recycling 100% of the City’s wastewater from the City’s wastewater treatment facilities. The program aims to maximize the production of purified recycled water from Hyperion’s water reclamation plant to replenish our groundwater ponds.

For more information about LADWP’s recycled water, go to www.ladwp.com/recycledwater.

Past recipients of Reclaimed Water Customer of the Year:

2013 Gibson Ranch
2014 Campus in Playa Vista
2015 Van Nuys High School
2016 WRD: Barrier against seawater intrusion Dominguez Gap
2017 City of Los Angeles Department of Recreation and Parks
Griffith Park Los Feliz Golf Course 2018
Woodley Park 2019
Google 2020: Spruce Goose cooling towers
Los Angeles State Historic Park 2021: “Sweet Land”

Marathi actor Lokesh Gupte launches his own production company

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Critically acclaimed Marathi writer, director and actor, Lokesh Gupte has ventured into a new arena of the entertainment industry. After working hard in the Marathi film industry for 25 years, Lokesh launched his production house. The lead actor announced his new journey in a recent Instagram post on the occasion of Akshaya Tritiya, which is considered an auspicious day for new beginnings.

Lokesh has shared an animated video revealing the name of his production house, Manoranjan Film Company.

Sharing the video, Lokesh penned a heartwarming note recounting his journey in the entertainment industry, which began 25 years ago.

“The first step in professional life started when I arrived in Mumbai and the journey in the field of entertainment began. Everyone who met during this journey and the public gave a lot of love. Today “Today, after 25 years of your love, I am starting a new journey. Production debut. Today, on the auspicious occasion of Akshayya Tritiya, our production company is launching ‘Manoranjan Film Company’. Continue to spread your love and blessings,” Lokesh wrote.

Lokesh’s fans and friends in the Marathi industry have congratulated him on his new venture. Actors Abhijeet Khandkekar, Jitendra Joshi and Sonali Khare praised him in the comments section. Director Abhinay L Berde, filmmaker Sameer Vidwans, director Hemant Dhome, actress Kshitee Jog and actor Lalit Prabhakar also congratulated him.

On the work side, Lokesh is preparing to work on an untitled project. Many believe that this yet to be titled project could be the first venture under Manoranjan Film Company. Lokesh had shared some photos from the filming of this project last year. He was seen talking with his cinematographer Pushpank Gawade in these images. Lokesh had also shared the post-production of his film Runanubandh last year.

Read all the latest IPL 2022 news, breaking news and live updates here.

Olivia Attwood called ‘greatest diva’ by ITV production team

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Olivia Attwood has reportedly been called ‘the biggest diva’ by ITV production members ahead of the next show, The Games.

The former Love Island contestant reportedly “acted like a real princess” on set of the flagship show.

Olivia, 31, reportedly demanded she bring her own make-up and hair team to the set, making herself “unpopular” with those working on the show.

The actions left those around her wondering why she signed up for the challenge in the first place, leaving them “baffled”.

A source told The Sun: “She behaved like a true princess and her behavior left a lot of people confused as to why she signed up for a challenge show – where she knew she should. try a number of sports.



The ITV production team called Olivia Attwood ‘the greatest diva’

“Olivia’s number one request, however, was by far the most ridiculous, as she insisted that she had full hair and makeup for every sport. She made sure her glam team was booked from the start. day.

“Olivia will have a hair and makeup team in London with her while filming the live show.”

While the insider claimed she’s “tried” the set crew, she “still insists on using her own glam crew.”



Olivia has
Olivia “required” that she bring her own hair and makeup crew to the set

“Olivia isn’t the only production to complain, Christine McGuinness and Chelcee Grimes have also had some gripes against them,” they added.

A spokesperson for Chelcee quickly came to the singer-songwriter’s defence, saying they were not aware of any accusations.

They told MailOnline: “Chelcee is a much-loved member of the Games. We’ve had no ‘punishment’ against her. They love having her on the show and she loves the experience.”



The former Love Island star will join 12 familiar faces on the show
The former Love Island star will join 12 familiar faces on the show

Reality star Olivia is set to join the show alongside celebrities including The Wanted star Max George, Mel B’s daughter Phoenix Brown and Strictly Come Dancing pro Kevin Clifton.

A separate ITV insider said: ‘Liv is a great candidate and team member. There are no divas, the competitors all get along very well, which will show on the screen.

The squad facing ITV’s new series is made up of 12 familiar faces who have undergone several weeks of intensive training – now ready to take on a series of sporting challenges.

In a week full of live shows and fierce competition, celebrities stepped out of their usual comfort zones in hopes of being crowned victors.

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“The industry doesn’t have to be owned by a particular production house or artist”: Amit Sadh

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Although he is a known face on the small screen, Amit Sadh was still an underdog when he entered Bollywood. Although his movie career was a mixed bag of hits and misses, he cemented his place on OTT with his web series, Breathe. And, today, Amit added another feather to his cap with a podcast.

The actor is currently enjoying praise from the recently released podcast, Batman Ek Chakravyuh, on Spotify. It is a Hindi adaptation of the platform’s global audio series, Batman Unburied, with Amit voicing the caped crusader. Bringing David S. Goyer’s creation to life in India, this audio series is produced by Mantra Mugdh.

There have been several on-screen adaptations of Batman with popular actors stepping in to play the Dark Knight. Playing the deep-voiced superhero isn’t everyone’s cup of tea, and it becomes all the more difficult when it comes to an audio format. How did Amit manage to master Batman’s “voice”? “I would just say that as soon as we got to the studio, I sat down and walked into the area. Fortunately, it was a good start and nothing held me back,” shares Amit.

On the work side, Amit is currently busy filming the third season of Breathe. “I don’t have a lot of work. I only have Breathe 3 which I have been shooting for nine months. Breathe 3 takes off from where the second season ended. I hope the audience will like the story. The script is attractive and the storyline is tightly woven,” the Kai Po Che! The actor adds.

The OTT platform saw a sudden rise when the pandemic brought the entire world to a standstill. Audiences browsed the available content with a click. Since the closure of cinemas, many filmmakers have chosen to release their films on the OTT. Then, some films were made exclusively for OTT. Some filmmakers were embraced, while some Bollywood biggies weren’t. When we asked Amit what he thought of the same, the answer was: “I’m not qualified to answer that question. I think OTT has a smooth understanding and process. Theatrical releases were halted due to Covid. So filmmakers were suffering. Adjusting to the new process will take some time. However, whenever good content is created, people watch it. We shouldn’t not simply aspire to our earnings. The industry does not need to belong to a particular production house or artist. There is no need to categorize artists into A, B or C lists. Instead of that, we should come together and work in a unified way, which will elevate our industry,” Amit believes.

Since Baahubali broke through the regional film barrier, several filmmakers have tried to replicate his success. Today, many Southern industry films are doing well at the box office. Sharing his view, Amit says, “These are not Southern films, these are Indian films. No sort of bifurcation is necessary. Unfortunately, not all movies do well at the box office. Also, not all films that fail are bad. For example, my film Running Shaadi did not do well, which was a loss for me. But it worked wonders on an OTT platform. Sometimes audiences like a movie, sometimes they don’t. We don’t need to over-analyze.

Amit does not hesitate to embark on a film from the South. “I am open to films in all languages. I haven’t received any offers from the Southern Territory yet,” concludes Amit.

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Posted: Wednesday May 4th 2022, 07:00 IST

Determine Launches Production House – Jamaica Observer

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Determine

singjay Determine recently launched his production company to help expose his songs and new talent. Sandy Lane Production is the name of the company, and its first release is its song, Mi nuh do Dat.

The label is named after the community in which Determine was born and raised in Annotto Bay, St Mary.

“I have a lot of exciting things in my job. We don’t know where we come from and hopefully we can help some young people there,” he said.

Mi nuh do Dat came out in March. The tracks for the single were actually first laid down in 2012 in Queens, New York, but he said several hurdles kept him from coming out.

“Bwoy, it’s like a relief. It’s like everything falls into place and things happen,” Determine said.

Through Sandy Lane Production, he plans to enter a different career phase which sees him overseeing his recordings and publications.

Most dancehall fans associate Determine (first name: Rohan Bennett) with Kette drum, the 1995 Nyahbinghi single he made with Beenie Man for producer Bobby Digital. It was one of many popular beat singles that also led to hit songs like Cocoa Tea’s Holy Mount Zion, Seek God by Bounty Killer and ‘Til I’m Laid to Rest by Buju Banton.

Kette drum was Determine’s third song, after Hill of Zion and full speed (with Terror Fabulous). His signature remains.

“Anywhere you hear it, it’s like I do. It’s timeless, always full of energy,” he said.

Director Vignesh Shivan’s production house, Rowdy Pictures never misses an opportunity to promote the – The New Indian Express

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By Express press service

Director Vignesh Shivan’s production house, Rowdy Pictures never misses an opportunity to promote the song “Two Two Two” from his just released film “Kaathu Vaakula Rendu Kaadhal”, starring actors Vijay Sethupathi, Nayanthara and Samantha on the lead .

On Sunday, the production house quickly capitalized on the score displayed by Chennai Super Kings in their match against Hyderabad in the current edition of IPL and turned it into a way to promote a single titled “Two Two Two ” from the movie.

As soon as CSK scored 202 for 2, the production house, posting a photo of Ruturaj Gaikwad and Devon Conway above their movie poster, tweeted, “We Love You Twoooooooo Kings ChennaiIPL! By the way, thanks for tribute!” with a flashing smiley.

This isn’t the first time the production house has cleverly used IPL matches to promote its film. Also earlier, the production house used Rajasthan Royals’ score during their game against Delhi Capitals to promote the song “Two Two Two” and their movie. The Rajasthan Royals blew an impressive 222 for the loss of two wickets in their 20 overs in this game.

Director Vignesh Shivan’s production house, Rowdy Pictures never misses an opportunity to promote the song “Two Two Two” from his just released film “Kaathu Vaakula Rendu Kaadhal”, starring actors Vijay Sethupathi, Nayanthara and Samantha on the lead . On Sunday, the production house quickly capitalized on the score displayed by Chennai Super Kings in their match against Hyderabad in the current edition of IPL and turned it into a way to promote a single titled “Two Two Two ” from the movie. As soon as CSK scored 202 for 2, the production house, posting a photo of Ruturaj Gaikwad and Devon Conway above their movie poster, tweeted, “We Love You Twoooooooo Kings ChennaiIPL! By the way, thanks for tribute!” with a flashing smiley. We love you Twoooooooo Kings @ChennaiIPL BTW, thanks for the tribute #ruturajgaikwad #devonconway #srhvcsk #ipl2022 @anirudhofficial @VigneshShivN pic.twitter.com/7EOCHwUevU — Rowdy Pictures (@Rowdy_Pictures) May 1, 2022 Not the first times the production house has skillfully used IPL matches to promote its film. Also earlier, the production house used Rajasthan Royals’ score during their game against Delhi Capitals to promote the song “Two Two Two” and their movie. The Rajasthan Royals blew an impressive 222 for the loss of two wickets in their 20 overs in this game.

Netflix ax animated series created by Meghan and Harry’s production company while the show is still in development

‘Pearl’ was meant to be a series about a 12-year-old girl inspired by influential women

Meghan Markle’s ‘Pearl’ Netflix series was dropped by the streaming service while it was still in development.

Meghan Markle ‘has no brand’ and ‘not going anywhere’ claims royal author

The animated series was created by the Duchess of Sussex with Archewell Productions, a company created by Prince Harry and Meghan Markle in 2020.

The couple quit as senior royals in March 2020 in a quest for personal and financial freedom, and now live in an £11million home in Montecito, California.

Pearl was going to be placed on a 12-year-old girl inspired by influential women throughout history.

This comes after streaming giant Netflix released its first subscriber drop earlier this year.

The company has lost 200,000 net subscribers and expects to lose another 2 million over the next three months.

The news of Pearl’s abandonment comes after it emerged that Netflix had lost 200,000 users in the first three months of 2022, well below forecasts that it would add 2.5 million subscribers.

Netflix stumbled in the face of increased competition from Disney, Amazon Prime and the reopening of cinemas.

The US company has seen the value of its shares halve in the past six months as investors grow increasingly concerned about the change in fortunes.

Netflix said Archewell Productions remains a valued partner and they continue to work together on a number of projects, including the documentary series Heart Of Invictus.

The show follows people competing at the Invictus Games, and a film crew was seen near Harry and Meghan during their stay at the event in The Hague, Netherlands, last month.

The Duchess of Sussex’s animated show about a young girl has been dropped by Netflix.

When Pearl was announced last July, Meghan said: “Like many girls her age, our heroine Pearl is on a journey of self-discovery as she tries to overcome life’s daily challenges.

“I am delighted that Archewell Productions, in partnership with the powerful platform of Netflix, and these incredible producers, bring you together this new animated series, which celebrates extraordinary women throughout history.

“David Furnish and I were excited to shine a light on this special series, and I’m thrilled that we can announce it today.”

An announcement on Archewell’s website, dated July 14, 2021, reads: “Archewell Productions is creating its first-ever animated series with Netflix.

“Pearl (working title) centers on the heroic adventure of a young girl as she learns to take her power and finds inspiration from influential women throughout history.

“Meghan, Duchess of Sussex will executive produce the series alongside David Furnish, Carolyn Soper, Liz Garbus, Dan Cogan and Amanda Rynda.”

According to the Archewell website, Archewell Productions was created by Harry and Meghan “to produce programming that informs, uplifts and inspires.”

The website – which states that Archewell Productions will “use the power of storytelling to embrace our shared humanity and duty to truth through a lens of compassion” – lists Heart Of Invictus and Pearl as the two “exciting projects” that he announced.

The new series from Vancouver production company ‘Dr. Savannah: Wild Rose Vet’ Gets Airdate

Dr. Savannah Howse-Smith stars in upcoming TV docuseries to air in Cree and English on APTN

Content of the article

The first series from Wapanatahk Media, a women-led Indigenous production company based in Vancouver, will air beginning May 3-4 on APTN.

Content of the article

Produced in partnership with Thunderbird Entertainment’s Great Pacific Media, the Dr. Savannah: Wild Rose Vet series will premiere on APTN in Cree on May 3 (7:30 p.m.) and in English on May 4 (8:30 p.m.).

New episodes will air every Wednesday for the docuseries that follow Dr. Savannah Howse-Smith, a Métis veterinarian who runs the Rocky Rapids Veterinary Service in rural Alberta’s Drayton Valley area.

From wildlife rescues to C-sections of cows, Dr. Savannah is on a mission to keep rural Alberta’s pet and animal population healthy, while taking time to embrace and care. explore her cultural identity as a Métis woman.

“Authentic Indigenous representation is central to our mission at Wapanatahk Media,” said company co-founders Tania Koenig-Gauchier and Shirley McLean. “Our goal is to provide a platform for new Indigenous voices, and we are proud to present Dr. Savannah: Wild Rose Vet, and highlight the incredible lived experiences, successes — and challenges — of a young Métis woman living in rural Alberta.

Content of the article

According to Women in View’s On Screen 2021 report, Indigenous women continue to be grossly underrepresented in the media. For example, of the 43% of women in key television creative positions in 2019, only 6.44% were Black women and women of color and 0.94% were Indigenous women, and although 50% of all television directors were women, only 12% were black. women and women of color and less than 1% were Indigenous women.

Dr. Savannah’s production is a big boost to those numbers, as the series, which has already been renewed for a second season, currently employs seven Indigenous women in editing, writing and production roles.

‘I am Groot’ Production Company and Working Title Revealed

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In December 2020, we got the surprise announcement during Disney Investor Day that Marvel was working on a new animated series called I am Grootfeaturing the vocal talents of Wine Diesel and directed by the animator Kirsten Lepore.

Marvel said that “The series of shorts follows Baby Groot’s glory days growing up.” In March of this year, an extract from I am Groot from Disney’s annual shareholders meeting has appeared online, featuring baby Groot in a classic photorealistic animation style.

Otherwise, details on the Phase Four project have been surprisingly thin. Some of this is likely since the project is animated – you won’t get any photos from this type of project. So what are we left with? Production Companies.

Earlier this week, we filled in the blanks for some of Marvel’s mysterious LLCS and revealed the working title and production company for the upcoming one. Blade movie starring Mahershala Ali. And earlier this year, we revealed new information about the production company behind by Kathryn Hahn Agatha: House Harkness show among other things.

Now we are exclusively able to do the same with another mysterious production company: Log Jam Productions, LLC. This company was originally revealed, along with others, by Arlyn Murphy of Murphy’s Multiverse Last year.

Based on our reliable sources, we can now confirm what some have been guessing for a while now – I am Groot uses the production company Log Jam Productions, LLC. We have also learned and confirmed that the working title or codename of the project is “Lone Pine.”

While we heard that this is currently only a one-season project, like many things in the Marvel Universe, which could change. We’ll be keeping an eye out for any further indications that this may continue past the first season.

When I am Groot to be freed?

We know that I am Groot is planned to be released in 2022. There may be a hint on the release date in an upcoming Funko release. According to Amazon, I am Groot will have a Funko Collector Corps box. Amazon says it will ship between May 28 and June 6 this year.

Traditionally, Collector Corps boxes are timed to release with new shows or special events. If the box actually ships at the end of May, we might see I am Groot on Disney+ very soon.

Amazon

Because Funko’s production has a long lead time, their planned release has long been a source of story clues and unexpected characters in the MCU. For example, The cosmic circus recently reported on the new Ms. Marvel Funkos hinting at an interesting heroic cameo in the upcoming series.

Speculations on Baby Groot and its history

Groot first appeared in a comic in Tales to Astonish #13 in 1960. But the character has grown in popularity since first appearing in Guardians of the Galaxy.

Tragically, “Old” Groot sacrificed himself during the Battle of Xandar in that same movie. But the “new” Groot was born from a twig that Rocket rescued from the remains of the old Groot. We’ve watched the new Groot grow from adolescence and seen him with a teenage attitude to boot. Groot’s progression as he grows up seems to continue.

The next Guardians of the Galaxy Holiday Special getting ready to pack, and director james gunn posted a gift he received to celebrate the occasion. Zoom in and you’ll see the ab-tastic Grown Groot.

A much leaner Groot appears in the new Thor: Love and Thunder trailer for a brief moment as well. So it will be interesting to see why it looks so different between Thor: Love and Thunder and the next GotG Holiday special and Guardians of the Galaxy Vol. 3.

