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How and Why to Become a Filmmaker

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How and Why to Become a Filmmaker

Videos are ubiquitous in today’s environment, appearing on television sets, movie theater displays, and computers and cellphones. While some promote goods and services, others champion political and social concerns. Numerous films are created to educate or entertain an audience, and some accomplish both.

Since videos may include both images and sound, they can swiftly transmit a large amount of information, making cinema a very effective communication medium.

If you have ideas or tales to share with the world, you may like to pursue a career as a filmmaker. According to the federal Bureau of Labor Statistics, the typical wage for producers and directors in the United States was $76,400 in 2020, which forecasts that the number of film producers and director employment in this nation would increase by 24 percent in 2030.

Meanwhile, the bureau reports that the median wage for camera operators and film or video editors in the United States was $61,900 in 2020 and that employment in that field is expected to grow by 29 percent by 2030.

The Different Types of Filmmakers and How They Collaborate

The filmmaker is a broad word that incorporates a variety of occupations within the film business. It could theoretically be used to apply to anybody engaged in producing a film. At the same time, experts say the phrase usually refers to someone who is either a director or a producer. Jobs in the film are diverse, ranging from technical occupations such as lighting design and sound engineering to creative ones such as animation and screenplay.

While both directors and producers are classified as filmmakers, their jobs are unique. According to experts, directors usually take the lead on aesthetic decisions, and producers typically have the last say on all financial and logistical issues. A director’s objective is to make the picture as fascinating as possible, whereas a producer aims to maximize the film’s profits.

According to actress, writer, and filmmaker Jennifer Lieberman, a director’s role is to “breathe life into a tale, take it off the page and transform it into a cinematic experience.” At the same time, a producer’s responsibility is more administrative. If you need more cash to start a business of filming you can visit a popular Direct Lenders site like Bridge Payday.

The Film Industry’s Entry Points and the Reasons for Making Films

It is possible to succeed as a filmmaker even if it was not your life ambition. Brent Florence – who wrote, produced and acted in the award-winning films “Eagles in the Chicken Coop” and “A Girl, Three Guys, and a Gun” – claims he found his gift for filmmaking by accident while pursuing his love in surfing.

Florence was touring the globe as a semi-professional surfer and wanted to highlight his sport in a film; the video he ultimately produced – “One Track Mind” – garnered worldwide notice.

Florence, a graduate of the University of Southern California’s School of Cinematic Arts, believes that someone who is captivated by a specific subject has a unique perspective on it and is not afraid to voice a unique viewpoint has the potential to create a riveting film. The most critical trait that a prospective filmmaker must possess is the capacity to view the world differently and the guts to communicate that perspective without concealing one’s eccentricities.

Florence adds that a curious and adventurous mentality is also advantageous.

“You develop your perspective on something, you’re pulled to it, you see it the way you see it, and then you trust it and allow yourself to act on it,” he recommends.

According to several filmmakers, their ambition to produce films began throughout their youth. Rodger Pittman, an award-winning screenwriter, director, and producer who created Scarborough Pictures, claims his love for movies started when he was a child.

“My family is from India, namely Mumbai, which, as you’re probably aware, has a thriving movie culture thanks to Bollywood, and it’s always been a significant part of my life,” says Pittman, who obtained a Bachelor of Fine Arts in film production from York University in Canada.

“Movies always surrounded us, and we had an abundance of VHS recordings. My father is an avid moviegoer. Thus, it developed into a passion for me at a young age, and it continued with me when we moved to Canada.”

Ervin Chan, a prize-winning documentary filmmaker whose latest feature-length film “This Ain’t Normal” was nominated for an Emmy for Outstanding Social Issue Documentary, says his creative motivation stems from his conviction that some elements of society are often overlooked. “By spotlighting tales that have been overlooked or disregarded in the past, I’m attempting to give voice to the underprivileged and underserved.”

Chan, a Trinidad native and graduate of Boston University’s broadcast department, adds that one of the ways he got his start as a filmmaker was by making movies for a community access television station. He advises other young filmmakers to follow suit.

According to experts, although attending film school is not required for a career as a filmmaker, it is often helpful, particularly for those who can acquire a film degree without incurring considerable student debt. Film school may improve networking, offer access to cutting-edge film equipment, make entry-level jobs in the profession more accessible, and provide invaluable training from expert filmmakers.

“It is quite possible to succeed as a filmmaker without formal education, but you must be a self-taught student of cinema,” director and Baltimore native Richard Robertson noted in an email. “Constantly observing, practicing, gaining access to sets, and attempting your hands at all levels. Nobody becomes a director overnight (well, very seldom), so you must work your way up and establish yourself as a trusted contributor.”

Jennifer Lieberman – an actress, writer, and filmmaker with a bachelor’s degree in philosophy and English literature – chose a writing-related degree over a film degree because she hoped to employ her writing abilities while creating films. Regardless of a prospective filmmaker’s academic background, Lieberman, creator of “Make Your Break,” an organization that assists independent creative workers in developing their employment possibilities, adds.

“In my experience, the individuals who have the greatest longevity and success have grabbed the reins, developed their projects, established their production businesses, and are not dependent on others to provide them with work,” she adds. “They create jobs for themselves. They are self-employed.”

Numerous enormously successful directors have founded their production firms. Tyler Perry Studios, for example, was founded by millionaire entertainer Tyler Perry, producer of blockbuster films such as “Diary of a Mad Black Woman.”

How to Choose a Film School and Get Accepted

Potential filmmakers who are confident of their interest in a particular sector of the film business, such as advertising, television, or feature films, might use this information to reduce their selection of suitable film schools. As Florence advises, prospective film students should seek institutions in intriguing areas where they feel at ease since the site of their studies will serve as the “primary character” in the tale of their time in film school.

One of the pleasures of film school for aspiring filmmakers is the chance to “be thrown into a bunch of likeminded individuals,” Florence recommends, adding that film school classmates may become long-term collaborators and friends.

Pittman, who was rejected from film school the first time he applied but was admitted on his third attempt, believes the first rejection was a gift in disguise since it gave him time to decide what sort of artist he wanted to be before enrolling.

“Getting into these institutions is tough,” he explains, noting that his film program exposed him to “global cinema” and gave him access to high-quality equipment. “They have their stringent techniques of gatekeeping. They may be rather expensive, which creates significant concerns of privilege when it comes to attending film schools.”

The majority of top-tier film schools ask prospective students to submit work examples. For example, applicants to New York University’s Tisch School of the Arts’ undergraduate film and television program must submit a five-part creative portfolio; the same is valid for graduate students applying to the school’s Master of Fine Arts in the film production program.

The First Steps Towards Becoming a Filmmaker

Determine what you want to convey through audiovisual medium and begin trying. “Decide why you want to produce films and what tales you want to convey,” self-taught filmmaker C.M. Conway stated in an email. Conway, who wrote, directed, executive produced, and co-starred in the upcoming feature film “How to Fail in Hollywood Successfully,” recommends beginning with a short film. “Many individuals are capable of recording with a contemporary phone and editing using free, open-source software. You may cooperate with other filmmakers by contacting a film club or community.”

Begin filming everywhere and whenever you get the opportunity. According to Harry Wilcox, a filmmaker with over three decades of expertise specializing in commercial production. He stated, “ABC: Always Be Creating in one email.” “Whatever your age, if you want to pursue a career as a filmmaker, you should seize every chance to produce material. You have no reason not to, given that your phone is equipped with a high-quality camera. 

Indeed, the camera on my phone is superior to the one I began using when I initially entered the firm. Free applications allow you to edit directly on your smartphone, and if you’re connected to a network or have WIFI access, you may share your work online. It’s straightforward.”

Consider attending a reputed film school. If this is the case, compile an attractive portfolio. “Going to college will provide you with insider access to jobs that others do not,” Wilcox explains. “You’ll get access to internships and other paid jobs that are not visible to the general public. In this game, experience is everything. You need the experience to get further employment, but you cannot obtain an additional job until you have experience. Catch-22.”

Create a reel to demonstrate your abilities to prospective employers. “No one, and I mean no one, will employ you until you can demonstrate your ability to produce work,” Wilcox adds.

Develop marketable talents for the film business. Conway adds that filmmakers must be adept at not just technical elements of filmmaking, such as camera kinds and recording procedures, but also at storytelling and marketing. Robertson believes that a harsh temperament is required for a job as a filmmaker, given the occupation often needs irregular hours. 

“You must also be a good listener; a good set leaves no place for ego,” he adds. “Everyone, from the production assistant to the director, is there to contribute, so accept advice from everyone you meet. You will never, and should never, believe that you know everything simply because you do not.”

Acquire a low-level film job, demonstrate your abilities, and progress to higher-level ones. “Whichever path you choose, you must recognize that you must begin at the bottom and work your way up through time,” Wilcox explains.

The Hornet Production Studio is heading to 594 Broadway in SoHo

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Production workshop Hornet moves to SoHo.

The company, which specializes in mixed media, animation and post-production, will leave its current space at 116 Houston Street West for 594 Broadwayaccording to the owner GFP Real Estate. Hornet signed a 10-year lease for 14,569 square feet on the 10th floor of the building, which is located between Prince and Houston streets. A GFP spokesperson declined to disclose the rent requested.

Joe McLaughlin of Vestian Global Workplace Services represented the tenant, while Donna Vogel de GFP handled the transaction for the owner internally.

“We’ve seen a number of creative agencies like Hornet Animations expand into SoHo, NoHo and Chelsea over the past year in search of office space with lots of character that speaks to their clients and employees” , Vogel said.

GFP will build conference rooms, small meeting rooms and executive offices for Hornet, as well as a pantry, two soundproof editing rooms and a glass entrance.

The company, which produces works for clients like Kroger, Coca Cola, Verizon and Spotifyplans to take over the new offices in February 2023.

McLaughlin explained that Hornet was moving because he needed a slightly larger space, but wanted to stay in SoHo.

“After extensive research, 594 Broadway was the building that ticked all the boxes, including allowing Hornets to keep their growing business on one floor, giving them room for future growth, an upgrade the caliber of the building and allowing them to stay in Soho. , which was the neighborhood they wanted,” he said.

Rebecca Baird-Remba can be reached at [email protected].

Matt Damon and Ben Affleck launch new production company, promise ‘more equitable’ avenue for creators

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Image via Getty/Franco Origlia

Matt Damon and Ben Affleck have announced the launch of a new “talent-friendly” production company.

In an interview with The New York Times, the longtime friends and collaborators have severed their plans for their new production company, Artists Equity. The independent company is backed by a $100 million investment from RedBird Capital Partners, while the two men at the helm of the company have contributed an “unknown amount of capital”.

“This is the next act in my career for a long, long time,” said Affleck, who has agreed to work exclusively with the company going forward. TNYT. Damon will produce exclusively for Artists Equity and star in a number of films, but it’s unclear how many. The two were inspired to launch the company to give off-camera and on-camera talent a larger share of the profits, with lower upfront fees in favor of potentially larger payouts.

“As streamers have proliferated, they’ve really shut down back-end participation, and so it’s partly an effort to try to capture some of that value and share it in a more equitable way,” said Affleck said. “Not just writers and directors and stars. But also directors of photography, editors, costume designers and other crucial artists who, in my opinion, are very underpaid. Affleck will serve as the company’s chief executive, while Damon will serve as its creative director.

“I know what kind of freedoms artists crave and how they can be empowered – treated like adults,” Affleck continued. The actor-director-screenwriter said the company will enable creators across the world of film and television to “take ownership of their creative power, providing a platform for established and emerging filmmakers to streamline their content development.

In a statement announcing the production venture, the duo described Artists Equity as “talent-friendly” and “creator-focused.” The first production at the studio is currently underway, Variety reports. It’s set to feature Damon as the executive at Nike who helped launch the Air Jordan brand.

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“Respect the cat”: a philosophy for today’s production company

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Artwork: Case Projects

“Respecting the cat is the beginning of the aesthetic sense.”

It’s not a world-famous proverb, but it’s one that resonated with Margo Mars as she recently pondered what her production company, Lief, should be. The French phrase, which Google doesn’t seem to recognize as a source, roughly translates to: “Respect the cat, it’s the beginning of a sense of style.”

Each director gets a beautiful platform to showcase all the aspects that inform their practice, allowing for a broader understanding of their personality in a quick scroll. But it’s a site that sucks you in, defying the urge to have fast scrolling and making you lose yourself in the personalities of individuals. There’s also a strong sense of the company’s specific style – proof that everyone at Lief respects the cat.

LBB’s Alex Reeves sat down with Margo to hear his philosophy for Lief moving forward.

Photo: Jen Price Thomas, PJs: ‘Sleeper’

LBB> You recently had the opportunity to delve into what Lief stands for. What have you achieved?

Margo> Someone dear to me said, “You feel deeply so you can make others feel.” I felt that. That’s what all publicity work should do, make others feel. With Lief, I represent openness, passion, expression and uniqueness. All this now manifests itself through the new site: lief.studio.

“Lief” literally means “I love you very much,” and I know that encompasses our exceptional care, not just for work, but for people. And after five years in business, I’ve come to realize that Lief’s core competency is emotion, in addition to being practical and functional as a premier production house, of course!

LBB> How did you reframe what a production company should do in today’s creative landscape?

Margo>Lief does things differently: we’re not afraid to let curiosity be the main driver of everything we do. We produce highly artistic and emotional work that stands out for our curiosity. Anyone can produce, even exceptional craftsmanship is not uncommon, and anyone can represent talent. Lief, however, is a platform driven by impeccable curation and cultural relevance and I’ve reframed how we sell that talent. I’ve always portrayed artists who spend time shaping and defining today’s culture, so we’re no longer trying to fit filmmakers into a ‘reel’ alone. Instead, we provide a richer, more holistic platform through which creative directors and marketers can quickly gain a much deeper understanding of what they can offer.

To contribute meaningfully to society and culture, you have to start focusing on that cultural framework, rather than being caught off guard if a director has ever shot a car commercial, or a commercial vignette or whatever whatever the very specific request. What you want to know is if they can penetrate the culture and influence an audience. If their work for you will stand out. We offer brands authentic cultural engagement by welcoming these kinds of artists, whose hearts and souls will burst from the screen, into advertising.

LBB> What do you think should shape the philosophy or taste of a production company like Lief?

Margo> I think my taste definitely shapes our philosophy. Lief embraces humanity and is built on powerful feminine energy. For me, my taste and style is Lief’s narrative, not just the illustration. Thelonious Monk, known for his unique style of improvisation, said, “Writing about music is like dancing about architecture. It’s impossible.” Trusting my intuition after all these years is what makes Lief, Lief.

LBB> When you’re so much more geographically dispersed as a company, how do you bring it all together and maintain a cohesive culture?

Margo> Everyone we work with and for, they all love Lief – and Lief loves them! So I definitely think a shared passion is what shapes our culture and maintains consistency. I make a lot of space for this conversation and I grow up with all these unique voices.

LBB> How do you think this can be effectively communicated to customers who is most helpful to them?

Margo> Having genuine relationships is so important to customers. Be honest when you say you’re diverse, authentic, and connected. To dialogue with different artists, specific artists, politics and the contemporary, you have to live the world and invent a link that gives meaning to the commitment of a brand. Brands that understand this will outperform those that don’t, and that’s where we really help.

LBB> Lesser-familiar names on a production company’s roster need a chance to show what they can do, but agencies often don’t want to take a chance on someone who has nothing specific on their reel. How do you overcome this?

Margo> It’s so simple – creative directors choosing directors for their campaigns have to trust the level of culture that talented filmmakers can bring in addition to having a wealth of experience to make a spot.

For many film artists who can bring a lot to publicity, cinema is often only one of their modes of expression. Scaling them down to a limited commercial “reel” and comparing it to those with huge reels means you don’t get a clear idea of ​​the myriad possibilities of working with them. I hope my enthusiasm for these incredibly bright and experienced talents shines through on the new site, which gives them an impressive platform; they should each be celebrated for their uniqueness and authenticity, not feared. The only fear customers should have is not being in touch with what the public already freely chooses to watch and therefore not standing out.

LBB> Can you explain what “increation” is and how it will work within Lief’s culture?

Margo > Increation is a studio within Lief where we literally bring projects to life. Here, we act as art directors who forge a unique path for each project, instead of following a specific process or template. The best projects start with many unknowns, and in the right hands, you’ll embark on an incredible creative journey. The exact result might not yet exist at development time, and because of that you know you’re onto something very special. All creation belongs to Increation – art, entertainment and advertisements. It’s a real chance to do fascinating things together. What sets it apart from traditional work is that you “respect the cat” because that will be the start of your sense of style!

LBB> In which direction would you like to see Lief grow and evolve in 2023?

Margo> Well, we’re opening our office in Paris, launching our first great product and producing a documentary on a hugely important global topic close to our hearts. Honestly, I have no other wish than to continue to have the space to do all of this thanks to our wonderful customers and collaborators.

One-Stop Multimedia Production Company Sarofsky Promotes Joel Signer to Head of Production, Adds Hollywood Producer Will Townsend

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Continuing its growth and investment in excellence, one-stop cross-media production company Sarofsky promotes senior producer Joel Signer to head of production and adds Los Angeles-based producer Will Townsend to its staff. The news was announced today by the company’s Managing Director/Executive Producer, Steven Anderson.

A key contributor to top-tier production at Chicago’s most prolific agencies and studios over the past two decades, Signer is a former Optimus colorist who has also held producer roles in Chicago at Beast Editorial, Company 3 and Method Studios. Named Sarofsky’s lead producer in 2021 after joining the company in 2018, Signer’s credits include breakthrough commercials, branded films and docuseries, as well as creative contributions to a growing list of blockbuster films and TV series. . His notable accomplishments as a producer also include the company’s multi-award-winning original documentary series, “A Mystery to Me.”

“An absolutely invaluable member of our team, Joel has produced everything from our docuseries to main titles and everything in between,” Anderson began. “Deeply respected by our artists and clients, he is honest, trustworthy and not afraid of a challenge. He’s a fantastic producer and he’s very willing to take on the additional responsibilities as head of production.

“I believe that no matter the size of the project or the budget, our attention to detail (big and small) is second to none,” Signer explained. “I am extremely excited about my new role and being part of this amazing team.”

Originally from Chicago, Townsend has spent the past nine years at Sony Pictures in Los Angeles, where his career soared into the stratosphere of the entertainment industry. Most recently Associate Production Manager: Story of Sony Pictures Animation’s 2022 feature film “Hotel Transylvania: Transformania,” his credits also include Best Animated Feature “Spider-Man: Into the Spider-Verse.” Townsend also made history by voicing the characters Elliot the Stag and Mr. Weenie in 2015’s “Open Season: Scared Silly,” earning him an Annie Award nomination for outstanding achievement in voice acting.

“After our first conversation with Will, we knew he would make a great addition to our production department,” Anderson said. “His personality is a perfect fit for this company, he constantly brings us a different perspective based on his experience at Sony Animation, and he’s eager to learn all about Sarofsky. Equally at ease with clients, he has all the qualities that we are looking for in our producers.

“Sarofsky is the perfect balance between what I know (animation) and what I was hoping to know more about (advertising),” Townsend added. “They are very people-oriented and people-driven, with a certain upbeat energy that makes the job fun. As a result, the work is very special, and that comes from the genuine enthusiasm of the management and everyone involved. »

To learn more about Sarofsky and view his latest work, please visit https://www.sarofsky.com.

About Sarofsky
Director, creative director and designer Erin Sarofsky started Sarofsky in 2009 and has nurtured an extraordinarily talented group of creators who have served leaders in the advertising and entertainment industries around the world. Today, Sarofsky creators use animation, visual effects, motion design, and live action to collaborate with clients from concept to delivery, producing visceral, innovative, and diverse work. With an artistry that encompasses in-house long-form, sublime commercials, branded films, title sequences and more, Sarofsky’s reputation for groundbreaking design, proven multimedia production expertise and fabulously designed studio by Olson Kundig in Chicago’s West Loop are all key elements of the attraction. Learn more at https://www.sarofsky.com.

Lily Collins announces the launch of her first production company with husband Charlie McDowell

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Lily Collins has announced the launch of her first production company, alongside her filmmaker husband Charlie McDowell.

The actress, 33, described the new venture as “a childhood dream come true” as she announced the launch of Case Study Films on Instagram on Wednesday, alongside a series of throwback images.

The Emily In Paris star and her director husband, 39, will work with their Blue Valentine producer friend Alex Orlovsky as they tell “original stories” of “acclaimed talent as well as exciting new voices from generations to come” .

New venture: Lily Collins has announced the launch of her first production company, alongside filmmaker husband Charlie McDowell (pictured last month)

Lily wrote: ‘Today marks a very special day – a childhood dream come true.

“I finally have the honor to announce to the world CASE STUDY FILMS, a production company that I am launching with the best partners I could ask for, @charliemcdowell and @aorlovsky1. ⁣

“We will work to tell compelling and original stories alongside established talent and exciting new voices from this generation and the next.

“Our hope is that this company will become a one-stop-shop for creatives of all backgrounds, helping them develop an idea from concept to publication.

A long time ago when: The 33-year-old actress announced the launch of Case Study Films on Instagram on Wednesday, alongside a series of throwback images

A long time ago when: The 33-year-old actress announced the launch of Case Study Films on Instagram on Wednesday, alongside a series of throwback images

‘A very special day’: Lily described the new venture as ‘a childhood dream come true’

“I look forward to growing and collaborating with this incredible team. Lots more to come on @casestudy.films…

The case study kicks off with a profitable partnership with High Frequency Entertainment, allowing the company to choose to produce a project entirely in-house or find an external streamer.

The trio previously teamed up with the McDowell-directed film Windfall, which sold for eight figures to Netflix and developed by Legendary Entertainment.

After the success of the crime thriller starring Lily, Jesse Plemons and Jason Segel, the company struck a deal with Legendary Entertainment to create bespoke TV series.

“Case Study Films is about collaboration and storytelling,” Lily said in a statement. “Our hope is that this will become a very special one-stop-shop for creatives.”

The production banner has several projects in development, including the Hulu series Razzlekhan: The Infamous Crocodile of Wall Street, directed by Charlie and co-produced by Scoop Wasserstein, starring Lily.

A limited series set at Amazon is also on the way, The Complice, based on a New York Times bestselling novel by Lisa Lutz starring Lily.

The couple met while working on the set of Charlie’s next film, Gilded Rage, in 2019.

The couple made their first public appearance in 2020 and got engaged during a trip to New Mexico in September.

Lily and Charlie tied the knot in an intimate wedding ceremony in Dunton Hot Springs, Colorado in September 2021.

Happy couple: The couple met while working on the set of Charlie's next film, Gilded Rage in 2019 (pictured last month)

Happy couple: The couple met while working on the set of Charlie’s next film, Gilded Rage in 2019 (pictured last month)

Lily, the daughter of British rocker Phil Collins and his ex-model wife Jill Tavelman, recently opened up about her marriage to Charlie, saying he was her “best friend”.

She also praised the filmmaker for supporting her “emotionally” during her long stays in France while filming the Netflix rom-com series Emily In Paris.

She said in an interview with E! News: “We can kind of conquer anything. We have been through so many changes.

“To be able to have a partner next to you who makes you laugh when you need it most and emotionally helps you through things, like moving to a foreign country for four months.

“I feel so grateful to have someone beside me to be able to accomplish this and [have] your best friend with you all the time.

No secrets: The couple met in 2019, got engaged in 2020 and married in an intimate wedding celebration in Colorado in 2021 (pictured last week)

No secrets: The couple met in 2019, got engaged in 2020 and married in an intimate wedding celebration in Colorado in 2021 (pictured last week)

Depardieu announces the closure of a Russian production studio

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Ukrainian officials and local residents moved to stabilize conditions in the freshly recaptured southern city of Kherson, as Russian symbols were demolished and with the restoration of the Ukrainian radio and television service and a new police presence.

Live briefing: Russia’s invasion of Ukraine

RFE/RL Live briefing gives you all the latest developments on the ongoing invasion of Russia, the Kyiv counter-offensive, Western military aid, the global response and the plight of civilians. For all of RFE/RL’s coverage of the war, click here.

The November 12 action came after months of occupation by Russian forces following their unprovoked invasion of Ukraine in February and as Ukrainian and Western officials hailed Kyiv’s latest “extraordinary” success on the field of battle and the “strategic failure” of Moscow.

Separately, Russian occupation forces said late on November 12 that they were preparing to leave the town of Nova Kakhovka, the site of a damaged Dnieper dam, to a safer location, according to the agency. Russian press TASS.

As jubilant residents of Kherson woke up the morning after the first Ukrainian troops arrived, the Ukrainian military said it was putting in place “stabilization measures” to ensure security.

Ihor Klymenko, head of Ukraine’s national police, said about 200 officers were at their posts in Kherson and checkpoints had been set up. Authorities have also begun searching for any evidence of possible Russian war crimes, he said in a Facebook post.

Ukraine’s communications watchdog said national television and radio broadcasts had resumed in the strategic southern city and officials said aid supplies had started arriving from nearby areas.

Social media posts from November 12 showed local residents removing commemorative plaques installed by authorities installed by the Kremlin during the occupation.

Ukrainian President Volodymyr Zelenskiy and other officials warned that if special forces had entered the center of Kherson, the full deployment of Ukrainian troops was still underway and some Russian soldiers could have discarded military uniforms for clothing civilians and stay in the city.

“Even when the city is not yet completely cleared of the presence of the enemy, the inhabitants of Kherson themselves are already removing from the streets and buildings Russian symbols and all traces of the stay of the occupiers in Kherson,” said Zelenskiy in his nightly video speech.

But he said “medicine, communications, social services are coming back. Life returns. »

WATCH: Local residents greeted Ukrainian soldiers in Snihurivka on November 10, as Ukrainian army advance forces recaptured the town in the southern Mykolaiv region.

Ukrainian Foreign Minister Dmytro Kuleba, addressing world leaders at an ASEAN summit in Cambodia, warned that the festive mood could turn dark with the possible discovery of evidence of war crimes in Kherson .

Such evidence was uncovered after Russian troops withdrew from Kyiv and Kharkiv regions months ago.

“Every time we liberate a piece of our territory, when we enter a city liberated from the Russian army, we find torture rooms and mass graves with civilians tortured and murdered by the Russian army during the war. occupation of the territories”, he added. said. “It’s not easy to talk with people like that. But I said that every war ends with diplomacy and Russia must approach the talks in good faith.

On November 12, the White House hailed Russia’s withdrawal from Kherson as an “extraordinary victory” for Ukraine.

“It looks like the Ukrainians have just won an extraordinary victory where the only regional capital that Russia captured in this war is now back under a Ukrainian flag – and that’s quite a remarkable thing,” he said. US National Security Advisor Jake. Sullivan told reporters while accompanying President Joe Biden to the ASEAN summit.

Sullivan said the Russian retreat would have “wider strategic implications”, including mitigating Russia’s longer-term threat to other southern Ukrainian cities such as Odessa.

“This is a great moment, and it’s thanks to the incredible tenacity and skill of Ukrainians, backed by the relentless and united support of the United States and our allies,” Sullivan said.

Asked about reports that the Biden administration has begun to pressure Zelenskiy to consider negotiations with Moscow, Sullivan said Russia, not Ukraine, was the party that should decide whether to or no go to the table.

“This whole notion, I think, in the western press of ‘When is Ukraine going to negotiate?’ lacks the underlying fundamentals,” Sullivan said.

Russia, he added, continues to make “outlandish claims” about its self-proclaimed annexations of Ukrainian lands, even as it withdraws from Ukrainian counterattacks.

“At the end of the day, at 30,000 feet, Ukraine is the peace party in this conflict and Russia is the war party. Russia has invaded Ukraine. If Russia chooses to stop fighting in Ukraine and leave, that would be the end of the war. . If Ukraine chose to stop fighting and give up, that would be the end of Ukraine,” he said. “In this context, our position remains the same as it has been and is fundamentally in close consultation and support of President Zelenskiy.”

Meanwhile, British Defense Secretary Ben Wallace said on Nov. 12 that Moscow’s “strategic failure” in Kherson would sow doubt among Russian public opinion about the purpose of the war in Ukraine.

“Russia’s announced withdrawal from Kherson marks yet another strategic failure for them. In February, Russia failed to achieve any of its main objectives except for Kherson,” Wallace said in a statement. “Now that this has also been returned, surely ordinary people in Russia must be wondering, ‘What was all this for? “”

Meanwhile, Pavel Filipchuk, the head of the occupation government of Nova Kakhovka, told administrators and residents that Russian forces would withdraw from the town to the right bank of the Dnieper.

He raised concerns that the key dam could be damaged by missiles, leading to flooding.

Kyiv and Moscow have accused each other of planning to blow up the dam, which has already been badly damaged.

With reports from AFP, AP, dpa and Reuters

Creative Production Company RYB Launches at RED Studios in Historic Hollywood

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With the launch of the RYB production company, all the major components of cinema come together with a unified ambition to support artist and customer.

RYB’s distinctive chemistry begins with its location on the backlot of RED Studios in the heart of historic Hollywood. The company has a strategic partnership with RED Studios allowing RYB to provide access to unparalleled resources.

“We are an egoless production company that produces visual content for brands, artists and consumers across all mediums,” says Rob Baunoch III, Managing Director. “A creative playground where all components of a project can be executed in one place. Given our resources, as well as the collective team and skills, RYB is able to provide soup service to nuts to a higher level.”

Adopting the RED Studios motto of working with filmmakers who decided good wasn’t good enough, RYB curated a roster of cutthroat directors, each with their own unique style and path, including Aya Tanimura, Corey Wilson , Curry Sicong Tian, ​​The Freise Brothers, Jason Bergh, Mike G, Paul Scheer and Tim Mattia.

“RYB brings together artists from all walks of life to create unique, bold, and boundary-pushing works in a supportive environment that promotes and fosters collaboration, high standards, and transcendence in all forms of visual media,” says the executive producer of RYB, Jenn Mickelson.

Jenn runs day-to-day operations with Rob. Together they have overseen and overseen over 100 commercials and over 100 music videos. Jenn’s unique background as an executive producer, agency producer and her years of experience as a production manager at London Alley allow her to tackle projects head-on and solve problems in an unrivaled way. Jenn is looking for every opportunity between offers to fully exploit the potential of RYB’s roster.

In addition to Rob and Jenn, RYB is led by a strategic conjunction of talent, including VP of Development Jeremie Guiraud, Controller April Edwards, Co-Founder Jim Seibel and Co-Founder Danny Tanchauco. United by their attitudes of action, each veteran has independently touched all aspects of creation, production and finance (and proven themselves to handle the madness with grace.)

The company is the brainchild of Jim Seibel, an acclaimed producer with over 35 feature films to his credit, including Killing Them Softly and The Grey. Recognizing the difficulty of finding new voices, Jim’s intention with RYB is to nurture directorial talent who has a desire to venture into feature films and other long-form content.

“While the worlds of film studios and commercial production don’t typically overlap, RYB sits at the intersection because of our strategic partnerships,” says Rob. “Jim’s presence provides a legitimate organic support system for directors trying to transition from short-form to long-form narrative.”

Jim brought in Rob, then a senior executive at Tomorrow, whose breadth of entertainment experience spans production and consulting for film, advertising and theater for the past 15 years. Rob immediately understood the unique value proposition that RYB offered artists.

Jérémie Guiraud is the best intermediary between long content and RYB. A feature film production director for eight years working directly with Jim, Jeremie balances creative instincts with the logistical thinking required to make films.

Likewise, having Danny Tanchauco, head of operations at RED Studios, in RYB’s inner circle helps foster a dynamic environment for creatives and clients alike. With his hands-on and friendly approach, Danny truly runs the studio like a family boutique. His experience managing studios and his relationships with all the major rental houses in the country allow for flawless production every time.

Invoking their expertise from different sides of the business, RYB’s personalities all fit in perfectly, amplified by a strong sales team in Devine Reps for East and West Coast territories, and Sharon & Perry for representation. from the Midwest and Texas/Southeast. And despite the decades of experience among the core team, the RYB team emphasizes no ego and encourages true collaboration and information sharing among its directors.

Creative Production Company RYB Launches Out of RED Studios

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With the launch of the RYB production company, all the major components of cinema come together with a unified ambition to support artist and customer.

RYB’s distinctive chemistry begins with its location on the backlot of RED Studios in the heart of historic Hollywood. The company has a strategic partnership with RED Studios allowing RYB to provide access to unparalleled resources.

“We are an egoless production company that produces visual content for brands, artists and consumers across all mediums,” says Rob Baunoch III, Managing Director. “A creative playground where all components of a project can be executed in one place. Considering our resources, as well as the collective team and skills, RYB is able to provide nut soup service at a higher level. »

Adopting the RED Studios motto of working with filmmakers who decided good wasn’t good enough, RYB curated a roster of cutthroat directors, each with their own unique style and path, including Aya Tanimura, Corey Wilson , Curry Sicong Tian, ​​The Freise Brothers, Jason Bergh, Mike G, Paul Scheer and Tim Mattia.

“RYB brings together artists from all walks of life to create unique, bold, and boundary-pushing works in a supportive environment that promotes and fosters collaboration, high standards, and transcendence in all forms of visual media,” says Jenn Mickelson, Producer executive of RYB.

Jenn runs day-to-day operations with Rob. Together they have overseen and overseen over 100 commercials and over 100 music videos. Jenn’s unique background as an executive producer, agency producer and her years of experience as a production manager at London Alley allow her to tackle projects head-on and solve problems in an unrivaled way. Jenn is looking for every opportunity between offers to fully exploit the potential of RYB’s roster.

