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How and Why to Become a Filmmaker

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How and Why to Become a Filmmaker

Videos are ubiquitous in today’s environment, appearing on television sets, movie theater displays, and computers and cellphones. While some promote goods and services, others champion political and social concerns. Numerous films are created to educate or entertain an audience, and some accomplish both.

Since videos may include both images and sound, they can swiftly transmit a large amount of information, making cinema a very effective communication medium.

If you have ideas or tales to share with the world, you may like to pursue a career as a filmmaker. According to the federal Bureau of Labor Statistics, the typical wage for producers and directors in the United States was $76,400 in 2020, which forecasts that the number of film producers and director employment in this nation would increase by 24 percent in 2030.

Meanwhile, the bureau reports that the median wage for camera operators and film or video editors in the United States was $61,900 in 2020 and that employment in that field is expected to grow by 29 percent by 2030.

The Different Types of Filmmakers and How They Collaborate

The filmmaker is a broad word that incorporates a variety of occupations within the film business. It could theoretically be used to apply to anybody engaged in producing a film. At the same time, experts say the phrase usually refers to someone who is either a director or a producer. Jobs in the film are diverse, ranging from technical occupations such as lighting design and sound engineering to creative ones such as animation and screenplay.

While both directors and producers are classified as filmmakers, their jobs are unique. According to experts, directors usually take the lead on aesthetic decisions, and producers typically have the last say on all financial and logistical issues. A director’s objective is to make the picture as fascinating as possible, whereas a producer aims to maximize the film’s profits.

According to actress, writer, and filmmaker Jennifer Lieberman, a director’s role is to “breathe life into a tale, take it off the page and transform it into a cinematic experience.” At the same time, a producer’s responsibility is more administrative. If you need more cash to start a business of filming you can visit a popular Direct Lenders site like Bridge Payday.

The Film Industry’s Entry Points and the Reasons for Making Films

It is possible to succeed as a filmmaker even if it was not your life ambition. Brent Florence – who wrote, produced and acted in the award-winning films “Eagles in the Chicken Coop” and “A Girl, Three Guys, and a Gun” – claims he found his gift for filmmaking by accident while pursuing his love in surfing.

Florence was touring the globe as a semi-professional surfer and wanted to highlight his sport in a film; the video he ultimately produced – “One Track Mind” – garnered worldwide notice.

Florence, a graduate of the University of Southern California’s School of Cinematic Arts, believes that someone who is captivated by a specific subject has a unique perspective on it and is not afraid to voice a unique viewpoint has the potential to create a riveting film. The most critical trait that a prospective filmmaker must possess is the capacity to view the world differently and the guts to communicate that perspective without concealing one’s eccentricities.

Florence adds that a curious and adventurous mentality is also advantageous.

“You develop your perspective on something, you’re pulled to it, you see it the way you see it, and then you trust it and allow yourself to act on it,” he recommends.

According to several filmmakers, their ambition to produce films began throughout their youth. Rodger Pittman, an award-winning screenwriter, director, and producer who created Scarborough Pictures, claims his love for movies started when he was a child.

“My family is from India, namely Mumbai, which, as you’re probably aware, has a thriving movie culture thanks to Bollywood, and it’s always been a significant part of my life,” says Pittman, who obtained a Bachelor of Fine Arts in film production from York University in Canada.

“Movies always surrounded us, and we had an abundance of VHS recordings. My father is an avid moviegoer. Thus, it developed into a passion for me at a young age, and it continued with me when we moved to Canada.”

Ervin Chan, a prize-winning documentary filmmaker whose latest feature-length film “This Ain’t Normal” was nominated for an Emmy for Outstanding Social Issue Documentary, says his creative motivation stems from his conviction that some elements of society are often overlooked. “By spotlighting tales that have been overlooked or disregarded in the past, I’m attempting to give voice to the underprivileged and underserved.”

Chan, a Trinidad native and graduate of Boston University’s broadcast department, adds that one of the ways he got his start as a filmmaker was by making movies for a community access television station. He advises other young filmmakers to follow suit.

According to experts, although attending film school is not required for a career as a filmmaker, it is often helpful, particularly for those who can acquire a film degree without incurring considerable student debt. Film school may improve networking, offer access to cutting-edge film equipment, make entry-level jobs in the profession more accessible, and provide invaluable training from expert filmmakers.

“It is quite possible to succeed as a filmmaker without formal education, but you must be a self-taught student of cinema,” director and Baltimore native Richard Robertson noted in an email. “Constantly observing, practicing, gaining access to sets, and attempting your hands at all levels. Nobody becomes a director overnight (well, very seldom), so you must work your way up and establish yourself as a trusted contributor.”