So, back to Baby Groot. Because Groot is expanded into the latest MCU timeline, we’re going to take the logical leap that I am Groot will take place between the end of the first guardians of the galaxy movie and Avengers: Infinity War. This means the blip hasn’t happened yet and there are still plenty of Guardian adventures to come.

We don’t know much about Groot’s MCU origins, but maybe the production’s working name, “Lone Pine” can give us some insight.

During the 2007-2008 campaign Annihilation: Conquest comics, we find out that Groot is the last surviving member of his species, called the colossi Flora. They are from Planet X. Interestingly, last year, Wine Diesel suggested that we might see the planet, once called Taluhnia, in I am Groot.

The gang visiting Groot’s homeworld seems like an exciting place to explore from a story perspective. Earlier this year, storyboards suggesting Guardians interaction surfaced online. storyboard artist Marc Hurtado posted an art set on ArtStation featuring Drax and Baby Groot.

It’s also possible that this show takes place long before Groot and the Guardians cross paths. The show could cover the original Baby Groot and why he left home.

For the time being, The cosmic circus the team is monitoring things with I am Groot. If you haven’t had your fill of Marvel and want to dive deeper into some of the story universes, check out some of our other articles on the site.

Besides, I wouldn’t be surprised if my homie Wine (do not Diesel) is offering a guide to reading Groot comics later this year. In the meantime, check out some of his other fantastic reading guides as well.

Man-Thing Reading Guide

Are you excited for the next I am Groot Pin up? What kind of problems do you think the Animated Shrub will face? Will there be cameos from guardians of the galaxy? Please share your thoughts in the comments or with us on Twitter. @MyCosmicCircus. And if you enjoyed what you read, consider supporting the site by subscribing to our Patreon.

Sources: CBR / Amazon / The DisInsider / ComicBook.com / Murphy’s Multiverse / Marvel.com

New York Production House “The Family” Brings Virtual Production to Life with Blackmagic Design

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Blackmagic Design cameras and software are a staple of independent filmmakers and high-end productions. Steve Dabal of film production house The Family takes technology to a new level.

Steve Dabal has extensive experience in film and visual effects and founded The Family in 2015, a premier film production house in New York specializing in production, virtual reality, AR/XR, animation and visual effects.

Dabal’s introduction to virtual cinema came from a multi-LED screen projection art installation he and his team created, which was accepted into SXSW. They couldn’t rebuild it at SXSW, so they created a “VR port” in the facility, where visitors could use VR goggles to view and experience it.

“It opened up the idea of ​​’this technology is a cool new way as a communication tool,’ and we just started experimenting with it,” Dabal said.



Steve Dabal

From there, Steve and The Family started using virtual reality and augmented reality for different tasks. He and his cinematographer did virtual location scouting with Google Earth. So when they arrived on the scene to film, it was as if they had already scouted the area.

They also use virtual reality and augmented reality to prepare for a production, including previewing and even a new way of storyboarding by drawing exactly what the filmmaker wants.

The Family’s virtual production soundstage features 50-by-12-foot LED walls that can be rendered in real time, allowing filmmakers and content creators to create entire worlds without the need for a green screen. They will be able to see what the final product will look like, thanks to The Family’s expert team of XR operators and 3D artists.

“We can only accommodate three or four crew members, including director, DP and gaffer, so it’s fun, and we can do DMX lighting and no physical props,” Dabal said. “But we can also increase the size of a major commercial shoot fivefold, and we have a full production team.”

To make this mammoth workflow work with affordability in mind, Dabal and his team rely on Blackmagic Design cameras, hardware and software to get the job done.



Image: Steve Dabal, The Family

Blackmagic Design Workflow

The family uses a number of Blackmagic Design cameras and gear, including the URSA Mini Pro 4.6K and URSA Mini Pro 4.6K G2, pocket movie camera 4K, DeckLink 8K Pro, SmartScope Duo, ATEM Mini, Intensity Shuttle and some vital converters for the production house. In addition, they cut and calibrate on DaVinci Resolve.

“The URSA offers an accessible price point for indie productions while delivering a punch that doesn’t compromise essential features like genlock, LUTs, RAW formats, dynamic range, and more,” Dabal said. “It’s pretty amazing how comfortable their camera systems are for people from different backgrounds and industries that we work with every day.”



“When I was in school, the Blackmagic pocket movie camera just released, so we put it where other film cameras couldn’t go. Today, someone can walk into our facilities and start filming with URSA, without the need for a specialized camera or training. Blackmagic is just perfect for what we offer our customers and also for our own production needs.”

During his undergraduate studies at ArtCenter College of Design, Dabal learned how to use DaVinci Resolve for color adjustments, masking, power windows, and more. Today, he and The Family use Resolve for their post-production workflows.



Image: Steve Dabal, The Family

“DaVinci Resolve is a powerful and comprehensive NLE that guides our footage through the post-production process. Transcoding, DI, editorial, VFX and, of course, color grading,” Dabal said. “The fact that it’s still free with every release is really amazing.”

Dabal said he liked the ease of the NLE.

“I can do my stitching in Resolve and then share the cut with other editors to collaborate,” he said, “but I always have the ability to go back into the cut and refine it, make visual effects on a shot and grading the project, all in one application.It’s an incredible workflow that can be scaled from a standalone project all the way to commercial production.

Blackmagic Design equipment keeps The Family’s production facilities running smoothly. As Dabal explained, even the HDMI-SDI and HDMI-SDI converters work well, especially with live streaming.

“We have many non-standard connections and multiple streams, but Blackmagic devices allow us to convert them all the time and have become the unsung hero for us,” Dabal said. If they had chosen something else, he thinks there would be greater potential for failure.



Image: Steve Dabal, The Family

Overall, Dabal and The Family are able to offer a state-of-the-art environment for their clients, from small independent projects to full-fledged commercial productions. And at the heart of it all is the equipment and software they use from Blackmagic.

“BMD has created this beautiful ecosystem of hardware and software that is affordable and meets the very high quality standards that all manufacturers are held to,” Dabal said.

The production company moves in | Tom from Finland in Italy | Memories of riots | Echo Park Weekly

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In this issue: A documentary filmmaker moves into the neighborhood. The living room of the famous Tom of Finland house has been recreated for the Venice Biennale. And there’s a new song called “Echo Park Vampire”.

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Echo Park Scene









Whimsical footwork at Echo Park Lake. Thanks to Sandy Driscoll for the photo.

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News and Notes

Documentary film company takes over 30,000 square feet of production and post-production space off Alvarado Street, just north of the 101 freeway, Variety reported. XTR, whose credits include Oscar-nominated “Ascension,” benefits from streaming, which has made documentaries more accessible to global audiences, CEO Bryn Mooser said.

The living room of the Tom of Finland house, a The historic city’s LGBTQ landmark on Laveta Terrace has been recreated for an art exhibit in Italy, according to Wallpaper. The Tom of Finland Foundation set it up for a collective exhibition entitled “AllTogether” on the occasion of the Venice Biennale.

Thirty years ago this week, the Rodney King Riots overtook Los Angeles – and local gang members helped protect the former Crown shoe store on Sunset. As Yong Kim and his family, who owned the store, hauled the goods to safety, one of Kim’s brothers recruited gang members who were longtime customers and gave them each a pair of sneakers. to help protect the store. It worked. Years later, Kim said that arrangement would no longer work since gentrification had pushed gang members out of the neighborhood. The store itself closed after a steep rent increase.

Button Mash is back in business after the long pandemic hiatus, and now they serve tacos instead of Asian dishes, reports the Los Angeles Times. The bar-arcade combination on Sunset reopened earlier this month, but without Starry Kitchen as a food supplier. Instead, Button Mash has partnered with Tacos 1986, which started as a street cart in 2018 and grew into a citywide chain.

A zoning administrator postponed a decision on a liquor license for a restaurant space at the corner of Echo Park and Montana. A decision on the permit has been delayed until after a ward council meeting on May 24. The building’s owner wants the permit for the corner space, which has stood empty since The Whisperer closed nearly five years ago. No new tenants have been found and the building is still for rent.

A new Spectrum store has opened at 330 Westlake on Temple in the same building which also houses the new Target mini store which opened last year.

Singer Erin Anne’s new album “Do Your Worst” features the song “Echo Park Vampire”, which is described as “a delightful, riff-invoking, riff-laden reflection on love”. The Los Angeles-based songwriter said she wrote it about his girlfriend, Lindsey, and the song was partly influenced by Rick Springfield’s “Jessie’s Girl.”


Sponsor the weekly Echo Park: Place a banner ad or sponsored message. Your financial support keeps us in business and allows us to provide free access to all readers. Email us at [email protected] for more details.


Crime

Crime reports last week included shots fired at a moving vehicle near Echo Park and Laguna avenues, three assaults with a deadly weapon in the 1400 block of Sunset and pickpocketing in the Dodgers area Stadium, in the 1000 block of Vin Scully, according to CrimeMapping.com.


What do you like about Echo Park?

EP Weekly offers subscribers the opportunity to share their thoughts on the neighborhood. If you live in Echo Park and are interested, please answer the questions below:

  • What is your name?
  • What are you doing? (optional)
  • How long have you lived in Echo Park?
  • What’s the best thing about living in Echo Park. What do you like to do here?
  • Please recommend a favorite hangout or overlooked gem (business, park, landmark, etc.)

We look forward to your responses.

News that hits home

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Video Production Company – Pretoria Jobs, Pretoria

0
Remuneration: negotiable cost for the company
Advantages: In the cost package for the company
Location: Pretoria
Level of education: Diploma
Job level: Junior/Medium
Type: Permanent
Reference: #Chris2216
Company: VGP Recruitment

We have a wonderful job opportunity in Pretoria for a talented, junior to mid-level graphic designer with an established production company specializing in video production and live broadcasting. We are looking for a talented and committed graphic designer, passionate about his job and exploring alternative solutions.

Among other duties, your responsibilities will include creating marketing materials such as promotional graphics, online graphics, social media posts, posters, as well as programs and presentations that accompany our virtual events and production projects. . The ideal candidate will have strong creative skills and a portfolio of work that demonstrates a passion for illustrative design and typography. Go ahead and show us your portfolio of Pretoria designs!

Responsibilities

  • Receive a brief, and perhaps an outline of the design request
  • Conduct research on the subject where and when needed
  • Determine, decide and manipulate text and visuals
  • Study the customer brand playbook and understand it
  • Prepare design ideas and concepts where and when needed
  • Illustrate and design graphics for video, live productions, production sets and social media
  • Collaborate with the team to ensure design consistency across media
  • Keep abreast of current industry and technology standards, social media, competitive landscape and market trends

Terms
The successful candidate must have/be:

  • Recognized advanced degree in visual communication and/or information design
  • A minimum of 2 years of design experience in an internal or corporate environment
  • In-depth working knowledge of Adobe design software i.e. Photoshop, Illustrator and InDesign
  • Experience in After Effects is very advantageous
  • Strong communication, conceptual thinking, typography and design skills
  • A natural ability to understand design and the balance of design
  • Understand branding rules and guidelines
  • Creativity
  • Attention to detail and professional spirit
  • Autonomous
  • Proactive and eager to create and establish new initiatives Fluent in English and pay attention to grammar and spelling
  • Passion for creating video editing
  • Continuous need to improve each project
  • Able to handle extreme pressure and take initiative in stressful environments
  • Understand that product quality is the result of teamwork
  • Responsible with expensive equipment
  • Excellent time management skills
  • Multitasking.

Please submit a PDF/link to a relevant portfolio with your CV when applying.

If you do not receive a response within 10 days, please consider your application unsuccessful.

Company Description

VGP Recruitment is a recruitment agency specializing in the advertising, marketing, media, creative, digital, public relations/communications and publishing sectors.

Posted on 28 April 13:16, Closing date 27 June

Sky Island Storytelling, a film production company known for its unorthodox approach to elevating stories to greater heights

0

When you look at the personalities who have managed to take center stage, capture the public’s interest and win the support of millions of people, one common trait emerges: authenticity.

Individuals from all walks of life gravitate towards those who don’t hide behind facades and glitz, and that’s true of companies trying to make a name for themselves in their fields.

Coming from a non-traditional background, Tale of Sky Island makes open-minded films from a serious perspective on a wide variety of topics. These projects are about overcoming adversity, empowerment and recovery, while being simple and authentic.

It is a leading creative production house, with awards of all kinds, such as Best Director and Best Documentary, among others. Some of their award-winning titles include:

“I want to believe”? UFOs and aliens

“The Secret Cup”? Cannabis lifestyle

“The other side of the ring”? female wrestling

“Aliens versus Bigfoot”? UFOlogy & Cryptozoology

“Alpine zoos & you”? Animal rehabilitation

“Is mindfulness right for you”? Self-help

“Don’t call me Bigfoot”? Sasquatch

“Why are we fighting”? Martial arts and boxing

FOX has just released the latest two inspirational Sky Island Storytelling films on their FREE streaming platform TubiTV where they also host all of their other films.

Like much of their viral success, these films focus on two very distinct cultural phenomena, an awards show for black and minority comedians as well as an international cannabis contest back when it was mostly illegal. 9 years after its creation, they are now at the forefront of the industry.

It’s run by Jeremy Norrie, a go-getter whose current portfolio includes movies on Amazon, CBS, Apple TV, and YouTube, plus hundreds of other streaming platforms, where he can tell all kinds of stories.

Our most popular films actually deal with subjects like UFOs, Bigfoot, ghosts, and that sort of thing,Norrie said.These films have a huge success; millions of people have seen them and their communities are extremely supportive. Even so, I would say we have better movies there.

The main distinction between their films is the authentic and honest focus on telling the whole story. “While it’s important to have an open mind, these people and their stories can inspire others who may be facing similar challenges. Our films do more than entertain, and that’s better for filmmakers than financial success,adds Norrie.

Sky Island Storytelling strongly believes in creating rich, cinematic visuals and showcasing the stories of its clients. They have dominated the space for the past few years, racking up numerous wins. Despite the widespread praise, it shows no signs of slowing down.

Under the leadership of a capable team, this renowned company will continue to help those under its wing build lasting connections with their target market. They also encourage people to discover the unique publicity opportunities that only independent filmmakers like them can provide, for subjects and in situations almost impossible to reach otherwise.

Sky Island Storytelling documentaries are available on free streaming platforms from FOX, CBS, Amazon, Roku, Apple TV, Plex and Youtube among many others. Just type Jeremy Norrie’s name on your Fire Tv app and anywhere you stream movies, or go directly to TheSkyIsland.com to find links to watch them all for free.

News Baden Bower
Baden Bower
https://www.badenbower.com
[email protected]

countex tracking

COMTEX_406307358/2776/2022-04-27T02:25:15

XTR acquires new production studio space in Echo Park

0

XTR, the award-winning non-fiction company behind “They Call Me Magic” on Apple TV Plus and Oscar-nominated “Ascension”, has announced the acquisition of a 30,000 square foot studio near Alvarado St. in the Echo Park neighborhood of Los Angeles, just west of downtown.

The new XTR Studios space includes production and post-production facilities, a sound stage, recording studio and offices. The acquisition represents a key milestone for the documentary industry as audience growth and business catches up with narrative.

“It’s an incredible time for documentaries where the demand is higher than ever. Having our own facilities will allow us to face this moment,” said Bryn Mooser, CEO and Founder of XTR. “Most importantly, we We’re excited to build a center of creative excellence and an independent home for filmmakers and artists that inspires them and helps them achieve their best.”

Talk with Variety, Mooser adds that streaming services have helped non-fiction stories reach global audiences at scale. “It’s important because it means you have a business. [In the past], our industry has always struggled with distribution. Audiences never really had access to documentaries before, and you had to go to a movie theater or a film festival.

With the expansion of available streaming platforms and non-fiction entertainment experiencing significant growth, Mooser saw an opportunity to build a studio that was built for this moment.

And why LA? Mooser proudly declares himself a native of Angeleno. He says, “California is a place where if you come here with a big dream, and you work hard enough and don’t give up, you will succeed in this industry. It’s unique to California, and something that’s embedded in history. He adds, “With LA in particular, it’s a city that was built on the entertainment industry, telling stories and making movies.”

The growth of XTR Studios continues the trend of major media and entertainment companies investing in production facilities around the world. XTR now joins Sony, HBO, Warner Bros., Lionsgate and others in expanding their production footprint to increase production of new content and cement internal capabilities.

XTR Studios will also serve as the headquarters for Documentary+, the company’s fast-growing platform now available in 80 million homes.

XTR acquires new production studio space in Echo Park

0

XTR, the award-winning non-fiction company behind “They Call Me Magic” on Apple TV Plus and Oscar-nominated “Ascension”, has announced the acquisition of a 30,000 square foot studio near Alvarado St. in the Echo Park neighborhood of Los Angeles, just west of downtown.

The new XTR Studios space includes production and post-production facilities, a sound stage, recording studio and offices. The acquisition represents a key milestone for the documentary industry as audience growth and business catches up with narrative.

“It’s an incredible time for documentaries where the demand is higher than ever. Having our own facilities will allow us to face this moment,” said Bryn Mooser, CEO and Founder of XTR. “Most importantly, we We’re excited to build a center of creative excellence and an independent home for filmmakers and artists that inspires them and helps them achieve their best.”

Talk with Variety, Mooser adds that streaming services have helped non-fiction stories reach global audiences at scale. “It’s important because it means you have a business. [In the past], our industry has always struggled with distribution. Audiences never really had access to documentaries before, and you had to go to a movie theater or a film festival.

With the expansion of available streaming platforms and non-fiction entertainment experiencing significant growth, Mooser saw an opportunity to build a studio that was built for this moment.

And why LA? Mooser proudly declares himself a native of Angeleno. He says, “California is a place where if you come here with a big dream, and you work hard enough and don’t give up, you will succeed in this industry. It’s unique to California, and something that’s embedded in history. He adds, “With LA in particular, it’s a city that was built on the entertainment industry, telling stories and making movies.”

The growth of XTR Studios continues the trend of major media and entertainment companies investing in production facilities around the world. XTR now joins Sony, HBO, Warner Bros., Lionsgate and others in expanding their production footprint to increase production of new content and cement internal capabilities.

XTR Studios will also serve as the headquarters for Documentary+, the company’s fast-growing platform now available in 80 million homes.

JLL Capital Markets Welcomes Jillian Grzywacz to Affordable Housing Production Team

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WASHINGTON, DC, April 25, 2022 – JLL Capital Markets today announced that it has welcomed Jillian Grzywacz, Senior Director to its affordable housing production team. Grzywacz is based in the Washington, DC office and reports to CW Early, Head of Affordable Housing at JLL Capital Markets.