In addition to Rob and Jenn, RYB is led by a strategic conjunction of talent, including VP of Development Jeremie Guiraud, Controller April Edwards, Co-Founder Jim Seibel and Co-Founder Danny Tanchauco. United by their attitudes of action, each veteran has independently touched all aspects of creation, production and finance (and proven themselves to handle the madness with grace.)

The company is the brainchild of Jim Seibel, an acclaimed producer with over 35 feature films to his credit, including Killing Them Softly and The Grey. Recognizing the difficulty of finding new voices, Jim’s intention with RYB is to nurture directorial talent who has a desire to venture into feature films and other long-form content.

“While the worlds of film studios and commercial production don’t typically overlap, RYB sits at the intersection because of our strategic partnerships,” says Rob. “Jim’s presence provides a legitimate organic support system for directors trying to transition from short-form to long-form narrative.”

Jim brought in Rob, then a senior executive at Tomorrow, whose breadth of entertainment experience spans production and consultancy for film, advertising and theater for the past 15 years. Rob immediately understood the unique value proposition that RYB offered artists.

Jérémie Guiraud is the best intermediary between long content and RYB. A feature film production director for eight years working directly with Jim, Jeremie balances creative instincts with the logistical thinking required to make films.

Likewise, having Danny Tanchauco, head of operations at RED Studios, in RYB’s inner circle helps foster a dynamic environment for creatives and clients alike. With his hands-on and friendly approach, Danny truly runs the studio like a family boutique. His experience managing studios and his relationships with all the major rental houses in the country allow for flawless production every time.

Invoking their expertise from different sides of the business, RYB’s personalities all fit in perfectly, amplified by a strong sales team in Devine Reps for East and West Coast territories, and Sharon & Perry for representation. from the Midwest and Texas/Southeast. And despite the decades of experience among the core team, the RYB team emphasizes no ego and encourages true collaboration and information sharing among its directors.

Acclaimed television producer Kathleen Lojkovic and her production company Back 2 Originals

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Longtime TV producer Kathleen Lojkovic aims to foster innovative storytelling at her own production company Back 2 Originals Productions.

Kathleen has always been the creative type. She was born in Chicago, Illinois, but spent her formative years in Michigan. It wasn’t until her family moved back to Chicago that her passion for creativity was sparked. Her “aha” moment was when she became an audience member of a local ABC television show called kennedy at night. She knew then that she wanted to work in television.

This instance prompted her to attend Northwestern University, where she majored in radio, television, and film. She began interning for CBS TV and WGN TV, which led to her becoming a production assistant on ABC’s. Friday night show.” His producer credits extended to AM Chicago, Off The Recordand several other TV shows.

Over the years, Kathleen has witnessed the drastic transformations in television due to the establishment of streaming services and online content. However, his love for the industry persisted. Kathleen says “I’m very proud of the fact that after all these years I still want to be creative and be involved in new opportunities to meet people and tell their stories.” Although the industry has changed tremendously, she has adapted and used her vast experience to enrich every project she has worked on. While raising her family, she directed her creative endeavors towards interior design for 30 years, but is thrilled to now focus on large-scale entertainment projects with her production company Back 2 Originals Productions.

Back 2 Originals has been instrumental in everything from producing to investing in several film and television projects. Some of these projects have included Fox’s The mediator and IFC An acceptable loss. At Back 2 Originals, Kathleen aims to promote entertaining and informative programming on topics she is passionate about.

Kathleen is developing a new television series with interior designer and House of Barrie founder Barrie Livingstone called ‘Mr Livingstone I presume?’. The series follows Barrie around the world as he discovers unique architectural and design hotels.

Kathleen hopes her work at Back 2 Originals also exemplifies her advocacy for the environment. “I’m really into environmental and animal welfare projects right now. All of these issues can seem overwhelming, but if people make small changes individually, then collectively we can make a big change,” she says.

With Back 2 Originals, Kathryn is charting her own path to success, which she defines as “feeling fulfilled from the inside, knowing you’ve done your best and tried.” She can’t wait to see more of her hard work and dedication come to life on the big screen.

Texas Production Studio, Hill Country Studios, Appoints Kevin Bar as COO

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SAN MARCOS, Texas–()–Hill Country Studiosa state-of-the-art film and television studio moving to San Marcos, Texas, today announced the appointment of Kevin Bar as Chief Operating Officer of the largest and most ambitious of the state.

With over 15 years of industry experience, Bar joins Netflix’s Hill Country Studios, where he oversaw the development and operations of Netflix Studio hubs in the United States and Canada as a member of the management team. global studio operation. Prior to working at Netflix, Bar was Vice President of Pinewood International, managing studio and production services at Pinewood Studios in Atlanta.

“Kevin has unparalleled expertise in navigating the processes and procedures that come with developing a studio like Hill Country,” said Cory McLoud, Co-Founder and CEO of Hill Country Studios. “His depth of knowledge will be instrumental throughout our build phase, generating strategic alliances, creating productive partnerships, and helping the community understand how they can be involved and benefit from the new opportunity that Hill Country Studios brings to Texas.”

Bar will work directly on developing Hill Country Studios’ overall operating ecosystem, including crew base growth, local workforce development, and business initiatives for brick-and-mortar spaces. on site of the studio.

“Hill Country Studios has a unique opportunity to reinvent the film and television industry’s relationship with Texas,” Bar said. “This team has a distinctive vision, a phenomenal location and a world-class studio development plan that will position Texas to attract top-tier productions and create job growth and economic benefits. important to San Marcos, Austin and beyond.”

The $267 million studio project under development in the heart of Texas’ Innovation Corridor will launch in early 2023. Hill Country Studios will house 12 sound stages, including a virtual production stage, an emerging production technology that uses interactive video game engines to create virtual games. sets in real time. The studio soundstages will span 310,000 square feet, two backyards will provide 15 acres of outdoor production space, and 310,000 square feet will be dedicated to modular offices.

The mixed-use project, located at the entrance to the planned community of La Cima, will also feature lifestyle and co-working amenities. Twenty-five acres will be set aside for vendors and commercial space capable of serving both the studio and the surrounding community.

“Texas has a long and proud history of media production,” said Stephanie Whallon, director of the Texas Film Commission. “Our teams are talented and hardworking, and our diverse locations and community support are highly sought after. The creation of more production infrastructure is proof of the continued growth and economic impact that media production brings to our state and how it will continue to create lasting value through employment opportunities and to storytelling from Texas.

Hill Country Studios co-founder Zach Price will assume the role of Chief Experience Officer at Hill Country.

For more information on Hill Country Studios, visit hill country.studio.

About Hill Country Studios

Hill Country Studios offers the creative industry access to state-of-the-art facilities including 12 sound stages, a virtual production stage, supporting infrastructure and ancillary equipment. A first of its kind in Texas, Hill Country Studios strives to unleash creative storytelling through innovation and emerging technologies. Founded in 2020, the creative production studio is led by co-founders Cory McLoud and Zach Price of Hill Country Partners, COO Kevin Bar, and a creative leadership team with decades of combined industry experience. The state-of-the-art facility is located on 209 acres between Austin and San Antonio in San Marcos, Texas. For more information, visit hillcountry.studio.

Texas Production Studio, Hill Country Studios, Appoints Kevin Bar as COO

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New $267M film and TV studio taps ex-Pinewood Studios and Netflix exec as COO

SAN MARCOS, Texas, November 01, 2022–(BUSINESS WIRE)–Hill Country Studiosa state-of-the-art film and television studio moving to San Marcos, Texas, today announced the appointment of Kevin Bar as Chief Operating Officer of the largest and most ambitious of the state.

This press release is multimedia. See the full version here: https://www.businesswire.com/news/home/20221101005558/en/

New rendering for planned Hill Country Studios site in San Marcos, TX (Photo: Business Wire)

With over 15 years of industry experience, Bar joins Netflix’s Hill Country Studios, where he oversaw the development and operations of Netflix Studio hubs in the United States and Canada as a member of the management team. global studio operation. Prior to working at Netflix, Bar was Vice President of Pinewood International, managing studio and production services at Pinewood Studios in Atlanta.

“Kevin has unparalleled expertise in navigating the processes and procedures that come with developing a studio like Hill Country,” said Cory McLoud, Co-Founder and CEO of Hill Country Studios. “His depth of knowledge will be instrumental throughout our build phase, generating strategic alliances, creating productive partnerships, and helping the community understand how they can be involved and benefit from the new opportunity that Hill Country Studios brings to Texas.”

Bar will work directly on developing Hill Country Studios’ overall operating ecosystem, including crew base growth, local workforce development, and business initiatives for brick-and-mortar spaces. on site of the studio.

“Hill Country Studios has a unique opportunity to reinvent the film and television industry’s relationship with Texas,” Bar said. “This team has a distinctive vision, a phenomenal location and a world-class studio development plan that will position Texas to attract top-tier productions and create job growth and economic benefits. important to San Marcos, Austin and beyond.”

The $267 million studio project under development in the heart of Texas’ Innovation Corridor will launch in early 2023. Hill Country Studios will house 12 sound stages, including a virtual production stage, an emerging production technology that uses interactive video game engines to create virtual games. sets in real time. The studio soundstages will span 310,000 square feet, two backyards will provide 15 acres of outdoor production space, and 310,000 square feet will be dedicated to modular offices.

The mixed-use project, located at the entrance to the planned community of La Cima, will also feature lifestyle and co-working amenities. Twenty-five acres will be set aside for vendors and commercial space capable of serving both the studio and the surrounding community.

“Texas has a long and proud history of media production,” said Stephanie Whallon, director of the Texas Film Commission. “Our teams are talented and hardworking, and our diverse locations and community support are highly sought after. The creation of more production infrastructure is proof of the continued growth and economic impact that media production brings to our state and how it will continue to create lasting value through employment opportunities and the telling of Texas stories.”

Hill Country Studios co-founder Zach Price will assume the role of Chief Experience Officer at Hill Country.

For more information on Hill Country Studios, visit hill country.studio.

About Hill Country Studios

Hill Country Studios offers the creative industry access to state-of-the-art facilities, including 12 sound stages, a virtual production stage, supporting infrastructure and ancillary equipment. A first of its kind in Texas, Hill Country Studios strives to unleash creative storytelling through innovation and emerging technologies. Founded in 2020, the creative production studio is led by co-founders Cory McLoud and Zach Price of Hill Country Partners, COO Kevin Bar, and a creative leadership team with decades of combined industry experience. The state-of-the-art facility is located on 209 acres between Austin and San Antonio in San Marcos, Texas. For more information, visit hillcountry.studio.

See the source version on businesswire.com: https://www.businesswire.com/news/home/20221101005558/en/

contacts

Nichole Hazard
Red Fan Communications
[email protected]

Phiphen Studios post-production house opens in Englewood Cliffs | Morristown Minute

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Phiphen Studios adds to the production and entertainment infrastructure that has developed in New Jersey.Morristown Minute

After a groundbreaking ceremony on October 22, a new post-production studio opened in New Jersey, further cementing NJ as an up-and-coming entertainment hub!

Phiphen Studiosa state-of-the-art post-production house, is now open for business!

The facility will serve New Jersey’s growing film community as studios, networks and independent productions continue to flock to the Garden State.

New Jersey is the birthplace of Solax, the first female-run studio built in the early 1900s by movie mogul and filmmaker extraordinaire Alice Guy-Blaché“, said Secretary of State Tahesha Way. “We have now come full circle in welcoming women-owned company Phiphen Studios to the state and wish them much success..”

This studio is the latest expansion of New Jersey-based production company Phiphen, a women-led company founded by award-winning producers Molly Conners and Jane Sinisi.

We couldn’t be more thrilled to cut the ribbon and fully launch Phiphen Studios in Englewood Cliffs. It’s been a labor of love for our team and we’re so happy to welcome the film industry and our community to the studio.“, says Molly Conners, COO of Phiphen Studios and CEO and Founder of Phiphen.

https://img.particlenews.com/image.php?url=1IcMKI_0iqM8jLH00

We want to establish that New Jersey itself has its own identity for making amazing movies and we are so grateful to share this moment with all of you. This is a milestone for the film community and the people of New Jersey, one that should be celebrated.“, added Phiphen Studios CEO Jane Sinisi.

Phiphen Studios adds to the production infrastructure that has developed in New Jersey since the restoration of New Jersey Film and Digital Media Tax Credit Programwhich offers eligible production companies up to 35% transferable tax credit on eligible film production expenses, plus an additional 2% or 4% diversity bonus for eligible productions.

Since 2021, several major studios have been built in the state, including Palisade Steps and 10 studios in the basin at Kearny, Cinemalease Studios Caven Point in Jersey City, and Sustainable studios in Moonachie.

https://img.particlenews.com/image.php?url=2D8gM8_0iqM8jLH00

The new facility, in Englewood Cliffs, offers 10,000 square feet of post-production and office space, in addition to a 25-seat 4K theater, executive suites, conference rooms, kitchens and a outdoor space.

Recent productions filmed here include Paramount’s horror film “Smile“, the next feature film by M. Night Shyamalan”knock on the booth“AGC Studios and Netflix’s Next Romantic Comedy”The romantic find“with Gabrielle Union, Apple TV+”The greatest beer race of all time“and its critically acclaimed thriller series”Breakup“, and TV series and shows such as CBS “”The equalizer” and “FBI: Most Wanted“NBC”Law and order: organized crime“AMC”The Walking Dead: City of the Dead“, and MTV”Wild ‘N Out.”

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Morristown Minute has been approved for the Local News Fund 2022!*

Our reporters will dedicate time and resources to investigating barriers to mental health accessibility in our city.

Donate to Morristown, NJs Local Mental Health Accessibility Fund Today!

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*The Local News Fund 2022 is a program administered by the Local Media Foundation, a 501(c)(3) organization affiliated with the Local Media Association. The program’s goal is to enable independent, family-run news organizations to solicit tax-deductible donations from their communities for journalism projects focused on critical local issues. Contributions to this program are tax deductible to the fullest extent of US law; please consult a tax advisor for further details.

“Parasite” production company to start NFT business with Lambda 256

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Poster of “Parasite” directed by Bong Joon-ho (CJ ENM)

Barunson E&A, the production company behind the Oscar-winning film “Parasite,” has partnered with blockchain company Lambda 256.

The blockchain company is a subsidiary of Dunamu, the operator of Korea’s largest cryptocurrency exchange, Upbit.

“The driving force that made Korean cinema what it is today came from passionate and active moviegoers. By creating this community where filmmakers and audiences can come together with their “love for movies” based on NFTs (non-fungible tokens), we expect to see more diverse pleasures and values ​​produced and shared through it.” , a Barunson E&A official said in a report.

“The key elements of this project, including the content, fun, value, sharing and transparency that it (Barunson E&A) aims to bring, can be implemented in the most appropriate and stable way on the blockchain and with NFT technology, which is a decentralized system,” a Lambda 256 official said.

The head of the blockchain house also added that the project fits well with the company’s goal, which is to popularize blockchain technology.

Both companies aim to create an NFT-based community for moviegoers.

Barunson E&A will be responsible for planning the NFT community project and Lambda 256 will be responsible for further developing the plan with its technology.

The two companies will jointly operate the new community, which is expected to launch in the first half of 2023.

The film production company added that more detailed information about their joint project will be announced on Friday during Blockchain Week in Busan.

By Song Seung-hyun ([email protected])

Anna D. Shapiro Film, Theater and TV Production Company Launch – Deadline

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EXCLUSIVE: Anna D. Shapiro, Tony Award-winning director (August: Osage County), Oscar-nominated producer Leelai Demoz (On tip-toes), Tony-nominated actor/writer Ian Barford (Linda Vista) and entrepreneur Brad Keywell (Groupon, WNDR Museum) have partnered to create multimedia company Highwire Media, an artist-driven production company that develops and produces projects in film, theater and television.

Highwire Media’s debut slate includes projects with Emmy-winning actors and producers Brendan Hunt (Ted Lasso) and Jane Lynch (The Marvelous Mrs. Maisel), writer Matthew-Lee Erlbach (masters of sex), Tony Award-winning producer Greg Nobile (A Gentleman’s Guide to Love and Murder) and the companies Hyde Park Entertainment and West Madison Entertainment, as part of an initial plan to put into production 5 projects per year.

The founders of Highwire formalized an innovative development process, honed by years of working in the entertainment landscape.

In a joint statement, the founders explain, “Highwire Media is committed to an artist-centric model that disrupts the way creative energy is harnessed and delivered. We love artists. By reimagining the storytelling activity with artists at heart, we have crafted a unique setting that is optimal for creation. Highwire Media engages in every aspect of the creative process to cultivate the best medium for each story. In founding Highwire Media, we are bound by our belief in collaboration and our reverence for exceptional audience experiences.

The initial list of Highwire Media projects in development includes:

Kara an original comedy series written by Matthew-Lee Erlbach. Chris Rock is attached to play a role and Anna Shapiro will direct.

Animals is an original ensemble comedy series written by Ted Lasso co-creator Brendan Hunt and Ian Barford. Jane Lynch (The Marvelous Mrs. Maisel) stars and executive producers.

Matthew-Lee Erlbach Revelations is a dramatic play set in a luxury Big Sur getaway that explodes into a personal and political storm when two State Department employees accidentally reveal an untold sex scandal. Highwire Media will co-produce with Seaview (Slave Game, Sea Wall / One Life) for Broadway. Shapiro is committed to directing.

From Ian Barford is the sweeping limited series This land of blood. Born out of the volcanic culture of black radical abolitionists, an inexorable bond between Frederick Douglass and John Brown shapes an American Revolution.

The oath is a feature film depicting the extraordinary true story of Dr. Khassan Bayev during Russia’s brutal wars in Chechnya. Taken the Hippocratic oath, he has a duty to save the lives of his Chechen compatriots and Russian soldiers; kidnapped and branded a traitor by both sides, he soon discovers that the hardest life to save may be his own.

Bury the Lede is an original drama series written by Joy Gregory (Madam Secretary). Covering the extraordinary life and career of Connie Lawn, the White House’s longest serving press correspondent, the show explores the impact of trauma, historical and personal, on a generation of working women. Hyde Park Entertainment and West Madison Entertainment are producing with Highwire Media, with Shapiro attached to direct.

Highwire Media is represented by CAA and Franklin, Kurnit, Klein and Selz.

Sony Pictures Entertainment acquires VFX, the virtual production company Pixomondo

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Sony Pictures Entertainment (SPE) has acquired Oscar- and Emmy-winning virtual production, visualization and visual effects company Pixomondo.

Details:

  • Under the terms of the agreement, Sony now owns 100% of Pixomondo, which joins Sony Pictures Imageworks and Sony Innovation Studios to expand the company’s vfx and virtual production capabilities. Sony was particularly attracted to Pixomondo’s virtual production capabilities and sees the acquisition as helping to reinforce “Sony’s role as one of the leaders in virtual production”.
  • Over the course of two decades, Pixomondo has grown its vfx services to cover animation, digital assets, characters and creatures, compositing, crowd simulation, environments and world building, layout, l lighting, rigging and roto. Current productions featuring Pixomondo’s work include Prime Video’s The boysHBO Max Dragon HouseParamount+ Star Trek: Strange New Worldsas well as upcoming features such as Ant-Man and the Wasp: Quantumania, Mathilde the musicaland The magic flute.
  • SPE has acquired vfx from Mayfair Equity Partners, a consumer and technology investment firm. The terms of the contract are not disclosed.
  • Pixomondo will maintain three LED sound stages and seven offices in the US, UK, Germany and Canada. The acquisition comes just weeks after Sony Innovation Studios unveiled its first LED sound stage at Sony Pictures Studios in Culver City.
  • Pixomondo CEO Jonny Slow will continue his role with the company, reporting to SPE President of Global Television Studios and Corporate Development, Ravi Ahuja.
  • In a statement, Ahuja said, “Pixomondo’s impressive end-to-end virtual production technology, software and solutions further reinforce Sony’s leadership in high-quality visual effects and virtual production. And, for our TV studios, Pixomondo’s capabilities will make the hundreds of shows we produce for our streaming and network partners even more exceptional.
  • Said Slow: “Sony’s heritage and creativity-driven technology strategy means that our company has found a home where it can truly thrive. We look forward to continuing to innovate in the virtual production and vfx space with our customers for many years to come.

Launch of new production company Highwire Media; First projects announced

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Industry News

Launch of new production company Highwire Media; First projects announced

The founding team includes Tony nominee Ian Barford, Leelai Demoz, Tony winner Anna D. Shapiro and Brad Keywell.

Ian Barford, Leelai Demoz, Anna D. Shapiro and Brad Keywell
Small Studio Space


New production company Highwire Media, created by director Anna D. Shapiro (August: Osage County), Oscar-nominated producer Leelai Demoz (On tip-toes), Tony-nominated actor and writer Ian Barford (Linda Vista), and entrepreneur Brad Keywell, unveiled his first list.

Initial projects span film, theater and television and include co-production masters of sexit is Dramatic play by Matthew-Lee Erlbach intended for Broadway Revelations with sea view. The play follows two State Department employees and the sex scandal they reveal.

The Barford Limited Series This country of blood, about the connection between Frederick Douglass and John Brown, is also planned, alongside original drama series Bury the Lede by Joy Gregoire (lady secretary). Gregory’s show explores the life and career of the White House’s longest-serving news correspondent, Connie Lawn. Shapiro will direct the series, which is co-produced with Hyde Park Entertainment and West Madison Entertainment.

Two original comedy series have been announced: Karawith Chris Rock, directed by Shapiro, and Animals, written by Emmy winner Brendan Hunt (Ted Lasso) and Barford. Jane Lynch, Emmy winner (The Marvelous Mrs. Maisel) will star and executive produce the latter.

Complete the slate is The oatha feature film about the true story of Dr. Khassan Baiev, who had to keep his Hippocratic oath while caught in the middle of the Russian wars in Chechnya.

In a joint statement, the founders explain, “Highwire Media is committed to an artist-centric model that disrupts the way creative energy is harnessed and delivered. We love artists. By reimagining the storytelling activity with artists at heart, we have crafted a unique setting that is optimal for creation. Highwire Media engages in every aspect of the creative process to cultivate the best medium for each story. In founding Highwire Media, we are bound by our belief in collaboration and our reverence for exceptional audience experiences.

Silver Spring, originally from Schitt’s Creek production team, dies

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Ben Feigin, a native of Silver Spring, executive producer of the Emmy-winning TV show Schitt’s Creekdied Monday at age 47 at his Los Angeles home, according to published information.

Feigin died of pancreatic cancer, according to NBC Washington, and is survived by his wife Heidi and 11-year-old daughter Ellie.

Eugene Levy, co-creator of the series and one of its main characters, tweeted on Wednesday: “We were saddened to hear the news of Ben Feigin’s passing. Schitt’s Creek his family sends their deepest condolences to his wife Heidi, his daughter Ellie, and all his family and friends. We will miss him.”

Feigin, a graduate of the University of California, Santa Barbara, won an Emmy in 2020 when Schitt’s Creek was named Outstanding Comedy Series, which was one of nine awards the sitcom received.

During his Hollywood career, Feigin, who founded Equation Limited, worked for studios such as Amblin Entertainment and Warner Bros. and for major agencies such as United Talent Agency and the William Morris Agency, according to NBC Washington.

According to Los Angeles TimesFeigin has also worked on other popular TV shows such as Friends, The west wing and Emergency room.

A memorial service for Feigin will be held Thursday at Mount Sinai Cemetery in Hollywood Hills, Calif. Her family is asking for donations in her memory for Stand Up to Cancer, according to the Los Angeles Times.

Lewis Hamilton shifts gears to launch TV and film production company

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Seven-time Formula 1 champion Lewis Hamilton spoke to Deadline about his new business venture: television and film production. Hamilton, who holds the record for most wins, pole positions and podiums in F1, has revealed his first production company, Dawn Apollo Films, is in the works.

“I’ve always loved movies,” the 37-year-old told the outlet. “I watch a lot. I think it’s a real escape. There are a lot of films that I find inspiring and I always dreamed of doing something in this space one day. I have often been asked if I would act. I was very lucky to be an F1 driver, so I never really had time to dedicate myself to acting, but one of my dreams has been to tell stories. I sat down with my team and asked ‘What would it take for us to start a production company?’ and I shopped around and met an array of producers and filmmakers in LA just to get some knowledge. One of them was Jeffrey Katzenberg.

More at VIBE.com

Lewis vs. Hamilton Top Gun

Lewis vs. Hamilton Top Gun

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Lewis Hamilton turned down a role in ‘Top Gun: Maverick’

Hamilton also shared the meaning of his company’s name. “Apollo is the Greek god of sunlight, music and poetry, so I’ve always loved that name,” he said. “Dawn because it’s an otherworldly time of light, and symbolizes new beginnings. It’s usually a time of day that I love.

Speaking about his motivation to get into film, he added, “The goal is to create impactful stories and ultimately to inspire people through film and storytelling. Much of the new venture will be about social impact, community and causes. It is very important for me.

Hamilton already has two planned projects underway with Apple TV+. Dawn Apollo Films is set to produce an untitled F1 racing film, starring Brad Pitt and directed by Top Gun: Maverickis Joe Kosinski. The film will be about a race car driver who comes out of retirement and teams up with a rookie to take on the veterans of the sport. There’s also a feature-length documentary about Hamilton’s own journey in progress. Both projects will be produced by Hamilton.

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Talk: A notorious production house grabs Varisu’s movie rights for an exorbitant price

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Talk: A notorious production house grabs Varisu’s movie rights for an exorbitant price


Posted Oct 25, 2022 2:59 PM IST

Varisu is one of the most anticipated Kollywood movies slated for release in the Pongal season. Directed by Tollywood filmmaker Vamshi Paidipally, the film has Rashmika Mandanna as the lead actress.

The latest buzz is that Seven Screen Studio’s Lalith Kumar has acquired the film rights to Varisu from Vijay in Tamil Nadu for an exorbitant price. An official announcement on this will be released soon. Note, Vijay has signed his next with this production house.

Titled Vaarasudu in Telugu, the biggie has stars like Jayasudha, Prabhu, Sarathkumar, Srikanth, Prakash Raj and Yogi Babu. Thaman composed the music for this film.

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Lewis Hamilton plans to ‘fully focus’ on a new production company when he retires: PlanetF1

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Lewis Hamilton says he plans to “focus fully” on the new film and TV company he launched at the end of his racing career.

The former seven-time world champion launched Dawn Apollo Films together with his manager, Penni Thow.

Among the two initial projects with Apple TV+ are the Formula 1-based film set with star Brad Pitt, who attended the United States Grand Prix in Austin to learn about the sport, for which Hamilton will serve as executive producer. .

The other project in the works is a documentary about the life and career of the 37-year-old Mercedes driver, due for release in late 2023 or early 2024.

Right now, of course, Hamilton has to balance his off-track interests with trying to increase his record total of 103 race wins and his quest for an eighth world championship which will be his ultimate goal in 2023.

But when he puts time on his career, it seems the new venture is what the Brit sees himself spending most of the professional side of his life on.

In a new interview with Deadline, Hamilton said: “I’m very aware of other great athletes who spend their whole lives like me, focused on their sport, and when they get to the end maybe they don’t necessarily have had the right people around them to help structure the journey ahead of them.

“I’ve talked to people who said ‘look, when I quit it all fell apart, I wasn’t ready to do anything else, I hadn’t taken the time to learn other jobs, other skills, and I don’t “I don’t know what my other passions are, so I haven’t really focused on trying to understand them and building pillars.”

“So when I stop racing – which I don’t plan on doing for a while, I always feel like I’m in a good place – I want it to be smooth.

“I want to be able to move on to fully focus on Dawn Apollo Films and be able to step in on a similar level to what I’ve been used to.”

When asked if he plans to become an actor himself, Hamilton said: “It fascinates me, I really am. I would love to try it one day but I am very aware that it takes 10,000 hours to master something.

“I am very stubborn. If I have to do something, I want it to be really good. I don’t necessarily have to be the best at everything, but I know how hard these actors worked.

“I don’t want to be one of those celebrities who go into a different field and think they can do it easily.”

Hamilton also explained the name Dawn Apollo Films and what inspired him to start the company.

“Apollo is the Greek god of sunlight, music and poetry, so I’ve always loved that name,” he said. “Dawn because it is a time of another world and light, and symbolizes a new beginning. It’s usually a time of day that I enjoy.

“There are a lot of movies that I find inspiring and I’ve always dreamed of one day doing something in this space. I sat down with my team and asked ‘what would it take for us to start a company? of production ?’ and I shopped around and met an array of producers and filmmakers in LA just to get some knowledge.

“The goal is to create impactful stories and ultimately to inspire people through films and stories.”

Read more: Lewis Hamilton – “When Mercedes builds the car, I will take it to the top”

Mike Caron Launches ‘Monster Kid Detective Squad’ Production Company – Deadline

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EXCLUSIVE: Mike Caron, director of Nickelodeon Dangerous strength and Paramount+ Pretty Odd Parents: Pretty Oddbranches out on its own.

Caron launched his own production company Mike Caron Productions and set up a small-screen adaptation of the mystery series Monster Kid Detective Squad as one of his first projects.

He seeks to develop projects in the family space.

Monster Kid Detective Squad is set in Frightsville and follows characters such as Elsie Frankenstein, a super-strong young monster, Sherry Dracula, a headstrong young vampire, and Rico Gillman, a young sea monster.

The book series is written by Jason Henderson and In Churl Yo and published by Castle Bridge Media. Caron brought Bunheads duo Grant Levy and Dominik Rothbard to adapt the series with him.

Caron has worked on over 500 television episodes, including directing Dangerous strength, in which he also occasionally appears as the villainous Deuce Van Nuys. Other credits include Henry Danger, Side Hustle and Game Shakers.

He also recently signed with managers Michael Swidler and Seth Nagel of 5X Media and the Kaplan-Stahler agency.

“Once I read the books, I was so inspired by the visual potential of a world where monsters and humans live together,” Caron shares. “Then, after meeting Grant and Dominik, I knew five minutes into our first meeting that this dynamic duo was exactly the right voice to tell this story of magical and inclusive friendship.”

Opening of a post-production house in Englewood Cliffs

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Over the weekend, a ribbon-cutting ceremony commemorated the opening of Phiphen Studios, a state-of-the-art post-production house located in Englewood Cliffs.

The opening marks the continuous construction of the state’s film industry, particularly in terms of brick and mortar installationsallowing the ecosystem of the sector to take root and evolve.

The studio is an extension of New Jersey-based production company Phiphen, a women-led company founded by award-winning producers Molly Connors and Jane Sinisi.

Have you got seen these?

Three feature films shot in the Garden State were released on the same day. Find out what they are here.

– APPLE

“We couldn’t be more excited to cut the ribbon and fully launch Phiphen Studios in Englewood Cliffs,” said Connors, COO of Phiphen Studios and CEO and Founder of Phiphen. “It’s been a labor of love for our team and we’re so excited to welcome the film industry and our community to the studio.”

“We want to establish that New Jersey itself has its own identity to make amazing movies and we are so grateful to share this moment with all of you,” Sinisi said, Phiphen Studios CEO. “This is a major milestone for the film community and the people of New Jersey, one that should be celebrated.”

“New Jersey is the birthplace of Solax, the first female-run studio built in the early 1900s by the extraordinary movie mogul and filmmaker Alice Guy-Blache,” said Secretary of State Tahesha Way. “We have now come full circle in welcoming women-owned company, Phiphen Studios, to the state and wish them much success.”

The new facility offers 10,000 square feet of post-production and office space, in addition to a 25-seat 4K theater, executive suites, conference rooms, kitchens and outdoor space. It is part of the growing production infrastructure throughout New Jersey, which has included the construction of several major studios in recent years, including Palisade Stages and 10 studios in the basin in Kearny, Cinelease Studios Caven Point in Jersey City and Sustainable Studios in Moonachie.

“New Jersey continues to attract the kind of critical infrastructure that can support our burgeoning film and television industry and utilize our skilled workforce,” Governor Phil Murphy said. “We are thrilled to add Phiphen Studios to our growing production community and look forward to welcoming the following studios that plan to join us here in the Garden State.”

“Phiphen Studios joins a community of thoughtful entertainment industry leaders who recognize New Jersey’s clear advantage in film production,” said Tim Sullivan, CEO of the New Jersey Economic Development Authority.

Inside Culture House, the production company behind ‘Hair Tales’

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Audiences have embraced all of Oprah Winfrey’s signature looks, from the fluffy pixie to the long under bob, and now her signature curls. But they might not have known about Winfrey’s hair journey that led to her current look or even what made Issa Rae appreciate and love her natural hair after going completely bald. Now, both stories are being told in Hulu’s upcoming docuseries, “The Hair Tales,” which premieres Oct. 22 on Hulu, as well as OWN.

When Onyx Collective president Tara Duncan and producer Michaela Angela Davis asked Black, Brown and woman-owned production company Culture House to take on the project, founding partners Raeshem Nijhon, Nicole Galovski and Carri Twigg said they recognized the “maturity” of this story and jumped at the chance.

Nijhon and Twigg have signed on to serve as the show’s executive producers alongside Winfrey and Tracee Ellis Ross, who also hosts all six episodes. Featuring interviews with Chloe Bailey, Rep Ayanna Pressley, Marsai Martin and Chika, Ross leads viewers through conversations about weaves, braids, kinks, coils, hair grease, locs and ultimately the self-discovery.