Jennifer Lieberman – an actress, writer, and filmmaker with a bachelor’s degree in philosophy and English literature – chose a writing-related degree over a film degree because she hoped to employ her writing abilities while creating films. Regardless of a prospective filmmaker’s academic background, Lieberman, creator of “Make Your Break,” an organization that assists independent creative workers in developing their employment possibilities, adds.

“In my experience, the individuals who have the greatest longevity and success have grabbed the reins, developed their projects, established their production businesses, and are not dependent on others to provide them with work,” she adds. “They create jobs for themselves. They are self-employed.”

Numerous enormously successful directors have founded their production firms. Tyler Perry Studios, for example, was founded by millionaire entertainer Tyler Perry, producer of blockbuster films such as “Diary of a Mad Black Woman.”

How to Choose a Film School and Get Accepted

Potential filmmakers who are confident of their interest in a particular sector of the film business, such as advertising, television, or feature films, might use this information to reduce their selection of suitable film schools. As Florence advises, prospective film students should seek institutions in intriguing areas where they feel at ease since the site of their studies will serve as the “primary character” in the tale of their time in film school.

One of the pleasures of film school for aspiring filmmakers is the chance to “be thrown into a bunch of likeminded individuals,” Florence recommends, adding that film school classmates may become long-term collaborators and friends.

Pittman, who was rejected from film school the first time he applied but was admitted on his third attempt, believes the first rejection was a gift in disguise since it gave him time to decide what sort of artist he wanted to be before enrolling.

“Getting into these institutions is tough,” he explains, noting that his film program exposed him to “global cinema” and gave him access to high-quality equipment. “They have their stringent techniques of gatekeeping. They may be rather expensive, which creates significant concerns of privilege when it comes to attending film schools.”

The majority of top-tier film schools ask prospective students to submit work examples. For example, applicants to New York University’s Tisch School of the Arts’ undergraduate film and television program must submit a five-part creative portfolio; the same is valid for graduate students applying to the school’s Master of Fine Arts in the film production program.

The First Steps Towards Becoming a Filmmaker

Determine what you want to convey through audiovisual medium and begin trying. “Decide why you want to produce films and what tales you want to convey,” self-taught filmmaker C.M. Conway stated in an email. Conway, who wrote, directed, executive produced, and co-starred in the upcoming feature film “How to Fail in Hollywood Successfully,” recommends beginning with a short film. “Many individuals are capable of recording with a contemporary phone and editing using free, open-source software. You may cooperate with other filmmakers by contacting a film club or community.”

Begin filming everywhere and whenever you get the opportunity. According to Harry Wilcox, a filmmaker with over three decades of expertise specializing in commercial production. He stated, “ABC: Always Be Creating in one email.” “Whatever your age, if you want to pursue a career as a filmmaker, you should seize every chance to produce material. You have no reason not to, given that your phone is equipped with a high-quality camera. 

Indeed, the camera on my phone is superior to the one I began using when I initially entered the firm. Free applications allow you to edit directly on your smartphone, and if you’re connected to a network or have WIFI access, you may share your work online. It’s straightforward.”

Consider attending a reputed film school. If this is the case, compile an attractive portfolio. “Going to college will provide you with insider access to jobs that others do not,” Wilcox explains. “You’ll get access to internships and other paid jobs that are not visible to the general public. In this game, experience is everything. You need the experience to get further employment, but you cannot obtain an additional job until you have experience. Catch-22.”

Create a reel to demonstrate your abilities to prospective employers. “No one, and I mean no one, will employ you until you can demonstrate your ability to produce work,” Wilcox adds.

Develop marketable talents for the film business. Conway adds that filmmakers must be adept at not just technical elements of filmmaking, such as camera kinds and recording procedures, but also at storytelling and marketing. Robertson believes that a harsh temperament is required for a job as a filmmaker, given the occupation often needs irregular hours. 

“You must also be a good listener; a good set leaves no place for ego,” he adds. “Everyone, from the production assistant to the director, is there to contribute, so accept advice from everyone you meet. You will never, and should never, believe that you know everything simply because you do not.”

Acquire a low-level film job, demonstrate your abilities, and progress to higher-level ones. “Whichever path you choose, you must recognize that you must begin at the bottom and work your way up through time,” Wilcox explains.

What did Leslie Grace and the production team say about the cancellation of Batgirl?

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It was already a fact that the bat girl the film would pass to the big screen, until yesterday. Warner Bros. decided to cancel the project without giving it a chance, which sparked the fury of DC Comics Fans.

The production was originally budgeted at $75 million until due to the COVID-19 pandemic it was increased to $90 million. It was in test screenings under the lens of directors Adil El Arbi and Bilal Fallahresponsible for Bad Boys for Life, Ms. Marvel and Snowfall.