Building JLL’s affordable multi-housing business, Grzywacz will be primarily responsible for issuing debt for affordable multi-housing sponsors both locally and nationally and will leverage the JLL platform to provide comprehensive solutions on capital markets to its clients.

“Now is the time to get creative with public and private partnerships within the affordable housing space,” Grzywacz said. “I look forward to seeing what the future holds and helping grow JLL’s affordable platform.”

Grzywacz joins JLL after more than six years with Freddie Mac, most recently as a production manager on the agency’s multi-unit affordable housing team. In this role, she consistently worked with the top three accounts of the largest affordable housing lender through loan finance. Grzywacz has also served as a mentor for the Project Destined program, a social impact platform that provides financial literacy, entrepreneurship and real estate training to various students, and plans to continue working with the program this year. She attended Penn State University, where she earned her degree in risk management with a major in real estate.

“We are thrilled to have Jillian join our affordable housing team,” said Early. “During her tenure at Freddie Mac, she was an incredible partner to us, and her knowledge, thoughtfulness and personality will ensure her success. JLL has a ‘best team on the pitch’ mentality, and Jillian is part of our overall strategy. aiming to build a top-notch affordable team.”

“As a company, JLL understands the importance of the affordable housing segment to the industry and is committed to growing the platform by expanding our team and utilizing our vast resources,” said Senior Managing Director Angela Kelcher, who heads the National Affordable Housing Debt. production team.

JLL Capital Markets is a global, full-service provider of capital solutions for property investors and occupiers. The firm’s in-depth knowledge of the local market and global investors provides best-in-class solutions to its clients, whether it is investment and sales advisory, debt advisory, equity advisory or recapitalization . The firm has more than 3,000 capital markets specialists worldwide with offices in nearly 50 countries.

For more JLL news, videos and research resources, please visit our newsroom.

Aims to eliminate clutter on Crypto Education

0

The Not-So-Odd Couple: An Indie Production Company and Its Relationship With a Decentralized Cryptocurrency

As strong supporters of Zcash, the team at 37 Laines has observed that so many of the biggest players in the industry (founder of Ethereum Vitalik Buterinfounders of gemini Tyler and Cameron Winklevoss, angel investor Naval Ravikant) love Zcash because of its revolutionary use of new forms of cryptography, Zcash was flying completely under the mainstream radar. In August 2021, 37 Laines has taken the first step to help raise awareness of how Zcash and its revolutionary technology (specifically its research on Zero Knowledge Proofs) could affect the entire cryptocurrency industry. To fund the production of their first videos, 37 Laines sought to participate in a funding model as forward-thinking as the Zcash technology itself – the Zcash Development Fund.

Every 75 seconds, a new “block” in the Zcash “blockchain” – the fundamental technology underlying all cryptocurrencies – leads to freshly minted Zcash coins that primarily go to “miners” securing the Zcash network. However, a portion of those coins go to a community-run treasury called the The Zcash Community Grant Program (ZCG)which is administered under the aegis of the non-profit association Zcash Foundation. This cash can then be used by ZCG to fund projects that help grow the Zcash ecosystem. Rather than creating a channel based on a pay-per-view model, 37 Laines believed that by choosing a community-funded approach, they could maintain the integrity of their channel and encourage the production of high-quality, thoughtful education. quality on the potentials of Zcash technology. Thus, 37 Laines applied directly to the Zcash community to finance their educational videos.

After a thorough and transparent review process where the entire Zcash community can read and comment on 37 Laines’ proposed production plan and budget, the five members elected by the ZCG community have voted to fund 37 Laines. first grant proposaltotaling $208,014, to produce a Zcash educational short documentary with mainstream appeal. Fueled by the community’s confidence in 37 Laines’ potential to help bring the Zcash project to a general audience, the 37 Laines team immediately began planning and producing their first video. After criss-crossing the United States and interviewing experts from around the world via video conference, 37 Laines compiled the nearly 20 interviews they collected into an easily understandable and in-depth introduction to not only the roots of crypto, but why a crypto -privacy preserving currency like Zcash is so important.

A world first for a global community

In March 202237 Yarns submitted a second grant proposal to ZCG, totaling $213,200, to secure funding to complete the Zcash Media team and build a team of marketing experts, editors, producers, animators and consultants to make a world premiere of their first video. This proposal was also unanimously approved by ZCG and the Zcash Media team was assembled. With the support of ZCG funding, Zcash Media released its first video titled Future Money: What is Zcash? first on friday april 22.

“Most of the team here at 37 Laines are Zcash users and understand that the newness and technological complexity of Zcash, not to mention cryptocurrencies in general, is a barrier to entry. This project has given us the opportunity to marry our expertise in producing cinematic-quality videos with our experience in communicating highly technical topics. We believe that making videos in this way will allow our work to stand the test of time and help flatten the steep learning curve for new crypto/Zcash users,” said Natacha MynhierFounder, writer and director of 37 Laines.

To wrap up its official “launch phase”, Zcash Media will release the second of two original short documentaries, The End of the Zcash Trust Setup: Who is? John Dobbertin?, this will explain Zcash’s “Halo” upgrade – the most transformative Zcash protocol upgrade to date. The video will also feature the long-awaited reveal of the pseudonym John Dobbertina participant in the Zcash setup process in 2016. This video will also be featured on Zcash Media’s Youtube and Odyssey channels later this week. Subscribe to both channels to be one of the first to see it and follow Zcash Media on Twitter to keep up to date with their efforts.

Longer term, Zcash Media will continue its current efforts to increase awareness of Zcash and drive adoption by regularly releasing new educational content. As part of this sustained effort, 37 Laines hinted at its plans to scale Zcash Media and grow its audience by introducing alternative distribution platforms, multilingual dubbed videos, and additional topic videos into the media space. cryptocurrency.

About 37 yarns
37 Laines is an award-winning film production house led by Natacha Mynhier and Jeff Hammerton. out of their office Santa Monica, California, 37 Laines produces high-quality creative work for clients across the United States, including branded content, commercials, short films, music videos, digital content, web series, live events and documentaries. The team has created content for brands like Netflix, Marvel, ESPN and Vogue, supported directors like Vincent Peone and Shruti Gangulyand recently won a Gold Award at the 2020 Young Director’s Awards for their short film, In a beat.

About Zcash Media
Zcash Media, a division of 37 Laines, is a team of filmmakers, writers, scientists, and marketing experts whose mission is to create and distribute documentary-like educational content about Zcash and related technologies.

About the Zcash Community Grants Committee
ZCG was created after the Zcash Canopy upgrade in 2020 and receives 8% from the Zcash Development Fund, along with the Electric Coin Company and Zcash Foundation, which receive 7% and 5% of the development fund respectively. Since its inception, ZCG has allocated funds to help third parties build tools and aid in the adoption of Zcash.

contacts:
Natacha MynhierFounder of 37 Wools
David Boyerproducer and screenwriter for 37 Laines
contact us

SOURCE 37 Yarns

Rust Film Production Company Fined Over Halyna Hutchins Death

0

The New Mexico Bureau of Occupational Health and Safety (OHSB) issued a voluntary-serious citation last week against Rust Movie Productions, LLC (RMP) for the preventable death of cinematographer Halyna Hutchins and the serious injury of director Joel Souza on the set of the film. Rust on October 21, 2021.

Hutchins, 42, was a 2015 graduate of the American Film Institute Conservatory and considered a rising star in the industry. She was killed when actor Alec Baldwin, who was also the film’s producer, accidentally fired a prop gun while rehearsing a scene from the western. Souza, 48, was injured in the shoulder by the same bullet.

Actor Alec Baldwin, left, stands with his attorney during a court hearing, Wednesday, January 23, 2019. [AP Photo/Erik Thomas/New York Post]

According to New Mexico state law, a citation must be issued within six months of a violation of the Occupational Safety and Health Act or related rules. The New Mexico Environmental Division (NMED), which oversees the state’s Occupational Safety and Health Administration, released the citation on the eve of the deadline.

In a statement, NMED Cabinet Secretary James Kenney said, “Our OSHA investigators have determined that Rust Movie Productions, LLC has failed in its duty to provide a workplace free from known hazards. Specifically, there have been multiple management failures and more than enough evidence to suggest that had standard industry practices been followed, the fatal shooting of Halyna Hutchins and the serious injury of Joel Souza would not have occurred. .

The investigation found that the film production company was guilty of “sheer disregard for the recognized dangers associated with the use of firearms on set, which resulted in death, serious injury and unsafe working conditions. “.

He further found that RMP asserted that it would adhere to the industry union-management safety committee safety bulletin No. 1 “Recommendations for Safety with Firearms and the Use of “Blank Ammunition” “, but did not do so on the set of the film.

Some of the most egregious violations included the lack of daily security meetings; bring live ammunition to the board; pointing a gun at someone without proper preparation and consultation; leaving firearms unattended; load guns before a scene is shot.

According to the investigation, less than a week before the tragic accident, there were two firearms misfires on the same day and both were fired by management. However, “[C]New members have verbally expressed surprise and unease at Rust management’s lack of action on the issue of site safety.

The report further states, “When the gunsmith (who is responsible for all guns on a set) has used most of his contract-limited ‘gunsmith days’, he was given a written instruction to concentrating less on his duties as a gunsmith and spending more time assisting the props department. When the gunsmith expressed the need to ensure the actors were able to safely handle a firearm with a holster, the executive producer told them that the gunsmith would be briefed if necessary. When the gunsmith was to train the stunt team in gun safety, he was told that the stunt coordinator would handle it instead.

In other words, gunsmith Hannah Gutierrez-Reed, who was only working on her second film, was forced to do two jobs for eight days during filming. His complaints and the complaints of others were ignored. “We cited everything from the lack of payment for three weeks, the withdrawal of our hotels despite their request in our offers, the lack of COVID security and, on top of that, poor gun security! Bad safety period on set! a worker called back.

The film was a very low budget production, and management clearly cut corners to save money in order to wrap the film faster and increase profits. But this has been sanctioned by the International Alliance of Theatrical Stage Employees (IATSE), which allows low-budget productions to hire non-union workers and pay wages below the going rate.

The tragedy in New Mexico came just four days after IATSE announced a last-minute deal with the Alliance of Motion Picture and Television Producers (AMPTP) to prevent a strike by 60,000 production workers film and television. Rank and file workers were determined to reverse union-backed concessions that allowed unbearable conditions to prevail in the industry, like those that led to the tragic accident in New Mexico. This included working days of 14 hours or more; one person doing the work of two or more, lack of breaks, lack of meal breaks and long commutes, to name a few.

The contract imposed by the IATSE did nothing to alleviate these problems. In fact, the majority of IATSE members rejected the surrender, but the union still used its undemocratic electoral system to ratify it.

As the WSWS pointed out at the time, “After workers rallied in a 98% strike vote, the IATSE called off the strike and told the press it had struck an ‘end. Hollywood”. The workers then received a deal that did not significantly increase the time between shifts, did not guarantee lunch breaks, left in place dangerous levels of exhaustion on set, did not grant rights to broadcast revenue and left salary increases well below the current rate of inflation. .”

While authorities in New Mexico found the production company guilty of endangering the lives of the film crew, the citation they issued included a civil fine of just $136,793, which, according to an NMED press release, is “the maximum fine allowed by state law.” in New Mexico.

Criminal investigations are still ongoing, but RMP as a corporation will not be held criminally liable, and as a single-purpose entity, RMP will also likely not be held liable for the paltry sum to which it has been condemned.

The fine imposed for the death of one worker and the injury of another sparked outrage among film and television workers.

As one commenter from the Crew Stories Facebook group noted, “that’s the budget for pack-day catering for a ton of big productions.”

Another said: ‘I held a camera worth more than that.

Many others have pointed out that New Mexico places very little value on human life.

“Companies don’t go to jail,” said another. “They get a shitty little fine and are told to move on to the next victim. Movies, coal mining, construction, factory work. Families are free to sue, but unless they have the money and plenty of time to wait, it’s still too little too late. I feel for the family. I hope they get justice, I’m afraid that won’t happen.

The government may yet find a worker or even a middle manager as a scapegoat for this crime. The conditions entertainment workers are forced to endure will continue, with future loss of life, until workers take the leadership of their struggle out of the hands of the IATSE and build new democratically controlled organizations to defend their lives, their standard of living and their working conditions. This means the creation of rank-and-file committees in opposition to the labour-management bodies that are bidding up industry and fighting for workers’ control over the pace and hours of work, health and safety.

Are you a film or television production worker? Contact Discuss with us the conditions at your site and how to create rank-and-file committees.

Aims to eliminate clutter on Crypto Education

0

The Not-So-Odd Couple: An Indie Production Company and Its Relationship With a Decentralized Cryptocurrency

As strong supporters of Zcash, the team at 37 Laines has observed that so many of the biggest players in the industry (founder of Ethereum Vitalik Buterinfounders of gemini Tyler and Cameron Winklevoss, angel investor Naval Ravikant) love Zcash because of its revolutionary use of new forms of cryptography, Zcash was flying completely under the mainstream radar. In August 2021, 37 Laines has taken the first step to help educate the general public about how Zcash and its revolutionary technology (specifically its research on Zero Knowledge Proofs) could affect the entire cryptocurrency industry. To fund the production of their first videos, 37 Laines sought to participate in a funding model as forward-thinking as the Zcash technology itself – the Zcash Development Fund.

Every 75 seconds, a new “block” in the Zcash “blockchain” – the fundamental technology underlying all cryptocurrencies – leads to freshly minted Zcash coins that primarily go to “miners” securing the Zcash network. However, a portion of those coins go to a community-run treasury called the The Zcash Community Grant Program (ZCG)which is administered under the aegis of the non-profit association Zcash Foundation. This cash can then be used by ZCG to fund projects that help grow the Zcash ecosystem. Rather than creating a channel based on a pay-per-view model, 37 Laines believed that by choosing a community-funded approach, they could maintain the integrity of their channel and encourage the production of high-quality, thoughtful education. quality on the potentials of Zcash technology. Thus, 37 Laines applied directly to the Zcash community to fund their educational videos.

After a thorough and transparent review process where the entire Zcash community can read and comment on 37 Laines’ proposed production plan and budget, the five members elected by the ZCG community voted to fund 37 Laines. first grant proposaltotaling $208,014, to produce a Zcash educational short documentary with mainstream appeal. Fueled by the community’s confidence in 37 Laines’ potential to help bring the Zcash project to a general audience, the 37 Laines team immediately began planning and producing their first video. After criss-crossing the United States and interviewing experts from around the world via video conference, 37 Laines compiled the nearly 20 interviews they collected into an easily understandable and in-depth introduction to not only the roots of crypto, but why a crypto -privacy preserving currency like Zcash is so important.

A world first for a global community

In March 202237 Yarns submitted a second grant proposal to ZCG, totaling $213,200, to secure funding to complete the Zcash Media team and build a team of marketing experts, editors, producers, animators and consultants to make a world premiere of their first video. This proposal was also unanimously approved by ZCG and the Zcash Media team was assembled. With the support of ZCG funding, Zcash Media released its first video titled Future Money: What is Zcash? first on friday april 22.

“Most of the team here at 37 Laines are Zcash users and understand that the newness and technological complexity of Zcash, not to mention cryptocurrencies in general, is a barrier to entry. This project has given us the opportunity to marry our expertise in producing cinematic-quality videos with our experience in communicating highly technical topics. We believe that making videos in this way will allow our work to stand the test of time and help flatten the steep learning curve for new crypto/Zcash users,” said Natacha MynhierFounder, writer and director of 37 Laines.

To wrap up its official “launch phase”, Zcash Media will release the second of two original short documentaries, The End of the Zcash Trust Setup: Who is? John Dobbertin?, this will explain Zcash’s “Halo” upgrade – the most transformative Zcash protocol upgrade to date. The video will also feature the long-awaited reveal of the pseudonym John Dobbertina participant in the Zcash setup process in 2016. This video will also be featured on Zcash Media’s Youtube and Odyssey channels later this week. Subscribe to both channels to be one of the first to see it and follow Zcash Media on Twitter to keep up to date with their efforts.

Longer term, Zcash Media will continue its current efforts to increase awareness of Zcash and drive adoption by regularly releasing new educational content. As part of this sustained effort, 37 Laines hinted at its plans to scale Zcash Media and grow its audience by introducing alternative distribution platforms, multilingual dubbed videos, and additional topic videos into the media space. cryptocurrency.

About 37 yarns
37 Laines is an award-winning film production house led by Natacha Mynhier and Jeff Hammerton. out of their office Santa Monica, California, 37 Laines produces high-quality creative work for clients across the United States, including branded content, commercials, short films, music videos, digital content, web series, live events and documentaries. The team has created content for brands like Netflix, Marvel, ESPN and Vogue, supported directors like Vincent Peone and Shruti Gangulyand recently won a Gold Award at the 2020 Young Director’s Awards for their short film, In a beat.

About Zcash Media
Zcash Media, a division of 37 Laines, is a team of filmmakers, writers, scientists, and marketing experts whose mission is to create and distribute documentary-like educational content about Zcash and related technologies.

About the Zcash Community Grants Committee
ZCG was established after the Zcash Canopy upgrade in 2020 and receives 8% from the Zcash Development Fund, along with the Electric Coin Company and Zcash Foundation, which receive 7% and 5% of the development fund respectively. Since its inception, ZCG has allocated funds to help third parties build tools and aid in the adoption of Zcash.

contacts:
Natacha MynhierFounder of 37 Wools
David Boyerproducer and screenwriter for 37 Laines
contact us

Video – https://www.youtube.com/watch?v=J1Nr1VL5dGU

SOURCE 37 Yarns

A new veteran-owned production team hits the DMV Theater stage with a new Gospel-style play by Tyler Perry titled ALL COUNSEL AIN’T WISE

0

Sometimes you don’t know where your career path will take you. Lee Mooring was just minding his own business serving our country as a member of the United States Air Force. When asked to produce a Christian event for believers in his community, everything changed.

With no theatrical experience, Mooring rented a hotel room, bought a script, and became a producer. At the end of the evening, he stood up in front of the audience and said that there would soon be a second play. When there was no suitable script to buy, Mooring wrote his own play and eventually started his own production company called All About One. The society bears this name because God revealed to Mooring that all of its efforts are aimed at glorifying Him and bringing “one” person to accept the free offer of salvation in Christ.

The company’s latest result is Not all advice is wise.

The plot of the show is as follows.