Twigg largely credits Ross’s involvement as the spark that brought this overall theme to life, telling Variety“She gave us our thesis, which is that you can follow a black woman’s journey of self-acceptance through her journey with her hair.”

“Although we each had our own specific story, we knew that with ‘Hair Tales’ there was something universal and common that we could really tell through this series that it hadn’t received. the love or shine that she deserves.” Twigg explains. “Like all the ways our hair or this portal to a black woman’s experience in this country and the world, didn’t really have had their place on screen.”

Stories like “The Hair Tales” are basically down the Culture House aisle. With a team comprised primarily of women from diverse backgrounds, the company aims to “create compelling/inclusive/radical/futuristic/beautiful films and TV shows,” in line with their company mission. Its catalog of productions also includes “Growing Up” by Brie Larson, currently available on Disney+. The documentary series, produced by Galovski, tells the coming-of-age story of a teenager or “hero” in each episode with a deeply personal interview.

According to Nijhon, Culture House was created to fill the void where she felt Hollywood had a blind spot.

“It was a response to the desire to both create stories that I felt were missing in the world, but also to create a workflow, a process and a place in a community for filmmakers and creators of colors and women,” said Nijhon. , adding, “It’s not just about the things we create. It’s also about how we did it.

Culture House has a hands-on advisory process that Nijhon and its founding partners have developed, aimed at helping address diversity issues on-screen and behind-the-scenes.

“We just wanted to be very intentional in our process. Who do we hire? Who are we helping to create jobs for? Who are we helping to train? How is it that our shows and our work appear both in the world as powerful stories, but also as powerful tools to empower the people we want to see progress through the pipeline,” adds Nijhon.

Galovski admits that if progress is slow, it is not without movement. The obstacles they faced early in their venture are persistent, with the same decision makers still occupying most of the power positions in Hollywood. But, she believes there is hope on the horizon.

“A lot of those stats are starting to change — not in the way they need to or at the level they need to, but they are,” Galovski said. “We are now seeing more people in the venues we present and work with who are more representative of our country and more representative of the cultural experiences we would like them to have.”

Twigg adds, “There’s clearly a growing movement, but that’s what we were talking about –– the fact that Hollywood needed to diversify for 50 years. Even if it changes a bit and you start to have more visibility, projects at all levels, it’s still terribly slow.

Hovis-Fisher creates new production company with key distribution deals

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Los Angeles, California, October 18, 2022 — (PR.com) — Executive producer Brenda L. Hovis-Fisher, formerly of RSA Entertainment, has launched her own production company for women and underrepresented voices, Untamed RiverMedia & Productions. The company will focus on producing and distributing compelling films by Indigenous artists, people of color and women of all kinds.

Indican Pictures, a major player in independent distribution and a woman-owned company, has purchased three major films from the company. Indican’s presence in the market and foreign territories, as well as its desire to empower independent filmmakers, make it the preferred outlet for these productions.

WINDIGO, an ancient Chippewa demon, is resurrected by a Native American teenager and his grandmother to protect their family after a run-in with backcountry meth dealers. They soon discover that the creature’s lust for killing cannot be controlled. As each murder brings the teen and the Windigo closer and closer, the family must find a way to break the curse before they all become the bloodthirsty creature’s next victims. Produced by Gylden Entertainment, directed by Gabe Torres and distributed by Angelique Midthunder.

MANTRA is a thriller about a young man haunted by his murdered brother who turns to a psychiatrist whose unorthodox treatment twists his world even further. Written and directed by Dan Franklin and Alex Suarez and starring Drake Roger of The Winchesters.

ALTER EGO is the story of a reclusive paranoid genius author who spends a night in his secluded mansion waiting for his creation to come destroy him, directed and written by Ezio Massa, starring Dylan Walsh, Steve Stanulis and the beloved Eric Roberts.

About Untamed River Media & Productions
Untamed River Media and Productions is a woman-owned Native American production company specializing in podcasting, talent, production and project management in the entertainment industry.

www.untamedriver.com
@untameddrivermp

About Brenda L. Fisher
Brenda Fisher, MBA, Founder and CEO of Untamed River Media & Productions, an entertainment company based in Los Angeles, CA, has over 25 years of experience in the entertainment industry. She credits her career success to both her multiculturalism as a tribal scion of the Yakama Nation, a marketing and entertainment leader for the Native American casino industry, and her early start in production and promotion. live events and tours with world-class artists.

About Indian Photos
Indican Pictures acquires and distributes feature films to a wide range of entertainment outlets. Our business model allows us to directly deliver a diverse selection of independent film content (action, arthouse, comedy, documentary, drama, family, foreign language, horror, romantic comedy, sci-fi, thriller, western) through our strategy partnerships, on all media platforms (cinema, VOD/SVOD, home video, TV/broadcast, accessory, educational), for the pleasure of the consumer.

www.indicanpictures.com

Media Contact:
Lana Westbrook
Production Manager | Wild River Media and Productions
[email protected]

Hovis-Fisher creates new production company with key distribution deals

0
Los Angeles, California, October 18, 2022 — (PR.com) — Executive producer Brenda L. Hovis-Fisher, formerly of RSA Entertainment, has launched her own production company for women and underrepresented voices, Untamed RiverMedia & Productions. The company will focus on producing and distributing compelling films by Indigenous artists, people of color and women of all kinds.

Indican Pictures, a major player in independent distribution and a woman-owned company, has purchased three major films from the company. Indican’s presence in the market and foreign territories, as well as its desire to empower independent filmmakers, make it the preferred outlet for these productions.

WINDIGO, an ancient Chippewa demon, is resurrected by a Native American teenager and his grandmother to protect their family after a run-in with backcountry meth dealers. They soon discover that the creature’s lust for killing cannot be controlled. As each murder brings the teen and the Windigo closer and closer, the family must find a way to break the curse before they all become the bloodthirsty creature’s next victims. Produced by Gylden Entertainment, directed by Gabe Torres and distributed by Angelique Midthunder.

MANTRA is a thriller about a young man haunted by his murdered brother who turns to a psychiatrist whose unorthodox treatment twists his world even further. Written and directed by Dan Franklin and Alex Suarez and starring Drake Roger of The Winchesters.

ALTER EGO is the story of a reclusive paranoid genius author who spends a night in his secluded mansion waiting for his creation to come destroy him, directed and written by Ezio Massa, starring Dylan Walsh, Steve Stanulis and the beloved Eric Roberts.

About Untamed River Media & Productions
Untamed River Media and Productions is a woman-owned Native American production company specializing in podcasting, talent, production and project management in the entertainment industry.

www.untamedriver.com
@untameddrivermp

About Brenda L. Fisher
Brenda Fisher, MBA, Founder and CEO of Untamed River Media & Productions, an entertainment company based in Los Angeles, CA, has over 25 years of experience in the entertainment industry. She credits her career success to both her multiculturalism as a tribal scion of the Yakama Nation, a marketing and entertainment leader for the Native American casino industry, and her early start in production and promotion. live events and tours with world-class artists.

About Indian Photos
Indican Pictures acquires and distributes feature films to a wide range of entertainment outlets. Our business model allows us to directly deliver a diverse selection of independent film content (action, arthouse, comedy, documentary, drama, family, foreign language, horror, romantic comedy, sci-fi, thriller, western) through our strategy partnerships, across all media platforms (cinema, VOD/SVOD, home video, TV/broadcast, accessory, educational), for consumer enjoyment.

www.indicanpictures.com

Media Contact:
Lana Westbrook
Production Manager | Wild River Media and Productions
[email protected]

BBC announce senior production team for Eurovision Song Contest 2023

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As host broadcaster of the Eurovision Song Contest 2023, the BBC has announced its senior team to broadcast the Contest in Liverpool.

Martin Green ECB has been appointed Chief Executive who will lead the team responsible for overseeing all aspects of Eurovision 2023:

“I am delighted to have been asked to lead the delivery of Eurovision 2023 for the BBC. As a long time fan of the competition it is a dream come true. I look forward to working with the brilliant team from the BBC, Liverpool and the EBU and of course with Ukrainian colleagues; I speak for all of us when I say we will make you proud.

Martin will lead a team to create, plan and deliver this large-scale, complex and special event. As Host Broadcaster, the BBC will work in partnership with the European Broadcasting Union, Liverpool as Host City and other external partners to bring the Eurovision Song Contest 2023 to an audience of over one hundred million. around the world, involving thousands of people, hundreds of delegates and several acts.

Green has over twenty years of experience in major global events, most recently he was the creative director of Birmingham 2022 Commonwealth Games (where he hosted the opening and closing ceremonies as well as an important cultural program), and Chief Creative Officer of Unboxed 2022. Prior to this, Martin was CEO of Hull, city of culture in the United Kingdom 2017, a groundbreaking, world-class arts festival that has reinvigorated the city; as well as Chief of Ceremonies for the London 2012 Olympic and Paralympic Games.

Kate Phillips, director of Unscripted at the BBC says:

“Martin is an inspirational leader whose skills and passion for Eurovision will be a winning combination and make him the perfect BBC ambassador.

His impressive track record in organizing major events speaks for itself. He is brilliant at bringing people together and will galvanize our partners to increase value for license fee payers as well as the wider economic benefits of hosting the event in the UK. Martin and the highly experienced team we announced today will ensure that 2023 is the most exciting, creative and innovative Eurovision ever.

Rachel Ashdown has been confirmed as the BBC’s lead commissioner on Eurovision 2023. She will work with BBC Studios, who will produce the three live shows (the two semi-finals and the grand final), on the overall look and tone of the show and is responsible for commissioning other programs to be broadcast across the BBC and working with independent production companies on their delivery.

This will include the draw and other shows based on the Eurovision Song Contest in the weeks leading up to the event.

Rachel has curated all Eurovision Song Contest coverage on the BBC since 2018 and she later joined the Reference Group (the governing body of the Eurovision Song Contest, for the 2019-2021 editions).

Leading the BBC Studios team is André Cartmell – appointed executive producer of the Eurovision Song Contest 2023, and taking overall responsibility for the semi-finals and grand final.

Andrew has over a decade of experience as an executive producer delivering large scale entertainment and live events for BBC Studios, Done & Dusted and Hungry Bear Media. He was the head of the UK delegation in Turin earlier this year.

Past credits include Commonwealth Games Closing Ceremony, Children in Need & Sport Relief.

Lee Smithurst joins the BBC Studios team as Head of Show for Eurovision 2023. As Head of Show, he will be responsible for editorial content and take the creative direction of the three live broadcasts. Lee was Deputy Head of Delegation for the UK in Turin this year, and will serve as Executive Producer and Head of Delegation for the UK at the Junior Eurovision Song Contest in Yerevan, Armenia in December. Lee’s recent credits include I can see your voice, Kylie Minogue’s secret night and soccer aid.

Making a very welcome return is Twan van de Nieuwenhuijzen, who was reappointed as contest manager, a role he successfully fulfilled at the Eurovision Song Contest 2021 and 2022 in Rotterdam and Turin. Twan will have specific responsibility for working with national delegations to realize the creative and stage ambitions of their artists. Twan is a very experienced television producer in the Netherlands and has been an editor for many programs and live events.

To finish, James O’Brien joined BBC Studios as head of production. James comes to Eurovision with extensive experience working on large-scale events such as MTV Europe Music Awardsthe London 2012 Olympics and this year commonwealth games. James will oversee a team responsible for the technical delivery of live broadcasts and the Eurovision broadcast, as well as all other elements within the venue.

Be sure to register for the official Eurovision Song Contest newsletter and subscribe to our social media channels (Youtube, instagram, ICT Tac, Twitter and Facebook) to be the first to find out how to get tickets for the Eurovision Song Contest in 2023.

ITV explores options for a production studio as demand for content soars

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ITV is actively considering the future of its ITV Studios production arm, including whether to sell a stake in the maker of the island of love and Bodyguard to help lift the broadcaster’s depressed share price.

The London-based company recently expressed interest in ITV Studios in what remains a relatively buoyant market for production assets, according to people familiar with the talks.

Even before the approaches, chief executive Carolyn McCall had weighed options for the Studios business, which analysts and executives say could be worth more than the £2.5bn market capitalization of parent company ITV, the UK’s largest commercial broadcaster.

A person who had discussed a sale of studios with McCall said she was “totally fed up” with the stock market looming over the company and was “ready to do something about it.”

An ITV insider said a sale was likely to remain unlikely due to long-standing resistance to breaking the group’s integrated broadcaster-producer model, but added that the valuation gap made the option ” impossible to ignore”.

ITV Studios, which acts as a holding company for around 60 independent labels in 13 countries, is one of the largest producers of scripted and unscripted shows in Europe. ITV continues to seek acquisitions and has acquired a majority stake in Plimsoll Productions, the maker of natural history programs behind A year on planet earthfor £103.5million in June.

Potential buyers include private equity groups and other major independent producers such as Bertelsmann’s Freemantle or FL Entertainment, Banijay’s parent company.

ITV said its board is “constantly reviewing opportunities to increase shareholder value, but we do not comment on speculation”.

Since ITV embarked on an ambitious wave of acquisitions to grow its production arm more than a decade ago, the broadcaster has made periodic assessments of a possible divestiture or sale.

The fall in ITV’s share price since 2015, which has wiped out more than three-quarters of its market value, has rekindled the appeal of a deal that could help reset market expectations of the broadcaster’s potential.

McCall acknowledged in July that she was looking for ways to bring ITV out of the shadow of its legacy broadcasting business. “I really don’t think we’re recognized not just for the value of the Studios business, but actually for the strength and resilience, and actually how much money the broadcast business generates,” he said. she declared.

Studios’ operating margin of 13% in the six months to June is significantly higher than industry peers. Citi analysts estimated this summer that the studios could be worth around £3bn, based on comparable valuations of production companies.

Some analysts have argued that the sale of part of the studios would highlight the breadth of ITV’s assets – which spans traditional TV, production and ad-supported streaming – and set a ‘benchmark’ to grow. the valuation of the whole group. ITV is launching its new ITVX streaming platform this fall.

The studios reported revenue of £1.8bn last year and adjusted profit before interest, tax and amortization of £215m, which is expected to reach £246m in 2022. Only about a third of its sales are commissioned by ITV and most of its revenue is now generated outside the UK.

While the steady stream of ITV commissions is one of the highlights of the production business, pricing could lead to potential complications for any minority partners in the future. ITV, meanwhile, may be reluctant to cede control of Studios in a joint venture.

Former ndF Managing Director Eric Welbers Launches Production Company Bravado Media | New

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Eric Welbers, the former CEO of German production company ndF, is pitching a Munich producer called Bravado Media at Mipcom next week.

Eric Webers

Following Welbers’ departure from ndF in March, Bravado Media acquired all of the company’s shares in Italian Viola Film (80%), headed by Alessandro Passadore, and Belgium’s Bravado Fiction (80%), headed by Jan Theys .

Welbers is also increasing his stake in ndF International Production, which he will continue to lead together with Matthias Walter.

The new company will make its first appearance on the market at Mipcom in Cannes next week. Welbers said, “Bravado Media will be a contemporary, modern content house – internationally positioned, open-format, story-driven and content-driven.”

Bravado Media has a launch slate ready to go. Welbers collaborated with Frank Doelger of Intaglio Films to produce a serial adaptation of Frank Schätzing’s bestselling novel The Swarm with ndF International Production for German broadcaster ZDF.

Welbers is also co-producing The Man Who Died, based on Finnish author Antti Tuomainen’s bestselling novel, for Finnish streamer Elisa Viihde, while filming has begun on the second season of co-production Sophie Cross (aka Crossroads) for Degeto. /Das Erste.

Other projects in development include an international series based on the novel Lord of All Things by Andreas Eschbach.

Meanwhile, production has wrapped on Stranded, a drama series starring German actor Rike Schmid. The show is a co-production with Italian Eliseo, with Mediawan Rights handling international distribution.

The program also includes On the Ropes, Bravado Fiction’s first event series in Belgium. The series focuses on defense lawyers and prosecutors dealing with organized crime in the Belgian port city of Antwerp.

Welbers served as ndF’s managing director from 2015 to March this year, working on high-end drama series such as The Swarm. He previously worked for Beta Film.

Former ndF Managing Director Eric Welbers Launches Production Company Bravado Media | New

0

Eric Welbers, the former CEO of German production company ndF, is pitching a Munich producer called Bravado Media at Mipcom next week.

Eric Webers

Following Welbers’ departure from ndF in March, Bravado Media acquired all of the company’s shares in Italian Viola Film (80%), headed by Alessandro Passadore, and Belgium’s Bravado Fiction (80%), headed by Jan Theys .

Welbers is also increasing his stake in ndF International Production, which he will continue to lead together with Matthias Walter.

The new company will make its first appearance on the market at Mipcom in Cannes next week. Welbers said, “Bravado Media will be a contemporary, modern content house – internationally positioned, open-format, story-driven and content-driven.”

Bravado Media has a launch slate ready to go. Welbers collaborated with Frank Doelger of Intaglio Films to produce a serial adaptation of Frank Schätzing’s bestselling novel The Swarm with ndF International Production for German broadcaster ZDF.

Welbers is also co-producing The Man Who Died, based on Finnish author Antti Tuomainen’s bestselling novel, for Finnish streamer Elisa Viihde, while filming has begun on the second season of co-production Sophie Cross (aka Crossroads) for Degeto. /Das Erste.

Other projects in development include an international series based on the novel Lord of All Things by Andreas Eschbach.

Meanwhile, production has wrapped on Stranded, a drama series starring German actor Rike Schmid. The show is a co-production with Italian Eliseo, with Mediawan Rights handling international distribution.

The program also includes On the Ropes, Bravado Fiction’s first event series in Belgium. The series focuses on defense lawyers and prosecutors dealing with organized crime in the Belgian port city of Antwerp.

Welbers served as ndF’s managing director from 2015 to March this year, working on high-end drama series such as The Swarm. He previously worked for Beta Film.

When Emily Bronte’s new film production team descended on Wharfedale

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Piers Tempest’s new production “Emily” hits theaters this week. The Farfield Quaker meeting house in Addingham was one of the filming locations for the film. Chris Skidmore, author of the book Quakers and their Meeting Houses, reports.

There is such buzz about a filming location. So many people and so much equipment appear overnight and the next day it’s all gone! So it was on June 4, 2021 that Tempo Productions took over Farfield Friends Meeting House for the day to film a scene from the recently released movie, “Emily”, based on the life of Emily Brontë.

Farfield Meeting House, a preserved meeting house from 1689 owned by the Historic Chapels Trust, is normally a peaceful, secluded location, a place to sit quietly whilst walking the Dales Way between Addingham and Bolton Bridge. The film company had scouted it the previous fall and felt it might represent a small Sunday classroom where Emily was teaching. The majority of the filming had been centered on Haworth and the moors and that was, I believe, the only location in Wharfedale.

When I arrived that day the land across Bolton Road had been turned into a car park and an assortment of portaloos and food trucks. The meeting room itself was surrounded by wires and light fixtures, the plaques on the wall had been removed and anything that looked a little out of place was covered in convincing artificial ivy! The interior of the meeting house had its pews removed and replaced by rows of school desks and on the east wall were a few boards with Bible texts, which would have been out of place in a house of Quaker meeting but perfectly in keeping with an Anglican classroom!

The scene was that of a meeting between Emily [Emma Mackey] and William Weightman [Oliver Jackson-Cohen], his love interest for the purposes of the film. Occasionally actors would appear, lights would be turned on and directed through gauzes to provide “sunlight” through the windows, and cameras would roll. In between moments, there were discussions, adjustments to lighting, makeup, and costumes, and a lot of waiting. The photo shows one such period, a conversation between the two actors, seated on the 17th century tombs in Farfield Cemetery.

It was fascinating to watch – and a little anxious in case the building was damaged, but all was well and when I came back the next day to check there was only a bit of dust and a strange piece of sad ivy to show. that they were filmmakers there!

When Emily Bronte’s new film production team descended on Wharfedale

0

Piers Tempest’s new production “Emily” hits theaters this week. The Farfield Quaker meeting house in Addingham was one of the filming locations for the film. Chris Skidmore, author of the book Quakers and their Meeting Houses, reports.

There is such buzz about a filming location. So many people and so much equipment appear overnight and the next day it’s all gone! So it was on June 4, 2021 that Tempo Productions took over Farfield Friends Meeting House for the day to film a scene from the recently released movie, “Emily”, based on the life of Emily Brontë.

Farfield Meeting House, a preserved meeting house from 1689 owned by the Historic Chapels Trust, is normally a peaceful, secluded location, a place to sit quietly whilst walking the Dales Way between Addingham and Bolton Bridge. The film company had scouted it the previous fall and felt it might represent a small Sunday classroom where Emily was teaching. The majority of the filming had been centered on Haworth and the moors and that was, I believe, the only location in Wharfedale.

When I arrived that day the land across Bolton Road had been turned into a car park and an assortment of portaloos and food trucks. The meeting room itself was surrounded by wires and light fixtures, the plaques on the wall had been removed and anything that looked a little out of place was covered in convincing artificial ivy! The interior of the meeting house had its pews removed and replaced by rows of school desks and on the east wall were a few boards with Bible texts, which would have been out of place in a house of Quaker meeting but perfectly in keeping with an Anglican classroom!

The scene was that of a meeting between Emily [Emma Mackey] and William Weightman [Oliver Jackson-Cohen], his love interest for the purposes of the film. Occasionally actors would appear, lights would be turned on and directed through gauzes to provide “sunlight” through the windows, and cameras would roll. In between moments, there were discussions, adjustments to lighting, makeup, and costumes, and a lot of waiting. The photo shows one such period, a conversation between the two actors, seated on the 17th century tombs in Farfield Cemetery.

It was fascinating to watch – and a little anxious in case the building was damaged, but all was well and when I came back the next day to check there was only a bit of dust and a strange piece of sad ivy to show. that they were filmmakers there!

Production company BRON to ‘step back’ from financing landmark films – Film Stories

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Production company BRON plans to return to its “core business” as a creative producer rather than a financier.

BRON, the production company behind some of the biggest theatrical blockbusters in recent years, has announced that it is forgoing funding for landmark films and instead focusing on its work as a company. of creative production. The Canadian studio has been involved in films like Joker, House of Gucciand Licorice Pizza in terms of production and/or financing and some of the projects in which he has been involved have performed well commercially.

In addition to co-financing projects through deals with Warner Bros and MGM, BRON has also supported productions such as Ghostbusters: Afterlifeas good as Bomb and more arthouse-oriented projects such as Neon’s Assassination NationBleecker Street Leave no tracenot to mention the A24s The Green Knight.

However, as we have also seen today with the release of plan B, the space for independent production companies to operate as huge sums of money are poured into film production can leave companies in vulnerable positions. BRON apparently chose to play for smaller stakes instead. Reports that the company is looking to invest in NFTs and Metaverse technology instead are perhaps less welcome, but only time will tell if BRON’s new strategy bears fruit.

Daily screen

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Former OSN, Warner Bros officials launch new production house – Rise Studios – in Dubai

0

The new production house will be led by Emad Morcos, former Chief Content Officer and Chief Commercial Officer of OSN; Amanda Turnbull, former managing director of Warner Bros. Discovery Middle East, Africa and Turkey; and Amel Farag, former head of content business strategy at OSN.

And the need for premium and exclusive content in the region shows no signs of slowing down. Much of this is generated by Saudi Arabia as the Kingdom embarks on creating its own entertainment ecosystem. It also means fertile ground for Rise.

“As the Saudi film industry experiences rapid growth, it is imperative that we create hyper-local content and tell stories of the Kingdom’s rich heritage and traditions,” said Omar Hussein, founder of Black Typhoon. “Looking forward to this partnership and how we can tell the best stories to an audience that eagerly awaits premium content.

The first to partner with Rise were Egyptian scripted series specialist Partner Pro and advertising creative house ASAP run by director Sherif Arafa and Amin El Masri, as well as Lebanese and Emirati factual reality company Different Productions. , directed by Mazen Laham. There is also Watan Network run by Bassel Khair, besides Omar Hussein Black Typhoon, which is funded for the specific development of original content in Saudi Arabia.

Watan Network attracts over 5 billion combined views per month across all platforms and 14 billion view minutes per month across YouTube, Facebook and Snap. “We are very excited to join the Rise Studios family; we have built our core business around the consumption of digital content and view this relationship as a natural progression,” said Bassel Khair, Executive Director of Watan Network. We understand how important it is for viewers to consume content across all screens and we want to grow Watan Network further with the addition of new vertical content and originals for the platforms.”

South Kolkata production house fire, no casualties reported

0

A fire that broke out Thursday morning at the studio of a production house in Kudghat district, south Kolkata, has been brought under control, an official said.

Kolkata: A fire that broke out Thursday morning at the studio of a production house in Kudghat district, south Kolkata, has been brought under control, an official said.

Heavy smoke was seen billowing, which could be seen from afar after a massive fire broke out in the studio and Eskey’s films ended on Thursday morning.

As many as 10 firefighters reached the production house – located at 27 Baburam Ghosh Road in Kudghat area, Kolkata – to extinguish the blaze.

The wrath of the fire turned the huge expensive equipment of the Eskey film studio to ashes.
Firefighters were seen battling the blazes after reaching the spot to tame the flame.

Read also : “New India is proud of its culture, tradition and heritage”: CM Yogi Adityanath

“After hours of firefighting, the blaze was brought under control and no casualties were reported,” the fire department said.

The cause of the fire is not yet clear. The police have arrived on site to investigate the matter.

Earlier, the same incident was reported in Howrah, West Bengal, after a fire broke out at a garage in Howrah on October 4.

After receiving information about the fire in the garage below the Domjur police station area, firefighters rushed to the scene to extinguish the fire.

The fire, which Prime Facie said was started by a short circuit, caused extensive damage to two-wheelers and four-wheelers parked in the garage.

(Except for the title, this story has no editing by HW News staff and is published from a syndicated feed.)

Dear readers,
As an independent media platform, we do not take advertisements from governments and corporations. It is you, our readers, who have supported us on our journey to honest and unbiased journalism. Please contribute, so we can continue to do the same in the future.

Fire at South Kolkata production house, no casualties reported – ThePrint – ANIFeed

0

Calcutta (West Bengal) [India]Oct. 13 (ANI): A fire that broke out on Thursday morning at the studio of a production house in Kudghat district in south Kolkata has been brought under control, an official said.

Heavy smoke was seen billowing, which could be seen from afar after a massive fire broke out in the studio and Eskey’s films ended on Thursday morning.

As many as 10 firefighters reached the production house – located at 27 Baburam Ghosh Road in Kudghat area, Kolkata – to extinguish the blaze.

The wrath of the fire turned the huge expensive equipment of the Eskey film studio to ashes.

Firefighters were seen battling the blazes after reaching the spot to tame the flame.

“After hours of firefighting, the blaze was brought under control and no casualties were reported,” the fire department said.

The cause of the fire is not yet clear. The police arrived at the scene to investigate the matter.

Earlier, the same incident was reported in Howrah, West Bengal, after a fire broke out at a garage in Howrah on October 4.

After receiving information about the fire in the garage below the Domjur police station area, firefighters rushed to the scene to extinguish the fire.

The fire, which Prime Facie said was started by a short circuit, caused extensive damage to two-wheelers and four-wheelers parked in the garage. (ANI)

This report is generated automatically from the ANI news service. ThePrint declines all responsibility for its content.

South Kolkata production house fire, no casualties reported

0



NNA |
Updated:
October 13, 2022 10:08 STI

Calcutta (West Bengal) [India]Oct 13 (ANI): A fire that broke out on Thursday morning at the studio of a production house in Kudghat district in south Kolkata has been brought under control, an official said.
Heavy smoke was seen billowing, which could be seen from afar after a massive fire broke out in the studio and Eskey’s films ended on Thursday morning.

As many as 10 firefighters reached the production house – located at 27 Baburam Ghosh Road in Kudghat area, Kolkata – to extinguish the blaze.
The wrath of the fire turned the huge expensive equipment of the Eskey film studio to ashes.
Firefighters were seen battling the blazes after reaching the spot to tame the flame.

“After hours of firefighting, the blaze was brought under control and no casualties were reported,” the fire department said.
The cause of the fire is not yet clear. The police arrived at the scene to investigate the matter.
Earlier, the same incident was reported in Howrah, West Bengal, after a fire broke out at a garage in Howrah on October 4.
After receiving information about the fire in the garage below the Domjur police station area, firefighters rushed to the scene to extinguish the fire.
The fire, which Prime Facie said was started by a short circuit, caused extensive damage to two-wheelers and four-wheelers parked in the garage. (ANI)

Calcutta: Fire at south Kolkata production house, no casualties reported

0

A fire that broke out Thursday morning at the studio of a production house in Kudghat district, south Kolkata, has been brought under control, an official said. Heavy smoke was seen billowing, which could be seen from afar after a massive fire broke out in the studio and Eskey’s films ended on Thursday morning.

As many as 10 firefighters reached the production house – located at 27 Baburam Ghosh Road in Kudghat area, Kolkata – to extinguish the blaze. The wrath of the fire turned the huge expensive equipment of the Eskey film studio to ashes.

Firefighters were seen battling the blazes after reaching the spot to tame the flame. “After hours of firefighting, the blaze was brought under control and no casualties were reported,” the fire department said.

The cause of the fire is not yet clear. The police arrived at the scene to investigate the case. Earlier, the same incident was reported in Howrah, West Bengal, after a fire broke out at a garage in Howrah on October 4.

After receiving information about the fire in the garage which falls under the Domjur police station area, firefighters rushed to the scene to extinguish the fire. The fire, which Prime Facie said was started by a short circuit, caused extensive damage to two-wheelers and four-wheelers parked in the garage. (ANI)

(This story has not been edited by the Devdiscourse team and is auto-generated from a syndicated feed.)

Former OSN, Warner Bros officials launch new production house – Rise Studios – in Dubai

0

The new production house will be led by Emad Morcos, former Chief Content Officer and Chief Commercial Officer of OSN; Amanda Turnbull, former managing director of Warner Bros. Discovery Middle East, Africa and Turkey; and Amel Farag, former head of content business strategy at OSN.

And the need for premium and exclusive content in the region shows no signs of slowing down. Much of this is generated by Saudi Arabia as the Kingdom embarks on creating its own entertainment ecosystem. It also means fertile ground for Rise.

“As the Saudi film industry experiences rapid growth, it is imperative that we create hyper-local content and tell stories of the Kingdom’s rich heritage and traditions,” said Omar Hussein, founder of Black Typhoon. “Looking forward to this partnership and how we can tell the best stories to an audience that eagerly awaits premium content.

The first to partner with Rise were Egyptian scripted series specialist Partner Pro and advertising creative house ASAP run by director Sherif Arafa and Amin El Masri, as well as Lebanese and Emirati factual reality company Different Productions. , directed by Mazen Laham. There is also Watan Network run by Bassel Khair, besides Omar Hussein Black Typhoon, which is funded for the specific development of original content in Saudi Arabia.

Watan Network attracts over 5 billion combined views per month across all platforms and 14 billion view minutes per month across YouTube, Facebook and Snap. “We are very excited to join the Rise Studios family; we have built our core business around the consumption of digital content and view this relationship as a natural progression,” said Bassel Khair, Executive Director of Watan Network. We understand how important it is for viewers to consume content across all screens and we want to grow Watan Network further with the addition of new vertical content and originals for the platforms.”

South Kolkata production house fire, no casualties reported

0

A fire that broke out Thursday morning at the studio of a production house in Kudghat district, south Kolkata, has been brought under control, an official said.

Kolkata: A fire that broke out Thursday morning at the studio of a production house in Kudghat district, south Kolkata, has been brought under control, an official said.

Heavy smoke was seen billowing, which could be seen from afar after a massive fire broke out in the studio and Eskey’s films ended on Thursday morning.

As many as 10 firefighters reached the production house – located at 27 Baburam Ghosh Road in Kudghat area, Kolkata – to extinguish the blaze.

The wrath of the fire turned the huge expensive equipment of the Eskey film studio to ashes.
Firefighters were seen battling the blazes after reaching the spot to tame the flame.

Also Read: “The New India Is Proud Of Its Culture, Tradition And Heritage”: CM Yogi Adityanath

“After hours of firefighting, the blaze was brought under control and no casualties were reported,” the fire department said.

The cause of the fire is not yet clear. The police have arrived on site to investigate the matter.

Earlier, the same incident was reported in Howrah, West Bengal, after a fire broke out at a garage in Howrah on October 4.

After receiving information about the fire in the garage that falls under the Domjur police station area, firefighters rushed to the scene to extinguish the fire.

The fire, which Prime Facie said was started by a short circuit, caused extensive damage to two-wheelers and four-wheelers parked in the garage.

(Except for the title, this story has no editing by HW News staff and is published from a syndicated feed.)

Dear readers,
As an independent media platform, we do not take advertisements from governments and corporations. It is you, our readers, who have supported us on our journey to honest and unbiased journalism. Please contribute, so we can continue to do the same in the future.

Calcutta: Fire at south Kolkata production house, no casualties reported

0

A fire that broke out Thursday morning at the studio of a production house in Kudghat district, south Kolkata, has been brought under control, an official said. Heavy smoke was seen billowing, which could be seen from afar after a massive fire broke out in the studio and Eskey’s films ended on Thursday morning.

As many as 10 firefighters reached the production house – located at 27 Baburam Ghosh Road in Kudghat area, Kolkata – to extinguish the blaze. The wrath of the fire turned the huge expensive equipment of the Eskey film studio to ashes.

Firefighters were seen battling the blazes after reaching the spot to tame the flame. “After hours of firefighting, the blaze was brought under control and no casualties were reported,” the fire department said.

The cause of the fire is not yet clear. The police arrived at the scene to investigate the case. Earlier, the same incident was reported in Howrah, West Bengal, after a fire broke out at a garage in Howrah on October 4.

After receiving information about the fire in the garage below the Domjur police station area, firefighters rushed to the scene to extinguish the fire. The fire, which Prime Facie said was started by a short circuit, caused extensive damage to two-wheelers and four-wheelers parked in the garage. (ANI)

(This story has not been edited by the Devdiscourse team and is auto-generated from a syndicated feed.)

Netflix moves closer to completing its Fort Monmouth production studio

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General Business

The New York Times announced today that Netflix has been selected as the highest bidder for the 292-acre mega parcel in Fort Monmouth. It wasn’t revealed how much the streaming service and production company bid for the property at the former Army base, located in the boroughs of Oceanport and Eatontown, but it was the one of four entities responding to the Fort Monmouth Economic Revitalization Authority’s Request for Proposal for Purchase (RFOTP).

Other bidders included Extell Acquisitions, a subsidiary of Extell Development; RDR Partners, which includes Russo Development, Dinallo Construction Co. and River Development; and development of mega plots.

In a released statement, Netflix commented, “If our plans are approved, we hope to build a facility that will create significant economic impact and job growth for New Jersey, a state loaded with creative talent and technical expertise. .”

In his own statement, Governor Phil Murphy commented, “We are thrilled to hear that Netflix wants to establish a serious presence in New Jersey and look forward to working with [the company] and the rest of the industry to create well-paying jobs and drive economic growth across the state.

The news marks New Jersey’s ongoing efforts to attract the film production industry.

Recently, Togus Urban Renewal awarded Turner Construction Company a contract to build 1888 Studios, a 1.5 million square foot film and television studio in Bayonne. The 17-building campus will include sound stage studios, flexible support/office spaces, and workshops/mills in which sets will be constructed and stored. It is expected that more than 2,000 construction workers will contribute to the construction of the studio, which will have around 2,000 to 3,000 full-time employees when completed.

Meanwhile, Great Point Studios, a studio investment/management firm specializing in film and television infrastructure, and the New Jersey Performing Arts Center (NJPAC) announced a partnership this year with global content leader Lionsgate to build a major $125 million production facility in Newark. The modern, 300,000 square foot, full-service entertainment complex is expected to create more than 600 new long-term jobs and generate more than $800 million in annual economic impact for Newark and New Jersey.

Additionally, California-based MBS Group, a large studio production and consulting services company, is interested in purchasing property and building multiple studios in West Orange.

If Netflix takes over ownership of Fort Monmouth, it will be the company’s second-largest production facility after a resort in New Mexico.

In a June 2 Editorial published on NJ.com, Michele Siekerka, president and CEO of the New Jersey Business & Industry Association, said the Netflix studio could create economic opportunities for communities surrounding Fort Monmouth and the entire state. “Netflix in New Jersey offers the prospect of thousands of jobs for the future, an abundance of workforce development opportunities, and annual local investment that creates sustained economic activity,” Siekerka wrote.

For more business news, visit NYC News Now.

Related Articles:

Netflix is ​​closer to landing a big New Jersey site for the production studio – Deadline

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netflixoffer of a plot of land to Fort Monmouth in New JerseyOr It wants to build a state-of-the-art production studiowas chosen as the best offer – a key step but not yet final.

The next few months will include a period of due diligence, a review of the fort, which is a former US Army base, and the finalization of economic terms. A signed sales agreement would then require various state, county, and local approvals.

However, “While there is still work to be done with the Economic Development Authority and local leaders to finalize the agreement, we are delighted that the FMERA [Fort Monmouth Economic Revitalization Authority] The preferred choice for the Fort Monmouth development project is our proposal for a state-of-the-art production complex,” a Netflix spokesperson said Wednesday.

“If our plans are approved, we hope to build a facility that will create significant economic impact and job growth for New Jersey, a state loaded with creative talent and technical expertise.”

A handful of groups, mostly property developers, also had deals under consideration.

The 289-acre parcel would be right behind Netflix’s largest production facility in Albuquerque, NM, which totals 300 acres.

MS Dhoni would now launch his film production company “Dhoni Entertainment” in the south

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There is suddenly a lot of talk on social media about Mahendra Singh Dhoni make a comeback, but not for the reasons one would expect.

In 2019, MS Dhoni launched his own production company under the name “Dhoni Productions” and even released a docu-series called Lion’s Roar which was directed by Kabir Khan.

Now, after almost 3 years, rumors are circulating on Twitter that MS Dhoni is ready to move into Southern cinemas as he will launch Dhoni Entertainment to produce Telugu, Malayalam and Tamil movies from now on.

Lets Cinema announced the news on the microblogging platform by tweeting, “Dhoni is launching his southern film production company ‘Dhoni Entertainment’ to produce films in Tamil, Telugu and Malayalam”, driving fans crazy.

People dropped comments like “Thala-thalapathi combo charging”, while another wrote: “Master of all”. Meanwhile, many people dig Bollywood, as they write about how even Dhoni knew better than investing in Bollywood movies.

One user wrote, “Dhoni endorsing #BoycottBollywood on another level,” while another sarcastically commented, “wise decision not to invest in Bollywood.”

The news, however, has yet to be confirmed or denied by Dhoni and his team.

MS Dhoni to launch a film production company under the name “Dhoni Entertainment”

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MS Dhoni, Dhoni, MSD, Mahendra Singh Dhoni, Dhoni’s Retirement, Dhoni’s Daughter, Dhoni’s Wife, Dhoni’s Production House, Dhoni Movie Business, Dhoni Entertainment, Dhoni Movies, Dhoni’s Production House Movies

New Delhi: Mahendra Singh Dhoni is one of the most renowned names in cricket in the world and arguably the best captain in the game of cricket. He is also the only skipper in the history of cricket to have won all three major ICC trophies, including the 50+ World Cup, the T20 World Cup and the ICC Champion’s Trophy.

Dhoni has retired from all forms of international cricket but still plays and manages one of IPL’s most successful franchises, Chennai Super Kings. He is one of the most beloved cricket icons and his fan base is filled with loyal followers, who always praise Dhoni’s intelligence and achievements, on and off the sports field.

The World Cup-winning captain also owns a production house called ‘Dhoni Entertainment’. It is owned by both Dhoni and his wife Sakshi. The production house produced small-scale films like Roar of the Lion, Blaze to Glory and The Hidden Hindu.

These are the only three films released under the Dhoni Entertainment umbrella so far. Roar of Lion is a film about the Chennai Super Kings returning to IPL after suffering a two-year ban. The Blaze to Glory is a documentary about the historic Men in Blue World Cup victory in 2011 and the third film, The Hidden Hindu is a film based on a mythological thriller by author Akshat Gupta.

Now, MS Dhoni aims to expand this production house and plans to produce films in three more languages ​​which will be Tamil, Telugu and Malayalam. “Dhoni is launching his southern film production company ‘Dhoni Entertainment’ to produce films in Tamil, Telugu and Malayalam,” LetsCinema made the announcement on Sunday using its Twitter account.

Dheeraj Kumar announces the first film under his production house

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Dheeraj Kumar recently launched his own production house and named it Impossible Film Studios. The actor has just announced a new film under his production. Yes, you read that right. Dheeraj who worked on the movie Criminal will soon entertain fans with Full Moon. The title of the next film is Full Moon. The film features commendable actors like Jagjeet Sandhu, Simran Kaur Suri, Fida Gill and Jeet Bhangu.

Dheeraj shared the news via his Instagram post. He shared a photo of the shingle with the full moon. The message is linked to the title of the film. While sharing the photo, Dheeraj also revealed some important information regarding the upcoming movie.

READ ALSO : Rupinder Gandhi Fame Dheeraj Kumar’s Rags To Riches Story Everyone Must Know

After receiving a lot of accolades for his acting skills, Dheeraj will now take on the producer hat. Here is the message:

Coming to more credits, the film will be directed by Varinder Ramgarhia. Fans are starting to show their love and blessings for the actor. The movie’s release date has not been announced, fans are eagerly waiting to find out. I hope the creators don’t keep us waiting too long.

However, fans are also waiting for pictures and videos from the shoot.

READ ALSO : Dheeraj Kumar launches his own production house, calls it ‘Impossible Film Studios’

Dheeraj Kumar announces the first film under his production house

0

Dheeraj Kumar recently launched his own production house and named it Impossible Film Studios. The actor has just announced a new film under his production. Yes, you read that right. Dheeraj who worked on the movie Criminal will soon entertain fans with Full Moon. The title of the next film is Full Moon. The film features commendable actors like Jagjeet Sandhu, Simran Kaur Suri, Fida Gill and Jeet Bhangu.

Dheeraj shared the news via his Instagram post. He shared a photo of the shingle with the full moon. The message is linked to the title of the film. While sharing the photo, Dheeraj also revealed some important information regarding the upcoming movie.

READ ALSO : Rupinder Gandhi Fame Dheeraj Kumar’s Rags To Riches Story Everyone Must Know

After receiving a lot of accolades for his acting skills, Dheeraj will now take on the producer hat. Here is the message:

Coming to more credits, the film will be directed by Varinder Ramgarhia. Fans are starting to show their love and blessings for the actor. The movie’s release date has not been announced, fans are eagerly waiting to find out. I hope the creators don’t keep us waiting too long.

However, fans are also waiting for pictures and videos from the shoot.

READ ALSO : Dheeraj Kumar launches his own production house, calls it ‘Impossible Film Studios’

New Bedford’s Twins That Cook sign with production company

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Having made a name for themselves across the country, Maya and Aria Christian, New Bedford’s up-and-coming VIPs, the Twins That Cook, are in town and wanted to drop by and say hello with the most scrumptious oatmeal raisin cookies. and still warm with brown butter. in hand – and some major news.

“My friends, you hear it first here,” Maya said. “We are delighted to announce that we have just signed with Gordon Ramsay’s production company.”

More details to come soon, but the cookie queens have won over an elite firm of celebrity chefs and media stars like Trevor Noah of The daily show and Mario Lopez of Go to Hollywoodboth Twins That Cook fans who regularly order their cookies.

Recently appeared on Today’s showthe pair of two updated us on what was going on in their busy lives.

“It’s surreal to watch some of our favorite chefs on TV and then, here we are, cooking alongside Gordon Ramsay and cooking next to Rachel Ray, whose show we just finished. It’s a sensation so amazing,” Maya said.

“It’s amazing to see our growth, where we started in 2020 and where we are now,” said Aria. “It’s just amazing how much we have thrived and how much more we need to do.”

Doesn’t appearing on a lot of national shows usually mean getting out of bed in the wee hours just to look fresh and energetic on TV?

“Well, it all depends. We’ll wake up real early if we get paid for an appearance,” Aria mused, as the press and media coverage they received was extensive.

The twins let us in on another secret they’ve been working on: their very own TV show Twins That Cook. They are already in discussions with networks, they said.

“We love what we do and look forward to the time when we not only have our cookies in retail stores, but also our entire brand, such as a future clothing and makeup line,” Aria said.

“We are so lucky and grateful for the support and love we have received since starting our business from all of our friends here,” Maya added. “This support means more than anything to us as we work to build our empire.”

It seems their dreams are coming true. What more could they ask for?

“I want a yacht!” said Maya. “I want my own yacht, where we can party with our friends and celebrate the occasion.”

When asked what she would name her yacht, she thought for a moment.

“Hmm, I think Twins That Sail sounds good!”

Hilarious reviews of Google on the New Bedford-Fairhaven Bridge

We have all been there. You think you’ve made it with a few minutes to spare, only to get caught at a red light as the bridge closes. Some of us turn around. Others are waiting. What most of us don’t do, however, is take our anger out on the internet – but apparently several people have, and the results are both hilarious and relatable.

With an average two-star Google rating, our love-to-hate SouthCoast benchmark proves it’s at least slow enough for those waiting to grab their phone and express their feelings online. From shine to shine, here’s what people have to say about the New Bedford-Fairhaven Bridge.

WBSM’s Best SouthCoast Stories 9/26 – 10/2

These are the top stories from the past week on WBSM.com and the WBSM app. Click on the title or photo to read the full story.

TF1’s Newen Studios acquires Nordic production company Anagram | New

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Newen Studios, a subsidiary of the TF1 group, is strengthening its presence on the Scandinavian market with the acquisition of the production company Anagram.

Romain Bessi

The acquisition brings together Anagram’s three core businesses – Anagram Sweden, Anagram Norway and live event company Anagram Live – under the Newen Studios umbrella.

Mats Alders, chairman and CEO of Anagram since 2013, will continue to lead the company.

Some of Newen Studios’ entities have worked with Anagram in the past, both on the production and distribution side.

Newen Studios-backed Danish producer Nimbus has already co-produced the Between Us series with Anagram Norway, while Ammo, an Anagram project soon to launch on TV2 Norway, is also part of Newen Connect’s lineup for this month’s Mipcom -this.

Executives and creatives under the Anagram banner include Miira Paasilinna, MD of Anagram Sweden, and Martin Persson; Anagram Norway’s Anne Kolbjørnsen and Ole Marius Araldsen; and Erik Ahrnbom, in-house screenwriter at Anagram Sweden.

Anagram Sweden’s credits include Thin Blue Line and Keep it Together for SVT and The Machinery for Viaplay, while Anagram Norway produces series such as Kieler Street, Between Us and Milk, with TV2 Norway and TV2 Denmark as main production partners. diffusion.

“We are delighted to welcome Anagram, led by Mats Alders and his team,” said Romain Bessi, CEO of Newen Studios.

“It’s a perfect match for us, as Anagram and Newen Studios have already forged strong ties through fruitful cooperation. Anagram will greatly complement and enhance our already strong presence in Scandinavia, a key region for theater and storytelling in Europe.

Alders added, “We are thrilled to be part of the Newen Studios group and continue our journey to deliver scripted content for the Nordic and international market.”

Hakawati Entertainment, a leading Saudi production house

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RIYADH, Saudi Arabia, Oct. 05, 2022 (GLOBE NEWSWIRE) — The exclusive Hakawati – Meridian Pictures partnership aims to bring Hollywood talent to the Saudi entertainment industry and develop stories for regional and international audiences. The partnership is aligned with Saudi Arabia’s Vision 2030 and its goal of creating a vibrant society that benefits from high-quality entertainment, knowledge transfer and job creation in a way that contributes to the future. strong economy of the Kingdom.

The alliance combines the expertise of acclaimed Hollywood producer and longtime studio executive Eric Paquette with Hakawati Entertainment and his exceptional experience in producing content in Saudi Arabia. The main objective of this partnership will be the development, production and distribution of original content for cinema and television.

“Saudi Arabia has one of the youngest populations in the world, with around 50% of its population under the age of 25, and that is our target audience. With the target of 2,600 cinemas in “By 2030, our partnership will help the region become the cinematic powerhouse Middle East,” said Eric Paquette, CEO of Meridian Pictures.

“We are thrilled to unveil this unique cooperation platform in the Kingdom that will bring Hollywood talent and expertise here to foster local media industry and culture,” said Redha Alhaidar, President of Hakawati Entertainment.

Osama Alkhurayji, CEO of Hakawati Entertainment, added: “We look forward to the accelerated change and further transformations this partnership will bring to the Saudi film and television industry. This is an exciting time for us at Hakawati Entertainment, as this partnership facilitates the industry’s growth and cements our role in its coming. .”

Meridian Pictures is a multi-platform entertainment company focused on the development and production of premium film and television content. Meridian Pictures was founded by Paquette in 2020 after serving the past 20 years as a senior executive at MGM and Sony Pictures.

Hakawati Entertainment is a leading film and television production and literary management company based in Saudi Arabia. Hakawati Entertainment creates content and produces shows that resonate with all Arabic-speaking audiences, everywhere. Founded in 2020 by a team of successful entrepreneurs and industry experts, it represents an established driving force in Saudi Arabia’s evolving media and cultural space. Hakawati Entertainment provides expertise and focus with proven, repeatable successes achieved by tapping into local talent, along with powerful, authentic storytelling. Hakawati Entertainment’s immediate goal is to produce high-quality content that is competitive in the global film and television industry.

https://www.meridianpictures.com/

https://hakawati.co/

Contact information:
Nicole Ju
Chief Marketing Officer, Meridian Pictures
[email protected]

Related images

Picture 1: Company logo

This content was posted through the press release distribution service on Newswire.com.

Hakawati Entertainment, a leading Saudi production house and literary management company, forms an exclusive partnership with Meridian Pictures and its CEO Eric Paquette

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company logo

RIYADH, Saudi Arabia, Oct. 05, 2022 (GLOBE NEWSWIRE) — The exclusive Hakawati – Meridian Pictures partnership aims to bring Hollywood talent to the Saudi entertainment industry and develop stories for regional and international audiences. The partnership is aligned with Saudi Arabia’s Vision 2030 and its goal of creating a vibrant society that benefits from high-quality entertainment, knowledge transfer and job creation in a way that contributes to the future. strong economy of the Kingdom.

The alliance combines the expertise of acclaimed Hollywood producer and longtime studio executive Eric Paquette with Hakawati Entertainment and his exceptional experience in producing content in Saudi Arabia. The main objective of this partnership will be the development, production and distribution of original content for cinema and television.

“Saudi Arabia has one of the youngest populations in the world, with around 50% of its population under the age of 25, and that is our target audience. With the target of 2,600 cinemas in “By 2030, our partnership will help the region become the cinematic powerhouse Middle East,” said Eric Paquette, CEO of Meridian Pictures.

“We are thrilled to unveil this unique cooperation platform in the Kingdom that will bring Hollywood talent and expertise here to foster local media industry and culture,” said Redha Alhaidar, President of Hakawati Entertainment.

Osama Alkhurayji, CEO of Hakawati Entertainment, added: “We look forward to the accelerated change and further transformations this partnership will bring to the Saudi film and television industry. This is an exciting time for us at Hakawati Entertainment, as this partnership facilitates the industry’s growth and cements our role in its coming. .”

Meridian Pictures is a multi-platform entertainment company focused on the development and production of premium film and television content. Meridian Pictures was founded by Paquette in 2020 after serving the past 20 years as a senior executive at MGM and Sony Pictures.

Hakawati Entertainment is a leading film and television production and literary management company based in Saudi Arabia. Hakawati Entertainment creates content and produces shows that resonate with all Arabic-speaking audiences, everywhere. Founded in 2020 by a team of successful entrepreneurs and industry experts, it represents an established driving force in Saudi Arabia’s evolving media and cultural space. Hakawati Entertainment provides expertise and focus with proven, repeatable successes achieved by tapping into local talent, along with powerful, authentic storytelling. Hakawati Entertainment’s immediate goal is to produce high-quality content that is competitive in the global film and television industry.

https://www.meridianpictures.com/

https://hakawati.co/

Contact information:
Nicole Ju
Chief Marketing Officer, Meridian Pictures
[email protected]

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Hakawati Entertainment, a leading Saudi production house

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RIYADH, Saudi Arabia, Oct. 05, 2022 (GLOBE NEWSWIRE) — The exclusive Hakawati – Meridian Pictures partnership aims to bring Hollywood talent to the Saudi entertainment industry and develop stories for regional and international audiences. The partnership is aligned with Saudi Arabia’s Vision 2030 and its goal of creating a vibrant society that benefits from high-quality entertainment, knowledge transfer and job creation in a way that contributes to the future. strong economy of the Kingdom.

The alliance combines the expertise of acclaimed Hollywood producer and longtime studio executive Eric Paquette with Hakawati Entertainment and his exceptional experience in producing content in Saudi Arabia. The main objective of this partnership will be the development, production and distribution of original content for cinema and television.

“Saudi Arabia has one of the youngest populations in the world, with around 50% of its population under the age of 25, and that is our target audience. With the target of 2,600 cinemas in “By 2030, our partnership will help the region become the cinematic powerhouse Middle East,” said Eric Paquette, CEO of Meridian Pictures.

“We are thrilled to unveil this unique cooperation platform in the Kingdom that will bring Hollywood talent and expertise here to foster local media industry and culture,” said Redha Alhaidar, President of Hakawati Entertainment.

Osama Alkhurayji, CEO of Hakawati Entertainment, added: “We look forward to the accelerated change and further transformations this partnership will bring to the Saudi film and television industry. This is an exciting time for us at Hakawati Entertainment, as this partnership facilitates the industry’s growth and cements our role in its coming. .”

Meridian Pictures is a multi-platform entertainment company focused on the development and production of premium film and television content. Meridian Pictures was founded by Paquette in 2020 after serving the past 20 years as a senior executive at MGM and Sony Pictures.

Hakawati Entertainment is a leading film and television production and literary management company based in Saudi Arabia. Hakawati Entertainment creates content and produces shows that resonate with all Arabic-speaking audiences, everywhere. Founded in 2020 by a team of successful entrepreneurs and industry experts, it represents an established driving force in Saudi Arabia’s evolving media and cultural space. Hakawati Entertainment provides expertise and focus with proven, repeatable successes achieved by tapping into local talent, along with powerful, authentic storytelling. Hakawati Entertainment’s immediate goal is to produce high-quality content that is competitive in the global film and television industry.

https://www.meridianpictures.com/

https://hakawati.co/

Contact information:
Nicole Ju
Chief Marketing Officer, Meridian Pictures
[email protected]

Related Images

Picture 1: Company logo

This content was published via the newswire.com press release distribution service.

Hakawati Entertainment, a leading Saudi production house and literary management company, forms an exclusive partnership with Meridian Pictures and its CEO Eric Paquette

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company logo

company logo

RIYADH, Saudi Arabia, Oct. 05, 2022 (GLOBE NEWSWIRE) — The exclusive Hakawati – Meridian Pictures partnership aims to bring Hollywood talent to the Saudi entertainment industry and develop stories for regional and international audiences. The partnership is aligned with Saudi Arabia’s Vision 2030 and its goal of creating a vibrant society that benefits from high-quality entertainment, knowledge transfer and job creation in a way that contributes to the future. strong economy of the Kingdom.

The alliance combines the expertise of acclaimed Hollywood producer and longtime studio executive Eric Paquette with Hakawati Entertainment and his exceptional experience in producing content in Saudi Arabia. The main objective of this partnership will be the development, production and distribution of original content for cinema and television.

“Saudi Arabia has one of the youngest populations in the world, with around 50% of its population under the age of 25, and that is our target audience. With the target of 2,600 cinemas in “By 2030, our partnership will help the region become the cinematic powerhouse Middle East,” said Eric Paquette, CEO of Meridian Pictures.

“We are thrilled to unveil this unique cooperation platform in the Kingdom that will bring Hollywood talent and expertise here to foster local media industry and culture,” said Redha Alhaidar, President of Hakawati Entertainment.

Osama Alkhurayji, CEO of Hakawati Entertainment, added: “We look forward to the accelerated change and further transformations this partnership will bring to the Saudi film and television industry. This is an exciting time for us at Hakawati Entertainment, as this partnership facilitates the industry’s growth and cements our role in its coming. .”

Meridian Pictures is a multi-platform entertainment company focused on the development and production of premium film and television content. Meridian Pictures was founded by Paquette in 2020 after serving the past 20 years as a senior executive at MGM and Sony Pictures.

Hakawati Entertainment is a leading film and television production and literary management company based in Saudi Arabia. Hakawati Entertainment creates content and produces shows that resonate with all Arabic-speaking audiences, everywhere. Founded in 2020 by a team of successful entrepreneurs and industry experts, it represents an established driving force in Saudi Arabia’s evolving media and cultural space. Hakawati Entertainment provides expertise and focus with proven, repeatable successes achieved by tapping into local talent, along with powerful, authentic storytelling. Hakawati Entertainment’s immediate goal is to produce high-quality content that is competitive in the global film and television industry.

https://www.meridianpictures.com/

https://hakawati.co/

Contact information:
Nicole Ju
Chief Marketing Officer, Meridian Pictures
[email protected]

Related Images

Picture 1: Company logo

This content was published via the newswire.com press release distribution service.

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ROE Visual Black Pearl BP2V2 selected for Virtual Production Studio in Australia

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ROE Visual Black Pearl BP2V2 selected for Virtual Production Studio in Australia

ROE Visual Black Pearl BP2V2 selected for Virtual Production Studio in Australia

Australia – Deakin University and Dreamscreen have signed a historic partnership agreement to dramatically improve the nation’s movie and entertainment industry. The university has invested heavily in ROE Visual Black Pearl panels and associated Technical Direction Company (TDC) equipment, which marks an upcoming advanced virtual production facility in Geelong, Australia.

Under the agreement, Dreamscreen will have exclusive panel access for television and film projects. As a result, there will be 25 industry placements each year for Deakin film, animation and design students to work on Dreamscreen projects. The agreement opens the door to content production, allowing students to gain hands-on experience and collaborate with industry professionals in the world-class LED studio.

With increasing volumes of LEDs around the world, this new opportunity to achieve win-win outcomes for both parties brings new benefits to local digital technology and the creative industry. Equipped with ROE Visual Black Pearl BP2V2 panels and TDC’s reliable and ongoing technical support, the new state-of-the-art virtual production studio in Geelong will be at the forefront of the Australian film market, being the largest facility in virtual production owned by a university in Australia.

Deakin University Vice-Chancellor Professor Iain Martin said the deal was a “significant win for Deakin” that strengthened the university’s capabilities at the interface of digital technology and the creative industries. “This will allow our students to be exposed to some of the world’s most exciting film production technologies and solidify Deakin’s position as a digital leader,” said Professor Martin.

Forming a massive 26m x 6m LED wall, the BP2V2 panels are ready to show off their unparalleled performance in-camera. BP2V2 works great for virtual production with its high frame rate, high refresh rate, and low scanlines, adding faster and easier camera setup and handling. The excellent characteristics make it ideal for television and film applications.

Working with ROE Visual LED on numerous occasions, Dreamscreen Australia has introduced Black Pearl BP2V2 panels out of confidence and foresight. La Brea Season 1 was shot in front of a BP2V2 screen, creating an immersive digital environment in the filming process.

Filmmaker and Founder and Managing Director of Dreamscreen Australia, Clayton Jacobson, found virtual production to be the inevitable culmination of film production and games technology. “Virtual production requires the close collaboration of many different film disciplines, both traditional and new, working closely together on stage to deliver breathtaking real-time effects.”

Mr. Jacobson continued, “We are dedicated to more creative productions with the latest techniques. And ROE Visual provides essential support in LED technology, delivering an ideal display solution with stunning in-camera performance.

photos: Dreamscreen Australia

ROE Visual Black Pearl BP2V2 selected for Virtual Production Studio in AustraliaROE Visual Black Pearl BP2V2 selected for Virtual Production Studio in Australia

October 4, 2022

Dheeraj Kumar, famous “warning”, launches his own production house

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Dheeraj Kumar’s New Production House: Punjabi actor Dheeraj Kumar grabbed everyone’s attention with his performance in ‘Criminal’ and now the actor is stepping into a new adventure.

The ‘Warning’ actor took to his social media accounts and announced his own production house named ‘IM Possible’.

The actor is the newest addition to the list of other artists who own their own production houses namely – Mandy Takhar, Neeru Bajwa, Jaani, Jayy Randhawa, Gippy Grewal and several others.

READ ALSO : Kapil Sharma will pay ‘special tribute’ to late comedian Raju Srivastava on his show

Along with an image of the production logo, Dheeraj thanked all the artists who helped him along the way. The production is called Impossible Film Studios. Dheeraj expressed his gratitude to the Punjabi film industry as well as other artists.

Besides that, Dheeraj also shared a photo of “Moon” which alludes to the title of the first movie to be produced under his production banner.

Dheeraj Kumar expressed his gratitude to Gippy Grewal, Neeru Bajwa and several others for their support. At the end of his note, he revealed that Gavvy Chahal is his backbone and helped him in his decision to build the production house.

During this time, Dheeraj Kumar worked in many Punjabi films. He became a household name after his standout performance in “Warning.” The actor was last seen in ‘Criminal’ which also starred Neeru Bajwa, Kanwaljit Singh, Raghveer Boli and several others.

READ ALSO : Varun Dhawan Reveals Details About Sara Ali Khan’s New Film ‘Ae Watan Mere Watan’

Indian actress Nitu Chandra launches production house in Abu Dhabi

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With female empowerment as a topic close to her heart, Chandra has planned to build an all-female team of technicians who can be instrumental in paving the way in a male-dominated industry.

Indian actress Nitu Chandra Srivastava has launched her film production house, Champaran Talkies Studios FZ LLC, in Abu Dhabi.

The initiative is a tribute to Gandhiji who started his Satyagraha, a form of non-violent resistance, in Champaran, but also to Chandra’s Indian roots which played a major role in establishing her as a successful actress and producer. .

Coming from a middle class family with no film background, Chandra worked her way through different Indian film industries to make her mark as an actress. Champaran Talkies was Chandra’s way of giving back to the film industry and the people of India. She launched Champaran Talkies in Mumbai, India in 2010 with her brother Nitin Chandra, a screenwriter and director, with a vision to bring quality cinema to Indian audiences. Together, they wanted to change the negative image of films from Bihar, Chandra’s hometown.

This vision became a reality when Champaran Talkies became the first production house to secure the one and only national award in the Maithili language in India. Since then, Champaran Talkies has produced several documentaries and feature films.

Champaran Talkies Studios FZ LLC in Abu Dhabi is an extension of the Mumbai production house. The sole aim of the Abu Dhabi studio is to produce international films that appeal to global audiences. To achieve this, Chandra plans to build an all-female team of talented female technicians above the line who can be instrumental in producing quality content and paving the way for women in a male-dominated industry.

Speaking about the production house, Nitu Chandra Srivastava, Director of Champaran Talkies Studios FZ LLC said, “Empowering women and recognizing their value is the best thing we can do to uplift society. With this all-female team at Champaran Talkies Studios, I aim to provide greater access to women in the field of filmmaking and film production. I believe that I can find the right talent from different ethnicities for my projects thanks to the international integration of the UAE and the presence of more than 200 nationalities in one space. I am grateful to the Abu Dhabi Film Commission, Abhitanshu Khare, my lawyer from London, and Abdulhamid Al Balooshi of A. Albalooshi Advocates and Legal Consultants, who were instrumental in establishing my studios here in the United Arab Emirates.

Hans Fraikin, Abu Dhabi Film and Television Commissioner, added, “We are delighted to welcome award-winning Hollywood actor and producer Nitu Chandra Srivastava to Abu Dhabi, United Arab Emirates. Champaran talkies Studios is a one-of-a-kind female production house that plans to create groundbreaking and inspiring international productions, and we are extremely happy to support Nitu in this unique endeavour. It is also appropriate that we announce this association on the momentous occasion of Mahatma Gandhi’s birthday. We believe this partnership will create international opportunities for women around the world in Abu Dhabi.

Champaran Talkies Studios is already in talks with writers from different parts of the world and will soon finalize the projects.

Indian actress Nitu Chandra launches production house in Abu Dhabi

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With female empowerment as a topic close to her heart, Chandra has planned to build an all-female team of technicians who can be instrumental in paving the way in a male-dominated industry.

Indian actress Nitu Chandra Srivastava has launched her film production house, Champaran Talkies Studios FZ LLC, in Abu Dhabi.

The initiative is a tribute to Gandhiji who started his Satyagraha, a form of non-violent resistance, in Champaran, but also to Chandra’s Indian roots which played a major role in establishing her as a successful actress and producer. .

Coming from a middle class family with no film background, Chandra worked her way through different Indian film industries to make her mark as an actress. Champaran Talkies was Chandra’s way of giving back to the film industry and the people of India. She launched Champaran Talkies in Mumbai, India in 2010 with her brother Nitin Chandra, a screenwriter and director, with a vision to bring quality cinema to Indian audiences. Together, they wanted to change the negative image of films from Bihar, Chandra’s hometown.

This vision became a reality when Champaran Talkies became the first production house to secure the one and only national award in the Maithili language in India. Since then, Champaran Talkies has produced several documentaries and feature films.

Champaran Talkies Studios FZ LLC in Abu Dhabi is an extension of the Mumbai production house. The sole aim of the Abu Dhabi studio is to produce international films that appeal to global audiences. To achieve this, Chandra plans to build an all-female team of talented female technicians above the line who can be instrumental in producing quality content and paving the way for women in a male-dominated industry.

Speaking about the production house, Nitu Chandra Srivastava, Director of Champaran Talkies Studios FZ LLC said, “Empowering women and recognizing their value is the best thing we can do to uplift society. With this all-female team at Champaran Talkies Studios, I aim to provide greater access to women in the field of filmmaking and film production. I believe that I can find the right talent from different ethnicities for my projects thanks to the international integration of the UAE and the presence of more than 200 nationalities in one space. I am grateful to the Abu Dhabi Film Commission, Abhitanshu Khare, my lawyer from London, and Abdulhamid Al Balooshi of A. Albalooshi Advocates and Legal Consultants, who were instrumental in establishing my studios here in the United Arab Emirates.

Hans Fraikin, Abu Dhabi Film and Television Commissioner, added, “We are delighted to welcome award-winning Hollywood actor and producer Nitu Chandra Srivastava to Abu Dhabi, United Arab Emirates. Champaran talkies Studios is a one-of-a-kind female production house that plans to create groundbreaking and inspiring international productions, and we are extremely happy to support Nitu in this unique endeavour. It is also appropriate that we announce this association on the momentous occasion of Mahatma Gandhi’s birthday. We believe this partnership will create international opportunities for women around the world in Abu Dhabi.