Follow the life of an African-American Christian family facing common challenges. Rochelle played by veteran actress Shakara Monique is a mother, wife, and advertising executive who is thrilled to move up the co-op ladder. Her faith in God continually gives her strength and comfort through the good and bad times of her life. Along with her barely working and somewhat lightly working sister, she supports her family in the fight against enemy attacks at every turn.

Marcus’ (Darrell Brown) husband Rochelle and Jill (Alger Diamond) his mentor are constant pillars of support, encouragement and prayer. This family, although it has some problems, is not lacking in laughter and camaraderie. It’s an unmissable interactive experience like you’ve never seen before.

The cast includes Shakara Monique -Actress/Singer, Alger Diamond -Comedian/Actress, Darrell Brown -Actor/Music Director, Charita Mariner -Actress/Comedian, Isabell Schweiter -Actress/Singer, Naheemah Wilson -Actress, Sharmean Shyne Howard -Actress, PJ Fields -Actor/Singer, Micah King -Actor and Carl Armstrong -Actor.

The production is co-directed by Alger Diamond and Renita Coles.

It will take place at the Colonial Forge High School Theater on Saturday, June 11 at 7:00 p.m.

The venue is located at 550 Courthouse Road, Stafford, VA, 22554.

Tickets are priced at $35 and can be purchased by clicking here.

Sony, partner of USC Cinematic Arts School on Virtual Production Studio

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Sony Electronics announced its partnership with USC

CS
School of Cinematic Arts to create a virtual production studio in the top-rated film school that will include LED walls, cameras, software and other equipment, and roll out a new program around virtual production.

The announcement was made Sunday morning as part of Sony press conference for the relaunch of the NAB industry conferencewhich opened Saturday at the Las Vegas Convention Center and will run through Wednesday.

Sony’s equipment and tools will be available on campus shortly, but with USC’s school year ending in a few weeks, the new program around virtual production won’t debut until next year.

Theresa Alesso, president of Sony Image Products and Solutions – Americas, said the electronics company plans to continue to work closely with USC students and teachers on the use of the equipment, in order to to improve products in their actual use.

Gail Katz, President of the School of Film and Television Production, called the deal “groundbreaking,” in a clip recorded during the presentation. “I can’t wait to see the innovation that will result.”

Virtual production is the hottest trend in Hollywood these days, fueled by remote collaboration tools, on-the-ground requirements of pandemic protection, and high-speed internet connections through 5G and wired systems. .

Shows like Disney Plus’ The Mandalorian relied on studio facilities lined with giant walls of high-quality LED screens as a sophisticated and immersive successor to familiar green screen technologies. LED screens with props allow for much more interactive and engaging performances by actors, while allowing directors and cinematographers to actually see the setting in which performances are taking place.

USC’s film school has had many high-profile partnerships in the past, starting with a big Avid investment two decades ago in nonlinear video editing systems at a new off-campus center. This announcement brought out former directors George Lucas and Robert Zemeckis, among other notables.

More recently, the school built a huge new main building, spurred by large donations from Lucas and his close friend Steven Spielberg, another longtime supporter despite attending the nearby California State University campus in Long Beach. .

Sony also announced several video cameras for cinema and broadcast, including the slightly smaller Venice 2 upgrade to its flagship cinema camera and the F5500 camera, which features a large form-factor sensor in a housing. broadcast-style.

The company also said it was improving its remote collaboration and production software, including products from its recent acquisition Nevion and the Hawk-Eye Replay product suite, used by sports broadcasters to create and share music videos. and game clips. Company partners with English Premier

PINC
The league allows Manchester City to “create a next-generation experience combining the physical and virtual world”, said Alesso.

Sony’s move towards enhanced virtual and cloud-based production tools follows announcements made last week by rival Adobe

ADBE
and Blackmagic Design.

Adobe’s recent acquisition of video review and approval company Frame.io is now part of its Creative Cloud software suite, expanded its Camera To Cloud sharing technologies to 11 hardware and software partners, and launched a new app for Apple.

AAPL
TV streaming devices, to simplify remote review, annotation and approval of clips in near real time by executives.

Blackmagic has added a major cloud-based collaboration feature to its do-it-all software, DaVinci Resolve Studio 18, CEO Grant Petty announced Monday. It also announced several new hardware components designed to facilitate remote production and collaboration.

Production Company Calls for Recognition of ‘9/11’ Movie Profits

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Production Company Calls for Recognition of ‘9/11’ Movie Profits

LOS ANGELES (CNS) — A film production company is suing 20th Century Fox Home Entertainment LLC, alleging the company failed to fully account for profit sharing owed to the plaintiff under a 2016 deal related to distribution. from the movie ‘9/11,’ starring Charlie Sheen and Whoopi Goldberg.

Sunset House LLC filed the breach of contract lawsuit Wednesday in Los Angeles Superior Court, seeking unspecified damages and an accounting and judicial determination of the plaintiff’s rights, including any rights to DVD sales.

A representative for Disney, which bought Fox’s assets for $71.3 billion in 2019, could not immediately be reached.

‘9/11’ was a 2017 film directed by Martin Guigui dealing with the September 11, 2001 attacks on the World Trade Center in New York City. In August 2016, Sunset House granted TCFHE the sole and exclusive right to distribute and exploit the film in the United States and its territories for five years, according to the lawsuit.

In late May 2018, TCFHE provided Sunset House with earnings statements ‘that purportedly reflected the gross receipts and distribution expenses’ incurred by the defendant relating to the marketing of the film, but the information was ‘extremely sparse and oblique and provided little if any meaningful breakdown on how these reported numbers were calculated,” the suit states.

TCFHE also made no commercially reasonable attempt to remarket ‘9/11’ in conjunction with 9/11, 2021, the 20th anniversary of the attacks, ‘which amounts to a waste of the asset’. the suit declares.

Actors and crew members wanted for THE HUNCHBACK OF NOTRE-DAME AND A DOLL’S HOUSE at the Wallace

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The Wallace has announced its next two productions as part of its 2022 season titled “Gather” to West Texas!

This July, experience Disney’s ‘Hunchback of Notre Dame’ epic based on Victor Hugo’s novel at the LHUCA Firehouse Theater in Lubbock. In September, The Wallace will present Henrik Ibsen’s “A Doll’s House”, hailed as “A thunderclap of a breathtaking evening” by Time Magazine.

Are you an actor or a theater technical worker? The Wallace will hold auditions and interviews for “A Hunchback of Notre Dame” and “A Doll’s House” in May. All roles and positions are paid.

The Wallace is currently looking for non-AEA actors. The auditions will take place on Saturday April 30, Sunday May 1 and Thursday May 5. Callbacks will take place on Saturday, May 7. Auditions will be by appointment only. Schedule an audition today and learn more at: www.wallaceheater.com/auditions.

Designers, assistant directors, stage managers, choreographers, intimacy directors and fight directors can get more information and submit entries at www.wallacetheater.com/work-with-us.

“The Hunchback of Notre Dame”

Based on the novel by Victor Hugo and songs from the Disney animated feature, The Hunchback of Notre Dame features the Oscar-nominated film score, plus new songs by Menken and Schwartz. Peter Parnell’s new book embraces story theater and features verbatim passages from Hugo’s Gothic novel.

The musical begins as the bells of Notre-Dame ring out in the famous 15th-century Paris cathedral. Quasimodo, the deformed ringer who dreams of being “Over There”, observes all of Paris reveling in the Fête des Fous. Held captive by his devious guardian, Archdeacon Dom Claude Frollo, he escapes for the day and joins the noisy crowd, only to be treated cruelly by all but the beautiful Roma woman, Esmeralda. Quasimodo isn’t the only one captivated by his free spirit, however – handsome Captain Phoebus and Frollo are also captivated. As the three vie for his attention, Frollo embarks on a mission to destroy Roma – and it’s up to Quasimodo to save them all.

A stunning score and powerful story make The Hunchback of Notre Dame an instant classic. Audiences will be swept away by the magic of this truly unforgettable musical.

Performances: Friday, July 15 through Sunday, July 24 at the LHUCA Firehouse Theatre.

“A Doll’s House”

“The need for each individual to discover the kind of person they really are and to strive to become that person” – Michael Meyer

Nora Helmer is a vibrant young housewife who nonetheless suffers from a crippling addiction to her husband of eight years. In order to save Torvald from debt, Nora unwittingly arranges a loan, and does so by forging a signature. The illusions behind their marriage are exposed and Nora awakens to feelings of self-awareness for the first time in her life. They are husband and wife, yes, but they are also strangers. And in one of the most famous and outrageous climaxes in all of 19th-century drama, Nora makes her decision, determined to forge a new identity from the one she’s always known.

Performances: from Friday September 16 to Friday September 23. Location to be determined.

These productions will be directed by The Wallace’s artistic director, Anna Hogan.

Learn about sponsorship opportunities, how to get involved and more at WallaceTheater.com!

The Wallace Theater is committed to celebrating diversity, equity, inclusion and accessibility on and off stage. Our mission is to maintain a culture that nurtures, uplifts, and reflects the diverse community of thoughts and experiences that make up our West Texas community. We are committed to equal employment opportunity regardless of race, color, ancestry, religion, gender, national origin, sexual orientation, age, citizenship, marital status, disability, gender identity or veteran status.

Production Company Calls for Recognition of ‘9/11’ Movie Profits

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A film production company is suing 20th Century Fox Home Entertainment LLC, alleging that the company failed to fully account for the profit sharing owed to the plaintiff under a 2016 deal related to the distribution of the film “9/11 from 2017, which starred Charlie Sheen and Whoopi Goldberg.

Sunset House LLC filed the breach of contract lawsuit Wednesday in Los Angeles Superior Court, seeking unspecified damages and an accounting and judicial determination of the plaintiff’s rights, including any rights to DVD sales.

A representative for Disney, which bought Fox’s assets for $71.3 billion in 2019, could not immediately be reached.

“9/11” was a 2017 film directed by Martin Guigui dealing with the September 11, 2001 attacks on the World Trade Center in New York City. In August 2016, Sunset House granted TCFHE the sole and exclusive right to distribute and exploit the film in the United States and its territories for five years, according to the lawsuit.

In late May 2018, TCFHE provided Sunset House with earnings statements “which purportedly reflected gross receipts and distribution expenses” incurred by the defendant relating to the marketing of the film, but the information was “extremely sparse and oblique and provided little or no meaningful breakdown as to how these reported numbers were calculated,” the suit states.

TCFHE also made no commercially reasonable attempt to remarket “9/11” in conjunction with September 11, 2021, the 20th anniversary of the attacks, “which amounts to a waste of assets,” the lawsuit says.

NeNe Leakes Sues Real Housewives Of Atlanta Production Team Over Racism

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No turning back now. Love her or hate her, you can’t say that NeNe Leaks is an icon of housewives. His larger-than-life persona and hilarious reads put Real Housewives of Atlanta On the map. But ultimately, NeNe’s relationship with her castmates, frame Andy Cohen and Bravo itself began to deteriorate. Between 2008 and 2020, NeNe appeared as a main cast member on the show. She participated in seasons 1 to 7, then left for a brief stint in Hollywood. She then returned for seasons 10–12.

Now The Hollywood Reporter revealed that NeNe alleges that she experienced racism for several seasons of RHOA . NeNe filed a lawsuit in federal court in Atlanta, claiming that the companies behind the show encouraged and allowed a hostile and racist work environment. NeNe has complained to executives about years of racist remarks from her co-star, Kim Zolciak-Biermann. Kim appeared on the show as a main cast member for five seasons. She also briefly left the show, only to return in a guest role for two more seasons. NeNe claimed that after her complaints against Kim, she was the only one who suffered any consequences.

The lawsuit names NBCUniversal, Bravo, production companies True Entertainment and Truly Original as defendants. Others charged include executives from the companies and the executive producer of Housewives Andy. The suit does not name Kim. The lawsuit reads, “NBC, Bravo and True foster a corporate and work culture in which racially insensitive and inappropriate behavior is tolerated, if not encouraged.”

Details of the lawsuit allege that during the first season of RHOAthe cast was to attend a barbecue. Kim said of the idea with “words to the effect of: ‘I don’t want to sit with NeNe and eat chicken. “”The lawsuit suggests that this statement “perpetuated an offensive stereotype about African Americans”.

During the show’s fifth season, the suit claims that Kim made ‘racially offensive and stereotypical’ comments about housewife’s new home Kandi Burrus. On camera, Kim called the new Kandi neighborhood a “ghetto”. Additionally, Kim made an offensive comment on whether or not Kandi needs a swimming pool at home.

The same year, Kim would have used the word N when referring to NeNe and other housewives during a fight. The lawsuit also accuses Kim of falsely implying that NeNe used drugs and called his house a “cockroach’s nest”. After NeNe filed multiple complaints with the executives who oversaw the show, the suit claims they “did not end their relationship with Zolciak-Biermann or take any other meaningful action to end his behavior.” racist”. Plus, they gave Kim her own spin-off, Do not be late. The show was recently canceled after eight seasons on Bravo.

NeNe’s lawyer, David de Rubertis said in a statement: “Since filming began on the series, NeNe has been the target of systemic racism from co-star Kim Zolciak-Biermannwhich was tolerated by the executive producer of Bravo Andy Cohen and other frames. Another lawyer from NeNe, Joe Habachysaid via email that “not a day goes by that NeNe doesn’t wake up to an onslaught of overwhelming emotions as a direct result of these unfortunate and preventable events.”

The lawsuit claims that NeNe’s complaints of racism were part of what led NeNe to leave the show for good in 2020. He also alleges that NeNe’s negotiations for season 13 happened around the time the Black Lives Matter movement was dominating the national scene . NeNe was a strong supporter of the movement. Apparently, the executives blocked NeNe from talking about the cause. They also kept her out of the early episodes that were about BLM, the chase continued. The suit read, in part, “As the Black Lives Matter movement swept our nation, Ms. Leakes – Bravo’s most successful black female talent – ​​should have been adopted by NBC, Bravo and True. Instead, NBC, Bravo, and True forced her out of the “house she built,” denying her a regular role.

Finally, the suit claims that the defendants’ actions violate federal employment and anti-discrimination law. NeNe seeks monetary damages, which will be determined at trial. Representatives of the accused and Kim has not yet commented on the lawsuit.

TELL US – WHAT DO YOU THINK OF NENE’S TRIAL? DO YOU BELIEVE RHOA WAS A RACIST WORK ENVIRONMENT? WAS NENE FORCED OFF THE SHOW BECAUSE OF HER COMPLAINTS?

[Photo Credit: Bravo]

The strength of Vaibhav Gattani’s independent production house Icescape Films lies in making a film with a dark and unconventional theme.

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Independent film production company, Icescape Films, based in the center of the world B-Town Mumbai, will soon release its first feature film “Void” on digital. Filmmaker Vaibhav Gattani directed and produced the film which depicts the history of infertility issues. The film revolves around science and supernatural beliefs. When medical science has no answer to infertility, it has no choice but to resort to supernatural interventions. Does she succeed? If yes then at what cost? This ninety-six minute film will take you deep into it with no stone unturned.

Vaibhav Gattani, who is also a writer, actor, cinematographer and editor, launched his own production company Icescape films on May 5, 2018 with a strong desire to tell stories that reach and touch the hearts of everyday people.

Born on October 11, 1994 in Sangli, the young 28-year-old filmmaker Vaibhav Gattani studied in Mumbai. His interest in filmmaking began when he was pursuing a B-Tech degree in Civil Engineering. He never went to any film school, Vaibhav followed his passion with dedication by first making short films to experiment and learn the art of making films. In the process of honing his skills as a professional filmmaker, he thought about stepping up a gear by starting his own production company and branching out into directing feature films. And that’s how Icescape Films was born.

When asked why he chose the name Icescape Films, he replied, “Icescapes are huge, grand and visually stunning, and at the same time, there are so many mysteries surrounding them! Just like that, at Icescape Films, we specialize in making a movie with a huge canvas, a lot of grandeur and a bit of mystery with dark emotions combined with technical perfection.

Icescape Films’ mission is to be one of the world’s bestselling producers and providers of quality entertainment that reaches and touches the hearts of everyday people. Viewers should feel that their hard-earned money and valuable time are worth spending on our content!

Vaibhav has made several short films under his Icescape Films banner which have been well received by international film festivals. His strength lies in making a film with a dark and unconventional theme.

Produced under the Icescape Films banner, “Void” premieres May 6, 2022 on Vimeo on Demand.

Solar Opposites Production Team Votes To Join Animation Guild

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The successful election marks yet another victory for The Animation Guild when it comes to organizing production workers. Titmouse, Inc. (“Superjail!”, “The Venture Bros.”, and “Big Mouth”) were willingly recognized after a card count last month, but when the company’s contracts along with “Rick & Morty” and “Solar Opposites” are traded, they will make history. Ultimately, “this will be the first time in recent history” that the Guild will cover such workers, a Guild representative told The Hollywood Reporter. It’s a huge win for the Guild, but it certainly won’t end there.

Last month, the Animation Guild held a rally to encourage organizing and a vote to unionize animation workers across the industry, with hundreds turning out to show their support. The Guild is currently still in negotiations with the Alliance of Motion Picture and Television Producers (AMPTP) regarding a new framework agreement for animation, known on social media as #NewDeal4Animation.

Animation workers are currently woefully underpaid and overworked, and given that animation was keeping the industry alive during the pandemic when live action projects came to a screeching halt, the AMPTP would be wise to give the Guild whatever it wants. They deserve it, and they’ve deserved it for a long, long time.

‘Tumhari Sulu’ director Suresh Triveni launches creative studio and production house

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Bombay, April 21 (IANS): Suresh Triveni, the director of “Tumhari Sulu” and Vidya Balan and Shefali Shah-star “Jalsa”, has launched a creative studio and production house “Opening Image” where he will build a strong team of talents from all functions with a clear objective on the development of content covering films and series.

The exciting slate of films and series in development at the newly formed company also includes Suresh’s upcoming directorial endeavors as well as content where he will act as showrunner.

Delighted with the launch of Opening Image, Suresh says, “The idea of ​​Opening Image is to empower talent – ​​writers, filmmakers, technicians. to deliver new, exclusive and original stories tailored to viewers around the world.

He adds, “The vision behind Opening Image is to create disruptive stories and provide a platform for creators, especially young talent, to bring their best to life. I’m thrilled to extend my partnership with Abundantia Entertainment and Vikram at the next level and in them I found the right supports for my vision”.

The creative studio, supported by Abundantia Entertainment, led by Vikram Malhotra, will also host a one-of-a-kind script lab that will allow creators to develop their ideas with the best writers and creative minds to collaborate with.