Champaran Talkies Studios is already in talks with writers from different parts of the world and will soon finalize the projects.

A London-based publishing, consultancy and production company is bringing businesses closer to Gen Z than ever before

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Jenk Oz, Knowledge Summit, Dubai 2022

Thred Media - Office

Thred Media – Office

Jenk Oz, Founder and CEO Thred Media

Jenk Oz, Founder and CEO Thred Media

Thred Media - Website

Thred Media – Website

Thred Media - Logo

Thred Media – Logo

Thred Media uses the behavioral insights of Gen Z and the power of social change to build a stronger future for people + planet + brands

Unlike many traditional consultancies that rely heavily on outsourced data, rented audiences, and focus groups for Gen Z-targeted insights, we are the focus group and we generate the data.

— Jenk Oz, Founder and CEO Thred Media

LONDON, ENGLAND, Oct. 3, 2022 /EINPresswire.com/ — At a time when culture-driven generational shifts are rapidly transforming the way companies position themselves and their messaging, Thred Media is now leading the way by equipping organizations such as Google, Microsoft, Ford, Snapchat, Dunkin, Ogilvy and the United Nations – to connect directly with Gen Z to cultivate societal change.

Founded by 17-year-old entrepreneur Jenk Oz, Thred Media is an award-winning publishing, media, consulting and production company that enables businesses to effectively integrate their strategy with Gen Z and change movements social on a global scale. Thred Media empowers clients with access to a Gen Z approach to research and future insights using first-hand data, co-creation strategies, and groundbreaking content production.

Three pillars triangulate to form the fundamental foundations of Thred Media: publishing, consulting and community.

Publishing – The core tenet of Thred Media’s business is the 100% impact-driven online publication Thred.com, featuring daily news coverage, exclusive interviews and analysis on all aspects youth culture and social change. Alongside editors and in-house writers, Thred has built a global ecosystem of remote writers bringing real-time issues to light in the most authentic and transparent way. The site is available in 17 different languages, reaches people in over 220 countries and territories, has over 250,000 page views per month, two weekly newsletters and is available on Flipboard, Medium, Apple News, Google News and the website of Global Citizen.

Dedicated to showcasing changemakers and cultural thought leaders from around the world, Thred Media has created the daily #365changemaker spotlight and the Thred100 – a curated weekly list of the top 100 activists, entrepreneurs, businesses, organizations and movements of the generation Z that embrace and influence youth culture and motivation. large-scale social change. In addition, Thred has a bi-weekly Career Coach column which focuses on youth employment, gig opportunities and the green economy written by Dan Kiernan, Oxford University Careers Manager, Said Business School and LinkedIn Top Voice 2022.

Consulting- Thred partners with brands, agencies, research houses, and nonprofits worldwide to help them understand the beliefs, behaviors, and emerging forces in technology and consumers that underpin – tend to change. Additionally, the team is focused on new action-oriented strategies to engage Gen Z in ideation, curation, and co-creation of culture-driven, participatory moments with brands and the people who care about them. to heart. Thred Media has worked creatively with companies including Google, Microsoft, Snapchat, Oracle, Ford, Universal, Vodafone and Dunkin. They also appreciated the partnership with agencies such as Ogilvy, Edelman and Weiden + Kennedy, alongside research houses Canvas8 and Artefact. Additionally, Thred Media has agreed to provide content and media services for Talenthouse, the world’s largest creative talent platform.

“Unlike many traditional consulting firms that rely heavily on outsourced data, rented audiences and focus groups to deliver insights targeted at Gen Z, we are the focus group and we generate the data.” Jenk Oz.

Community – At the heart of Thred Media is its network of global changemakers, activists, entrepreneurs and cultural experts that Thred draws inspiration from every day. It includes over 200,000 social media followers, over 250,000 website readers, over 20,000 newsletter subscribers, plus the 2,000 members of the Change Maker Directory, which includes Ambassadors, Champions, interns, remote editors, and Discord moderators who are on the ground advancing social change in their local areas.

“The vision behind the Changemakers Network is to build a global community of like-minded young people who can network together to bring about local change and then shine a light on their stories and successes with other communities so that can see a way forward for change using real-time examples. Jenk Oz

Now companies can tap directly into this audience and Thred Media’s team of experts to learn about Gen Z and social change issues, develop co-creation strategies in key areas, and validate decisions. real-time trading. “Involving Gen Z consumers in all elements of your business will empower young people to put themselves at the center of your brand and feel ownership of its growth and evolution as you move towards a mutually defined goal” , Jenk Oz.

Based in London with an office in New York opening later this year, founder, CEO and influencer strategist Jenk Oz is working alongside Thred Media’s team of in-house professionals and 20 remote editors to create a panel of Gen Z experts, including editors, writers, researchers, social media content specialists, videographers, animators, graphic designers and client partners.

In the current economic climate, many companies are unsure how to scale their offerings and reach new audiences. While some organizations considered “responsible” have enjoyed a better reputation, the real value goes to companies that dig deeper into their social purpose and become true champions of social change. With this in mind, Thred Media was created with the fundamental belief that corporate social responsibility is not an add-on feature or seasonal campaign to drive sales, but rather a vital business operating system for businesses.

Thred Media Founder and CEO Jenk Oz said, “The sooner brands realize this, the better chance they have of surviving economic downturns, developing and retaining fully ‘invested’ employees and, in ultimately, to gain a share of mind and a share of long-term wallet. of the consumer. Gen Z is the largest, most diverse, and most geographically isolated cohort in history, representing 40% of all global consumers and holding $7 trillion in income. By 2031, Gen Zer’s income will reach $33 trillion, surpassing that of Millennials. Companies can’t afford to miss it.”

Offering focused specialist publishing, media, consulting and production services under one roof, Thred Media provides a vast network of Gen Z influencers, activists, entrepreneurs and social media communities to which companies tap to access this valuable information. Unlike other offerings in the industry, Thred Media has over 200,000 social media followers and an all-Gen Z writing, production and consulting team. The team can provide first-hand data, up-to-date trend analysis and a true Gen Z approach to strategy, to engage and leverage the contributions of a game-changing generation.

Jenk Oz continues, “Great companies – those with sustained and remarkable success – recognize that they must harness data-driven insights and behavioral economics to make effective business decisions. As a generation, Gen Z wields great influence and undeniably impacts the way companies communicate with their customers, across the globe.

Now we want to be able to share this knowledge and expertise with companies looking to unleash their social purpose and understand how they can benefit from becoming champions of social change. The importance of this extends beyond corporate profits – it is fundamental to a healthy economy, job creation and constant innovation.

Our vision is to help companies discover their potential by allowing them to get much closer to Generation Z than before. Insights from Thred Media will enable teams at any company to find answers to their most valuable questions, directly from a Gen Z audience, globally.

For more information on how Thred Media can help you unleash your social purpose and become a champion of the social era, please contact [email protected]

Notes to Editors
– Please visit www.ThredMedia.com (consulting), www.Thred.com (editing) and www.JenkOz.com (staff) for more information
– Interviews with Thred Media founder Jenk Oz or members of the editorial and production team, please contact Carmen Greco, CFO [email protected]

Jenk Oz – Instagram @jenk.oz, Twitter @jenkozofficial, LinkedIn Jenk Oz
Thred Media – Thred @thredmag on all platforms

Carmen Greco
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Hollywood actress and award-winning producer Nitu Chandra launches her Abu Dhabi production house as an ode to her Indian roots

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Dubai, United Arab Emirates: On the occasion of Gandhi Jayanti, Hollywood actor, Nitu Chandra Srivastava launches his film production house, Champaran Talkies Studios FZ LLC in Abu Dhabi. The initiative is a tribute not only to Gandhiji who started his Satyagraha, a form of non-violent resistance, in Champaran, but also to Nitu’s Indian roots which played a major role in establishing her as an actress and producer. to success.

Coming from a middle class family with no film background, Nitu worked her way through different Indian film industries to make her mark as an actress. Champaran Talkies was Nitu’s way of giving back to the film industry and to the people of India whom she had won over through her acting. Nitu started Champaran Talkies in Mumbai, India in 2010 with his brother, Mr. Nitin Chandra, a nationally award-winning screenwriter and director, with a vision to bring quality cinema to Indian audiences. Together they wanted to change the negative image of films from Bihar, Nitu’s home town.

This vision became a reality when Champaran Talkies became the first production house to secure the one and only national award in the Maithili language in India. Since then, Champaran Talkies has produced several documentaries and feature films.

Champaran Talkies Studios FZ LLC in Abu Dhabi is an extension of the Mumbai production house. The sole aim of the Abu Dhabi studio is to produce international films that appeal to global audiences. To achieve this, Nitu plans to build an all-female team of talented female technicians above the line who can be instrumental in producing quality content and paving the way for women in a male-dominated industry.

Empowering women and recognizing their value is the best thing we can do to uplift society. With this all-female team at Champaran Talkies Studios, I aim to provide greater access to women in the field of filmmaking and film production. I believe that I can find the right talent from different ethnicities for my projects thanks to the international integration of the UAE and the presence of more than 200 nationalities in one space. I am grateful to the Abu Dhabi Film Commission, Mr. Abhitanshu Khare, my lawyer from London, and Mr. Abdulhamid Al Balooshi of A. Albalooshi Advocates and Legal Consultants, who were instrumental in establishing my studios here in the UAE.,” said Nitu Chandra Srivastava, Director, Champaran Talkies Studios FZ LLC.

Speaking of this association, Mr. Hans Fraikin, Abu Dhabi Film and Television Commissioner said, “We are delighted to welcome Hollywood actor and award-winning producer Nitu Chandra Srivastava to Abu Dhabi, United Arab Emirates. Champaran talkies Studios is a one-of-a-kind female production house that plans to create groundbreaking and inspiring international productions, and we are extremely happy to support Nitu in this unique endeavour. It is also appropriate that we announce this association on the momentous occasion of Mahatma Gandhi’s birthday. We believe this partnership will create international opportunities for women around the world in Abu Dhabi.

The announcement of the launch of the studios is only the beginning of a beautiful story that the team wishes to convey through their artistic talents. Champaran Talkies Studios is already in talks with writers from different parts of the world and will soon finalize the projects.

-Ends-

About Nitu Chandra Srivastava:

Nitu Chandra Srivastava was born in Patna, Bihar, and currently resides in Los Angeles, USA. She is an actress, national award-winning producer, international taekwondo player, humanitarian, activist and theater artist.

She worked in the Indian film industry for the past 15 years before making her Hollywood debut with Sony’s “Never Back Down: Revolt” franchise. She is known for her work in ‘Garam Masala’, ‘Traffic Signal’, ‘Oye Lucky, Lucky Oye!’, ‘Aadhi Bhagavan’ and ‘Godavari’ to name a few.

She has a natural affinity for the sport and has represented India 3 times at the World Taekwondo Championships. She was honored with a 4th dan black belt by the Korean Embassy in New Delhi. Nitu made his foray into acting with a play titled ‘Umrao’ (2013) trying out the iconic character ‘Umrao Jaan’ showing his versatility ranging from portraying a 17-year-old teenager to an 85-year-old octogenarian. She is one of the faces of NBA basketball in India and promotes basketball globally.

See his Wikipedia page for more details: https://en.wikipedia.org/wiki/Nitu_Chandra
Nitu’s Facebook profile: https://www.facebook.com/NituChandraSrivastava
Nitu’s Instagram profile: https://www.instagram.com/nituchandrasrivastava/?hl=en
Nitu’s Twitter profile: https://twitter.com/nituchandra?lang=fr

For more information, interviews, ideas and images, please contact:
Dimple Menezes
[email protected]

Heera Shetty
[email protected]

The French Superprod buys the co-production company; Doug Schwalbe is president, Tatiana Krokar, former director of Cartoon Network, vice-president of Superprod US

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EXCLUSIVE: Parisian studio Superprod has acquired The Co-Production Company, the New York company launched last year by former DreamWorks executive Doug Schwalbe to finance and distribute international productions.

Terms of the deal were not disclosed, which strengthens Superprod’s development and production footprint in the United States through an extensive bicoastal presence.

No More Deadline

Schwalbe, formerly SVP of co-production for DreamWorks Animated Television, is president of new subsidiary Superprod US Inc. Former Cartoon Network executive Tatiana Krokar is vice president.

Krokar, based in Los Angeles, co-reports to Schwalbe and Superprod SVP, Animation, Virginie Creance. Krokar’s roles at Cartoon Network included Director of Development, Original Series, responsible for acquiring and developing projects, most notably with Justin Roiland (rick and morty), Andy Ristaino (adventure time) and James Burk (Bird & Squirrel). Since 2019, she has been developing, creating and writing original television content.

Shwalbe launched The Co-Production Company in March 2021 with Superprod as its first backer. Prior to DreamWorks, he was EVP, Managing Director, at Classic Media; founded the production and distribution company Splendid Television; led global sales at HBO; was vice president of marketing and co-production for 20th Century Fox in Paris; and was director of sales and co-production for MGM in Los Angeles.

He will work closely with Superprod Founders CEO Clément Calvet and COO Jérémie Fajner to expand the company’s decade-old North American footprint and manage and produce a diverse lineup of live and animated productions.

“Doug’s expertise in acquiring exceptional intellectual property, developing projects, securing financing and finding distribution partners is unmatched,” said Calvet. “He will be a tremendous asset to Superprod – both working on existing projects and bringing new content and concepts into the business to develop. We couldn’t be more delighted to welcome him to Superprod.

“Superprod has worked aggressively to expand its global footprint,” Fajner added. “Bringing Doug to our team and adding the assets and equity associated with The Co-Production Company allows us to strengthen our North American presence in an immediately impactful and extremely effective way.”

The list of children’s television productions currently under The Co-Production Company banner will remain active, including Home Sweet Rome, Iyanu: Child of Wonders; Way of the Pisces; and Bird’s eye view.

Superprod has animation studios in Paris, Angoulême and Milan and offices in LA and New York. He is behind Superprod Animation, Superprod Drama, Superprod Films, Superights (for international distribution) and the music rights management platform 440Hz. The company has four feature films, one live-action series and six animated series in production for Netflix, HBO Max, Universal Pictures, Nickelodeon, Canal Plus, France Télévisions, BBC, RAI and others.

The anime rate includes children’s series Anna and her friends. Upcoming feature films include Mr. Blake at your service with John Malkovich and Fanny Ardant, The Luluswith François Damiens, and Untitled Steve Box Animated Film.

“It has been a great pleasure for me, both personally and professionally, to work with Clément and Jérémie since the creation of Superprod ten years ago,” said Schwalbe. “They have created an incredible production and distribution organization and we see many exciting opportunities to continue to grow the business while expanding its North American presence.”

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Malala Yousafzai becomes a film producer! Fleet a new production house to bring books to the screen for the public

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Malala launches her career in film production with three projects for Apple (Photo credit – Instagram)

Malala Yousafzai — activist, Nobel Peace Prize laureate and avowed “Stranger Things” fan — is in production on her first project for Apple, “Variety” has revealed.

Her production company Extracurricular has teamed up with independent studio A24 for an as-yet-untitled feature-length documentary about the legendary “haenyeo” society of female fishermen, who live on Jeju Island in South Korea.

The Apple Original Films title is directed by Peabody Award nominee Sue Kim (“The Speed ​​Cubers”), and is the first project to go into production from Extracurricular’s partnership with Apple TV+, which closed in March 2021, note ‘Variety’.

Malala Yousafzai unveiled her first slate of film and TV projects for Apple TV+ on Monday via Extracurricular.

Headlining the film adaptation of Elaine Hsieh Chou’s acclaimed book “Disorientation,” which was released earlier this year. A cutting and famous satire, “Disorientation” tells of a student’s eye-opening dissertation on a young poet.

The project will be produced by “Don’t Look Up” director Adam McKay’s Hyperobject Industries, with supervision from Stephanie Mercado and Todd Schulman. No directors have yet been appointed.

Extracurricular is also working on a scripted series based on New York Times bestselling newbie writer Asha Lemmie’s coming-of-age novel “Fifty Words for Rain,” about a woman’s search for acceptance. in post-World War II Japan.

The main cast of both projects will introduce new talent, Extracurricular production manager Erika Kennair told Variety. “By its very nature, the lead role of ’50 Words for Rain’ is a half-black, half-Japanese woman. And unless Naomi Osaka wants to start acting, we’re going to have to find out about this woman, which is really exciting.

Speaking to ‘Variety’, Malala Yousafzai said: ‘What I hope to bring to the table are the voices of women of color, emerging writers and Muslim directors and writers. I hope we can have a wide range of perspectives and challenge some of the stereotypes we have in our societies.

Malala Yousafzai added, “I also hope the content is entertaining and people fall in love with the characters and have the best time together.”

Must Read: Zareen Khan Was Afraid To Advise Salman Khan To Do Daring Scenes, Hate Story 3 Says ‘I Know His School Of Thought’

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Malala Yousafzai becomes a film producer! Fleet a new production house to bring books to the screen for the public

0
Malala launches her career in film production with three projects for Apple (Photo credit – Instagram)

Malala Yousafzai — activist, Nobel Peace Prize laureate and avowed “Stranger Things” fan — is in production on her first project for Apple, “Variety” has revealed.

Her production company Extracurricular has teamed up with independent studio A24 for an as-yet-untitled feature-length documentary about the legendary “haenyeo” society of female fishermen, who live on Jeju Island in South Korea.

The Apple Original Films title is directed by Peabody Award nominee Sue Kim (“The Speed ​​Cubers”), and is the first project to go into production from Extracurricular’s partnership with Apple TV+, which closed in March 2021, note ‘Variety’.

Malala Yousafzai unveiled her first slate of film and TV projects for Apple TV+ on Monday via Extracurricular.

Headlining the film adaptation of Elaine Hsieh Chou’s acclaimed book “Disorientation,” which was released earlier this year. A cutting and famous satire, “Disorientation” tells of a student’s eye-opening dissertation on a young poet.

The project will be produced by “Don’t Look Up” director Adam McKay’s Hyperobject Industries, with supervision from Stephanie Mercado and Todd Schulman. No directors have yet been appointed.

Extracurricular is also working on a scripted series based on New York Times bestselling newbie writer Asha Lemmie’s coming-of-age novel “Fifty Words for Rain,” about a woman’s search for acceptance. in post-World War II Japan.

The main cast of both projects will introduce new talent, Extracurricular production manager Erika Kennair told Variety. “By its very nature, the lead role of ’50 Words for Rain’ is a half-black, half-Japanese woman. And unless Naomi Osaka wants to start acting, we’re going to have to find out about this woman, which is really exciting.

Speaking to ‘Variety’, Malala Yousafzai said: ‘What I hope to bring to the table are the voices of women of color, emerging writers and Muslim directors and writers. I hope we can have a wide range of perspectives and challenge some of the stereotypes we have in our societies.

Malala Yousafzai added, “I also hope the content is entertaining and people fall in love with the characters and have the best time together.”

Must read: Zareen Khan Was Afraid To Advise Salman Khan To Do Daring Scenes, Hate Story 3 Says ‘I Know His School Of Thought’

Follow us: Facebook | instagram | Twitter | Youtube | Telegram

Paul Courtney leaves Colenso BBDO to start a production studio

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Director of operations of Colenso BBDO, Paul Courtney leaves the agency after 16 years.

Courtney has been in her current role since 2016 and revealed on his LinkedIn this morning that he is setting up his own production and his studio, which is due to open in January.

Paul Courtney leaves Colenso BBDO

During her time at the agency, she received nearly every advertising award made available, including being named Cannes Agency of the Decade for the Pacific Region.

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Courtney joined Colenso in 2006 as Chief Operating Officer of Saatchi & Saatchi, and was always present during the agency’s most successful period.

2021 saw a number of senior talents leave the agency, including Levi Slavin who left to join Howatson + Company, while Scott Coldham also left, taking on a marketing role.

In his LinkedIn post, he said, “After 16 years at Colenso, I’m here to share that I’m finishing tomorrow. Some thought it would never happen. Damn, I thought that would never happen. But it’s time to take the leap and start something new.

“I am leaving to start my own production and my studio. Starting a business right now is kind of weird, but I know I have the support of a whole bunch of amazing people and I’m sure with a little hard work, everything will turn out fine.

He also thanked a number of colleagues he worked with during his time at the agency.

“I’m fortunate to have learned from some very special leaders: Roger MacDonnell, Brent Smart, Richard Maddocks, Nick Worthington, Nick Garrett, Scott Coldham, Maria Devereux, Jim Moser, Jim Gall, Mike Higgins, Strahan Wallis, Levi Slavin, Steve Cochran, Kimberley Ragan, Simon Vicars and the fantastic Angela Watson Thank you for guiding me and thank you for teaching me, I appreciate that so much.

Watson, managing director of Colenso BBDO, told Mumbrella: “Paul has served Colenso for 16 years and leaves with our best wishes and support. He’s an absolute legend and we look forward to working with him in the future, but in a new capacity.

“The agency is growing year over year and we plan to make some exciting announcements on new talent in the weeks ahead.”

Courtney was approached for further comment.

Huma Qureshi opens up about starting his production house with Saqib Saleem, rumored Beau Mudassar Aziz

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Huma Qureshi and Sonakshi Sinha’s teaser featuring Double XL was released recently. The slice-of-life comedy-drama revolves around two plus-size women, Rajshree Trivedi and Saira Khanna, and challenges body weight stereotypes that have long plagued our society, in the most humorous way.

The film also marks Qureshi’s first production venture under the banner of Elemen3 Entertainment, co-founded by her brother, actor Saqib Saleem, and filmmaker Mudassar Aziz, who is believed to be her boyfriend. Ahead of the film’s release, Qureshi shared a “rather emotional post” about how she started her production house and added that she was quite proud to support a project like Double XL.

Speaking about the birth of the film, she wrote, “What started as a fun conversation with my closest friends and family – Sonakshi, Zaheer, Saqib and Mudassar, literally in my living room, has now culminated in this film. All the actors were lamenting the “post-lockdown weight” we had gained and Mudassar told a story around it, off the cuff.

She added, “This story found more and more friends in the following months as well as partners as we went along on this journey. It is a film written and directed with a lot of love.

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Qureshi also expressed his gratitude to everyone who helped bring the film to life. “A big thank you to everyone who joined us on the Double XL Dream and made it a reality. We are now releasing this film in theaters,” she wrote.

Happy to have made a foray into production with Double XL, she shared, “If someone had told me when I had just arrived in Mumbai almost ten years ago that I would be playing a instrumental in supporting content that would not only resonate with me but also have the potential to strike a chord among many others, I wouldn’t have believed it. But again, dreams come true!”

Shedding light on the core belief of his production house, Qureshi said, “And that’s what we believe at Elemen3 – Saqib, Mudassar and me. Our enterprise. Our collective dream. To tell stories that are out of the ordinary. The three of us are different as people and yet united by our love of cinema.

She continued, “Our first baby is ready to open her eyes and frolic in the sun. Now it’s up to you – our audience! Go watch this with your friends, family, tribe, yourself… This one is for all of you. This movie is for anyone who dares to dream BIG!!! (pun intended)”

Double XL is presented by Gulshan Kumar, T-Series, Wakaoo Films and Mudassar Aziz in association with T-Series Films. It is produced by Bhushan Kumar, Krishan Kumar, Vipul D Shah, Rajesh Bahl, Ashwin Varde, Saleem, Qureshi and Aziz under the banners of Wakaoo Films, Elemen3 Entertainment and Reclining Seats Cinema. Directed by Satramm Ramani, Double XL is set for an October 14 release.

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Renowned production house Suresh Productions has completely lost track

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In recent times, the reputed film production house, Suresh Productions, is associated with many low-scoring and uninspiring films. It seems they are only interested in making a quick buck by producing mediocre remakes or lousy low budget movies that they can sell to OTT platforms and make a decent profit and move on.

At one time, Suresh productions under the supervision of D. Ramanaidu was considered as one of the most prestigious banners in the Telugu film industry. Top actors and directors would be waiting for an opportunity to work with Suresh Productions.

Since Ramanaidu’s death in 2015, his eldest son Suresh Babu has been handling the production and business activities, and from the kind of films the banner makes, it can be said that Suresh Babu has not been able to maintain reputation. Suresh productions.

Even Ramanaidu’s descendants like Venkatesh and Rana Daggubati don’t help much in taking the banner to the next level. Even they are opting for the low-hanging fruit by making useless remakes and films with mediocre content. under the banner.

Hopefully in the near future, Suresh Productions will deliver exciting films and regain its lost luster.

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The ministry will build a coconut processing production house in S Minahasa

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North Sulawesi, particularly (its) southern district of Minahasa, is one of the largest coconut production centers in Indonesia, with a production rate of over 270,000 tons in 2021

Jakarta (ANTARA) – The Ministry of Cooperatives and SMEs will build a production house in South Minahasa district, North Sulawesi province, to process coconut products.

Later, the production house will be run by cooperatives to speed up the endorsement of farmer-owned coconut products.

“North Sulawesi, especially (its) South Minahasa district, is one of the largest coconut production centers in Indonesia, with a production rate of over 270,000 tons in 2021. Unfortunately , this coconut production has yet to bring added value to smallholder farmers at first hand,” noted Cooperatives and SMEs Minister Teten Masduki in North Sulawesi, quoted in an official statement on Friday. .

Related News: Ready for trial distribution of diesel to fishermen: ministry

All the while, farmers only sold whole coconuts at low prices, he pointed out. On average, each whole coconut was priced at Rp 2,000, but if processed into virgin coconut oil (VCO), it could sell for Rp 12,000 per item.

One hundred kilograms (kg) of coconuts produced 25 kg of coir that could be processed into 7.5 kg of coir fiber at Rp 2,000 per kg and 16 kg of coir peat at Rp 500 per kg.

Coconut shells are also said to be made into briquettes or charcoal that are highly sought after overseas.

“Commercial players are also currently investing heavily in coconut products. So, it has great economic value which is more than palm oil, and there is no environmental problem, it is so our (selling point),” the minister said.

Farmers could not be able to process the products independently, as the technology required was quite expensive. Therefore, the establishment of the production house had become a huge measure as an effort for downstream processed products.

Related News: PTPN to start construction of red palm cooking oil pilot plant

Masduki emphasized the need to maintain the house well, so that it lasts a long time. If the initiative were to succeed, it is likely that the government would build similar production houses in other locations throughout Indonesia, each tailored to the region’s signature products.

Minahasa South District Chief Franky Donny Was Demat noted that his area has 46,000 hectares of coconut plantations. In the future, 600 SMEs will specifically develop coconut products from the production house.

He believed the initiative would help coconut producers, especially micro, small and medium-sized enterprises (MSMEs), to gain added value through the downstream processing of coconuts.

“Let’s work hand in hand, support and work together to make it a success. Only five districts and cities accept this project to build joint production houses, and South Minahasa is lucky to be one of them” , concluded Demat.

Related News: Ministries organize program to help fishermen buy fuel oil

Related News: Minister prescribes factory sharing to improve MSME product quality

£25.2m virtual production studio announced in Belfast

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A new, state-of-the-art £25.2million virtual production studio has been announced for Giant’s Park in Belfast.

Developed by the University of Ulster in partnership with Belfast Harbor and supported by Northern Ireland Screen, Studio Ulster will be a unique complex of large-scale virtual production studios with world-class commercial stages, supported by an R&D center of excellence integrated for real-time and virtual manufacturing.

Announcing the flagship Giant’s Park project, Economy Minister Gordon Lyons said: “The Studio Ulster project is a major investment in the future of the local film industry which enhances the excellent facilities already on offer here in Northern Ireland. . contributor to our economy, with estimates from Northern Ireland Screen suggesting the last three film and TV productions have together brought in over £100m to the economy.

“This £25.2 million investment in Studio Ulster through the Belfast Region City Deal further strengthens Northern Ireland’s impressive offering to international film companies.”

Studio Ulster will reinforce Northern Ireland’s status as a filming location of choice by providing a link between the region’s leading strengths in film, broadcast, animation, games and immersive technologies in a central location.

A multi-million pound investment by Belfast Harbor will create a 57,000 square foot building, housing two large-scale virtual production stages with an in-camera visual effects stage, a motion capture stage, a scanning stage 3D for full body, face and object scanning and a smart R&D stage with virtual production technologies to support research. It will support 461 direct and indirect jobs in the screen sector.

Minister Lyons met with Studio Ulster partners, University of Ulster, Port of Belfast, Northern Ireland Screen and Belfast City Council to discuss the role that the creative industries, and in particular the virtual production, will play into achieving the results highlighted in the department’s 10X economic vision.

Professor Paul Bartholomew, Vice-Chancellor of Ulster University, commented: “The unique partnership approach between universities and industry, public and private sector that underpins Studio Ulster is without previous and to achieve our collective ambition, we must have a pool of graduates who are equipped with the skills and knowledge to specialize in production and research and development focused on creativity and technology. For many years, we are responding to industry reports of skills needs and shortages through the Ulster Screen Academy, providing students with innovative films and shows, animation, games and courses in immersive technologies to help provide the skilled workforce we so desperately need to drive the screen industries forward.”

Joe O’Neill, Managing Director of Belfast Harbour, said: “We are delighted to be working with our partners to make this important investment for Northern Ireland’s film industry, which underlines our continued ambition to be an economic hub. major development for the region and create Europe’s largest media hub outside of London. The UK film and content production market has continued to strengthen and this project will serve to further increase Northern Ireland’s global competitiveness in the creative industries sector and to attract leading production companies to both the traditional market stages and the virtual production facility. »

The Lord Mayor of Belfast, Councilor Christina Black, said: “Studio Ulster is a game-changing development for Belfast and the region. This world-class facility will put us in an incredibly strong position to compete globally, as it will meet an identified international need for virtual production facilities that will be rapidly adopted.It will also allow us to cultivate talent, our research and development capacity and create truly exciting opportunities for the people who work here.We have says a decade of opportunity now begins with the Belfast Region City Deal – and today we are taking another major step in delivering on our ambitions to transform the City Region’s economy and quality of life of the people who live there.”

Richard Williams, Managing Director of Northern Ireland Screen, said: “Virtual production has really shaken up the screen industries and Studio Ulster will transform our industry here in Northern Ireland. Providing state-of-the-art production, studio and R&D facilities will go a long way to ensuring that Northern Ireland maintains its position as the world leader in international film production. Virtual production will also help create a much more sustainable industry. The training and skills development opportunities offered by Studio Ulster will expand the capacity of the talent pool, to meet the clearly expressed needs of the industry. It is wonderful to see education and industry from the public and private sectors joining forces to bring such an innovative project to life.

Construction at the Studio Ulster site begins later this month and the facility is expected to be fully operational and open for filming from early 2024.

Content Engineers Win Most Innovative Production House of the Year Award – Bollywood Galiyara

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An incredible honor has been bestowed upon new production house Content Engineers, led by Saurabh Varma and Utpaal Acharya for “Most Innovative Production House 2022”. This honor was bestowed by the Global India National Stardom Award, 2022.

The award was given to content engineers for their sincere efforts in content creation, their resourceful approach to writers, and their philosophical belief that they drive content creation today.

The new-age studio won an award for its marketing initiatives that aim to create grassroots Indian content and get stories from the Indian outback. This award is supported by the Naariniti Foundation India, an organization that aims to empower women.

Filmmaker Saurabh Varma, who has previously worked with renowned production houses such as Jio Studios, INOX, Reliance Entertainment and PVR Limited, handled marketing, distribution, programming and content syndication. Varma is a distinguished storyteller and has also directed several feature films.

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Saurabh Varma says, “I am very happy with the Most Innovative Production House award that we have been awarded. We will continue to work to create original IP and entertain India.

Utpaal Acharya, CEO is a veteran and has worked with INOX, Reliance Entertainment and PVR Limited in content distribution, programming and syndication.

Utpaal Acharya said, “This is indeed a golden moment for the content engineers in the team and we are striving to make the company an example of excellence in producing world-class Indian content.”

Content Engineers’ was formed with a sincere intention to invest in people and ideas. The CE team consists of a mix of experienced creative and business minds who intend to operate outside of cliched legacy formats and old-world business models. Our selective choice of movies, series and other content formats are designed to stand the test of time and defy the obvious.

Virtual production studio facilities on set and Asa Bailey team up with Ava.

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Spanish store of creative content Ava. is thrilled to announce its entry into the rapidly expanding world of virtual production with top global studios On-Set Facilities, and their lead virtual production studio supervisor and director, Asa Bailey.

Best known for his pioneering work in real-time visual effects and virtual production, Asa is one of the world’s foremost virtual production supervisors and a founding partner of OSF.

An early adopter of real-time preview and in-camera visual effects, using tracking cameras, motion capture, simulcams and LED-equipped stages, Asa is also a virtual production supervisor studio for Netflix, in addition to his major creative contributions to On-Set Facilities and their collaborative group of artists and technicians.

Today marks the start of a synergistic relationship between Asa, On-Set Facilities and Ava., to promote and produce high profile virtual production in Spain and elsewhere, for commercials, branded entertainment, episodic television and feature films.

Ava. executive producer Carl Wyant, “Ava.’s collaboration with Asa and OSF promises to be a new chapter for virtual production and its growth in Spain, and we are excited about the opportunities that lie ahead with this technology and its application in all our efforts.

Asa and OSF have consistently driven production innovation around real-time virtual production technology, working with creative agencies Ogilvy and Saatchi & Saatchi, Coca-Cola, BMW, GSK and Shutterstock brands, studios and streaming services Universal and Netflix, production companies RSA and Hogarth Worldwide, and technology makers ARRI and Unreal Engine, to name a few.

“On-Set Facilities was designed and continues to operate as a cooperative studio, with each member of the team working seamlessly on the various innovative technologies that make up the world of virtual production,” says Asa. “Team up with Ava. was a natural extension of our process, and we all expect great things from the relationship.

Ava. Agustin Gonzalez, founding partner and EP, adds that “Asa and I have known each other for a while now, and with the tremendous growth of virtual production and the adoption of technology in the media landscape, it seemed like the perfect time to us at Ava. to partner with OSF, a world leader in the field.

To kick off the new relationship between On-Set Facilities and Ava., Asa will speak about the creative future of virtual production and real-time visual effects at the APCP (Spanish Association of commercial producers), which was held this year in Valencia. , on the 29th and 30th of this month.

Asa’s presentation and remarks at the APCP event will focus on the tremendous opportunities for brands, creatives and producers across all genres of media production through this exciting new technology.

Content Engineers Wins Most Innovative Production House of the Year

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Mumbai, Sep 21, 2022 (NewsHelpline) — An incredible honor has been bestowed upon new production house Content Engineers, led by Saurabh Varma and Utpaal Acharya, for “Most Innovative Production House 2022”. This honor was bestowed by the Global India National Stardom Award, 2022.


The award was given to content engineers for their sincere efforts in content creation, their resourceful approach to writers, and their philosophical belief that they drive content creation today.

The new-age studio won an award for its marketing initiatives that aim to create grassroots Indian content and get stories from the Indian outback. This award is supported by the Naariniti Foundation India, an organization that aims to empower women.

Filmmaker Saurabh Varma, who has previously worked with renowned production houses such as Jio Studios, INOX, Reliance Entertainment and PVR Limited, handled marketing, distribution, programming and content syndication. Varma is a distinguished storyteller and has also directed several feature films.

Saurabh Varma says, “I am very happy with the Most Innovative Production House award that we have been awarded. We will continue to work to create original IP and entertain India.

Utpaal Acharya, CEO is a veteran and has worked with INOX, Reliance Entertainment and PVR Limited in content distribution, programming and syndication.

Utpaal Acharya said, “This is indeed a golden moment for the content engineers in the team and we are striving to make the company an example of excellence in producing world-class Indian content.”

Content Engineers’ was formed with a sincere intention to invest in people and ideas. The CE team consists of a mix of experienced creative and business minds who intend to operate outside of cliched legacy formats and old-world business models. Our selective choice of movies, series and other content formats are designed to stand the test of time and defy the obvious.

Content Engineers Wins Most Innovative Production House of the Year

About Newshelpline

News Helpline is a brand in the world of daily Bollywood content. We are a team of innovative, hardworking and creative people who have worked in media for 15 years. We were the first to feel the changing phase of the information industry with the progress of the computer industry. Therefore, in 2008, we created a first of its kind Bollywood News app, a website where we upload Bollywood news daily and our client can upload this news from anywhere in the world on the same day of the event. Then over time we improved and we evolved. The result is that today our client in any region of the world receives their Bollywood news (HD quality) within 2-3 hours. after the occasion. The value of news is very much time dependent and we at News Helpline deliver news before it becomes rumour.


Content Engineers Wins Most Innovative Production House of the Year

0

Mumbai, Sep 21, 2022 (NewsHelpline) — An incredible honor has been bestowed upon new production house Content Engineers, led by Saurabh Varma and Utpaal Acharya, for “Most Innovative Production House 2022”. This honor was bestowed by the Global India National Stardom Award, 2022.


The award was given to content engineers for their sincere efforts in content creation, their resourceful approach to writers, and their philosophical belief that they drive content creation today.

The new-age studio won an award for its marketing initiatives that aim to create grassroots Indian content and get stories from the Indian outback. This award is supported by the Naariniti Foundation India, an organization that aims to empower women.

Filmmaker Saurabh Varma, who has previously worked with renowned production houses such as Jio Studios, INOX, Reliance Entertainment and PVR Limited, handled marketing, distribution, programming and content syndication. Varma is a distinguished storyteller and has also directed several feature films.

Saurabh Varma says, “I am very happy with the Most Innovative Production House award that we have been awarded. We will continue to work to create original IP and entertain India.

Utpaal Acharya, CEO is a veteran and has worked with INOX, Reliance Entertainment and PVR Limited in content distribution, programming and syndication.

Utpaal Acharya said, “This is indeed a golden moment for the content engineers in the team and we are striving to make the company an example of excellence in producing world-class Indian content.”

Content Engineers’ was formed with a sincere intention to invest in people and ideas. The CE team consists of a mix of experienced creative and business minds who intend to operate outside of cliched legacy formats and old-world business models. Our selective choice of movies, series and other content formats are designed to stand the test of time and defy the obvious.

Content Engineers Wins Most Innovative Production House of the Year

About Newshelpline

News Helpline is a brand in the world of daily Bollywood content. We are a team of innovative, hardworking and creative people who have worked in media for 15 years. We were the first to feel the changing phase of the information industry with the progress of the computer industry. Therefore, in 2008, we created a first of its kind Bollywood News app, a website where we upload Bollywood news daily and our client can upload this news from anywhere in the world on the same day of the event. Then over time we improved and we evolved. The result is that today our client in any region of the world receives their Bollywood news (HD quality) within 2-3 hours. after the occasion. The value of news is very much time dependent and we at News Helpline deliver news before it becomes rumour.


Green light for new €28.5m virtual production studio in Belfast

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A new £25m (€28.5m) film studio complex specializing in cutting-edge virtual production techniques is to be built in Belfast.

Studio Ulster will be built in Giant’s Park, to the north of the city, on land adjacent to the existing studios in Belfast Harbour.

The project will be developed by the University of Ulster in partnership with Belfast Harbour, with support from Northern Ireland Screen.

It is delivered under the Belfast Regional City Deal – an economic investment strategy involving the UK Government, Stormont Executive, six local councils and several academic institutions.

Construction will begin next month and the studios are expected to be fully operational and open for filming from early 2024.

The Giant’s Park site in North Belfast where Studio Ulster will be built. Photo: David Young/PA

The complex, which is expected to bolster Belfast’s burgeoning reputation as a world-class center for film production, will include several large-scale stages and a center of excellence in research and development.

She will specialize in film, broadcast, animation, games and immersive technologies.

The 57,000 square foot building will house two full-scale virtual production stages with an in-camera visual effects stage, a motion capture stage, a 3D scanning stage for full body, face and body scanning. objects and an intelligent R&D scene with virtual production technologies to support research.

The complex will support 461 direct and indirect jobs in the screen sector.

Stormont Economy Minister Gordon Lyons announced the project during a visit to the site on Tuesday.

“The Studio Ulster project is a major investment in the future of the local film industry which enhances the excellent facilities already on offer here in Northern Ireland,” he said.

“The industry is now a major contributor to our economy, with estimates from Northern Ireland Screen suggesting that the last three film and TV productions have together brought in over £100m to the economy.

“This £25.2 million investment in Studio Ulster through the Belfast Region City Deal further strengthens Northern Ireland’s impressive offering to international film companies.”

Professor Paul Bartholomew, Vice-Chancellor of Ulster University, welcomed the investment.

“The unique partnership approach between academia and industry, public and private sectors that underpins Studio Ulster is unparalleled and to achieve our collective ambition, we must have a pipeline of graduates with the skills and knowledge needed to specialize in creative and technology-driven areas of production, research and development,” he said.

“For many years we have responded to industry reports of skills needs and shortages through the Ulster Screen Academy, providing students with innovative courses in film and broadcasting, animation, games and immersive technologies to help provide the much-needed skilled workforce to drive the screen industries. forward.”

Northern Economy Minister Gordon Lyons announced the project on Tuesday. Photo: David Young/PA

Joe O’Neill, Managing Director of Belfast Harbour, added: “We are delighted to be working with our partners to make this important investment for Northern Ireland’s film industry, which underlines our continued ambition to be an economic hub. major event for the region and create the largest European media center outside of London.

“The UK film and content production market has continued to strengthen and this project will serve to further increase Northern Ireland’s global competitiveness in the creative industries sector and help attract leading production companies. both on traditional stages and in virtual production facilities.”

Lord Mayor of Belfast Tina Black, the studio complex represented a “groundbreaking development”.

“This world-class facility will put us in an incredibly strong position to compete globally, as it will address an identified international need for virtual production facilities that will be rapidly adopted.

“It will also allow us to cultivate talent, our research and development capacity and create really interesting opportunities for the people who work here.

“We said a decade of opportunity now begins with the Belfast Region City Deal – and today we take another major step in delivering on our ambitions to transform the city region’s economy and the quality of life of the people who live there.

Richard Williams, Managing Director of Northern Ireland Screen, added: “Virtual production has really shaken up the screen industries and Studio Ulster will transform our industry here in Northern Ireland.

Ireland

Facade of the iconic building in Belfast city center…

“Providing state-of-the-art production, studio and R&D facilities will go a long way to ensuring that Northern Ireland maintains its position as a world leader in the production of international screens.

“Virtual production will also help create a much more sustainable industry. The training and skills development opportunities offered by Studio Ulster will expand the capacity of the talent pool, to meet the clearly expressed needs of the industry.

“It is wonderful to see education and industry from both the public and private sectors joining forces to bring such an innovative project to life.”

Green light for new £25m virtual production studio in Belfast

0

A new £25million film studio complex specializing in cutting-edge virtual production techniques is to be built in Belfast.

Studio Ulster will be built in Giant’s Park, to the north of the city, on land adjacent to the existing studios in Belfast Harbour.

The project will be developed by the University of Ulster in partnership with Belfast Harbour, with support from Northern Ireland Screen.

It is delivered as part of the Belfast Regional City Deal – an economic investment strategy involving the Government, Stormont Executive, six local councils and several academic institutions.

Construction will begin next month and the studios are expected to be fully operational and open for filming from early 2024.

The Giant’s Park site in North Belfast where Studio Ulster will be built (David Young/PA)

The complex, which is expected to bolster Belfast’s burgeoning reputation as a world-class center for film production, will include several large-scale stages and a center of excellence in research and development.

She will specialize in film, broadcast, animation, games and immersive technologies.

The 57,000 square foot building will house two full-scale virtual production stages with an in-camera visual effects stage, a motion capture stage, a 3D scanning stage for full body, face and body scanning. objects and an intelligent R&D scene with virtual production technologies to support research.

The complex will support 461 direct and indirect jobs in the screen sector.

Stormont Economy Minister Gordon Lyons announced the project during a visit to the site on Tuesday.

“The Studio Ulster project is a major investment in the future of the local film industry which enhances the excellent facilities already on offer here in Northern Ireland,” he said.

“The industry is now a major contributor to our economy, with estimates from Northern Ireland Screen suggesting that the last three film and TV productions have together brought in over £100m to the economy.

“This £25.2 million investment in Studio Ulster through the Belfast Region City Deal further strengthens Northern Ireland’s impressive offering to international film companies.”

Professor Paul Bartholomew, Vice-Chancellor of Ulster University, welcomed the investment.

“The unique partnership approach between academia and industry, public and private sectors that underpins Studio Ulster is unparalleled and to achieve our collective ambition, we must have a pipeline of graduates with the skills and knowledge needed to specialize in creative and technology-driven areas of production, research and development,” he said.

“For many years we have responded to industry reports of skills needs and shortages through the Ulster Screen Academy, providing students with innovative courses in film and broadcasting, animation, games and immersive technologies to help provide the much-needed skilled workforce to drive the screen industries. forward.”

Nadhim Zahawi's visit to Belfast

Economy Minister Gordon Lyons announced the project on Tuesday (David Young/PA)

Joe O’Neill, Managing Director of Belfast Harbour, added: “We are delighted to be working with our partners to make this important investment for Northern Ireland’s film industry, which underlines our continued ambition to be an economic hub. for the region and create the largest European media hub outside of London.

“The UK film and content production market has continued to strengthen and this project will serve to further increase Northern Ireland’s global competitiveness in the creative industries sector and help attract leading production companies. both on traditional stages and in virtual production facilities.”

Lord Mayor of Belfast Tina Black, the studio complex represented a “groundbreaking development”.

“This world-class facility will put us in an incredibly strong position to compete globally, as it will address an identified international need for virtual production facilities that will be rapidly adopted.

“It will also allow us to cultivate talent, our research and development capacity and create really interesting opportunities for the people who work here.

“We said a decade of opportunity now begins with the Belfast Region City Deal – and today we take another major step in delivering on our ambitions to transform the city region’s economy and the quality of life of the people who live there.

Richard Williams, Managing Director of Northern Ireland Screen, added: “Virtual production has really shaken up the screen industries and Studio Ulster will transform our industry here in Northern Ireland.

“Providing state-of-the-art production, studio and R&D facilities will go a long way to ensuring that Northern Ireland maintains its position as the world leader in international screen production.

“Virtual production will also help create a much more sustainable industry. The training and skills development opportunities offered by Studio Ulster will expand the capacity of the talent pool, to meet the clearly expressed needs of the industry.

“It is wonderful to see education and industry from the public and private sectors joining forces to bring such an innovative project to life.”

The Grand Tour production team divulges the complications of filming in Norway while singing the presenter’s praises

0

Since The Grand Tour: A Scandi Flick was released on Prime Video, we reached out to Morten Hansen, a member of the series’ behind-the-scenes team. Hansen, who himself lives in Norway, took care of the presenters, their cars and the cars of the production company. He himself owns a number of trucks capable of traversing the Norwegian landscape, so he had the tools to equip the team with whatever they needed.

A Toyota Landcruiser and a Hilux, both modified by Arctic Trucks, were both used by Hansen and his crew to accompany the filming. These cars have a lot of potential, and similar cars from the same company were actually used by Top Gear in 2007’s Polar Special when Jeremy Clarkson, Richard Hammond and James May raced to find True North.

“I was contacted in the fall of 2021 by production,” Hansen told Grand Tour Nation. “Before they arrived, we fixed hotels, garages and special rental cars.”

He went on to explain how they had to battle bad weather at the start of filming, as well as some poor tire choices from the production crew:

“We took part in several transport missions, preparing the football pitch in Henninsvær. It went from very nice wintry weather to extreme rain on the very weekend the whole team came to Lofoten, so there were road closures, flooding, etc.

“We received star cars for preparation and some repairs. New tires and batteries. Otherwise, we have replaced many sets of tires on production cars that had driven from England, which came here with off-road tyres. They don’t work on ice.

“Was on hold while production was in Lofoten. It was great working with the crew of the production team: Dave, Chris, Emma, ​​Paul…”

Hansen also sang the praises of the presenters, as well as the skiers who took part in the episode’s final race as they were dragged along by the three hero cars.

“After James May’s accident in Tromsø, they called me for transport help in Abisko, Sweden, so we went up and were able to be with the production for a whole day on the rink.

“There we met Hammond, May and Clarkson, they were very nice. I also met the stunt skiers with whom we developed a very good relationship.

Thanks to Morten Hansen for speaking with us, and we’ll be bringing more of him as we can over the next few days.

♦ Follow Grand Tour Nation on Google News

Endorphinz, the nation’s largest fitness media production company, is coming to Tampa

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TAMPA, Fla. – North America’s largest fitness media and content production company is bringing one of Tampa’s most tragic malls to life.

Endorphinz, founded by Mike Hansen, produces fitness video content for brands and creators, big and small, all over the world.

The innovative group does it all from University Mall, the once bustling and undone mall that has since fallen into the shadow of USF.

“There’s a vision for it to be more than a mall,” Hansen said, “and we want to be on the ground floor of that.”

If you’re a fitness creator making workout videos or an athlete with a brand you want to grow, Endorphinz will work with you and help you build your media footprint, all within the hip and comfortable confines of their state of the art. ‘art. studios.

They can work in-house or remotely, with a full team of talented technicians and on-camera talent.

“Endorphinz was created to bring the fitness industry into mainstream media, to help brands and creators connect with consumers,” says id Hansen.

To contact Endorphinz, click here.

Endorphinz isn’t the only powerhouse media company changing the game inside the University Mall. A few doors away, the VU Virtual Production Studio uses 100+ foot LED screens to create any environment needed for commercials, TV shows, movies, and more.

Green light for new £25m virtual production studio in Belfast

0

A new £25million film studio complex specializing in cutting-edge virtual production techniques is to be built in Belfast.

Studio Ulster will be built in Giant’s Park, to the north of the city, on land adjacent to the existing studios in Belfast Harbour.

The project will be developed by the University of Ulster in partnership with Belfast Harbour, with support from Northern Ireland Screen.

It is delivered as part of the Belfast Regional City Deal – an economic investment strategy involving the Government, Stormont Executive, six local councils and several academic institutions.

Construction will begin next month and the studios are expected to be fully operational and open for filming from early 2024.

The Giant’s Park site in North Belfast where Studio Ulster will be built (David Young/PA)

The complex, which is expected to bolster Belfast’s burgeoning reputation as a world-class center for film production, will include several large-scale stages and a center of excellence in research and development.

She will specialize in film, broadcast, animation, games and immersive technologies.

The 57,000 square foot building will house two full-scale virtual production stages with an in-camera visual effects stage, a motion capture stage, a 3D scanning stage for full body, face and body scanning. objects and an intelligent R&D scene with virtual production technologies to support research.

The complex will support 461 direct and indirect jobs in the screen sector.

Stormont Economy Minister Gordon Lyons announced the project during a visit to the site on Tuesday.

“The Studio Ulster project is a major investment in the future of the local film industry which enhances the excellent facilities already on offer here in Northern Ireland,” he said.

“The industry is now a major contributor to our economy, with estimates from Northern Ireland Screen suggesting that the last three film and TV productions have together brought in over £100m to the economy.

“This £25.2 million investment in Studio Ulster through the Belfast Region City Deal further strengthens Northern Ireland’s impressive offering to international film companies.”

Professor Paul Bartholomew, Vice-Chancellor of Ulster University, welcomed the investment.

“The unique partnership approach between academia and industry, public and private sectors that underpins Studio Ulster is unparalleled and to achieve our collective ambition, we must have a pipeline of graduates with the skills and knowledge needed to specialize in creative and technology-driven areas of production, research and development,” he said.

“For many years we have responded to industry reports of skills needs and shortages through the Ulster Screen Academy, providing students with innovative courses in film and broadcasting, animation, games and immersive technologies to help provide the much-needed skilled workforce to drive the screen industries. forward.”

Nadhim Zahawi's visit to Belfast

Economy Minister Gordon Lyons announced the project on Tuesday (David Young/PA)

Joe O’Neill, Managing Director of Belfast Harbour, added: “We are delighted to be working with our partners to make this important investment for Northern Ireland’s film industry, which underlines our continued ambition to be an economic hub. for the region and create the largest European media hub outside of London.

“The UK film and content production market has continued to strengthen and this project will serve to further increase Northern Ireland’s global competitiveness in the creative industries sector and help attract leading production companies. both on traditional stages and in virtual production facilities.”

Lord Mayor of Belfast Tina Black, the studio complex represented a “groundbreaking development”.

“This world-class facility will put us in an incredibly strong position to compete globally, as it will address an identified international need for virtual production facilities that will be rapidly adopted.

“It will also allow us to cultivate talent, our research and development capacity and create really interesting opportunities for the people who work here.

“We said a decade of opportunity now begins with the Belfast Region City Deal – and today we take another major step in delivering on our ambitions to transform the city region’s economy and the quality of life of the people who live there.

Richard Williams, Managing Director of Northern Ireland Screen, added: “Virtual production has really shaken up the screen industries and Studio Ulster will transform our industry here in Northern Ireland.

“Providing state-of-the-art production, studio and R&D facilities will go a long way to ensuring that Northern Ireland maintains its position as a world leader in the production of international screens.

“Virtual production will also help create a much more sustainable industry. The training and skills development opportunities offered by Studio Ulster will expand the capacity of the talent pool, to meet the clearly expressed needs of the industry.

“It is wonderful to see education and industry from both the public and private sectors joining forces to bring such an innovative project to life.”

Green light for new £25m virtual production studio in Belfast

0

Studio Ulster will be built in Giant’s Park in North Belfast (Matt Mackey/Press Eye/PA)

A new £25m film studio complex specializing in cutting-edge virtual production techniques is to be built Belfast.

Studio Ulster will be built at Giant’s Park in the north of the city, on land adjacent to the existing Belfast Harbor studios.

The project will be developed by the University of Ulster in partnership with Belfast Harbour, with support from North Ireland Filter.

It is delivered under the Belfast Regional City Deal – an economic investment strategy involving the GovernmentStormont Executive, six local councils and several academic institutions.

Construction will begin next month and the studios are expected to be fully operational and open for filming from early 2024.

The complex, which is expected to bolster Belfast’s burgeoning reputation as a world-class center for film production, will include several large-scale stages and a center of excellence in research and development.

She will specialize in film, broadcast, animation, games and immersive technologies.

The 57,000 square foot building will house two full-scale virtual production stages with an in-camera visual effects stage, a motion capture stage, a 3D scanning stage for full body, face and body scanning. objects and an intelligent R&D scene with virtual production technologies to support research.

The complex will support 461 direct and indirect jobs in the screen sector.

Stormont Economy Minister Gordon Lyons announced the project during a visit to the site on Tuesday.

“The Studio Ulster project is a major investment in the future of the local film industry which enhances the excellent facilities already on offer here in Northern Ireland,” he said.

“The industry is now a major contributor to our economy, with estimates from Northern Ireland Screen suggesting that the last three film and TV productions have together brought in over £100m to the economy.

“This £25.2 million investment in Studio Ulster through the Belfast Region City Deal further strengthens Northern Ireland’s impressive offering to international film companies.”

Professor Paul Bartholomew, Vice-Chancellor of Ulster University, welcomed the investment.

“The unique partnership approach between academia and industry, public and private sectors that underpins Studio Ulster is unparalleled and to achieve our collective ambition, we must have a pipeline of graduates with the skills and knowledge needed to specialize in creative and technology-driven areas of production, research and development,” he said.

“For many years we have responded to industry reports of skills needs and shortages through the Ulster Screen Academy, providing students with innovative courses in film and broadcasting, animation, games and immersive technologies to help provide the much-needed skilled workforce to drive the screen industries. forward.”

Joe O’Neill, Managing Director of Belfast Harbour, added: “We are delighted to be working with our partners to make this important investment for Northern Ireland’s film industry, which underlines our continued ambition to be an economic hub. for the region and create the largest European media hub outside of London.

“The UK film and content production market has continued to strengthen and this project will serve to further increase Northern Ireland’s global competitiveness in the creative industries sector and help attract leading production companies. both on traditional stages and in virtual production facilities.”

Lord Mayor of Belfast’s Tina Black, the studio complex represented a “groundbreaking development”.

“This world-class facility will put us in an incredibly strong position to compete globally, as it will address an identified international need for virtual production facilities that will be rapidly adopted.

“It will also allow us to cultivate talent, our research and development capacity and create really interesting opportunities for the people who work here.

“We said a decade of opportunity now begins with the Belfast Region City Deal – and today we take another major step in delivering on our ambitions to transform the City Region’s economy and the quality of life of the people who live there.

Richard Williams, Managing Director of Northern Ireland Screen, added: “Virtual production has really shaken up the screen industries and Studio Ulster will transform our industry here in Northern Ireland.

“Providing state-of-the-art production, studio and R&D facilities will go a long way to ensuring that Northern Ireland maintains its position as a world leader in the production of international screens.

“Virtual production will also help create a much more sustainable industry. The training and skills development opportunities offered by Studio Ulster will expand the capacity of the talent pool, to meet the clearly expressed needs of the industry.

“It is wonderful to see education and industry from both the public and private sectors joining forces to bring such an innovative project to life.”

Iron Man Deemed Too Unrealistic By Production Studio Before MCU Debut

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New Line Cinema argued that Iron Man was “too heavy to fly”.

It goes without saying that the triumph of the Marvel Cinematic Universe can be attributed to the success of the original. Iron Man movie starring Robert Downey Jr. The decision to start the franchise with him was initially seen as a huge gamble on Kevin Feige’s part, especially considering that Iron Man has always been seen as a character from the B list. On top of that, RDJ had a bad reputation in Hollywood, but the film still exceeded expectations and launched arguably the biggest franchise in film and TV.

Iron Man
Click to enlarge

Credit: Marvel Studios


Now, most of you probably aren’t aware of this interesting anecdote, but it turns out that Tony Stark nearly debuted in the mid-2000s, three years before he became a fixture in the MCU. However, the project didn’t take off as a certain production company deemed the now-iconic Marvel superhero a little too unrealistic.

According to a new report from The Hollywood ReporterNew Line Cinema was actually developing a Iron Man movie but eventually ended the project for a specific reason – they felt the idea of ​​Tony Stark being able to fly while wearing a metal suit didn’t make sense as he would be “too heavy to fly” .

Also Read: Iron Man Actor Robert Downey Jr. Reportedly ‘Grateful’ Johnny Depp Wins Libel Lawsuit

Well, New Line Cinema’s loss is Marvel Studios’ gain and they pretty much proved that Iron Man could defy the laws of physics. Luckily, the production company sold the film rights back to Marvel because they obviously didn’t know what to do with the character.

the original Iron Man The film is available to stream on Disney+.

Philippine Production House Daluyong Teams Up With Singapore’s Momo Film – Deadline

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EXCLUSIVE: Philippine production house Daluyong Studios, founded by Alemberg Ang, co-producer of Japan’s Best International Feature Film Oscar nomination Diet 75is teaming up with Tan Si En’s Singapore-based Momo Film Co to co-produce a series of feature films and documentaries.

The joint list includes feature films Don’t cry, butterfly, by rising Vietnamese filmmaker Duong Dieu Linh; and Tropical rain, death-scented kiss, directed by Singaporean-American animation filmmaker Charlotte Hong Bee Her; as well as short film and feature film bold eaglee, directed by Whammy Alcazaren of the Philippines; and feature documentary Dozens across bordersby Sze-Wei Chan.

Daluyong previously teamed up with Anthony Chen’s Tan Si En and Giraffe Pictures on Some nights I feel like walking, by Filipino filmmaker Petersen Vargas, currently in pre-production. The project, about a teenage runaway who falls in with a group of hustlers, won the SEAFIC award at the 2019 Southeast Asia Fiction Film Lab and was also screened at the Hong Kong Asia Film Financing Forum (HAF) and Cannes Cinefondation Atelier.

Ang and Tan said they decided to expand their partnership as they share a mission to amplify the voices of emerging Asian filmmakers and showcase authentic stories from across the region.

“Alemberg Ang of Daluyong Studios and I share similar passions for working on projects that empower and give voice to minorities,” Tan said. “I’m excited to continue our relationship to co-produce projects, and we look forward to continuing to move forward.”

Ang explained that co-production funding programs from organizations such as the Film Development Council of the Philippines (FDCP) and Singapore’s Infocomm Media Development Authority (IMDA) have recently given a huge boost to collaboration between Southeast Asian producers. “I can’t find a better partner than Tan Si En. His taste is impeccable and his work ethic is truly admirable,” Ang said.

Located in Hanoi, Don’t cry, butterfly revolves around a middle-aged housewife who discovers her husband is cheating on her, but instead of confronting him, uses voodoo to bring him back. The project was rewarded by the Script to Screen workshop, organized by the Motion Picture Association (MPA), Locarno Open Doors and HAF. Tan produces with Tran Thi Bich Ngoc for An Nam Productions in Vietnam, with Ang on board as co-producer.

Tropical rain, death-scented kiss won the Singapore International Film Festival Film Lab Fellowship Award. The hybrid animation is described as a “lesbian dime-store romance in a spirited Singapore”. Giuliana Foulkes for Chicago-based Total Blur Productions and Jerrold Chong for Singaporean animation studio Finding Pictures are also producing.

Currently in production, bold eagle is about an anonymous online sex worker “who seeks validation from his chat as he wonders if he can be anything more than a pretty face.” Alcazaren is an award-winning production designer who recently worked on Carlo Manatad If the weather is nicewhile his directorial credits include never separate us.

Dozens across borders follows LGBTQ pioneers building the fashion and ballroom scenes in Thailand, Malaysia and the Philippines. The project, which recently filmed in New York before moving on to the Philippines and Norway, won the DOK Leipzig Accelerator award at Docs By The Sea in Indonesia and also has funding from the Asian Cinema Fund in Busan and the DMZ. International Documentary Film Festival.

Daluyong began by producing small auteur films in the Philippines with grants from local festivals such as Cinemalaya, QCinema and Cinema One Originals. The company’s early productions won awards in the Philippines and premiered at festivals such as Busan, Tokyo and Turin.

After ten years, the company was renamed Daluyong and began to develop international co-productions, working mainly with new talent and tackling social issues such as violence against women, LGBTQ rights and gender. Mental Health.

Ang and fellow Filipino producer Will Fredo’s Fusee co-produced Chie Hayakawa’s Diet 75 with Japan’s Loaded Films, Urban Factory, Happinet-Phantom Studios, Dongyu Club and WOWOW. The film won the Camera d’Or at this year’s Cannes Film Festival and was also screened in Toronto.

Tan worked as a producer on Kirsten Tan’s Pop Yes (2017), by Anthony Chen wet seasonn (2019) and Chen’s anthology segment The Year of the Eternal Storm, which premiered in Cannes last year. She was also co-producer of Sorayos Prapapan Arnold is a model studentthe premiere of which took place this year in Locarno.

In 2018, she founded Momo Film with Singaporean writer-director Kris Ong. Last year, Singapore-based Beach House Pictures, part of Canadian group Blue Ant Media, acquired a majority stake in Momo Film, which is now expanding its lineup of scripted series.

Matthew Farrar launches production house EkdroMedia

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Florida Contractor Matthew Farrar launches EkdroMedia, a production house that focuses on harnessing the power of social movements, culture and outdoor adventure.

EkdroMedia will develop and produce series for networks, streaming and social networks, as well as branded and animated series, develop virtual and augmented reality projects and connect brands and organizations with the most amazing and innovative collection. curated of out-of-world visual assets. .

“My journey to EkdroMedia has been constructed and realized in national and state parks, on water, on trails and through the lens of my Sony Alpha camera – admiring the real, raw and incredible world that surrounds me. Just as many have prioritized their health and gone outdoors over the past two years, my adventures have helped me deepen my understanding of how visual and auditory experiences can create moments that stay with viewers long after they end,” Farrar said.

Farrar also announced the creation of OutdoorStock, the most accurate, organized and user-friendly stock image marketplace ever, with images organized by targeted metadata so users can easily find the right photo or video without browsing through thousands of irrelevant and inaccurate results. The platform will also allow brands to directly order exclusive shipments with creators.

Farrar noted that “too many marketing campaigns end up with photos and videos that inaccurately reflect their subject matter, inauthentically communicate their message, or require hiring a professional like me to capture exclusive content. I want to open access to some of the world’s best landscape and wildlife visual content from talented creators – that you can be sure are accurate.

EkdroMedia is launching with three major projects in development. Farrar will direct and produce a short documentary focusing on the future of the trucking industry in partnership with the Florida Trucking Association. “Wild Escape,” an outdoor docuseries, is currently in pre-production and will offer audiences an intimate, unfiltered look at today’s leaders against the backdrop of some of the world’s most beautiful wilderness, with the first episode from the series featuring guest Pierre Schorsch. The company is also launching with an anime series in development, with a creative team led by Jason Maurera 20+ year veteran of the animation and film industry whose Emmy-winning work strives to entertain while educating audiences on often socially difficult topics.

“EkdroMedia’s goal will be to create powerful and evocative experiences that move people emotionally and inspire them to live authentically,” added Farrar.

In 2014, Farrar co-founded SDS, a marketing company recently recognized on the Inc. 5000 Southeast — Inc. Magazine list of America’s fastest-growing private companies in the Southeast United States. During this time, Farrar has pioneered innovative new live social video solutions, built state-of-the-art video and podcast studios, and completed hundreds of video shoots. He will remain a shareholder of SDS and will act as an advisor and member of the board of directors of the growing company.


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Philippine Production House Daluyong Teams Up With Singapore’s Momo Film – Deadline

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EXCLUSIVE: Philippine production house Daluyong Studiosfounded by Alemberg Enga co-producer of Japan’s nomination for the Academy Awards for Best International Feature Film Diet 75associates with Tan Si Enis based in Singapore Momo Film Co to co-produce a list of feature films and documentaries.

The joint list includes feature films Don’t cry, butterfly, by rising Vietnamese filmmaker Duong Dieu Linh; and Tropical rain, death-scented kiss, directed by Singaporean-American animation filmmaker Charlotte Hong Bee Her; as well as short film and feature film bold eaglee, directed by Whammy Alcazaren from the Philippines; and feature documentary Dozens across bordersby Sze-Wei Chan.

Daluyong previously teamed up with Anthony Chen’s Tan Si En and Giraffe Pictures on Some nights I feel like walking, by Filipino filmmaker Petersen Vargas, currently in pre-production. The project, about a teenage runaway who falls in with a group of hustlers, won the SEAFIC award at the 2019 Southeast Asia Fiction Film Lab and was also screened at the Hong Kong Asia Film Financing Forum (HAF) and Cannes Cinefondation Atelier.

Ang and Tan said they decided to expand their partnership as they share a mission to amplify the voices of emerging Asian filmmakers and showcase authentic stories from across the region.