Vikram Malhotra, Founder and CEO of Abundantia Entertainment, shares, “Abundantia Entertainment believes in the power of stories and the vision of storytellers. This philosophy is strongly demonstrated in all of the work that the Abundantia team has delivered in its young journey. , highlighted by the recent success of Jalsa.”

“Suresh has been a fabulous collaborator and friend and I am proud that we are now taking the next step in our relationship as he launches ‘Opening Image’. I am excited about the promise and potential of Opening Image and I can’t wait for Suresh and the team to tell their brand of stories to the world,” he adds.

Opening Image is set to partner with studios and platforms that share its vision of bringing high-quality stories to screens of all sizes and dimensions and is independent of language and genre.

‘Tumhari Sulu’ director Suresh Triveni launches creative studio and production house

0

Bombay, April 21 (IANS): Suresh Triveni, the director of “Tumhari Sulu” and Vidya Balan and Shefali Shah-star “Jalsa”, has launched a creative studio and production house “Opening Image” where he will build a strong team of talents from all functions with a clear objective on the development of content covering films and series.

The exciting slate of films and series in development at the newly formed company also includes Suresh’s upcoming directorial endeavors as well as content where he will act as showrunner.

Delighted with the launch of Opening Image, Suresh says, “The idea of ​​Opening Image is to empower talent – ​​writers, filmmakers, technicians. to deliver new, exclusive and original stories tailored to viewers around the world.

He adds, “The vision behind Opening Image is to create disruptive stories and provide a platform for creators, especially young talent, to bring their best to life. I’m thrilled to extend my partnership with Abundantia Entertainment and Vikram at the next level and in them I found the right supports for my vision”.

The creative studio, supported by Abundantia Entertainment, led by Vikram Malhotra, will also host a one-of-a-kind script lab that will allow creators to develop their ideas with the best writers and creative minds to collaborate with.

Vikram Malhotra, Founder and CEO of Abundantia Entertainment, shares, “Abundantia Entertainment believes in the power of stories and the vision of storytellers. This philosophy is strongly demonstrated in all of the work that the Abundantia team has delivered in its young journey. , highlighted by the recent success of Jalsa.”

“Suresh has been a fabulous collaborator and friend and I am proud that we are now taking the next step in our relationship as he launches ‘Opening Image’. I am excited about the promise and potential of Opening Image and I can’t wait for Suresh and the team to tell their brand of stories to the world,” he adds.

Opening Image is set to partner with studios and platforms that share its vision of bringing high-quality stories to screens of all sizes and dimensions and is independent of language and genre.

‘Tumhari Sulu’ director Suresh Triveni launches creative studio and production house

0

Bombay, April 21 (SocialNews.XYZ) Suresh Triveni, the director of ‘Tumhari Sulu’ and Vidya Balan and Shefali Shah-starring ‘Jalsa’, has launched a creative studio and production house ‘Opening Image’ where he will build a strong team of talents from all functions with a clear objective on the development of content covering films and series.

The exciting slate of films and series in development at the newly formed company also includes Suresh’s upcoming directorial endeavors as well as content where he will act as showrunner.


Delighted with the launch of Opening Image, Suresh says, “The idea of ​​Opening Image is to empower talent – ​​writers, filmmakers, technicians. to deliver new, exclusive and original stories tailored to viewers around the world.

He adds, “The vision behind Opening Image is to create disruptive stories and provide a platform for creators, especially young talent, to bring their best to life. I’m thrilled to extend my partnership with Abundantia Entertainment and Vikram at the next level and in them I found the right supports for my vision”.

The creative studio, backed by Abundantia Entertainment, led by Vikram Malhotra, will also host a one-of-a-kind script lab that will allow creators to develop their ideas with the best writers and creative minds available to collaborate.

Vikram Malhotra, Founder and CEO of Abundantia Entertainment, shares, “Abundantia Entertainment believes in the power of stories and the vision of storytellers. This philosophy is strongly demonstrated in all of the work that the Abundantia team has delivered in its young journey. , highlighted by the recent success of Jalsa.”

“Suresh has been a fabulous collaborator and friend and I am proud that we are now taking the next step in our relationship as he launches ‘Opening Image’. I am excited about the promise and potential of Opening Image and I can’t wait for Suresh and the team to tell their brand of stories to the world,” he adds.

Opening Image is set to partner with studios and platforms that share its vision of bringing high-quality stories to screens of all sizes and dimensions and is independent of language and genre.

Source: IANS

The director of

About Gopi

Gopi Adusumilli is a programmer. He is the editor of SocialNews.XYZ and president of AGK Fire Inc.

He enjoys designing websites, developing mobile apps and publishing news articles from various authenticated news sources.

As for writing, he enjoys writing about current world politics and Indian movies. His future plans include developing SocialNews.XYZ into a news website that has no bias or judgment towards any.

He can be reached at [email protected]

NeNe Leakes sues Real Housewives of Atlanta production team for ‘tolerance of racism’ on set

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NeNe Leakes, a former Real Housewives of Atlanta star, sued the companies behind the show, alleging they encouraged and tolerated a hostile and racist work environment.

The lawsuit, filed in federal court in Atlanta on Wednesday (April 20), says Leakes, who is black, complained to leaders for years about racist remarks by fellow “housewife” Kim Zolciak-Biermann, who is white, but that only Leakes suffered the consequences.

NBCUniversal, Bravo, production companies True Entertainment and Truly Original, company executives and real housewives executive producer Andy Cohen, are named as defendants in the documents. Zolciak-Biermann is not named in the lawsuit.

“NBC, Bravo and True foster a corporate and work culture in which racially insensitive and inappropriate behavior is tolerated – if not encouraged,” the lawsuit states.

Emails sent to the defendants’ representatives and Zolciak-Biermann seeking comment were not immediately returned.

Leakes, 54, a television personality and actor whose legal name is Linnethia Monique Leakes, spent seven seasons as one of the central stars of Real Housewives of Atlanta between 2008 and 2020.

He alleges that during the first season, which aired in 2008, the cast planned to attend a barbecue, and housewife Kim Zolciak-Biermann, responded to the idea with “words to the effect of , ‘I don’t want to sit around with NeNe and eat chicken.

The Real Housewives of Atlanta were cast in 2010 with Leakes (far left) and Zolciak-Biermann (far right)

(Getty Pictures)

The lawsuit says the statement “perpetuated an offensive stereotype of African Americans.”

The diaries also point to “racially offensive and stereotypical” comments made by Zolciak-Biermann during the fifth season, when visiting co-star Kandi Burruss’ new home, calling her neighborhood a “ghetto” and perpetuating a racial stereotype in an offensive comment. to find out if Burruss needed a swimming pool.

That same year, according to the suit, Zolciak-Biermann used the N-word to refer to Leakes and other housewives after an argument with them. He also claims that Zolciak-Biermann falsely implied that Leakes used drugs and called his house a “cockroach nest.”

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The lawsuit says that after Leakes complained to executives overseeing the show, they “did not end their relationship with Zolciak-Biermann or take any other meaningful action to end his racist behavior,” and if something rewarded her with giving it her own spin-off show.

“From the day the show began filming, NeNe has been the target of systemic racism from co-star Kim Zolciak-Biermann, which was condoned by Bravo executive producer Andy Cohen and other executives,” said Leakes attorney David deRubertis said in a statement.

Joe Habachy, another attorney for Leakes, said via email that “not a day goes by that NeNe doesn’t wake up to a wave of overwhelming emotions as a direct result of these unfortunate and preventable events.”

The lawsuit alleges his complaints of racism led in part to forcing Leakes to leave the show in 2020 ahead of its 13th season.

The suit indicates that Leakes’ negotiations for the season came as the Black Lives Matter movement gained momentum, with Leakes a strong supporter.

Executives sought to block Leakes from speaking about the cause, keeping her out of early episodes in which the Housewives would address BLM, according to the suit.

“As the Black Lives Matter movement swept our country, Ms. Leakes – Bravo’s most successful black female talent – ​​should have been embraced by NBC, Bravo and True,” the suit reads. “Instead, NBC, Bravo and True forced her out of the ‘house she built,’ denying her a regular role.”

The lawsuit alleges that the defendants’ actions violate federal employment and anti-discrimination law, and seeks monetary damages to be determined at trial.

Obama’s production company will not renew its exclusive deal with Spotify | app

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Higher Ground, the Obamas’ production company, and Spotify will not renew their exclusive partnership, according to three people familiar with the matter.

Higher Ground has produced a number of exclusive shows distributed on the streaming platform since partnering with Spotify in 2019.

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Copyright 2022 Tribune Content Agency.

Blue Ox Malthouse – Production Team Members – Brewbound.com Craft Beer Job Listing

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Blue Ox Malting

Apply for this position

Locate the beer. Become a maltster!

Blue Ox Malthouse is looking for multiple team members to process local grains for craft breweries in New England and the Northeast. Our mission is to develop sustainable markets for local agricultural products, to connect people with their community and to push possibilities in malt, grains and beer.

We value hard work, the ability to learn new skills, attention to detail, dedication, integrity and professionalism.

We welcome and encourage diverse applicants from all backgrounds, genders, ethnicities, races and experiences to apply. If you are not afraid of physical work and want to learn a trade within a growing company, then come and join our team!

Open positions in the production team:

The requirements for all positions are the same and shared below. Any specific considerations for a position will be discussed during an interview.

  • Weekday morning shift member: This is a full-time position (40 hours per week) on a Monday to Friday schedule, 5 a.m. to 1 p.m.

  • Member of the weekend team: This is a part-time position (10-16 hours per week) on a Sat-Sun schedule.

  • Member of the weekend/weekday team: This is a full-time team member position (35-40 hours per week) working a Sat-Wed schedule.

  • Evening shift member: This is a part-time position (5-6 hours per week) working Sunday-Monday and Wednesday-Thursday evenings for 1-1.5 hours.

What there is to know

Description of work

  • Responsible for assisting maltsters and assistant maltsters with the tasks necessary to process batches of raw grain into malt and maintain high quality standards

  • Warehouse maintenance and upkeep (keep neat and orderly, take out garbage, etc.)

  • Executing commands, including pull, stage, and document commands

  • You must be able to perform and be comfortable with physical labor.

  • Participate in staff and team meetings

  • Work within the global team to support other projects

  • Participate in occasional training and professional development opportunities

  • Other duties as needed and assigned

  • The schedule is 5 days a week

  • Some holiday work required due to the nature of the malting process

Job requirements

  • Attention to detail.

  • Ability to work independently and in a team.

  • Ability to learn and apply new skills.

  • Ability to endure physical work and standing for periods of 2 to 6 hours.

  • Ability to shovel grain and green malt for periods of 1-2 hours.

  • Ability to lift up to 75 pounds repeatedly without injury.

  • Reliable transportation to/from work.

  • Flexibility to respond to the adjustment of working hours.

Job duties

  • Perform required duties related to malting, cleaning, storage, order fulfillment and quality control of malt.

  • Duties may change depending on the season and adjusting workloads.

Favorite experience

  • Be over 21 years old.

  • Proper operation of the forklift.

  • Experience with hand and power tools.

  • Warehousing experience

  • Desire to learn about the malting industry.

  • Interest/passion for the craft food and beverage industry.

  • Knowledge of malt and beer.

Compensation:

COVID-19 Policy: In accordance with Blue Ox Malthouse’s duty to provide and maintain a workplace free from recognized hazards and to do our part to protect the health and well-being of our employees, their families, customers, visitors and vulnerable members of our community, Blue Ox Malthouse has adopted a policy requiring employees to receive COVID-19 vaccinations or request an exemption, as permitted by federal law. Our full policy will be provided to candidates upon request and prior to hiring.

Apply for this position

Blue Ox Malthouse – Production Team Members – BevNET.com

0

Locate the beer. Become a maltster!

Blue Ox Malthouse is looking for multiple team members to process local grains for craft breweries in New England and the Northeast. Our mission is to develop sustainable markets for local agricultural products, to connect people with their community and to push possibilities in malt, grains and beer.

We value hard work, the ability to learn new skills, attention to detail, dedication, integrity and professionalism.

We welcome and encourage diverse applicants from all backgrounds, genders, ethnicities, races and experiences to apply. If you are not afraid of physical work and want to learn a trade within a growing company, then come and join our team!

Open positions in the production team:

The requirements for all positions are the same and shared below. Any specific considerations for a position will be discussed during an interview.

  • Weekday morning shift member: This is a full-time position (40 hours per week) on a Monday to Friday schedule, 5 a.m. to 1 p.m.

  • Member of the weekend team: This is a part-time position (10-16 hours per week) on a Sat-Sun schedule.

  • Member of the weekend/weekday team: This is a full-time team member position (35-40 hours per week) working a Sat-Wed schedule.

  • Evening shift member: This is a part-time position (5-6 hours per week) working Sunday-Monday and Wednesday-Thursday evenings for 1-1.5 hours.

What there is to know

Description of work

  • Responsible for assisting maltsters and assistant maltsters with the tasks necessary to process batches of raw grain into malt and maintain high quality standards

  • Warehouse maintenance and upkeep (keep neat and orderly, take out garbage, etc.)

  • Executing commands, including pull, stage, and document commands

  • You must be able to perform and be comfortable with physical labor.

  • Participate in staff and team meetings

  • Work within the global team to support other projects

  • Participate in occasional training and professional development opportunities

  • Other duties as needed and assigned

  • The schedule is 5 days a week

  • Some holiday work required due to the nature of the malting process

Job requirements

  • Attention to detail.

  • Ability to work independently and in a team.

  • Ability to learn and apply new skills.

  • Ability to endure physical work and standing for periods of 2 to 6 hours.

  • Ability to shovel grain and green malt for periods of 1-2 hours.

  • Ability to lift up to 75 pounds repeatedly without injury.

  • Reliable transportation to/from work.

  • Flexibility to respond to the adjustment of working hours.

Job duties

  • Perform required duties related to malting, cleaning, storage, order fulfillment and quality control of malt.

  • Duties may change depending on the season and adjusting workloads.

Favorite experience

  • Be over 21 years old.

  • Proper operation of the forklift.

  • Experience with hand and power tools.

  • Warehousing experience

  • Desire to learn about the malting industry.

  • Interest/passion for the craft food and beverage industry.

  • Knowledge of malt and beer.

Compensation:

COVID-19 Policy: In accordance with Blue Ox Malthouse’s duty to provide and maintain a workplace free from recognized hazards and to do our part to protect the health and well-being of our employees, their families, customers, visitors and vulnerable members of our community, Blue Ox Malthouse has adopted a policy requiring employees to receive COVID-19 vaccinations or request an exemption, as permitted by federal law. Our full policy will be provided to candidates upon request and prior to hiring.

Hugh Marks and Carl Fennessy launch Dreamchaser production studio

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Former CEO of Nine Entertainment Hugh Marks and Endemol Shine Australia co-founder Carl Fennessy announced the launch of Dreamchaser, Australia’s first full-service production and distribution studio based in Sydney, Australia. Marks and Fennessy will serve as co-CEOs.

The new studio will provide a unique home for Dreamchaser to partner with established and emerging creators to develop programming slates, cultivate creative identities and showcase the next generation of Australian stories to the world.

Backed by global content studio Endeavor Content, Dreamchaser will establish a collection of creative partnerships across scripted, factual and entertainment genres under one portfolio, with a focus on releasing global projects from the Australian market.

Co-CEOs Marks and Fennessy said: “We are seeing an explosion in global demand for premium content from new and traditional television platforms that shows no signs of slowing down. At the same time, Australian creatives are at the forefront of many of the biggest shows in the world. There has never been a greater opportunity for global content to be developed and sold from this market.

“With Endeavor Content’s strategic partnership, Dreamchaser will be a one-stop home for our creative partners to realize all of their ambitions and for content curators to have confidence that Dreamchaser will be the Australian studio where those ambitions can be realized.”

Co-CEO of Endeavor Content Chris Rice and Graham Taylor mentioned “We are delighted that Hugh and Carl are bringing their combined industry expertise to launch Dreamchaser, tapping into Australia’s thriving creative and production communities.

“With Dreamchaser, Australia strengthens its position as a major global destination for best-in-class content, bringing next-level storytelling of new and established voices from the continent to export there and to the world beyond.”

Founders Marks and Fennessy bring a mix of experiences to the company, from Marks’ five-year tenure as CEO of Nine Entertainment – which recently completed the transformation of Nine Entertainment Co.’s business into a future making facing $5 billion market power – to Fennessy’s recent position as co-CEO of Endemol Shine Australia – the southern hemisphere’s largest content production company, which he co-founded with his brother To mark. Since 2010, programs produced under Fennessy’s direction have collectively been recognized with 12 Logies, 34 AACTA Awards and an International Emmy Award.

Joining Marks and Fennessy are an experienced management team comprising Sara Horn as Chief Operating Officer, Megan Rees-Williams as Chief Financial Officer and Monique Keller as head of development.

“We are grateful to the incredible and very experienced team who agreed to take this journey with us,” said Marks and Fennessy. “Their expertise and proven track record will help fulfill Dreamchaser’s ambition to bring Australian creatives and their stories to the world.”

In the coming months, Dreamchaser will announce a number of new projects, as well as first-look and multi-title deals with top Australian creators. For more information, visit www.dreamchaser.com.au.

LIVEONE PARTNERS WITH EMMY-WINNING PRODUCTION COMPANY TO SPREAD CONTENT TO LAUNCH SOCIAL MEDIA REALITY BOXING COMPETITION SERIES CALLED ‘ULTIMATE SOCIAL BOXING’

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Series featuring male and female social media stars from around the world competing for a $1 million Ultimate Social Boxing League Contract (USB)

Finalists will participate in the live finale and pay-per-view (PPV) event of the music festival

The Inaugural Social Gloves: Battle of the Platforms The event generated over $15 million in revenue

social gloves on LiveOne garnered over 3.5 billion total impressions, 136,000 PPV purchases and made history as the first-ever event to feature NFTs with every PPV purchase

LOS ANGELES, April 19, 2022 /PRNewswire/ — Live One (Nasdaq: LVO), a creator-driven music, entertainment and technology platform focused on delivering premium experiences and content worldwide through memberships and live events and virtual, and Propagate contentthe leading studio and independent content distributor, today announced that it has teamed up to create a one-of-a-kind sports reality show featuring the world’s biggest social media stars, titled Ultimate social boxing.

Ultimate social boxing was born on the heels of the public’s insatiable interest in seeing social media icons settle their disputes in the ring, not their social messages. The inaugural reality series will feature male and female pop culture icons with huge social media followings moving around the Ultimate social boxing house where they will live together, train together and ultimately fight in a boxing ring as they compete for the ultimate prize, a $1 million and a contract with the new international Ultimate Social Boxing League – which LiveOne plans to launch in the summer of 2022.

David Shumsky will serve as showrunner and executive produce alongside LiveOne Robert Ellin and industry negotiator Paul Cazerswho created the series, and Propagate’s Howard T. Owens and Ben Silverman.

The first 32 participants will be announced shortly. Each contestant must fight to earn their place in the USB House through a knockout amateur boxing preliminary bout. The 8 men and 8 women who win their fight will advance to a luxurious mansion where they will live under one roof. Each episode will see the housemates go head-to-head in an “influencer” challenge and give viewers a unique insight into the feature-length fight that will see a social media star knocked out of the competition.

“USB trades on a proven format that has been successful in social and sports media,” said Ellin, CEO and President of LiveOne. “Working with the world’s most influential social media stars, we bring an immediate audience for TV and streamers that’s backed by LiveOne’s global platform and an unprecedented amount of social engagement that hasn’t haven’t been seen around a combat sports event yet.”

“We are delighted to partner with LiveOne on Ultimate social boxinga unique approach to competition and genres flown over,” said Silverman and Owens. “We have a great team assembled to produce the series, and we believe the format will be of interest to viewers.”

Ultimate Social Boxing follows LiveOne’s original concept of social media stars meeting in the boxing ring. The LiveOne product “Social Gloves” launched this new medium and generated over 10 million live views (2.5 times more than Mayweather vs. McGregor) and over 53 million social media engagements.

LiveOne is a talent-centric platform focused on superfans and building long-term franchises in audio and video on demand, podcasting, vodcasting, OTT linear channels, PPV and streaming. direct. Its model includes multiple monetization avenues including subscription, advertising, sponsorship, merchandise sales, licensing, and ticketing.

About LiveOne, Inc.
Based at Los Angeles, California, Live One, Inc. (NASDAQ: LVO) (the “Company”) is an award-winning, creator-driven music, entertainment and technology platform focused on delivering premium experiences and content worldwide through memberships and live and virtual events. From April 1, 2022, the company has amassed a paid and free member base of over 2.23 million**, streamed over 2,900 artists, has a library of 30 million songs, 600 curated radio stations, nearly 270 podcasts /vodcasts, hundreds of pay-per-views, custom merchandise, released music-related NFTs, and created a valuable connection between fans, brands, and bands. The Company’s wholly-owned subsidiaries include lazy radio, React present, Gramophone Media, Palm Beach RecordsCustom Personalization Solutions, LiveXLive, PPVOne and Podcast One, which generates over 2.48 billion downloads per year and distributes over 300 episodes per week on its stable of top-rated podcasts. LiveOne is available on iOS, Android, Roku, Apple TV, Amazon Fire and via OTT, STIRR and XUMO. For more information, visit www.liveone.com and follow us on Facebook, instagram, ICT Tacand Twitter at @liveone.

About Propagate
Founded in 2015 by Ben Silverman and Howard T. OwensA pioneer in global format trade in the late 1990s, Propagate has offices in Los Angeles, New York and Paris. His recent credits “Rebelde Way” for Netflix, “UNTOLD” for Netflix, the FOX drama “Our Kind of People”, starring Yaya DaCosta and Morris Chestnut“Animals on the Loose: A You vs. the Wild Interactive Movie”, starring Bear Grylls for Netflix, “Escape the Undertaker”, an interactive movie featuring WWE Superstars for Netflix, “our Lady: Our Lady of Paris” for ABC and “Go Big Show“on TBS, and the upcoming US adaptation of the Eurovision Song Contest, as well as the unscripted”November 13: Attack on Paris” “Haunted” and “Prank Encounters” for Netflix, and “In Search Of” and “Kings of Pain” for History Channel. In scripted, “Blood and Treasure” and “Broke” for CBS, “Charmed” for The CW, Fox’s recently aired election-themed puppet special, “Let’s Be Real” and the upcoming “Zorro” television series for NBC. Propagate has also created and produced the podcast “An Oral History of The Office” for Spotify. Propagate’s expanding portfolio of companies includes Electus (“You vs. Wild”, “Running Wild With Bear Grylls”, “Jane the Virgin”, “Fashion Star”), Big Breakfast (“Adam Ruins Everything “, “Hot Date”), Notional (“Chopped” franchise), and talent management companies Artists First, Authentic Talent & Literary Management, and Select Management.

Forward-looking statements
All statements other than statements of historical fact contained in this press release are “forward-looking statements”, which can often, but not always, be identified by the use of words such as “may”, “could”, ” will”, “probably result”, “will result”, “should”, “estimate”, “plan”, “project”, “expect”, “intend”, “expect”, “anticipate” , “believe”, “seek”, “continue”, “target” or the negative form of these terms or other similar expressions. These statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements to differ materially from those expressed or implied by such statements, including: the Company’s dependence to a key customer for a substantial percentage of its turnover; the Company’s ability to complete any proposed financing, acquisition, spin-off, distribution or transaction, the timing of the closing of such proposed event, including the risks that any closing condition will not be satisfied in the expected timeframe or not at all, or that the closing of any proposed financing, acquisition, spin-off, distribution or transaction will not occur or whether such event will increase shareholder value; the Company’s ability to continue as a going concern; the Company’s ability to attract, retain and increase the number of its paying users and subscribers; the Company identifying, acquiring, securing and developing content; the Company’s intention to repurchase Common Shares from time to time under its announced share repurchase program and the timing, price and quantity of repurchases, if any, under the program; the Company’s ability to maintain compliance with certain financial and other covenants; the Company is successfully implementing its growth strategy, including with respect to its technology platforms and applications; management’s relationships with industry stakeholders; the effects of the global Covid-19 pandemic; changes in economic conditions; competition; the risks and uncertainties applicable to the activities of the Company’s subsidiaries; and other risks, uncertainties and factors, including, but not limited to, those described in the company’s annual report on Form 10-K for the fiscal year ended March 31, 2021filed with the United States Securities and Exchange Commission (the “SEC”) on July 14, 2021Quarterly report on Form 10-Q for the quarter ended June 30, 2021filed with the SEC on August 16, 2021Quarterly report on Form 10-Q for the financial quarter ended September 30, 2021filed with the SEC on October 29, 2021Quarterly report on Form 10-Q for the financial quarter ended December 31, 2021filed with the SEC on February 14, 2022, and in the Company’s other filings and submissions with the SEC. These forward-looking statements speak only as of the date hereof, and the Company disclaims any obligation to update these statements, except as required by law. The Company intends that all forward-looking statements be subject to the safe harbor provisions of the Private Securities Litigation Reform Act of 1995.

** Certain members in contractual dispute are included in the total number of paying members for the periods reported. LiveOne currently does not track revenue related to these members.

press contact:
Live One
[email protected]
917.842.9653
[email protected]
516.522.1349

LiveOne IR contact:
[email protected]
310.601.2505

SOURCELiveOne, Inc.

A local film production house supports the podcast

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Local film production house Kingdom Kome hopes to inspire local content creators with the launch of its new Zapcast podcast studio.

The studio hopes to help grow the local industry by helping creators produce and showcase premium content and podcasts.

According to River Club co-founder and resident Cameron Scott, Zapcast hopes to change the narrative around podcasting and help more people realize its potential.

“Zapcast is much more than a podcasting initiative, it carries the potential and courage to revolutionize our media landscape for businesses and emerging content creators. That’s why we launched it.

Under the watchful eye of experienced chief content producer Caleb Janssens, Zapcast is sure to soar.

“Honestly, I’m so excited! I see so much potential in Zapcast and the shows we started producing last month. I can’t wait to see where the business goes in the next few months,” said Janssens.

The studio kicked off with the launch of a new show, The Weekly Fandomentals, hosted by Janssens and Zaid Motala.

Kingdom Kome co-founder and River Club resident Cameron Scott hopes to inspire creators to improve the quality of their content. Photo: Supplied

The show covers all the latest exciting news and trends in the “geek sphere” – from conventions to the latest movie releases. Their first episode explored the future of the Marvel Cinematic Universe.

Co-founder and international cricketer Kagiso Rabada added that Zapcast wouldn’t stop there, additions to the list include The One on One Project and The ABC’s of Content Creation, to name a few.

“The One on One Project is a sports-based show hosted by Amogelang-Lefa Molapo on the Zapcast platform, it provides a space for people from all walks of life to have solid conversations about all things sports as well as daily life and its challenges .

Kingdom Kome co-founder Kagiso Rabada aims to educate listeners through podcasting. Photo: Supplied

“The ABCs of Content Creation lays out the building blocks of content creation, facilitating a key part of Kingdom’s vision for Zapcast: educating its audience.”

Learn more about Zapcast at www.zapcast.org. Want to sponsor or maybe start your own podcast? Contact Zapcast on [email protected]

READ ALSO :

Kagiso Rabada and Cameron Scott enter the cinematic space with their latest project

The local production house goes international

New LED video wall film production studio to be built in South Burnaby

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A purpose-built film and television production studio with state-of-the-art LED stage technology will be built in the Big Bend industrial district of South Burnaby.

And it will be the second studio of its kind in Metro Vancouver.

Versatile Media has announced that it will open a 43,000 square foot studio purpose-built to serve Metro Vancouver’s burgeoning film and television production industry. There will be multiple sound stages, including the traditional stage and the LED stage.

The company’s facility is being built by Beedie at the developer’s large industrial business park in the area. It is expected to be completed by the end of 2022, with operational readiness for first productions scheduled for early 2023.

Artist’s rendering of Versatile Media’s new purpose-built film and television production studio in the Big Bend industrial district of South Burnaby. (Versatile Media/Beedie)

The LED sound stage will feature a 270-degree cylindrical sound stage display of 12,000 LED video wall panels, covering approximately 27.5 meters (90 feet) in diameter with a connected flat ceiling at nine meters (30 feet).

This technology is very similar to Lucasfilm’s Industrial Light & Magic StageCraft LED virtual production system, which is also opening a separate facility in Metro Vancouver this spring. The Mandalorian on Disney+ is known for using StageCraft LED extensively for its productions.

Versatile Media and ILM technologies use large, bright LED screen walls to provide a virtual live background for scenes during filming, replacing much of the need for green screens and associated post-production work.

With powerful computers, a photorealistic three-dimensional background scene is generated, and the perspective of the scene follows the movements of the camera.

Versatile multimedia LED

Example of a production using an LED volume studio at Versatile Media’s facility in Hangzhou, China. (Multipurpose Media)

Versatile multimedia LED

Example of a production using an LED volume studio at Versatile Media’s facility in Hangzhou, China. (Multipurpose Media)

The large format use of these LED screens also significantly reduces production costs, improves efficiency, reduces time by speeding up the shooting process, and even provides realistic lighting that can be easily adjusted as needed.

Green screens, on the other hand, are static and offer little flexibility, with changes in lighting and camera positioning requiring time-consuming work. Additionally, the lighting bouncing off the screens gives off green highlights, necessitating a color change in post-production.

The LED system’s live background also has the added benefit of helping actors get into character, which can be difficult with green screens.

Versatile’s system features Epic’s Unreal Engine and is powered by NVIDIA GPU technology. The company says it has developed its full-cycle virtual production pipeline service over the past five years.

Versatile multimedia LED

Example of a production using an LED volume studio at Versatile Media’s facility in Hangzhou, China. (Multipurpose Media)

Versatile multimedia LED

Example of a production using an LED volume studio at Versatile Media’s facility in Hangzhou, China. (Multipurpose Media)

Other facilities at Versatile’s South Burnaby studio will include paint and sawmill spaces, dedicated costume areas, general offices and vehicle parking to accommodate a full production.

“Filmmakers are embracing virtual production to better serve the creative process. We want to empower filmmakers and push the boundaries of what’s possible with our technology,” said Steve Read, vice president and head of studio for the Canada division of Versatile Media.

“Our ultimate goal is to accelerate and nurture great storytelling and enable film production to catch up with the huge cast changes demanded by its appetite for global content.”

Versatile multimedia LED

Example of a production using an LED volume studio at Versatile Media’s facility in Hangzhou, China. (Multipurpose Media)

Last year, Versatile opened its North American headquarters at 1910 Pandora Street in East Vancouver, where it offers services such as performance capture and stage viewing.

Founded in 1993, Versatile Media is based in Hangzhou, China, where it is building a 12-acre film production campus that will include facilities such as five LED stages. The company already has two LED stages at its existing global headquarters.

State-of-the-art production studio planned for Rupp Arena

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Students at the University of Kentucky’s College of Communication and Information will soon have access to a 20,000 square foot production studio in the heart of Rupp Arena at Central Bank Center. The state-of-the-art facility – a partnership with the college, UK Athletics and JMI Sports – will create a high-tech collaborative space where students can learn alongside professionals in media production and sports marketing and communication. It is expected to debut in fall 2023.

“We have been training students in broadcasting and media production for over 70 years in various spaces on campus,” said Jennifer Greer, Dean of the UK College of Communication and Information. “This space represents a significant step forward in providing a collaborative venue where our educational programs can be taken to the next level through an innovative partnership with athletics and the university’s media rights partner, JMI Sports. “

The college has created a sports communication pathway within its communications department and recently launched a sports pathway within the School of Journalism and Media. Rupp’s production facility will provide training and instruction in these areas and opportunities for faculty and graduate students to conduct research, Greer said.

“We believe deeply in the imperative of putting students first in everything we do,” said Tim Bernal, deputy executive director of sports/external operations for UK Athletics. “This extends to our field and field students and those who work alongside us in media and sports production. Our goal is to be best in class in every sport and every program. This studio aligns with this goal of providing the best opportunities for all of our students.

The three partners envision the facility as a collaborative space, enabling students, faculty and staff. to work with UK media production and marketing teams.

The UK is increasingly offering sporting opportunities across many of its colleges, including business, education, health sciences, arts and sciences. Greer said production companies in the region and businesses in the sports industry should be encouraged to work alongside UK students, media professionals and researchers in space.

“JMI Sports is committed to providing innovative partnerships to advance the University of Kentucky’s academic and sporting mission,” added Kim Shelton, Chair of UK Sports and Campus Marketing. “This studio and production space provides an opportunity for the College of Communication and Information to engage more actively with the UK Sports Network in a highly visible facility in the heart of Lexington town centre, demonstrating a collaboration between athletics , the campus and the downtown community.

Woodhill Cinemas turns into a production studio

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LEXINGTON, Ky. (WKYT) — Hollywood is moving into bluegrass. The former Woodhill Cinemas in Lexington is being transformed into a state-of-the-art film and television production studio.

Soon some of your favorite shows will be filming here in Lexington.

Relative Justice, seen on our sister station, the CW Lexington, is filmed inside the old Woodhill Cinemas. It is now called Wrigley Woodhill Studios.

“When our content manager, Ross Babbit, was looking for locations for Relative Justice, he landed here,” said Misdee Wrigley Miller.

“Warehouses, old trampoline parks, anything I could find to put on a TV show and we found this cinema,” Babbit said.

It’s 52,000 square feet, the largest studio in Kentucky.

“We’re going to have three full studios with space to put a control room,” Babbit said.

Babbit explained what will fill the new space.

“When the whole building is finished, we will be producing more of our own content. Talk shows, game shows, field shows,” Babbit said.

Miller is the owner and CEO of Wrigley Media Group. She said Kentucky belongs to New York and Los Angeles when it comes to television production.

“It fits perfectly here because you have talented people here and we will attract more of them,” Miller said.

They say hundreds of jobs will be created and exposure to this industry can be a boost for young people in the surrounding neighborhood.

“We really plan to be part of this mentorship process to show these young people what a career in television and film could look like,” Miller said.

Miller’s dream of increasing film and television production in the Commonwealth is about to come true.

The building is expected to be completed in early 2023. We’re told Kentucky has a good tax incentive for production shoots in the Commonwealth. It is designed to attract more businesses in the television and film industries.

Get the WKYT News app on ROKU, Apple TV, and Amazon Fire.(WKYT)

Copyright 2022 WKYT. All rights reserved.

Actor Siddharth’s production house will produce director Arun Kumar’s next film

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Etaki Entertainment, actor Siddharth’s production house, announced on Sunday that it will next produce a trilingual film directed by SU director Arun Kumar.

The production house, which chose to make the announcement on actor Siddharth’s birthday, said Siddharth will be part of the project tentatively titled ‘Production Number 4’.

In a statement, Etaki Entertainment said that over the past 10 years, it has remained true to its goal of creating world-class original content, while providing opportunities for deserving talent, scathing films like “Kaadhalil Sodhappuvadhu Yeppadi”, “Jil Jung Juk”, and “Aval” as examples.

“Today, on the happy occasion of our star Siddharth’s birthday, we are delighted to announce our next feature film. Our ‘Production No. 4’ (working title) will bring together two incredible talents.

“The gifted and passionate storyteller SU Arun Kumar (“Pannaiyarum Padminiyum”, “Sethupathy”) teams up with the unique and multi-talented actor Siddharth to tell an important story.”

“Our ambitious new venture will be trilingual with a theatrical release in Tamil, Telugu and Malayalam. We are currently filming at breakneck speed on location in Palani, Tamil Nadu, where our story takes place, with the blessing of our mighty and loving deity Lord Murugan. We will be sharing exciting updates soon, including cast and crew details, our prestigious release partnerships, and our final release track,” he added.

“Leave The World Behind” covered by the production company of the Obamas Higher Ground

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President Barack Obama and Michelle Obama’s Higher Ground production company have joined Sam Esmail’s team for the next Netflix movie Leave the world behind. The film is an adaptation of the original book, which was on one of Barack Obama’s suggested reading lists.

Esmail adapted the screenplay for the October 2020 book which received critical acclaim as a 2020 National Book Awards finalist and was awarded Best Book of the Year by The Washington Post, Esquire, Time, and more.

The dystopian film has an impressive cast list consisting of Julia Roberts, Mahershala Ali, Ethan Hawke and Myha’la Herrold.

“Amanda and Clay head to a remote corner of Long Island in anticipation of a vacation: a quiet respite from New York life, quality time with their teenage son and daughter, and a taste of the good life. in the luxurious house they’ve rented for the week,” the teaser reads. “But a late-night knock on the door breaks the spell. Ruth and GH are an older couple – it’s their home and they’ve arrived in a panic. They bring the news that a sudden blackout has swept through the town. But in this rural area – with TV and internet now down and no cell phone service – it’s hard to know what to believe.