“Alemberg Ang of Daluyong Studios and I share similar passions for working on projects that empower and give voice to minorities,” Tan said. “I’m excited to continue our relationship to co-produce projects, and we look forward to continuing to move forward.”

Ang explained that co-production funding programs from organizations such as the Film Development Council of the Philippines (FDCP) and Singapore’s Infocomm Media Development Authority (IMDA) have recently given a huge boost to collaboration between Southeast Asian producers. “I can’t find a better partner than Tan Si En. His taste is impeccable and his work ethic is truly admirable,” Ang said.

Located in Hanoi, Don’t cry, butterfly revolves around a middle-aged housewife who discovers her husband is cheating on her, but instead of confronting him, uses voodoo to bring him back. The project was rewarded by the Script to Screen workshop, organized by the Motion Picture Association (MPA), Locarno Open Doors and HAF. Tan produces with Tran Thi Bich Ngoc for An Nam Productions in Vietnam, with Ang on board as co-producer.

Tropical rain, death-scented kiss won the Singapore International Film Festival Film Lab Fellowship Award. The hybrid animation is described as a “lesbian dime-store romance in a spirited Singapore”. Giuliana Foulkes for Chicago-based Total Blur Productions and Jerrold Chong for Singaporean animation studio Finding Pictures are also producing.

Currently in production, bold eagle is about an anonymous online sex worker “who seeks validation from his chat as he wonders if he can be anything more than a pretty face.” Alcazaren is an award-winning production designer who recently worked on Carlo Manatad If the weather is nicewhile his directorial credits include never separate us.

Dozens across borders follows LGBTQ pioneers building the fashion and ballroom scenes in Thailand, Malaysia and the Philippines. The project, which recently filmed in New York before moving on to the Philippines and Norway, won the DOK Leipzig Accelerator award at Docs By The Sea in Indonesia and also has funding from the Asian Cinema Fund in Busan and the DMZ. International Documentary Film Festival.

Daluyong began by producing small auteur films in the Philippines with grants from local festivals such as Cinemalaya, QCinema and Cinema One Originals. The company’s early productions won awards in the Philippines and premiered at festivals such as Busan, Tokyo and Turin.

After ten years, the company was renamed Daluyong and began to develop international co-productions, working mainly with new talent and tackling social issues such as violence against women, LGBTQ rights and gender. Mental Health.

Ang is co-producer of Chie Hayakawa Diet 75, produced by the Japanese Loaded Films, Happinet-Phantom Studios and Dongyu Club, the French Urban Factory and the Filipino Fusee, founded by Will Fredo. The film won the Camera d’Or Special Mention at this year’s Cannes Film Festival and was also screened in Toronto.

Tan worked as a producer on Kirsten Tan’s Pop Yes (2017), by Anthony Chen wet seasonn (2019) and Chen’s anthology segment The Year of the Eternal Storm, which premiered in Cannes last year. She was also co-producer of Sorayos Prapapan Arnold is a model studentthe premiere of which took place this year in Locarno.

In 2018, she founded Momo Film with Singaporean writer-director Kris Ong. Last year, Singapore-based Beach House Pictures, part of Canadian group Blue Ant Media, acquired a majority stake in Momo Film, which is now expanding its lineup of scripted series.

Jagjeet Sandhu launches his production company ‘Popkon Pictures’ and unveils the poster for his new film

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Jagjeet Sandhu who landed in the Punjabi film industry with Rupinder Gandhi – The Gangster, got a lot of love from the reception. His character and acting skills were appreciated by his fans. Today the artist announced something big and special to his fans. He shared a poster of his upcoming movie “Bhole Oye” and he also announced the launch of his production house.

Yes, you read that right. Jagjeet Sandhu added another feather to his hat. From now on, the commendable actor will also take on the role of producer. Jagjeet has joined the roster of young Pollywood actors producing their own films including Gippy Grewal, Neeru Bajwa, Jayy Randhawa, Sara Gurpal and many more. The next film will be based on the character of Bhola, which he tried out in his first film. The character was funny and lovable. The new production house was named “Popkon Pictures”. And just like its name, the logo is also very attractive, featuring a box of popcorn.

READ ALSO : Jagjeet Sandhu works with Diljit Dosanjh in Jaswant Singh Khalra’s biopic. Details inside

While sharing the poster and logo of his new production house, Sandhu revealed that the movie will be released in 2023. The poster is very captivating as it features a packet of Jarda (tobacco) in which we see a funny photo of Jagjeet, while there’s the tagline too, which reads, ‘Sehat Layi hanikarak hai’. In the caption, he wrote: “The character he left from, you gave him a lot of love, the same Bholah is coming back, but this time it will come with lots of entertainment, and Bhola’s life will also teach a lot. Secondly, with this movie, I also announce my production house “POPKON PICTURES”, through this, we will try to deliver good entertaining movies to you.”

Looked:

Fans have bombarded the actor’s comments section and are ecstatic to watch his films. Jagjeet has not only carved out a place for himself in Pollywood but also in Bollywood. He was featured in the web series Paatal Lok and his character Chaku Singh was well received by fans. Not only that, he also worked in ‘Escaype Live’.

Team 5 Dariya News sends their most sincere congratulations on this new start, and we hope that it will turn out to be the best it can be.

READ ALSO : Jagdeep Sidhu has launched the new production house “Ranga Rang Films”

This production house grabs the Hindi distribution rights to God Father

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This production house grabs the Hindi distribution rights to God Father


Posted Sep 16, 2022 8:42 PM IST


Megastar Chiranjeevi’s latest film, God Father, is gearing up for a big theatrical release on October 5, 2022 worldwide. Bollywood actor Salman Khan also plays a key role in this biggie.

At the latest news, the famous banner Supercluster Production Pvt Ltd has acquired the rights to broadcast the film in Hindi throughout the country.

Nayanthara is the leading lady in this film, which also has Puri Jagannadh, Sunil, Satya Dev and others in supporting roles. Produced by Konidela Production Company and Super Good Films, the film has music by Thaman.

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Toontrack Superior Drummer 3: Giant Drums Production Studio

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Toontrack Superior Drummer 3: Giant Drums Production Studio

The people at toontrack know what musicians want – after all, the business only started because founders Mattias Eklund and Henrik Kjellberg wanted to create great-sounding digital drums for their own projects. That was over twenty years ago, and they’ve spent time building a virtual instrument empire ever since, changing the game with releases like EZdrummer and its beloved menagerie of expansions. One of their standout products, with an insane library size of 235 GB, is among the most successful plugins in any category: Toontrack Upper Beater 3.

The third installment in the series, Superior Drummer 3 completely eclipses its predecessors in both size and scope. The aforementioned library justifies its huge size with seven different and customizable drum kits, 14 kit setups, 16 kicks, 25 snares, 32 cymbals and around 350 electronic drum machine-style sounds – and these are not than the batteries themselves. You can mix and match them to create your own ideal kit, or stack several together (for example, creating a kick drum sound from several individual kick drums) to achieve rich, distinctive sounds you wouldn’t get with a single battery. The attention to detail is extraordinary for some kits, you can even choose to replace the typical sticks with brushes, rods and felt mallets for additional acoustic possibilities.

Conceived by the heroic George Massenburg (whose CV is too big to include here), Superior Drummer 3 has been expertly crafted and, in turn, gives you the best possible tools to shape your sound. Tuning, envelope, and velocity parameters allow you to tweak your drum sounds from the source; a powerful 35-effect mixer lets you sculpt the mix any way you want. The groove grid offers a fast and intuitive way to program, and the amazing AI-enabled “Tracker” feature lets you drop in your recorded drum audio material and convert it to MIDI. Whether you want to tweak and enhance pre-existing sounds or create fascinating new ones, this great software will go as until your creativity is ready to take it. The Superior Drummer 3 configuration also includes eleven additional room microphones configured in a surround configuration, for use in any system, from stereo all the way up to 11.1 systems.

Toontrack Superior Drummer 3 is available on the official company website– regular purchases (i.e. for those who don’t already own a version of Superior Drummer 2) will be $399, while those who are “crossgrade” eligible will pay $319.

Watch the video below to see the plugin in action!

Next post: Flume shares studio secrets in a Reddit AMA

Image credit: toontrack

Toontrack Superior Drummer 3: Giant Drums Production Studio

0

Toontrack Superior Drummer 3: Giant Drums Production Studio

The people at toontrack know what musicians want – after all, the business only started because founders Mattias Eklund and Henrik Kjellberg wanted to create great-sounding digital drums for their own projects. That was over twenty years ago, and they’ve spent time building a virtual instrument empire ever since, changing the game with releases like EZdrummer and its beloved menagerie of expansions. One of their standout products, with an insane library size of 235 GB, is among the most successful plugins in any category: Toontrack Upper Beater 3.

The third installment in the series, Superior Drummer 3 completely eclipses its predecessors in both size and scope. The aforementioned library justifies its huge size with seven different and customizable drum kits, 14 kit setups, 16 kicks, 25 snares, 32 cymbals and around 350 electronic drum machine-style sounds – and these are not than the batteries themselves. You can mix and match them to create your own ideal kit, or stack several together (for example, creating a kick drum sound from several individual kick drums) to achieve rich, distinctive sounds you wouldn’t get with a single battery. The attention to detail is extraordinary for some kits, you can even choose to replace the typical sticks with brushes, rods and felt mallets for additional acoustic possibilities.

Conceived by the heroic George Massenburg (whose CV is too big to include here), Superior Drummer 3 has been expertly crafted and, in turn, gives you the best possible tools to shape your sound. Tuning, envelope, and velocity parameters allow you to tweak your drum sounds from the source; a powerful 35-effect mixer lets you sculpt the mix any way you want. The groove grid offers a fast and intuitive way to program, and the amazing AI-enabled “Tracker” feature lets you drop in your recorded drum audio material and convert it to MIDI. Whether you want to tweak and enhance pre-existing sounds or create fascinating new ones, this great software will go as until your creativity is ready to take it. The Superior Drummer 3 configuration also includes eleven additional room microphones configured in a surround configuration, for use in any system, from stereo all the way up to 11.1 systems.

Toontrack Superior Drummer 3 is available on the official company website– regular purchases (i.e. for those who don’t already own a version of Superior Drummer 2) will be $399, while those who are “crossgrade” eligible will pay $319.

Watch the video below to see the plugin in action!

Next post: Flume shares studio secrets in a Reddit AMA

Image credit: toontrack

Joy Gorman Wettels Launches Joy Coalition Production Company – Deadline

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EXCLUSIVE: Joy Gorman Wettels is starting her own production company and has struck a deal with Fifth Season.

The former partner of Anonymous Content, who is an executive producer of series such as 13 reasons why and Home before darklaunched Joy Coalition and signed a first deal with the company formerly known as Endeavor Content.

Joy Coalition focuses on premium content centered on social topics and works with policy experts and philanthropic organizations.

The multi-year deal with the studio behind series such as Severance will span scripted TV, movies and unscripted series. Both companies will be interested in projects that have a social impact on business and that value inclusion and equity.

Alyssa Raimann, who previously worked at STX Entertainment, joins as director of development with Reid Hensen as coordinator.

In addition to Netflix 13 reasons why and that of Apple Home before darkshe also executive produced for HBO Max Eyes on the Prize: Hallowed Ground and is currently in production on the Hulu/Onyx Collective series Not imprisonedwith Kerry Washington and Dawn Porter’s HBO documentary series Eyes on the prize.

Outside of the deal, its development plans, including the restart of little house on the prairie for Paramount TV Studios/Anonymous Content Studio and a video game adaptation life is strange alongside pop star Shawn Mendes, Legendary Television and Anonymous Content Studio.

As part of this pact, she will work closely with Joe Hipps, Fifth Season’s senior vice president of television development and production, and Tamara Rothenberg, senior vice president of development and production.

Joy Coalition will also work with people like the Office of the United States Surgeon General, Dr. Vivek Murthy, in response to the youth mental health crisis.

“Joy is a brilliant producer and a thoughtful and authentic changemaker. His work sparks important conversations on a large scale. We are beyond thrilled to have Joy join the fifth season and partner with her to tell authentic and popular stories that engage and entertain millions of people who impact society,” said Hipps and Rothenberg.

“The next generation is changing the world and pushing us to action,” added Gorman Wettels. “They are a crucial demographic for streamers and studios because when seen, heard and activated, they bring all generations of viewers with them. I am beyond grateful to partner with Fifth Season, a studio of impeccable taste, values ​​and culture that immediately understood and championed my vision for Joy Coalition. They know that global audiences crave useful content and real engagement and they’ve built a world-class studio that supports that work.

Gorman Wettels is replaced by Nina Shaw at Del Shaw Moonves Tanaka Finkelstein Lezcano Bobb & Dang.

The most trolled production house

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Konidela Production Company is the production house owned by Megastar Chiranjeevi and his son Ram Charan. All of Chiranjeevi’s films are presented by Konidela Pro. Mega fans are wondering who runs the production house’s social media pages. None of the updates of movies produced by Konidela Pro are released on time. God Father is Chiranjeevi’s next big movie and the movie will hit the screens on October 5th. From the teaser to the posters to the song teaser, none of them came out on time.

There would be updates released on the teaser or song release. But these songs or teasers are delayed due to technical issues. After keeping Mega Fans in hold mode, they are released after a considerable delay. From Mega fans to Tollywood audiences, everyone is trolling the production house badly. Previously, UV Creations was the most-followed production house by Tollywood fans. Now Konidela Production Company has surpassed UV Creations and become the most controlled production house in Telugu cinema.

Telugu360 is always open to the best and brightest journalists. If you are interested in full-time or freelance work, email us at [email protected]






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Neither an agency nor a production house. What are they?

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Content marketing has come a long way from promoting a product to telling a story and putting the consumer first. The other new thing in this space are strategy-focused content startups. Brands entrust their content business to these new era companies that imagine, create and package micro-content for all kinds of marketing communications.

“We are neither an advertising agency nor a production house. We sit right in between and take care of all your content and large-scale production needs,” says Aaliya Amrin, co-founder of By The Gram.

Who are they and who do they work for?

They call themselves a content-driven company. Based in Mumbai, the company serves clients such as Netflix, Tiger Baby, Hotstar, Dharma, Audi, Shantanu and Nikhil and many more in the luxury and entertainment space.

Do you know the fabulous lives of Bollywood brides? Many of their Season 2 promotional trailers were done by By The Gram.

Explaining the costs, Amrin says, “You get what you pay for and the content is no different. A digital commercial can cost you between Rs 15 lakh and Rs 55 lakh while a TVC can take you right into the Rs 80 lakh to Rs 2 crore bracket.

Among marketers surveyed in India in 2021 by business intelligence platform Statista, 27% said using content marketing as a strategy helped them engage new audiences.

An increase in brand awareness was the second most popular benefit of content marketing reported by 26% of respondents during the survey. Clearly, amplifying reach, engagement, and leads drives brands to find expert storytelling partners.

“We are neither an advertising agency nor a production house. We sit right in between and take care of all your content and large-scale production needs,” says Aaliya Amrin of By The Gram.

Why don’t they cater to big creative agencies?

According to Jitendra Hirawat, director of SoCheers Films, this is a supply and demand situation.

According to him, in the creative space of advertising, digital videos have been in high demand, especially in recent years, and digital penetration will further accelerate this demand with more engaging content.

“In such a scenario, larger agencies often face a shortage of bandwidth, which is where newer and smaller players come in. These startups are well positioned to fill this bandwidth gap. Second, being a relatively new player, they tend to offer low-cost, budget-friendly options,” he says.

Interestingly, many of these startups have already started as part of a larger agency. For example, The Rabbit Hole started as a small three-member video agency within FoxyMoron in 2017.

At the time, they took on small ad-hoc productions for their clients as and when needed. They wanted to expand into this space and realizing the customer demand and the potential of the talent they had on board, they decided to take the plunge and introduce one of the biggest OTT companies launched in India.

However, they lost that ground as the brand felt they lacked the team size and expertise to fulfill their mandate.

This failure fueled a thirst for growth, which led to this small video solutions team splitting off as an independent agency under the Zoo Media network.

“It’s the era of decentralization and independent agencies are winning as brands increasingly seek out unique and personalized offers,” says Pranay Swarup of Chtrbox.

The Rabbit Hole has established itself as an independent entity in 2020 due to the market need and demand for expertise in video content solutions,” Rishabh Khatter, Business Head, The Rabbit Hole, told Storyboard18 .

Turns out the same OTT brand that rejected their pitch is now on their client list along with a host of others like Tinder, Swiggy, YouTube India, Unacademy, Maybelline, Zebronics, Ponds.

The agency mainly focuses on marketing communication – headline marketing, OTT marketing, web3.0 marketing or anything else in the digital space.

The brand has worked on many popular promotional campaigns for projects like Netflix’s AK v/s AK followed by their Behensplaining, Tinder India’s TinderLog and others.

The internal influencer quotient

Another cool thing about these agencies is that they sometimes have other functions like influencer marketing as part of their offering. Like Chtrbox, which is a creator marketing platform and agency that helps brands produce and distribute influencer-led videos.

Chtrbox was launched by Pranay Swarup in 2016 in partnership with Rohit Raj and Varun Duggirala (founders of The Glitch, which in 2018 was acquired by WPP) and strategic investments from media personalities and entrepreneurs, Roshan Abbas and Gaurav Kapur.

Content creation for Chtrbox is an integral part of their offerings. Their clientele includes brands that increasingly cater to a digital India. Some of them are P&G, HP, Amazon and CRED. “Brands that come to us come with the goal of tapping into the love and attention that creators have from the public, and leveraging the creative skills that creators have to help brands tell their stories,” says Swarup.

According to him, this is the era of decentralization and independent agencies are winning as brands are increasingly looking for unique and personalized offers.

Content and above all comes to us fast and furiously. It is expected to grow by leaps and bounds in the coming years and the space will see a slew of nimble, forward-thinking new entrants giving traditional ad shops a run for their content money. This is one video you don’t want to skip.

Bastion Films becomes Bastion Make; expands its studio and in-house production team – Campaign Briefing

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Bastion Films has been rebranded as Bastion Make, reflecting its newly expanded production capabilities, including an in-house production studio with over 30 on-site craft specialists providing clients with cost-effective 360-degree content and campaign delivery by a single team.

The creation of Bastion Make further reinforces Bastion’s new global agency model – one company with many services, deep expertise in each and broad thinking across the entire communications spectrum, providing clients with an simplified “one-stop shop”.

In-house craft experts with deep expertise in motion, digital, studio and print work in tandem across all production disciplines to deliver an integrated end-to-end campaign and content delivery for Bastion and clients direct. The upgraded studio allows all editing, grading and VFX to be done in-house in Bastion Make’s post-house, creating efficiencies for clients.

The in-house team includes two editors/shooters, two digital producers, a supervising producer, digital EP, print producer, finished artist, animators, production company producers, traditional agency producers and animation producers.

To further bolster the new 360 model, Bastion Make also announced the senior appointment of Galadriel Roussos as Executive Producer, Sydney. A seasoned EP, Roussos brings deep expertise gained over more than 20 years of experience in broadcast, networks and events, including four years with Foxtel.

As part of the national model rollout, Bastion Make has also assembled a team in Melbourne, with EP – Kaelene Morton in the lead, Editor – Dave Wade and Producer – Ravenna Bouckaert, gaining access to production and post studios. centralized and expert craftsmen to deliver 360 campaigns for Melbourne-based clients.

Jacqueline Archer, Managing Director of Bastion, says, “The team is now large enough to run 360 campaign solutions in-house, while maintaining the fluidity and agility needed to continue operating as a delivery group. collaborative.

“Best in class and quality execution are at the heart of what we do. Because our experts are in-house, we can easily deliver integrated solutions that are insight-driven, impactful and cost-effective. Customers n They don’t need to talk to ten different departments, they talk about it, whatever their content and production needs.

Jack Watts, CEO of Bastion Group, said: “Of the wide range of services we provide to our clients, content production in all its forms is the one thing that every client responds to by saying they need it. more, and delivered in a faster and better model. . This has driven our significant investment in human resources and physical and digital infrastructure to rapidly expand our capabilities. We now have a team of 30 Makers – producers, directors, artists, designers, post-producers, editors and many more who are focused on producing stunning work for our clients, efficiently and effectively.

With the new name, 360 degree domestic model with increased capabilities and strengthened production facilities, Bastion Make is currently expanding into the other Bastion markets of New Zealand and the United States.

Bastion Films becomes Bastion Make; expands its studio and in-house production team – Campaign Briefing

0

Bastion Films has been rebranded as Bastion Make, reflecting its newly expanded production capabilities, including an in-house production studio with over 30 on-site craft specialists providing clients with cost-effective 360-degree content and campaign delivery by a single team.

The creation of Bastion Make further reinforces Bastion’s new global agency model – one company with many services, deep expertise in each and broad thinking across the entire communications spectrum, providing clients with an simplified “one-stop shop”.

In-house craft experts with deep expertise in motion, digital, studio and print work in tandem across all production disciplines to deliver an integrated end-to-end campaign and content delivery for Bastion and clients direct. The upgraded studio allows all editing, grading and VFX to be done in-house in Bastion Make’s post-house, creating efficiencies for clients.

The in-house team includes two editors/shooters, two digital producers, a supervising producer, digital EP, print producer, finished artist, animators, production company producers, traditional agency producers and animation producers.

To further bolster the new 360 model, Bastion Make also announced the senior appointment of Galadriel Roussos as Executive Producer, Sydney. A seasoned EP, Roussos brings deep expertise gained over more than 20 years of experience in broadcast, networks and events, including four years with Foxtel.

As part of the national model rollout, Bastion Make has also assembled a team in Melbourne, with EP – Kaelene Morton in the lead, Editor – Dave Wade and Producer – Ravenna Bouckaert, gaining access to production and post studios. centralized and expert craftsmen to deliver 360 campaigns for Melbourne-based clients.

Jacqueline Archer, Managing Director of Bastion, says, “The team is now large enough to run 360 campaign solutions in-house, while maintaining the fluidity and agility needed to continue operating as a delivery group. collaborative.

“Best in class and quality execution are at the heart of what we do. Because our experts are in-house, we can easily deliver integrated solutions that are insight-driven, impactful and cost-effective. Customers n They don’t need to talk to ten different departments, they talk about it, whatever their content and production needs.

Jack Watts, Bastion Group CEO, said: “Of the wide range of services we provide to our clients, content production in all its forms is the one thing every client responds to by saying they need it. more, and delivered in a faster and better model. . This has driven our significant investment in human resources and physical and digital infrastructure to rapidly expand our capabilities. We now have a team of 30 Makers – producers, directors, artists, designers, post-producers, editors and many more who are focused on producing stunning work for our clients, efficiently and effectively.

With the new name, National 360 degree model with increased capabilities and strengthened production facilities, Bastion Make is currently expanding into the other Bastion markets of New Zealand and the United States.

The film production house calls for actors

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ACKIM Films Production is calling on actors to participate in their latest production – Deep Silences (Dark Secrets) whose auditions will take place on September 17th at the Angolan Embassy in Harare.

The production house is looking for approximately 26 members between the ages of 13 and 42 from across the country.

Production organizer Keith Mseza has confirmed Standard Style’s developments.

“The call is primarily looking for young and old Zimbabweans who are passionate about acting. Anyone with or without experience or in the arts industry is welcome,” Mseza said.

“The call asks all people across the country to join our journey in finding talented actors to be part of our project called Deep Silences (Dark Secrets).”

Mseza said they would accept all responses from across the country as long as individuals are able to travel to the audition destination.

“Personal interviews would also be conducted before the auditions to learn about the contestants and other aspects crucial to selecting the best candidates for each role in the film,” he said.

Mseza said Cloud Mhlanga organizes the auditions and gathers the applicants.

“The cast needs about 26 members.

“The movie we’re working on is called Deep Silences (Dark Secrets) which is more like a wealthy family (parents and two kids),” he said.

“The woman involves herself in such a dangerous world full of drug dealers and hides her disgusting acts from the whole family and it has really thrown her into deep crisis after crisis.

“The incidents almost killed all the members of the family”

Mseza added that screenplay writer Kawengo Samachayi, an award-winning author, was of Angolan descent.

“We would use the Angolan Embassy as the venue because we got the green light from the Angolan Embassy to do our auditions there,” he said.

“I have always been inspired by young people who have succeeded in the arts industry so far and I have always wondered how they got there.

“What I realized was that they all had a starting point and making this film would help so many young talents in Zimbabwe tap into the arts industry and make a name for themselves.”

Additionally, Mseza believes in uplifting anyone who has the passion and commitment to something.

“I believe that the success of a project is guaranteed from the moment you commit,” he said.

“So many people have no business blaming education as a hindrance.

“I want to give everyone a chance to prove themselves and help each other without needing a document or certificate of a certain level of education,” Mseza said.

Production is based in Bulawayo.

Related Topics

JLL Capital Markets Affordable Housing Production Team Welcomes Danté Thomas

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PHILADELPHIA, September 9, 2022 – JLL Capital Markets today announced that it has welcomed Managing Director Danté Thomas to its affordable housing production team. Thomas is based in the Philadelphia office and reports to Senior Managing Director Angela Kelcher, who leads the National Affordable Housing Debt Production Team.

Thomas joins JLL in a leadership role with responsibility for optimizing financing solutions from a variety of capital sources, including Fannie Mae and Freddie Mac.

“I am thrilled to join a team committed to providing customers with exceptional service and technical expertise that delivers a unique and rewarding experience,” said Thomas.

Prior to joining JLL, Thomas most recently served as Vice President of Product Originations for Berkadia Commercial Mortgage, working directly with originators, clients and capital providers to structure geographically dispersed transactions nationwide. Prior to spending four years at Berkadia, Thomas served as director of real estate for the Housing Partnership Equity Trust, now majority-owned by Lincoln Avenue Capital. Thomas began his career as a senior asset manager and underwriter with Fannie Mae’s multi-unit mortgage business and also worked for the District of Columbia Housing Finance Agency as an agent principal of development. Thomas earned a Master of Science in Real Estate from Johns Hopkins University and a Bachelor of Business Administration in Finance from Georgia State University.

“It’s a top priority to continue to deliver the reliable execution and superior customer service that led me to join JLL earlier this year,” Kelcher said. “The addition of Dante to JLL’s affordable team ensures that we develop our leadership and expertise in line with our growing production volumes.”

JLL Capital Markets is a global, full-service provider of capital solutions for property investors and occupiers. The firm’s in-depth knowledge of the local market and global investors provides best-in-class solutions to its clients, whether it is investment and sales advisory, debt advisory, equity advisory or recapitalization . The firm has more than 3,000 capital markets specialists worldwide with offices in nearly 50 countries.

For more JLL news, videos and research resources, please visit our newsroom.

Visual effects production studio Crafty Apes receives grant from Epic Games

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cunning monkeysthe visual effects company which opened a production facility at Celtic Studios in March 2020, has received an Epic MegaGrant from Epic Games, maker of 3D rendering software Unreal Engine.

According to the announcement, the Epic MegaGrant will increase the studio’s ability to visioncast and execute hybrid production pipelines where traditional visual effects and virtual production solutions are used in tandem as a creative and budget solution for film clients, of Crafty Apes streaming and TV. Read the ad.

The company did not respond to multiple requests for additional pricing information.

Crafty Apes, in partnership with Louisiana Entertainment, reports that it will continue to develop its junior visual effects, or VFX, labor program to deliver its new computer-graphics animated short. Before the beard, before the bellycreated as a proof of concept for the feature film The Legend of Santa Claus. Once complete, the short will be ready to render using Epic Games’ Unreal Engine 5.

Since expanding to Baton Rouge, the studio has established a local VFX apprenticeship program that has helped train six junior compositing artists capable of delivering high-end visual effects and creative services.

“As part of our entertainment industry job creation program, Crafty Apes has trained and hired talented artists in an impressive portfolio of VFX projects that continues to grow in our state,” says Chris Stelly, Executive Director of the entertainment and digital media group at Louisiana Economic Development.

In January, Crafty Apes acquired New York-based visual effects company Molecule VFX.

JLL Capital Markets Affordable Housing Production Team Welcomes Danté Thomas

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JLL has welcomed General Manager Danté Thomas to its affordable housing production team.

JLL Capital Markets has announced that it has welcomed Managing Director Danté Thomas to its affordable housing production team. Thomas is based in the Philadelphia office and reports to Senior Managing Director Angela Kelcher, who leads the National Affordable Housing Debt Production Team.

Thomas joins JLL in a leadership role with responsibility for optimizing financing solutions from a variety of capital sources, including Fannie Mae and Freddie Mac.

“I am thrilled to join a team committed to providing customers with exceptional service and technical expertise that delivers a unique and rewarding experience,” said Thomas.

Prior to joining JLL, Thomas most recently served as Vice President of Product Originations for Berkadia Commercial Mortgage, working directly with originators, clients and capital providers to structure geographically dispersed transactions nationwide. Prior to spending four years at Berkadia, Thomas served as director of real estate for the Housing Partnership Equity Trust, now majority-owned by Lincoln Avenue Capital. Thomas began his career as a senior asset manager and underwriter with Fannie Mae’s multi-unit mortgage business and also worked for the District of Columbia Housing Finance Agency as an agent principal of development. Thomas earned a Master of Science in Real Estate from Johns Hopkins University and a Bachelor of Business Administration in Finance from Georgia State University.

“It’s a top priority to continue to deliver the reliable execution and superior customer service that led me to join JLL earlier this year,” Kelcher said. “The addition of Dante to JLL’s affordable team ensures that we develop our leadership and expertise in line with our growing production volumes.”

JLL Capital Markets is a global, full-service provider of capital solutions for property investors and occupiers. The firm’s deep knowledge of the local market and global investors provides best-in-class solutions to its clients, whether it is investment and sales advisory, debt advisory, equity advisory or recapitalization . The firm has more than 3,000 capital markets specialists worldwide with offices in nearly 50 countries.

Production house to produce NBL, WNBL

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There’s No Stopping For Live Sport, Entertainment Program And Sports Documentary Director JAM-TV. The Eddie McGuire-controlled company has just announced its latest major piece.

The production house secured contracts from the NBL and WNBL to produce the season’s game coverage for the basketball leagues.

JAM TV’s domed slate includes Millionaire Hot Seat Sunday Football Show and Footy Ranked thanks to a growing list of sports documentaries, including the recent show me the money, Fearless: The Inside Story of the AFLW and recently announced Danielle Laidley doctor.

In the new basketball announcement, JAM TV said it was the first time both competitions will be produced by a single production company.

It adds basketball to JAM TV’s rapidly growing list of live sports productions, which includes AFLW, VFL, SANFL, WAFL, golf, cycling and more.

Cos Cardon, CEO of JAM TV, said, “We’ve always dreamed of getting involved in basketball, and we’re excited to be a part of where it’s headed. Our production teams are excited to bring their creative talent, passion for storytelling, and livestream production expertise to both the NBL and WNBL.

“The world rankings of elite level men’s and women’s competition here in Australia are incredibly exciting for fans of basketball and sports. We look forward to adding to that story and taking the sport to the next level for everyone.” fans on various platforms, in conjunction with the NBL, WNBL and their broadcast and streaming partners.

NBL sales manager Brad Joyner said: “We are experiencing unprecedented levels of interest in the LNB. Our average TV audience is up 12%, we are engaging with more people than ever before through mainstream media with growth of 8.2%, and we have reached a total of 225.7 million people through our international reach. We are extremely excited to partner with JAM TV for the production of our games and other shows, and believe our fans will greatly benefit from an enhanced viewing experience and a world-class level of basketball broadcasting. JAM TV is a leading television producer in Australia and has great expertise in sports broadcasting. This partnership is a big win for our fans and our partners.

Christy Collier Hillhead of the WNBL, said: “We are excited to be working with JAM TV over the upcoming WNBL seasons. They understand basketball, and specifically women’s basketball, and are committed to working with us to produce engaging, high-quality programming and broader content. We are excited to see where this new partnership and opportunity can take the WNBL.

The NBL season begins October 1, 2022 and will air on 10 Peach, 10HD and ESPN.

The WNBL season begins November 3, 2022 and will air on ESPN and stream on 9NOW.

Production company donates pill press to Oklahoma Bureau of Narcotics

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Oklahoma’s Narcotics Bureau plans to put a prop it received from the TV series “Tulsa King” to good use.

The show, which was filmed in Tulsa and Oklahoma City, donated a pill press to the office.

One of the show’s producers called the office and asked if they wanted the working pill press to keep it from getting into the wrong hands.

Oklahoma’s Narcotics Bureau said it could seize a pill press, but receiving it as a donation is a first.

“We said absolutely,” said Mark Woodward of the Oklahoma Narcotics Bureau.

The commercial pill press was used as a prop in the new ‘Tulsa King’ series starring Sylvester Stallone.

The production company no longer needed it and feared selling the expensive prop would run the risk of allowing a drug dealer.

“Certainly it could be valuable on the streets,” Woodward said.

The OBN will use the pill press for training purposes, helping law enforcement officers know what to look for.

“The likelihood of them walking into a house and going through a pill press is becoming more common as we see more of these drug labs popping up here locally,” Woodward said. “[I]If you didn’t know what to look for, they might walk past a pill lab in a house and never recognize it as anything other than a piece of metal machinery in the corner of the garage.”

Modern tablet presses like the one offered are intended for pharmacies.

“They’re bought off the dark web and even the legitimate web because there’s no law necessarily prohibiting it,” Woodward said. “One of the drugs we are most concerned about are these counterfeit blue oxycodone pills that look, side by side, like pharmaceutical oxycodone but are nothing but Fentanyl.”

Woodward said the machines can mass-produce deadly counterfeit pills.

“People are buying the raw Fentanyl overseas. They’re buying these pill presses and these patches and in their own basement churning out thousands of pills an hour and putting them out on the streets. So we’re very happy that it this is a single pill press that will go to good use,” Woodward said.

Shahrukh Khan’s production house has bought the rights to ‘Dulhe Raja’ from Govinda, Farhad Samji to recreate the film

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Shahrukh Khan (Shah Rukh khan) banner Red Chillies Entertainment is one of the powerhouses of Bollywood that produces amazing movies on the platform and OTT cinemas. According to a report, Shah Rukh’s production banner has acquired the remake rights to the 1998 comedy-drama “Dulhe Raja”. Govinda and Raveena Tandon starred in this film directed by Harmeet Malhotra. However, no official announcement has been made by the production house.

According to a report from Pinkvilla, a source close to the production house told Pinkvilla that Shah Rukh Khan is a big fan of comedy movies and “Dulhe Raja” is one of the comedy movies he likes. The source added, “When a colleague offered to buy the rights to ‘Dulhe Raja’, Shah Rukh immediately agreed to accept it.”

Shah Rukh Khan to Play ‘Vanar Astra’ in Ranbir Kapoor-Alia Bhatt’s ‘Brahmastra’

Shahrukh buys satellite and digital rights

It was said in the report that the Red Chillies Entertainment team will now decide how to make ‘Dulhe Raja’ based on today’s audience. Not only that, the satellite and digital rights of the film also belong to Shahrukh Khan. Shahrukh and his company who will now sell it to platform partners or channels and get a lot of profit from the license renewal.

Farhad Samji will recreate the film

The source also said that this deal was made a long time ago. She also said that Farhad Samji, who is currently working with Salman Khan in “Kisi Ka Bhai Kisi Ki Jaan,” has started working on the “Dulhe Raja” project. The insider said, “Farhad was advised to create a new script with originality in mind.”

Key words: Govinda, shah rukh khan, Shahrukh Khan

Production company donates pill press to Oklahoma Bureau of Narcotics

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Oklahoma’s Narcotics Bureau plans to put a prop it received from the TV series “Tulsa King” to good use.

The show, which was filmed in Tulsa and Oklahoma City, donated a pill press to the office.

One of the show’s producers called the office and asked if they wanted the working pill press to keep it from getting into the wrong hands.

Oklahoma’s Narcotics Bureau said it could seize a pill press, but receiving it as a donation is a first.

“We said absolutely,” said Mark Woodward of the Oklahoma Narcotics Bureau.

The commercial pill press was used as a prop in the new ‘Tulsa King’ series starring Sylvester Stallone.

The production company no longer needed it and feared selling the expensive prop would run the risk of allowing a drug dealer.

“Certainly it could be valuable on the streets,” Woodward said.

The OBN will use the pill press for training purposes, helping law enforcement officers know what to look for.

“The likelihood of them walking into a house and going through a pill press is becoming more common as we see more of these drug labs popping up here locally,” Woodward said. “[I]If you didn’t know what to look for, they might walk past a pill lab in a house and never recognize it as anything other than a piece of metal machinery in the corner of the garage.”

Modern tablet presses like the one offered are intended for pharmacies.

“They’re bought off the dark web and even the legitimate web because there’s no law necessarily prohibiting it,” Woodward said. “One of the drugs we are most concerned about are these counterfeit blue oxycodone pills that look side by side like pharmaceutical oxycodone but are nothing but Fentanyl.”

Woodward said the machines can mass-produce deadly counterfeit pills.

“People are buying the raw Fentanyl overseas. They’re buying these pill presses and these patches and in their own basement churning out thousands of pills an hour and putting them out on the streets. So we’re very happy that it this is a single pill press that will go to good use,” Woodward said.

Production company owner says his passion for video dates back to his teenage years –

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When Nigel Washington was a student at Chamblee High School, a teacher suggested he look into the school’s new videocasting program. He immersed himself in both the creative part and the technical part of broadcasting. “I decided on the spot what I wanted to do with my life,” Washington said, recalling the in-house news shows he helped create as a high school student.

After graduating from college in New York, he returned to Georgia and turned a passion he began as a teenager into the business he now owns and operates in Decatur.

Washington started Means of Production in 2017, working with her mother and a network of industry associates. He said that although he studied film at Bard College, he got off to a slow start once he launched his career. “The lessons at Bard were more theoretical so I didn’t have a lot of work to show at first. They taught us more in terms of full Hollywood productions.

It’s good to have that knowledge, but that’s not what I expect to do.

While at Bard, Washington and a member of his “group” — a support group for students with similar interests — started a television show on campus. “Bard TV is still in production and I was one of the founders. It’s so cool; I’m very proud of that,” he said.

Attracting clients in the video production industry involves a lot of networking, according to Washington. “Sometimes the person who isn’t as good creatively or technically will get a job because that person is better known,” he said.

Wanting to get his name out there, Washington said he started his business with people he knew, many of whom were performance artists who needed videos. As news of her work spread around the area, Washington began finding work recording weddings, fashion and sports spots, short films, and a variety of other productions, especially broadcast spots. on social networks.

“That’s what I want to do,” Washington said, “but on a higher level. We’re past the point where social media is something kids play with. Big corporations — Fortune 500 companies — use social media to get their messages across. As a millennial, I get it: I know social media very well and it gives me an edge over some older people in the industry,” Washington said. .

The rise of social media is one of the major changes Washington said it has seen since it first became interested in video production. “We have to remember that what we’re shooting is likely to be viewed on a smartphone, not a big screen, and we have to produce it with that in mind. There are people who don’t care; but that’s the reality,” he said.

Washington said he could handle all aspects of the production, from concept to writing, shooting and editing. “I can do whatever the customer needs,” he said. “If there are images that have already been shot and the client needs an editor, I can do it. If the client is just starting out and needs help developing a concept, I can do that too. »

Washington said there is a lot of competition in the video production industry, but he believes it stands out because it offers strong business values. “There are a lot of people in this business who emphasize their creative abilities, but they’ve never learned how to operate as a business. Not only do I give clients what they expect creatively, but I also deal with them professionally.”

Laughing at his choice for a company name, Washington said, “I know that ‘means of production’ is a term associated with communism. It’s kind of an ironic name because I’m definitely not a communist. I own a business; I am a capitalist. I like the name because it literally suggests what we do; we are the means of production.

While Washington has said he’s been successful enough to run his business full-time without any other employment, he’s still looking to expand his business. “Basically, I am a sole proprietorship, although my mother is involved in some aspects of the business, and I have a network of talented and reliable people that I call upon for various projects. My brother often reminds me that every business, even industry giants, started with one person.

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Nanaimo Production Company Seeks to Fund Sitcom Idea – Nanaimo News Bulletin

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An independent Nanaimo film production company is funding a pilot series featuring a “devil on your shoulder” character in a dragon jumpsuit.

Producer, screenwriter and director for Toxic mascotlinityMatt Haley has said that if the project gets the financial backing it wants, he considers it an episodic sitcom that meaningfully addresses mental health issues.

“We really want to talk about current social issues and global issues. And using an interesting brand of comedy to bring some light to it as well,” he said. “But walking that fine line between what’s appropriate and what’s funny – we don’t want to overreach or insult anyone.”

He envisions the first season, if green-lit, will follow lead character Bree as she navigates the world with Kevin, her “gross, vaping, croc-wearing, poisonous fantasy dragon.”

“Kevin is like his shattered psyche. He’s there to help him with his loneliness and other…issues,” Haley said. “Your first instincts aren’t always your best instincts…and Kevin is that guy who always Something to say.”

From a director’s perspective, Haley said the series would be interesting to film since Kevin, played by Jonee Janolino, will provide a near-constant narrative, while only Bree can see or hear his antics.

Haley has speculated that her own drug and alcohol treatment experiences played a significant role in the story’s concept.

“When I got sober, I really wanted to tell stories that helped people… And as an ex-military person, I had mental health issues myself,” he said. “And I always had this idea of ​​the angel and the devil on your shoulder, to guide you in your decision-making.”

He said he expects many people can sympathize with the experience of having a “toxic sidekick hovering over their shoulder” as they try to live their best life.

The story of Toxic mascotlinity started as a short film script about six months ago. However, after contacting several production companies and agents, Haley said she mostly received requests for multi-hour episodic material. He then reworked the 12-page short into a 21-page pilot episode after numerous rewrites.

“Originally, there was going to be a large baseball-type mascot. And we weren’t going to show his face. But we decided that bringing in a working actor…and showing his face and having him in a dragon jumpsuit would be a lot funnier,” Haley said.

If successfully backed, the project will require the hiring of four additional actors, two potentially as recurring characters – Bree’s brother and her therapist.

Kaliandra Capri, who plays Bree, said she intended to “bring a bit of herself” to the title character.

“I see myself in this character a lot because we really focus on the mental health aspect, and also the sexism aspect…,” she said, adding that she has experienced her fair share of toxic masculinity. , especially working in different male-dominated industries. .

Capri also said she eagerly jumped at the chance to work alongside Janolino again, having starred in several Haley House Productions films with him before, including The colon and 12-step choke.

Although the characters and story were created by Haley, he said Capri and Janolino played a significant role in the project by helping him come up with story ideas and character development.

“It’s my story, but it’s their characters…It’s really important to me that these guys have a voice.”

With a hopefully successful Kickstarter campaign, Haley intends to submit the “proof of concept” pilot to streaming service providers and distributors in early 2023. They aim to begin filming, with potential locations in Nanaimo, Nanoose, Victoria and the Comox Valley, for five days in late October, followed by about six weeks of editing.

As of now, the campaign has reached about 25% of its goal of $11,200. The majority of the money raised will go to the cast and crew, and the rest will cover incidental costs such as insurance, securing locations, travel, accommodation and post-production.

[email protected]

arts and entertainment

Production company, other crew for ‘Oh Wow’

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A production company, Vnation Pictures, has completed filming another movie titled “Oh Wow.” This is VNation Entertainment’s sixth feature film under the direction of Vincent Tobi and directed by director Mo. It stars actors such as Rotimi Salami, Seyi Awolowo, Uche Montana, Sophia Chisom and Lydia Achebe.

This comes after ‘Obsession’, another film from the production house which found success in cinemas.

Tobi added that the company will begin work on another project this month. He said, “VNation Pictures will launch another project in September under the name ‘Oh Wow’, and our ‘Lagos Spinsters’ web series has come to an end. Viewers don’t know what is about to “hit” them. All these projects have been directed by the talented Emmanuel Nwosu, aka Director Mo. We are sure that our new productions will surpass ‘Obsession’ as a film and a web series respectively.

Speaking about the new project, director Mo said, “We don’t stop at the success of our other productions. With the crop of talented actors I’ve worked with on these projects, I can say with confidence that both productions will blow viewers away.

All rights reserved. This material and any other digital content on this website may not be reproduced, published, broadcast, rewritten or redistributed in whole or in part without the prior express written permission of PUNCH.

Contact: the editorial staff[at]punchng.com

Aamir Khan’s Production House Releases ‘Subpar’ Apology Video and Fans Think It’s Fake

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Anything related to Bollywood and its actors is usually always shrouded in controversy. But the kind of controversy we witnessed surrounding the film Laal Singh Chaddha was like never before.

Long before its theatrical release, Aamir Khan’s starring film came under social media scrutiny to the point that the boycott campaign ended up directly affecting the film’s sales, which was rather unimpressive. .

Now, weeks after its release, another controversy has erupted around its name after an apology video was posted on Aamir Khan Productions’ social media pages on Thursday night.

©Instagram

Forcing people to think the account was “hacked”, the video begins with words like “Michami Dukkadam” which loosely translates to “may all my inappropriate actions be of no consequence”.

In the meantime, a voiceover in the video can be heard saying, “We are all human beings and we only make mistakes. Sometimes by our words and sometimes by our actions, sometimes we do it unknowingly and sometimes when we we’re angry.”

He goes on to say, “We also hurt people with our jokes and sometimes without talking. If I have hurt your feelings in any way, I apologize with my heart, my promise and my being.”

All the while Karan Johar’s theme song Kal Ho Naa Ho can be heard playing lightly in the background, giving the video a rather serious and dark feel.

Several people took to the comments section to drop remarks such as “Bhai ye shi main Aamir ne tweet kiya hai?”, while another wrote, “This account is hacked for sure..”

At the same time, people offered the actor a salty solution as one user wrote, “Bhai tumari sab galtiyo ka ek hi prayshchit hai. Retreat lo!”

Meanwhile, it remains to be confirmed whether or not the video is genuine and was actually released by Aamir Khan’s production team or was hacked.

New film production studio to be built over an aquifer; Promises environmental measures in place

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SAN MARCOS, Texas (KXAN) – A $5 billion industry is coming to central Texas. Hill Country Studios has announced its partnership with a virtual production company that will bring this technology to San Marcos.

The studio will be built in the La Clima development.

“We are looking to bring 12 sound stages to the Central Texas region, to provide infrastructure for high-end productions to come in and produce film and television,” said Blake Kotrla, chief technology officer of the band.

Kotrla said it would be a place where they would use new technologies to create virtual productions.

“The first major production to really use something like this was Disney’s The Mandalorian,” Kotrla said.

But with this new development comes some concerns about what it’s built on, according to Virginia Parker of the San Marcos River Foundation.

“Our main concern was the size of the project on the Edwards Aquifer recharge area,” Parker said.

She said she advocates for the studio to be built in a way that minimizes any damage to the aquifer.

“Even things like ‘what are the roofs going to be made of?’, ‘will it be something with harmful chemicals that could possibly seep into the aquifer and affect drinking water, l ‘water from the river?’, or ‘Can it be a building on the metal roof? said Parker.

Kotrla said the studio will do its part. This will limit the amount of developed land and recycle 97% of all production materials.

With construction scheduled for early 2023, Parker hopes they will keep the environment at the forefront of this process.

“Growth is good. We just have to be very smart about how we build,” Parker said.

One of the city’s guidelines for this development is to minimize the studio’s waterproof cover. It’s things like roofs, driveways, and parking lots that can prevent rainwater from entering the aquifer.

The agreement means that only 19% of the studio’s land can be impervious surfaces.

Abu Dhabi Charisma production house expands with For-A system

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Charisma chose For-A solutions when building new facilities in Saudi Arabia to meet the growing demand for entertainment and events.

Abu Dhabi-based production house Charisma Group recently selected an end-to-end system from FOR-A to rapidly expand its studio capacity. Charisma has production capabilities in the Gulf region and works with local and international broadcasters. As the covid lockdown eased, the company had to ramp up productions very quickly and looked to expand.

It chose to build new facilities in Saudi Arabia to meet the unprecedented demand for entertainment and events. Because the studios needed to be up and running quickly and the project had a limited workforce, Charisma turned to For-A.

“Internally, we went through a detailed exercise to explore the best possible options,” said Aiman ​​Al-Ziyoud, CEO of Charisma Group. “Time scale was the most difficult factor we faced. Although we had many relationships with all the top players in the industry, we opted for a solution from FOR-A.

The initial project built a large production studio, centered around the FOR-A HVS-2000 production switcher, MFR-3000 router, FA-9600 versatile audio and video processor, ClassX dual-channel graphics generator and video servers. Insight production. FOR-A also provided third-party monitors and other infrastructure equipment.

Now a second, smaller studio has been added using the HVS-490 production mixer. Both studios include the Insight Video Server. They are now in constant use to meet the ever-increasing demand for Charisma-produced content from major broadcasters in the region, including MBC, SBA, Rotana and IMG.

Ideas Concept, the project’s system integrator, and Charisma studied the entire technology solutions market. While speed of completion was of crucial importance to the project, they also recognized that they had to maintain the highest technical and creative standards. They also had to keep in mind the possibility of upgrading to 4k Ultra HD in the near future.

“Through detailed discussions with the Charisma team, we understood their clear vision of what they want to achieve now and how they will expand it in the future, including the prospect of 4k Ultra HD,” said Mohammed Abu Ziyadeh, System Engineering Manager, FOR -A Middle East. “As a result, we have been able to realize their vision with systems that guarantee efficiency, reliability, time savings and exceptional quality.

“It was a great pleasure to work with the Charisma team in Saudi Arabia during these difficult times,” added Abu Ziyadeh. “They were extremely cooperative before, during and after the installations. We are all proud of our work on this remarkable production unit, delivered within a very tight deadline.

Abu Dhabi Charisma production house expands with For-A system

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Charisma chose For-A solutions when building new facilities in Saudi Arabia to meet the growing demand for entertainment and events.

Abu Dhabi-based production house Charisma Group recently selected an end-to-end system from For-A to rapidly expand its studio capacity. Charisma has production capabilities in the Gulf region and works with local and international broadcasters. As the covid lockdown eased, the company had to ramp up productions very quickly and looked to expand.

It chose to build new facilities in Saudi Arabia to meet the unprecedented demand for entertainment and events. Because the studios needed to be up and running quickly and the project had a limited workforce, Charisma turned to For-A.

Aiman ​​Al-Ziyoud, CEO of Charisma Group, said: “Internally, we have carried out a detailed exercise to explore the best possible options. The time scale was the most difficult factor we faced. Although we had many relationships with all the top players in the industry, we opted for a solution from For-A. »

The initial project built a large production studio, centered around the For-A HVS-2000 production mixer, MFR-3000 router, FA-9600 versatile audio and video processor, ClassX dual-channel graphics generator and video servers. Insight production. For-A also provided third-party monitors and other infrastructure equipment.

Now a second, smaller studio has been added using the HVS-490 production mixer. Both studios include the Insight Video Server. They are now in constant use to meet the ever-increasing demand for Charisma-produced content from major broadcasters in the region, including MBC, SBA, Rotana and IMG.

Ideas Concept, the project’s system integrator, and Charisma studied the entire technology solutions market. While speed of completion was of crucial importance to the project, they also recognized that they had to maintain the highest technical and creative standards. They also had to keep in mind the possibility of upgrading to 4k Ultra HD in the near future.

Mohammed Abu Ziyadeh, System Engineering Manager, For-A Middle East, said, “Through detailed discussions with the Charisma team, we understood their clear vision of what they want to achieve now and how they are going to achieve it. expand in the future, including the prospect of 4k Ultra HD. As a result, we were able to realize their vision with systems that guarantee efficiency, reliability, time savings and exceptional quality.

Abu Ziyadeh added, “It has been a great pleasure to work with the Charisma team in Saudi Arabia during these difficult times. They were extremely cooperative before, during and after the installations. We are all proud of our work on this remarkable production unit, delivered within a very tight deadline.

A film production studio in Texas will be built on an aquifer

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SAN MARCOS, Texas (KXAN) — A $5 billion industry is coming to central Texas. Hill Country Studios has announced its partnership with a virtual production company that will bring this technology to San Marcos.

The studio will be built at the La Cima development.

“We are looking to bring 12 sound stages to the Central Texas region to provide infrastructure for high-end productions to come in and produce film and television,” said Blake Kotrla, group chief technology officer.

Kotrla said it would be a place where they would use new technologies to create virtual productions.

“The first major production to really use something like this was Disney’s The Mandalorian,” Kotrla said.

But with this new development comes some concerns about what it’s built on, according to Virginia Parker of the San Marcos River Foundation.

“Our main concern was the size of the project on the Edwards Aquifer recharge area,” Parker said.

She said she advocates for the studio to be built in a way that minimizes any damage to the aquifer.

“Even things like ‘what are the roofs going to be built with? Will it be something with harmful chemicals that could eventually seep into the aquifer and affect drinking water, river water? or ‘could it be a metal building on the roof?’ said Parker.

Kotrla said the studio will do its part. This will limit the amount of developed land and recycle 97% of all production materials.

With construction scheduled for early 2023, Parker hopes they will keep the environment at the forefront of this process.

“Growth is good. We just have to be very smart about how we build,” Parker said.

One of the city’s guidelines for this development is to minimize the studio’s waterproof cover. It’s things like roofs, driveways, and parking lots that can prevent rainwater from entering the aquifer.

The agreement means that only 19% of the studio’s land can be impervious surfaces.

WWE Rumors on HHH, Production Team; Bayley pays tribute to Sasha; Big E talks about the future | News, Scores, Highlights, Stats & Rumors

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Ethan Miller/Getty Images

Bleacher Report keeps you up to date with the latest news from the WWE Universe.


WWE talent less restricted under Triple H

One of the benefits of having a creative longtime wrestler is giving artists more freedom to try things out for audiences.

According to PW Insider’s Mike Johnson, since Triple H took over as creative helm last month, there’s been a “loosening of freedom” for talent on promos and in the ring.

Johnson noted that the Sheamus vs. Drew McIntyre match on SmackDown last week was largely called in the ring, instead of having every spot planned out in advance.

Among the issues with WWE in recent years when Vince McMahon ran the show was how every aspect of the show was scheduled.

There were always good matches on Raw and SmackDown because the roster is so good, but those fights often ended in weak disqualification or when a rookie star won, they would never be showcased.

The language used on TV since Triple H took over has also been a welcome change. McMahon also had some weird quirks where everything had to be a buzzword (WWE Universe instead of fans), or certain terms he would ban (belt/strap) for no apparent reason.

It’s not hard to see that one of the reasons WWE’s ratings have gone up recently, even after curiosity about McMahon’s retirement waned, is because the product feels more loose and natural.

Triple H has proven for years with NXT that he is very good at getting creative for a promotion. He’s transferred that to Raw and SmackDown since taking over as creative lead on July 22.


Bayley pays tribute to Sasha Banks

In her first televised fight since returning from injury, Bayley included a mid-match Easter egg with Aliyah on Raw.

Bayley landed a double knee strike as Aliyah was leaning on the ropes in the corner. The WWE Women’s Triple Crown winner reflected on the moment on Instagram, with clips from her match against Sasha Banks from NXT TakeOver: Brooklyn in 2015.

Monday’s raw date also coincided with the anniversary of that momentous bout seven years ago, which marked Bayley’s first singles championship in WWE.

Bayley @soundBayleyWWE

And 7 years ago today since #NXT TAKEOVER BROOKLYN!!!!!!!! !!!

Toronto does not deserve me on this historic day. #raw https://t.co/nv0qhiWlJL

Cora Jade @CoraJadeWWE

This match played such a huge role in the start of my journey to becoming a professional wrestler. I still watch it from time to time. I wouldn’t be in the position I am in today without @itsBayleyWWE & @SashaBanksWWE. Thank you for inspiring the next generation 🖤 https://t.co/Y0v4UNSAJO

It’s certainly possible that Bayley is just commemorating a historic moment in her career and NXT’s past, but it could also be a way to tease Banks’ return.

Banks and Naomi have not been seen in WWE since they went out during an episode of Raw in May. Both women agreed to return to the promotion, with speculation that they could return to challenge the winners of the tournament for the women’s tag team title.

With Becky Lynch put out of use due to a separated shoulder suffered during her match with Bianca Belair at SummerSlam, the women’s roster could definitely use an infusion of star power.


Big E looks to the future

It’s been nearly six months since Big E broke his neck after landing on his head taking a belly-to-belly suplex from Ridge Holland in a tag match on SmackDown.

The former WWE Champion told ESPN’s Marc Raimondi in July that doctors told him he would make a full recovery, but his future as a wrestler remains uncertain.

If Big E is unable to continue his career in the ring, he has plans to keep him busy. He said in the last episode of Out of Character with Ryan Satin podcast (h/t Subhojeet Mukherjee of ThirstyForNews.com) that he has his eye on acting and voiceover work:

“I love doing VO [voice over]. I’ve really enjoyed doing VO and have some cool stuff coming up that I can’t really divulge yet, but hopefully in the next few months. I love doing voice work, I always want to do more. I realized, I started wrestling because I like the athletic side, and I felt like I had more to offer athletically. As I got older and started to progress and New Day started to take off I realized that I love to play, I love to entertain, I love to make people laugh, I love to breathe life to the characters. This stuff, I really appreciate. Now I’ve leaned more towards storytelling and I do that in different mediums. That’s what I’d like to do more.”

Big E updated his status on July 4, noting that his C-1 vertebrae are not yet ossifying and that he will wait to get further scans until the first anniversary of his injury.

Ettore “Big E” Ewen @WWEBigE

Update! My C1 is not yet ossified (forming bone). Current plan is to get more scans after a year & see how it goes. The good news is that I feel great & surgery is not on the table.

While that means Big E won’t be back in WWE until March at the earliest, he appears to be in good spirits given the severity of the injury.

As long as Big E is able to regain his full power at some point, it seems likely that he would at least make WWE television appearances from time to time.

The New Day remains one of the company’s most popular acts. Kofi Kingston and Xavier Woods are more than capable of handling the fight if Big E were to move into a managerial role.


Listen to Ring Rust Radio for all the hot stuff on wrestling. Watch the latest episode in the player below (warning: some NSFW languages).

Grimshaw to Deliver New Production Studio Campus to Downtown LA Arts District | New

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anchor




Image courtesy Grimshaw




Grimshaw revealed its design for a new 16-studio production campus to be located in downtown LA’s arts district.

The project will transform a 15-acre disused industrial site that has been recently purchased by Eastern Studios. According Urbanizing LA, the site will also include four office buildings totaling 292,000 square feet, an additional 106,000 square feet of production space in addition to the total 321,000 square feet of studio space and underground parking that will accommodate 1,327 vehicles per day. . In addition to Grimshaw, Studio MLA was attached to provide a landscape connection at the intersection of 6th and Alameda streets, with a new public open space located along Mill Street on the east side of the new “campus on top” studios.

Image courtesy Grimshaw

“By taking a vertical approach to campus design, we’re freeing up valuable space for larger studios and base camps while creating better foot and vehicular flow between the sound stages and the creative workspace” , explained Andrew Byrne, partner of Grimshaw.

The project will also provide crucial infrastructure to the entertainment capital at a critical time. As MovieLA President Paul Audley explained to the Los Angeles Time recently: “We have seen streaming grow at an average rate of 35% per year. Even if it backs off, which some people are now predicting, we still don’t have enough stage space to deal with it.

Previously on Archinect: “6 AM” by Herzog & de Meuron is a late bloomer, completed in 2035

The site had previously been the subject of a $2 billion contract mixed-use program of Herzog & de Meuron dubbed “6am”, which would have included 1,736 residential units as well as a similar number of office space by 2035 before being canceled ahead of the sale of the East End.

Financial details were not available at press time, but the developers said they expect to kick off a two-year process after the city approves the project, which is expected by the end of the year. end of 2024.



















Grimshaw to Deliver New Production Studio Campus to Downtown LA Arts District | New

0

anchor




Image courtesy Grimshaw




Grimshaw has unveiled its design for a new 16-studio production campus that will be located in downtown LA’s Arts District.

The project will transform a 15-acre disused industrial site that has been recently purchased by Eastern Studios. According Urbanizing LA, the site will also include four office buildings totaling 292,000 square feet, an additional 106,000 square feet of production space in addition to the total 321,000 square feet of studios and underground parking that will accommodate 1,327 vehicles per day. . In addition to Grimshaw, Studio-MLA has been attached to provide a landscaped connection at the intersection of 6th and Alameda streets, with a new public open space located along Mill Street on the east side of the new “campus on top” studios.

Image courtesy Grimshaw

“By taking a vertical approach to campus design, we’re freeing up valuable space for larger studios and base camps while creating better foot and vehicular flow between the sound stages and the creative workspace” , explained Andrew Byrne, partner of Grimshaw.

The project will also provide crucial infrastructure to the entertainment capital at a critical time. As MovieLA President Paul Audley explained to the Los Angeles Time recently: “We have seen streaming grow at an average rate of 35% per year. Even if it backs off, which some people are now predicting, we still don’t have enough stage space to deal with it.

Previously on Archinect: “6 AM” by Herzog & de Meuron is a late bloomer, completed in 2035

The site had previously been the subject of a $2 billion mixed-use scheme by Herzog & de Meuron dubbed ‘6AM’ which would have included 1,736 residential units as well as a similar number of office spaces in ‘by 2035 before being canceled before the Eastern End of the sale.

Financial details were not available at press time, but the developers said they expected to launch a two-year process after the city’s approval of the project, which should come by the end of the day. end of 2024.



















Khesari Lal Yadav inaugurated Ashok Prasad Abhishek’s new production house, iEve Era Films

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Bombay (Maharashtra) [India]August 27 (ANI/PNN): Bhojpuri superstar Khesari Lal Yadav inaugurated Ashok Prasad Abhishek’s new production house, iEve Era Films, on August 25, 2022, at JW Marriott, Mumbai.

The inauguration ceremony was attended by many celebrities like Sunil Pal, Lal Babu Pandit (director), Amrish Singh (actor), Sanjay Bhushan Patiala (PRO), Ali khan, Vivek Keshari, Hello Kaun renamed “Sneh Upadhya”, MTV Splitsvilla fame “Arshiya Arshi”, Jyoti Sharma of Plush and many others. Everyone present at the event was really happy to be part of the inauguration ceremony and wished a lot of success. Popular faces like Sudhiksha Jha, Ayesha Kashyap and Priyanka from Bhojpuri industry performed live on stage.

Actor Khesarilal Yadav said, “Any new beginning in any industry tells the story of its prosperity. cinema languages ​​as well. This is a great initiative for every artist, technician and everyone associated with this industry in our country, which should be encouraged. We hope from this production house that it will be able to entertain the public a lot with its quality content in the world of entertainment.”

Producer – CEO and Managing Director of iEve Era Films, Ashok Prasad Abhishek, expressed his gratitude to everyone and announced the first two films under the iEve Era Films banner. The first movie will be ABHINETA SE RAJNETA with Azamgarh MP and SUPER STAR DINESH LAL NIRHUA and the PRODUCTION NO. 2 with SUPER STAR KHESARI LAL YADAV. Pre-production for both films has already begun and director Santosh Mishra will helm the film. The launch of our banner is our entry into the cinematic world. It will be our endeavor if our films under iEve Era Films can bring a new dimension to entertainment medium. Keeping everything aside, the audience’s love and blessings mean the most to us.

Bollywood Desi Girl Priyanka Chopra and Parineeti Chopra’s cousin Mannara Chopra will be seen in a music video, “Hum Rah Gaye Akele”, which is produced by Ashok Prasad Abhishek under his iEve Era Films banner. This song was released on the official YouTube channel of iEve Era Films, which receives a very good response. The lyricist and singer of this heartbreaking song is Pranav Vats. Pranav Vats is also seen in the video with Mannara Chopra.

Ashok Prasad (Abhishek), who has been working as an IT professional for two decades, became a film producer after showing his skills in many fields. He also makes films and music videos in many regional languages, including Hindi, under his banner, iEve Era Films. Ashok Prasad (Abhishek) who has worked in industries like IT Services, Shared Marketing, Investment, Crypto, etc., started his journey in 2000 with iEve Era IT. Ashok Prasad Abhishek, who did post-graduate studies in London, has an incredible background in IT business and event management.

This story was provided by PNN. ANI will not be responsible for the content of this article. (ANI/PNN)

DISCLAIMER

(This story has not been edited by Business Standard staff and is auto-generated from a syndicated feed.)

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Lilliput Q28 28″ 12G-SDI Professional Production Studio Monitor

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The Lilliput Q28 28″ 12G-SDI Professional Production Studio Monitor is a full featured 3840 x 2160 display at a great price.

Main characteristics

  • 12G-SDI and 4K HDMI 2.0 connectivity
  • 3840 x 2160 display resolution
  • Quad multi-view display
  • Multiple color temperature presets
  • HDR and 3D-LUT support
  • Built-in speakers, 3.5mm headphone jack
  • Supports DCI 4K60 input
  • Audio vector, histogram and waveform
  • RS-422 remote control application
  • Built-in tally light

The monitor features a 28″ 3840 x 2160 resolution display with a claimed brightness of 300 nits.

The Q28 has two 12G-SDI inputs, two 3G-SDI inputs, an HDMI input with respective loop-through outputs, and a 12G-SFP port for optional fiber optic connectivity, all supporting 4K and integrated multi-channel digital audio.

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Four different signals can be monitored via the device’s quad-split multi-view display.

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RS-422, LAN and GPI connectivity enables support for remote control applications.

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There are many monitoring support tools such as audio vector, histogram and waveform etc. HDR and 3D-LUT are also supported. The Q28 features two built-in speakers, a 3.5mm headphone jack and an LED indicator for studio broadcast applications built into the front panel design.

There are five default customizable color temperature presets 3200, 5500, 6500, 7500 and 9300K and gamma values ​​can be adjusted from 1.8 to 2.8.

The Q28 supports Sony Slog2 and SLog3, Canon Log, ARRI Log, Nikon N-Log and JVC J-Log. There are also four user-definable buttons to organize custom auxiliary functions, such as peak, underscan and check field as shortcuts.

The monitor can be mains powered or you can power it via the included V-mount or AB Gold mount battery plate (whichever you choose.

What do you get?

  • Lilliput Q28 28″ 12G-SDI Professional Production Studio Monitor
  • 15 VDC power adapter
  • VESA mounting plate
  • 2 x base stand
  • Gold Mount or V-mount battery plate
  • USB key
  • One year limited warranty
  • User’s Guide

Pricing & Availability

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The Lilliput Q28 28″ 12G-SDI Professional Production Studio Monitor is available for pre-order for $2,199.

You can also buy it in a travel case for $2,399.

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