Production on the film is already underway and is expected to be released in early 2023.











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Video Production Services Market SWOT Analysis – Bloomingprairieonline

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Market reports has recently released a new study in its database which highlights the in-depth analysis of the market with the future prospects of Services market for video production companies. The study covers important data that makes the research document a handy resource for managers, industry executives and other key people who get a ready-to-access, self-analyzed study and charts and charts to help understand market trends, market drivers and challenges. Some of the key players mentioned in this research are FirstCut, Geomedia, Direct IShoot, Lemonlight, Six & Flow, DMAK Productions, 160OVER90, Bullseye Creative, 4TH Street Productions, HugeDomains, Accelity, Achos!, Agent Orange Design, 2PURE Brand Agency, Alconost

Market segment by Type, the product can be split into – Online Service – Offline Service Market segment by Application, split into – Individual – Business – Other

Access a free sample PDF report @ marketreports.info/sample/8699/Video Production Company Services

Pre-Post COVID-19 Impact on Global Video Production Company Services Market

COVID-19 is an infectious disease caused by the most recently discovered novel corona virus. Largely unknown before the outbreak began in Wuhan, China in December 2019, COVID-19 escalated from a regional crisis to a global pandemic in just weeks.

Additionally, production and supply chain delays were also witnessed in the second quarter, which posed a challenge to the video production services market as end-user industries were still not operating at their full capacity.

Inquire for customization in Report @ marketreports.info/enquiry/8699/Video Production Company Services

What are the market issues in video production company services?

Changing regulatory landscapes, operational barriers, and the emergence of alternative technologies are all impacting the video production company services industry.

What are the different types of Video Production Company Services Market?

Based on Type, the Video Production Company Services market is split into [Type]. In 2022, the segment held the largest share.

Who are the major key players in the Video Production Company Services market?

FirstCut, Geomedia, Direct IShoot, Lemonlight, Six & Flow, DMAK Productions, 160OVER90, Bullseye Creative, 4TH Street Productions, HugeDomains, Accelity, Achos!, Agent Orange Design, 2PURE Brand Agency, Alconost

Who are the major end users of the Video Production Company Services Market?

Video production company services market is segmented into [Application] other end users.

Which region is most profitable for Video Production Company Services market?

Emerging economies in the Asia-Pacific region will be lucrative markets for Video Production Company Services products. .

What is the current size of the Video Production Company Services market?

The current size of the global Video Production Company Services market is estimated at USD XX in 2022.

Get Instant Discount FLAT40% Off Full Report @ marketreports.info/discount/8699/Video Production Company Services

North America is the region’s largest market for Video production company services.

North America includes countries like the United States, Canada, and Mexico. North America is the second largest consumer and producer of electricity after Asia-Pacific. The United States and Canada, which are among the largest consumers in this region and the world, account for the largest share of Video production company services market.

Secondary research:

This research study made extensive use of secondary sources, directories, and databases such as Hoover’s, Bloomberg BusinessWeek, Factiva, and OneSource to identify and collect information helpful for technical, market-oriented, and business study of the global Portable Generators market . Other secondary sources included company annual reports, press releases and investor presentations, white papers, certified publications, articles from recognized authors, manufacturers’ associations, trade directories and databases. of data.

Primary research:

Various sources from the supply and demand side were queried during the primary research process to obtain qualitative and quantitative insights for this report. Key sources included industry experts from core and related industries, as well as preferred suppliers, manufacturers, distributors, technology developers, researchers, and organizations from all segments of this industry’s value chain. . To obtain and verify critical qualitative and quantitative information, in-depth interviews were conducted with various key informants, including key industry participants, subject matter experts, C-level executives from key market players, and industry consultants. sector.

Market size estimation

The total size of the Video Production Company Services market has been estimated and validated using top-down and bottom-up approaches. These methods have also been widely used to estimate the size of various market sub-segments. The following research methodologies have been used to estimate the market size:

Extensive secondary research has been used to identify key industry players.

The revenue generated by the major players in the molecular diagnostics market has been determined by primary and secondary research.

All shares, breakdowns and percentage breakdowns have been calculated using secondary sources and confirmed using primary sources.

TABLE OF CONTENTS OF Video Production Company Services Market Report

1. INTRODUCTION

1.1 objectives of the study
1.2 definition
1.3 inclusions and exclusions

1.4 market scope
1.5 years considered
1.6 currency
1.7 limits
1.8 stakeholders
1.9 summary of changes

2 RESEARCH METHODOLOGY
2.1 research data

2.2 Market Breakdown and Data Triangulation
2.3 scope
2.4 impact of covid-19 on the industry
2.5 market size estimation

3 EXECUTIVE SUMMARY

4 PREMIUM OUTLOOK

4.1 Attractive Opportunities in Video Production Company Services Market
4.2 Video Production Company Services Market, by Region
4.3 North America Video Production Company Services Market, by End User and Country
4.4 Video Production Company Services Market, by Application
4.5 Video Production Company Services Market, by End User

5 MARKET OVERVIEW
5.1 presentation
5.2 covid-19 health check
5.3 path to recovery

5.4 covid-19 economic evaluation
5.5 market dynamics

5.6 trends
5.7 market map
5.8 average price of video production company services
5.9 trade statistics
5.8 value chain analysis
5.9 technological analysis
5.10 pricing and regulatory landscape

5.11 Video Production Company Services: Patent Analysis
5.14 analysis of the carrier’s five forces

6 VIDEO ENTERPRISE SERVICES MARKET, BY APPLICATION

6.1 Presentation
6.2 Emergency
6.3 First/Continuous

7 VIDEO ENTERPRISE SERVICES MARKET, BY END-USER
7.1 Presentation
7.2 Residential
7.3 Commercial
7.4 Industrial

8 GEOGRAPHICAL ANALYSIS

8.1 Presentation
8.2 North America
8.3 Asia-Pacific
8.4 Europe
8.5 Middle East and Africa
8.6 South America

9 COMPETITIVE LANDSCAPE
9.1 Strategies of key players
9.2 Top Five Players Market Share Analysis
9.3 Market assessment framework
9.4 Top Five Market Players Revenue Analysis
9.5 Business Rating Quadrant
9.6 Mapping Startup Competitive Leadership
9.7 Competitive Scenario

10 COMPANY PROFILES
10.1 Key Players
10.2 Startup/SME actors

11 APPENDIX
11.1 Views of industry experts
11.2 Discussion Guide
11.3 Knowledge Store
11.4 Customizations available
11.5 Associated reports
11.6 Author Details

Purchase an instant copy of this research report @ marketreports.info/checkout?buynow=8699/Video Production Company Services

About Us:

marketreports.info offers a comprehensive database of syndicated research studies, custom reports, and consulting services. These reports are created to help make smart, instant and crucial decisions based on comprehensive and in-depth quantitative information, backed up with in-depth analysis and industry insights.

Our dedicated in-house team ensures that reports meet client requirements. We aim to provide valuable service to our customers. Our reports are based on extensive industry coverage and ensure that we focus on the specific needs of our clients. The main idea is to enable our customers to make an informed decision, keeping them and ourselves informed of the latest market trends.

Contact us:

Carl Allison (Business Development Manager)

Market reports

phone: +44 141 628 5998

Email: [email protected]

Website: www.marketreports.info

Bears Announce New Game Day Production Team Vitality Blast

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Noreen Khan

©Birmingham Bears

Aatif Nawaz

Aatif Nawaz

©Birmingham Bears

With just six weeks to go until this year’s Vitality Blast opener in Edgbaston, the Bears have confirmed members of a new off-court team to support the in-bowl experience and live stream for those tuning in to the House.

BBC Asian Network radio and TV presenter Noreen Khan will be one of the hosts to enter the pitch, while fans will also be able to watch six* of Bears Vitality Blast games at Edgbaston from home in a new program matchday event hosted by BBC Test Match Special commentator and stand-up comedian Aatif Nawaz.

Aatif will be joined by longtime Bears commentator Adam Bridge of the BBC and talkSPORT, and matchday guests including Issy Wong and Ian Bell.

Additionally, tracking the Bears at home will be enhanced in 2022 by live streaming specialists Stoneheart Media, who produce the live broadcast at Trent Bridge. Following feedback from members and supporters, Stoneheart will provide more camera angles and replays to the T20 matchday production at Edgbaston.

Aatif Nawaz said: “It’s a huge honor for me to host the Bears live stream this season. I’ve been a long time fan not only of the Bears but also of the city of Birmingham and I’m really delighted to make Edgbaston my second home this summer.

Noreen Khan said: “As a huge cricket fan, I am really delighted to be part of Vitality Blast’s host team. What is even better for me is that I can host matches on any of my favorite cricket grounds, Edgbaston!

Kirsty Lord, CEO of Stoneheart Media, said: “We are really excited to be able to work with Bears ambitions to make the 2022 Blast campaign stream a must-see attraction.

“Edgbaston is a great backdrop for exciting cricket and to have the opportunity to turn this into a streaming event is a privilege.”

Full View Productions becomes the first production studio in Michigan to welcome Kira Cinematic Robot to the Detroit studio

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FVP Kira

Attendees of the Full View Open House will be able to see the cinematic robot in action

Detroit has become a hub of innovation and creativity. Being from Detroit, I wanted to bring creativity to an industry that I love, film and video production.

—Marcus Lewis, President, Full View Productions

DETROIT, MICHIGAN, USA, April 13, 2022 /EINPresswire.com/ — Complete view of productionthe award-winning creative and visual team behind some of the industry’s leading content, will welcome industry leaders to their open house at the state-of-the-art facility on Friday, April 22, 2022, from 4:00 p.m. to 7:00 p.m., located at 6235 Concord Avenue, Suite 140 in Detroit, Michigan.

Attendees will have the opportunity to meet and network with the team, tour the fully equipped facility and witness the unveiling of their FVP Kira, a robotic arm with precision movement. As Michigan’s largest black-owned production company, Full View Production has everything from cinema-grade lights and cameras, and is now Detroit’s only cinematic robot. Kira is a precision motion robotic arm used to hold lights, cameras, and act as an extra hand when filming high speed motion. It can roll and pan at 430 degrees per second, making movement humanly impossible.

“Detroit has become a hub of innovation and creativity. Being from Detroit, I wanted to bring creativity to an industry that I love, film and video production. Detroit deserves a production house that understands the culture and the passion. We want to offer our talents to everyone, not from outside but right here in the heart of Detroit. We have unparalleled tools and a full team of creatives who can execute productions of any size, for all industries, anywhere – Marcus Lewis, President, Full View Productions

To learn more about Full View Productions, visit https://fullviewpro.com. To cover and attend the next open day, Click here.

ABOUT FULL VIEW PRODUCTIONS
Full View Productions is a full-service video production company located in Detroit, MI. Full View works with customers to discover their needs, tell their stories using cinematic quality equipment and technology, and deliver engaging visuals that capture the customer’s vision. Full View’s diverse portfolio of corporate videos, commercials and creative content demonstrates their dedication to developing exceptional ideas and providing production and post-production services.

Rachel Washington
Full view of productions
+1 313-355-6900
[email protected]

Full View Production 2021 Year-End Movie

Brownstein: Jack White keeps the Montreal production team on their toes

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Matthieu Larivée and Lüz Studio are used to the rocker’s free manners – although his recent mid-song proposal even surprised them.

Content of the article

Most touring rock musicians have predefined setlists for their gigs, which makes life a bit easier for the creative tour producer in terms of planning art direction, set design, lighting, and projections. Jack White, meanwhile, navigates through a catalog of over 100 songs in concert, which could easily trigger migraines for a creative producer not knowing what track to expect at any given time.

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Either way, Montrealer Matthieu Larivée and his team at Lüz Studio have long come to terms with White’s free ways, having handled his 2018 Boarding House Reach tour and, currently, his Supply Chain Issues tour, which is hitting the Square. Bell on Saturday, not to mention White’s road shows with the Raconteurs. Or at least that’s what they had thought.

Nothing prepared them for White’s tour debut in Detroit on Friday. Unbeknownst to almost everyone, White, a Detroit native, decided to propose to his girlfriend Olivia Jean, a singer and his opening act, about 80 minutes into his set – in the middle of the Song Hotel Yorba. After White retrieved his mother from the audience, he and Jean were married onstage a short time later during an encore.

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“No one – not his team, not his managers, not his closest friends – had any idea this was going to happen,” Larivée said in a phone interview. “The audience had no idea what was going on. We were all completely taken by surprise.

It’s one thing to take a spontaneous approach to doing atmospheres on a white show without knowing in advance what’s coming. But Larivée and his team had no wedding-themed effects to project on stage for this occasion.

“It can be a challenge working with Jack, but it keeps us on our toes and keeps us sharp. Even within a song, he can stop and jump into another song, put down his guitar and switch to the piano. It can be quite dramatic,” Larivée said. “The first time we worked with him, we took the approach that we would do a bunch of pre-made visuals and lighting images, and if he did a certain song, we would go with that. And if not , we would improvise, but what we were doing was really just a reaction.

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“As a designer, that’s usually great because you can immerse yourself for three or four months in the creative process and then come up with a package for most tours. Then you can let it go to the tour team. But not with Jack. So for this tour we changed our approach and decided to go with aesthetic blocks, which he signed. So no matter what Jack plays, we follow our own show flows and then we stick to it. We have our own progression. We create this arc and Jack plays within these limits. So visually there is a show flow that works and musically it can improvise in its own world.

In the 17 years since he founded Lüz Studio, Larivée, its creative director, has lit up stages with all kinds of visuals and effects for Billy Idol, Jennifer Lopez, Carrie Underwood, Half Moon Run, Roch Voisine , Jason Aldean and Weezer. But White stands out from the rest of the band, and not just in terms of a dogged musical approach.

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White is an analog man in a digital world. He doesn’t even have a cell phone.

“We’ve developed a high-tech way of working with Jack, which is fun because Jack is the complete opposite of high-tech. Everything is analog. … His audio consoles are still analog. Our way of working is very digital. We even use AI. But when you see his show, you don’t see that.

“It can be a challenge working with Jack, but it keeps us on our toes and keeps us sharp,” says Matthieu Larivée, creative director at Lüz Studio. Photo by ShootStudio

The Supply Chain Issues Tour will take White through North America, South America, Europe and Japan, among other parts of the planet, before wrapping up in the fall.

“That’s also part of the challenge with Jack,” Larivée noted. “Besides not having set-lists, he mixes it up with venues, sometimes doing theaters as well as arenas. But the whole must be scalable. And always blue. Like White’s hair now.

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Larivée had no internal contacts when he first decided to expand the wings of his business beyond our borders.

“I just went to LA and knocked on doors, showing what we could do. At the time, dropping the name wasn’t a cool thing to do, not that they even knew who we were working with here.

Monotone, the music management company looking after White, had another band on its roster, alternative rock band Broken Bells, whose manager was smitten by Lüz Studio’s work and accepted. And the rest fell into place.

“The beauty of this business is that there’s never a dull moment. Anything can happen at any time. After marriage, it’s hard to imagine how Jack could do better. … But you never know .”

IN ONE LOOK

Jack White’s Supply Chain Issues Tour stops at Place Bell in Laval on Saturday, April 16 at 8 p.m. It’s a show without a phone. Tickets: evenko.ca.

[email protected]

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  1. “The time has come to bring our communities together on the same page,

    Brownstein: Black Theater Workshop Tackles Racial Inequality in Schools with Pipeline

  2. Jay Baruchel, right, interviews Canadian comedians participating as contestants in the Amazon Studios series LOL: Last One Laughing Canada.

    Nawaz: comedians who try not to laugh can soothe your news-laden soul

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The local production house goes international

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Local production house Rebelintown continues to make waves in the international film and television industry.

The company is set to go international after the world’s largest content producer and distributor, Banijay Group, acquired the exclusive format rights to Rebelintown’s new factual entertainment original series Still Got It!

Created by its founder and Morningside resident Jimmy Muteba, the series sees people between the ages of 60 and 80 compete in a series of fun and unexpected challenges, with help from the Gen-Z crowd (people born between 1997 and 2012), to see which of them has always understood!

“There is a growing movement that sees African creativity having its moment of glory.

“This format crosses generations and with its universal nature, Still Got It! has great potential for adaptation across the world,” Muteba said.

He added that Rebelintown has always sought to do things differently, while making a positive difference in people’s lives.

“We have always believed that entertainment has the power to change lives and behaviors to bring about meaningful and positive change in our societies and in our global family as a whole.”

According to Muteba, this series was the perfect opportunity because old people have a lifetime of experience and crazy stories to share, but young people don’t listen.

“So I thought why not challenge them to do some of the things young people love to do and build a bridge between older people and Gen Z and everyone in between.

“Older people are a marginalized group, often excluded from conversation, media and entertainment. We must talk about it and always understand! does it in a fun way. If we are lucky, we will all grow old one day.

The local series will join Banijay’s catalog of over 4,000 formats, including Survivor, Hunted, MasterChef and Big Brother to name a few.

“Our time has finally arrived and we can’t wait to see how our unique African concepts and formats will be adapted by our international counterparts.

READ ALSO :

The stars come out to play

A collaboration needed to rebuild the film industry

UK to open production studio at Central Bank Center

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title=s

A new 20,000 square foot production and research space in the Central Bank Center’s Rupp Arena will be used by University of Kentucky sports media students.

Lexington Center Society

Students interested in sports media at the University of Kentucky will soon have access to a new production and research space at Rupp Arena at the Central Bank Center, the the university announced on Wednesday.

The 20,000 square foot studio, production facility and research space at the Central Bank Center will enable UK students, faculty and staff interested in sports media to work alongside UK media and marketing teams . The space is a partnership between the College of Communication and Information, UK Athletics and JMI Sports, said Jennifer Greer, Dean of the UK College of Communication and Information.

“We’ve been training students in broadcasting and media production for more than 70 years in various spaces on campus,” Greer said. “This space represents a significant step forward in providing a collaborative venue where our educational programs can be taken to the next level through an innovative partnership with athletics and the university’s media rights partner, JMI Sports. “

The new space will be located on the first floor of the pavilion in the renovated Central Bank Center and will include a production center, as well as space for faculty and students to conduct research, Greer said. The UK has a sports communication track within the Department of Communication, as well as a sports track within the School of Journalism and Media.

“We believe deeply in the imperative of putting students first in everything we do,” said Tim Bernal, deputy executive director of sports/external operations for UK Athletics. “This extends to our field and field students as well as those who work alongside us in media and sports production. Our goal is to be the best in every sport and in every program. This studio aligns with this goal of providing the best opportunities for all of our students.

The new space will replace the 6,000 square feet of studio space in the Taylor Education Building in the UK, which will be redeveloped, the university said. The studio is expected to open in fall 2023, Greer said.

“This studio and production space provides an opportunity for the College of Communication and Information to engage more actively with the UK Sports Network in a highly visible facility in the heart of Lexington town centre, demonstrating a collaboration between athletics , the campus and the inner city community,” said Kim Shelton, UK Sports and Campus Marketing President.

The partners “envision the facility as a true collaborative space,” allowing students to work alongside professionals and work in sports media, the university said in a press release.

“Central Bank Center has a long and wonderful partnership with the University of Kentucky,” said Bob Elliston, president of Lexington Center Corporation. “Using the transformative investments that have been made in the expanded Central Bank Center campus as part of educational opportunities for college students is a natural extension of this partnership, and we commend the college, athletic department, and JMI for their leadership”

Monica Kast covers higher education for the Herald-Leader and Kentucky.com. Previously, she covered higher education in Tennessee for the Knoxville News Sentinel. She is originally from Louisville, Kentucky, and graduated from Western Kentucky University.
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Kim Kardashian: Why we changed the production team for the show KUWTK

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Kim Kardashian has explained why the production team for ‘Keeping Up With the Kardashians’ (KUWTK) has been changed.

The reality TV star, in an episode of ‘Ellen’s show‘, said the show needed new people who would see them from different angles.

She pointed out that the former production team had been with them for fifteen years.

Kardashian said the KUWTK show would now be known as “The Kardashians.”

The 41-year-old, while sharing the new changes, added that it will be more of a documentary-style production.

“Imagine people who have been in your life for fifteen years filming every move. They kept all of our secrets and stuff private,” Kardashian said.

“So it was really nerve-wracking to switch production companies. We wanted it to be a bit different and we trusted that.

“The other production team is like family to us, so they know us so well. So we thought ‘what if there’s like some new energy? That might come and see us from a different perspective ?

“I think viewers are going to love it. It’s like a lot more documentary style and it’s very current and topical.

In 2020, Kim announced the family’s decision to end production of the KUWTK franchise.

The show, which focused on the personal and professional lives of the blended Kardashian-Jenner family, ran for more than 15 years and made its stars famous.

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US Embassy names its media production studio after film producer Branko Lustig

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U.S. Embassy Zagreb/Facebook

ZAGREB, April 12, 2022 – The fight against the distortion of facts about the Holocaust is more important than ever as Russia attacks Ukraine under the guise of “denazification”, Sara Lustig said Tuesday at a ceremony marking the opened a media production studio dedicated to his father, film producer Branko Lustig.

The ceremony took place at the United States Embassy, ​​which decided to name its new media production studio after Branko Lustig and dedicated a permanent exhibition to him.

Sara Lustig, the Foreign Office’s special adviser on Holocaust issues, said her father, who had been interned in concentration camps during World War II, decided to build “an intimate monument” to the victims of the Holocaust through his films. .

“His most important message throughout his life was to forgive, but don’t forget,” she said.

Lustig said the fight against the distortion of facts about the Holocaust was more important than ever at the time of the Russian invasion of Ukraine, under the false pretense of denazification. She warned against indifference to this conflict and Russian war crimes, pointing out that Ukrainian President Volodymyr Zelensky is showing what it means to be Jewish – to fight for a larger-than-life cause instead of spreading hatred, seeking justice instead of revenge, being modest and showing how to be a leader rather than just talking about it.

Ellen Germain, U.S. Special Envoy for Holocaust Issues, stressed the need to remain vigilant against abuse and distortion of the Holocaust for other purposes, as evidenced by Russian President Vladimir’s false claims. Putin that Ukraine needs to be denazified.

Branko Lustig was born in Osijek in 1932 and died in Zagreb in 2019. As a child, he was interned in the Auschwitz concentration camp and then in the Mittelbau-Dora and Bergen-Belsen camps.

He won the American Oscars for producing the films Schindler’s List and Gladiator. Throughout his life, he was active in spreading the truth and promoting education about the Holocaust.

To Your Eternity Season 2 Trailer Confirms Release Window, New Production Studio

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The second season of To your eternity officially arrives this year and now we have the first trailer revealing the anime’s release window. On top of that, it has been confirmed that Season 2 will be produced by a new studio!

The first one trailer for To your eternity Season 2 opens with a small glimpse of an older Fushi before showing glimpses of returning characters like The Beholder as well as new characters who will play important roles in the anime. It ends with the confirmation that the second season will air in fall 2022. Check it out below.

To your eternity Season 2 will be directed by Kiyoko Sayama while Shinzo Fujita is in charge of series composition. Koji Yabuno is working on character design, Ryo Kawasaki will compose the music, and Takeshi Takadera will serve as sound director.

The most interesting detail revealed in the trailer is that the production of Season 2 will be handled by Drive. The first season was produced by Brain’s Base but it looks like the anime will take a new direction this year.

To your eternity is based on the manga by Yoshitoki Oima. The story follows an immortal being simply known as Fushi who was sent to Earth by an otherworldly entity called The Beholder. On Earth, Fushi embarks on a mission to preserve knowledge and information, and as he takes the form of a young boy, begins to learn how to communicate with humanity and form relationships with the people who live there. surround.

The second season of To your eternity will bring back Reiji Kawashima as Fushi while Kenjiro Tsuda returns as The Observer. The rest of the voice cast has yet to be announced. Stay tuned for more updates on this story.

To your eternity Season 2 will air in October 2022.

Related: Will There Be A Season 2 Of To Your Eternity? Here’s What We Plan To Happen After Season 1 Ends

Innovative Tech and Manufacturing Startup Uses EVO 8

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Innovative Tech and Manufacturing Startup Uses EVO 8

Innovative Tech and Manufacturing Startup Uses EVO 8

UNITED STATES – The EVO 8 audio interface powers audio from Studiobox, the innovative new technology and production company that delivers complete filming solutions right to your doorstep. Designed for live webinars, interviews, press conferences, live streamed web content, talking head TV segments or even running a virtual class, each “Studiobox” includes a professional grade 4k camera , lighting and audio equipment, without the need for a film crew: a complete studio capable of broadcasting, all in one box.

Studiobox is proud to provide a complete, unique and ready-to-use solution. The technology is completely hidden, leaving a simple and straightforward interface for customers, while everything is controlled remotely. That’s absolutely everything: from adjusting the camera angle, lens settings, color correction and lighting to the audio. “In order to control the lights, camera and audio via a computer, each element requires an interface. The EVO 8 is our interface between the computer and the multiple microphones we use,” says co-founder Ian Smith.

“A key need for our product was an audio interface that could be controlled from a computer. The EVO provides a very simple and easy to use computer interface,” he continues, explaining their choice of EVO 8. “We work with the EVO through its software, allowing our operators to remotely control the unit through Internet without asking talent to touch any material.

EVO 8 is a four-input/four-output audio interface with an intuitive feature set. This includes four EVO preamps offering 58dB of gain along with high performance converters offering 113dB of dynamic range. Powered directly via USB, EVO 8 can be controlled via its customizable software, EVO Mixer. “The software controller is the main standout feature. It was the best we’ve found in an audio interface,” confirms Ian.

Studiobox was born during pandemic shutdowns as a solution to continue production. Ian and co-founder Max Ostrove quickly realized they could do better than send in kits of parts. “We thought we could leverage technology to control the lights, camera and audio through a computer, then combine them into a record-ready unit that could be shipped anywhere and set up in minutes” , explains Max. “In solving for Covid, it turns out we stumbled upon the future of production, where it’s just easier and cheaper to send a Studiobox over than it is to fly and house a crew for a shoot.”

With an EVO 8 in each of their seven Studiobox units so far, has steadily expanded its configuration as demand increases, having installed the first in the summer of 2020. “Customers are amazed that this box can do it all adds Max.

Because operators monitor and adjust audio in real time, they haven’t yet used the automatic level adjustment feature, Smartgain. This could change, however, according to Ian: “We plan to automate many functions of the box, so that an operator is not necessary. At that time, the Smartgain function could be an essential feature. »

Max confirms that the future looks bright for this booming start-up. “Studiobox is currently developing software to allow anyone to control a box. We imagine remote production units as part of the video creator’s kits, like a drone or slow-motion camera. For the audio world, the remote podcast recording box will be released next.

April 12, 2022

Director Mike Maguire launches production company Halligan

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Mike Maguire – whose pedigree in the industry spans 20 years as an award-winning director and creator – launched production house Halligan.

Maguire has been on the director roster of production companies such as MJZ, Biscuit Filmworks, The Directors Bureau, Dummy and more recently Skunk. His work has been recognized at various competitions, including Cannes Lions, D&AD and The One Show.

He founded the one-man shop Halligan on the principle that austerity and minimalism pave the way for greater creativity. “I started Halligan because I wanted the freedom to do my particular brand of humor,” Maguire said, saying less budget means fewer eyes and less pressure, which allows for more creativity – and just being able to go. His approach is, “Let’s take the available budget and do something funny that people will dig into.” He has done this for clients like Bundaberg, CBS, Cobra, Comcast, Fisherman’s Friend, Hyundai, Ikea, Lowe’s, ReMax, Stok and Volkswagen.

Maguire – a former writer at Kirshenbaum Bond & Partners, NY, and associate creative director at Goodby Silverstein & Partners – knows firsthand the heartbreak of writing a screenplay that never gets produced because no one wants to champion it. From the hulking eagles snatching you off your couch to the enraged raccoon in your heating vent to the garden gnomes attacking humans – Maguire prides himself on being a champion of the weird, low-budget screenplay that other directors don’t. tail to turn. “We do a lot of these projects on shoestring budgets, but for me it’s not about how much money you can make from a job. It’s about going on set and making myself and a group of people laugh. It’s the most rewarding thing of all.

As for the choice of the Halligan nickname, Maguire explained, “My father was a firefighter in New York. For years he preached the gospel of the tool that saved his life forever. In his own words, ‘Simple. Efficient. Safe. The Halligan is the fastest way to break down a door. My dad was a shitty kind of guy, and Halligan is a shitty kind of company. So, if you have something weird that you want to do for next to nothing – if you have a lot of heart for it, but not all the money in the world – let us know.

Halligan’s US business team consists of Red Rep TV (Holly Ross, Vanessa Mclean, Jeremy Hodghes) on the West Coast, Chiara Chung Inc. (Chiara Chung) in the Midwest, and Miss Smith (Jamie Scalera , Sasha Stern) on the east coast. . Director Maguire is also replaced by Suneeva in Canada and Outsider in the UK

Dreamz Production House Hosts Grand Final of India Supermodel and Mrs India Universal 2022

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A host of celebrities including acclaimed actor Ashmit Patel, actor and model Rohit Khandelwal and actress Zoya Afroz were among the jury members.

New Delhi, 11th April 2022: Dreamz Production House recently hosted the grand finale of one of the most important and prestigious events of this year, India Supermodel and Mrs India Universal 2022 in Jaipur. This event was an exciting platform for talent across the country as the pageant team visited over 30 cities to audition contestants. The show was a great success as it hosted a total of 75 contestants in multiple categories from across the country. Subsequently, the shortlisted participants underwent rigorous training and preparation. The gala event featured four themed rounds of Western, Traditional, Indo-Western and Sparkle designer outfits. The winners received gift baskets and an opportunity to participate in TVCs, web series, reality shows, among others.

A host of celebrities graced the high-profile show as judges for the film and entertainment fraternity competition which included Bollywood actor Ashmit Patel, actor and model Rohit Khandelwal and actress Zoya Afroz.

In the Miss of India Supermodel category, Ekta Singh from Agra won the title, while Barkha Rana from Arunachal Pradesh reached the position of 1st runner-up and Shriya Singh from Pune won the 2nd place. In the Mr of India Supermodel category, Abhishek Dubey of Bhopal won the title, while Vishal Singh of Jammu reached the position of 1st runner-up and Roshanshu Wadhera of Jammu won the 2nd place. Isha Sharma of Jammu clinched the Mrs category title and 1st and 2nd runners up were won by Mugdha Pande of Bangalore and Rashmi Tirpude of Nagpur respectively in Mrs India Universal 2022.

“We have always received a tremendous response for our show and we have also made our mark this year. This milestone has given many newcomers a chance to become part of the fashion and entertainment fraternity. Dreamz Production House aims to successfully providing an integrated platform for new and aspiring Indian models from different cities across the country to fulfill their dream of modeling, fashion, theater, television and film.Though the event had few winners, it has given a platform to many of them who are sure to rule the ramp in the future,” said Sharad Chaudhary, Founder of Dreamz Production House.

Anubha Vashisth, Co-Owner of Dreamz Production House said, “Dreamz Production House is hosting one of the most glamorous and sought after beauty pageants in the country and aims to provide an exceptional platform for deserving contestants to showcase their talents and boost their confidence. Beauty pageants are about more than just being beautiful; it’s about being strong physically, mentally and emotionally. This beauty pageant is a platform that is committed to giving contestants a chance to show off their talent and shine as an individual.

Over the years, Sharad Chaudhary has also worked with many celebrities like Neha Dhupia, Madhur Bhandarkar, Prince Narula, Yuvika Chaudhary, Zareen Khan, Urvashi Rautala, Upen Patel, Pooja Chopra, Kainaat Arora, Jaideep Ahlawat, Gizele Thakral, Ajay Chaudhary , Anusha Dandekar, Stefy Patel, Benafsha Soonawalla, Himanshu Soni, Millind Gaba and many more.

The production company’s best horror movies

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Blumhouse quickly rose through the ranks to become one of the most prominent production companies for primarily horror content, while also establishing its position in other successful genres. Founded in 2000 by Jason Blum, the company’s original model was to produce primarily low-budget films, allowing directors to expand their creative freedom. Originally named Blum Israel Productions, they had an initial exclusive deal with Miramax until 2002 when it became Blumhouse Productions.

Although Blumhouse signed deals with Universal Pictures in 2010 and Amazon Studios and Mattel Films in June 2019, the company has always stayed true to its roots by providing opportunities for up-and-coming directors, helping them enable their projects to become visible on a mainstream scale, while remaining true to their respective creative ideas. Finding overwhelming notoriety in mainstream feature films, Blumhouse has also collaborated with streaming powerhouse Netflix Studios to push TV streaming forward, developing a Stephen King limited series. While there’s a plethora of Blumhouse’s total achievements, joint ventures, awards, and nominations, let’s dive straight into their most high-profile horror projects yet released.

7 paranormal activity


Found the camera angle of footage of the couple caught in bed in Paranormal Activity
Paramount Pictures

As the first horror film ever released by Blumhouse, paranormal activity is about a couple, Katie (Katie Featherston) and Micah (Micah Sloat), who move into their new home together. Once strange events begin to occur in the couple’s home, Katie’s story resurfaces, revealing that she and her sister Kristi have been tormented by a demonic entity since childhood.

The scariest part of paranormal activity must be that the project is shot in an unfiltered, found footage format, only from a portable recorder. Also, the fact that the actor’s real names are used as the characters and that the film opens by thanking their families and pretending that everything was real, brings an authentic element to the film’s atmosphere.

Related: Happy Death Day 3 Is “Moving,” Says Jason Blum

6 Insidious


A creepy man stands in a foggy dark blue hallway in Insidious
FilmDistrict/Sony Pictures

supernatural thriller Insidious revolves around a local family who begin to experience a series of disturbing paranormal events after moving into their new home. Married couple Josh (Patrick Wilson) and Renai’s son Lambert (Rose Byrne) suddenly enter a state of blackening, where his physical body becomes a placeholder for demonic possession of entities to enter at any time, through a plane unidentifiable astral. Basically, before moving into a new home, do your research thoroughly.


5 The purge


Masked assailants in The Purge Anarchy street club
Universal images

The purge is one of the most organically terrifying films to be released in current times; The very thought of having an entire night where any type of violence is legal and justified is petrifying beyond explaination. In the film, the prisons are more than overcrowded and the citizens are increasingly angry with the circumstances and the daily stressors. While the government sanctions an annual 12-hour period during which all criminal activity is legal, the film’s characters are able to “clean themselves up” by committing crimes during the night. What’s interesting is that the government does this to justify killing innocent people of color, but covers it up with the clean-up talk.

4 get out


Daniel Kaluuya as Chris Washington in Get Out, tears streaming down his face as he watches in horror.
Universal images

Dating has never been the same since get out has been freed. After appearing to be in the next stage of their relationship, Chris (Daniel Kaluuya) and his girlfriend Rose (Allison Williams) get more serious. When Rose invites him to meet her parents at the family’s secluded country home, the film takes a turn for the worst when Rose and her parents plan to rework Chris’ mind and sell it to their various groups of friends. Chris, who is a black man, discovers the family’s secrets and their horrific treatment of black bodies, as he also tries to escape before it’s too late.


3 Halloween


Halloween kills the scene with a gruesome Michael Myers cloesup
Universal images

The 2018 feature film reboot of Halloween project stars Jamie Lee Curtis, reprising her role as Laurie Strode. After being institutionalized for nearly 40 years at Smith’s Grove Psychiatric Hospital for his Haddonfield shooting, Michael Myers is set to be moved to a maximum security prison. It obviously breaks out (because he’s Michael Myers), leading him on his decades-long quest to capture and kill the remaining member of his family (according to some Halloween installments), Laurie Strode.

Related: Lupita Nyong’o Saw Hell in Director Jordan Peele’s First Us Photos

2 We


The tied boy backs into a burning car in Us
Universal images

The meaning of the horror movie We, is strongly tied to racial and economic identity, departing from the typical horror movie plot as it explores facets of 21st century politics. The idea of ​​being afraid of strangers and anyone who seems visibly different is a crucial element of the film, which interrogates a society conditioned to be afraid of those who are not from the same background as us or who have a different point of view of the our. The fact is that sometimes humans’ worst enemies can be ourselves.


1 friendless


A boy and a girl in a video chat are afraid on the computer in Unfriended
Universal images

On a typical night in friendless, several teenagers are all online, participating in a group video chat session. Once an unidentifiable user, “Billie22”, logs into the chat, strange events begin to occur when one of the users begins to receive a series of direct messages from a classmate who committed suicide. . Forcing the group to reveal their darkest secrets, the other users begin to get killed, one by one, in this excellent and chilling example of social media in movies.


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