Leslie Grace was the new Barbara Gordon who would bring justice to Gotham City, with Michael Keaton like Batman again, JK Simmons as Commissioner Gordon and Brendan Fraser like Firefly. All of them had been very enthusiastic about the project as seen in various interviews.

Batgirl canceled: what does Leslie Grace think?

“I will say that one of my favorite things about our storyline and the heart of our film is that you get to see Babs and this alter ego she summons, Batgirl, teeter between the nuances of life and the good and evil and black and white, and there’s so much in between there’s not a lot of nuance to her thinking at the start of the story and she finds herself in a lot of these tough situations and has to figure it out a lot of parts of herself in order to come out of So you can see her growing from that kind of perspective of the world and I really like that“, Leslie said a while ago in an interview. Playing the DC icon meant a lot to her and her career, now the producer has shattered that dream.

Grace had made public her enthusiasm for stepping into the shoes of one of the most famous heroines, like Batgirl, in addition to being able to work with great figures by her side. But that won’t be possible, since Warner Bros. shattered the dream of several members of the production, such as the directors.

“After the recent news regarding our film ‘Batgirl’, I’m proud of the love, hard work and intention that all of our amazing cast and tireless crew put into this film over 7 months in Scotland. I’m blissful sense of working among absolute greats and forging lifelong relationships in the process! as Babs so aptly put it, “I am my own heroine!” Batgirl for life!“, posted the singer and actress on her Instagram account.

Batgirl canceled: Adil El Arbi and Bilall Fallah are not happy with the decision of the producer

Adil and Bilall were among the first to learn of the company’s decision and the news came at a rather inopportune time. Bad news travels fast and is the first to arrive. The filmmakers learned that the film had been canceled while they were in Morocco for Adil’s wedding.

“We are saddened and shocked by the news. We still can’t believe it. As directors, it is essential that our work is shown to the public, and while the film is far from finished, we wish fans everywhere had the opportunity to see and embrace the final film for themselves. Maybe one day they will Insha’Allah.

Our amazing cast and crew did a great job and worked very hard to bring Batgirl to life. We are eternally grateful to have been part of this team. It was a dream to work with such fantastic actors as Michael Keaton, JK Simmons, Brendan Fraser, Jacob Scipio, Corey Johnson, Rebecca Front and especially the great Leslie Grace, who played Batgirl with so much passion, dedication and passion. ‘humanity. In any case, as big fans of Batman since childhood, it was a privilege and an honor to have been a part of the DCEU, if only for a brief moment. batgirl for lifepublished the administrators in a press release.

Why Warner Bros. decided to cancel Batgirl?

According to Variety, the film was made under a different regime within the production company, since this time it was directed by Jason Kilar and Anne Sarnoffwho were focused on building their streaming service, HBO Max. Supposedly Batgirl wasn’t loud and big enough to be worthy of a theatrical release and not too small to make economic sense in a streaming landscape.

Expanding the film’s theatrical reach would cost a good fortune, adding $30-50 million to market it domestically, let alone the world. That could have doubled the film’s expenses, which the big heads at Warner Bros. didn’t like it at all.

Prop Thtr Announces Casting and Production Team for THE CLEANUP at Athenaeum Center

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Prop Thtr today announced the cast and production crew for its world premiere of Hallie Palladino’s THE CLEANUP, directed by Jen Poulin. Starring Lucy Carapetyan, Lynnette Li, Chad Patterson and Brandon Rivera, the show runs at the Athenaeum Center for Thought & Culture from October 21 to November 19, 2022 with previews October 13-16 and October 20.

Commissioned and developed in Prop Thtr’s 2021 Game Development Lab, THE CLEANUP is a nuanced, character-driven story of love, friendship, and the damage we do in their pursuit. This stealthy, substantial comedy set behind the scenes of a DIY preschool co-op is a window into the often unseen struggles of parents of toddlers. »

“Above all, this play is entertaining,” said playwright Hallie Palladino. “Parents and non-parents alike will face the familiar challenges of trying to keep a volunteer-run organization afloat. THE CLEANUP also celebrates the contributions of gay fathers and their often underestimated role in the parenting ecosystem. Ultimately, though, it’s a story of the beauty and awkwardness of forming adult friendships.”

In keeping with the show’s themes, the race will feature community and family events, including:

  • October 24: “Reimagining the village: how can we create communities of parents for our mid-pandemic moment? Guided post-morning discussion with Lauren Grossman, Executive Director of Across the Table.

  • October 27: “Towards inclusive production practices for parents” hosted by the Parent Artist Advocacy League. https://www.paaltheatre.com/ – live broadcast on HowlRound TV.

  • November 3: “Queer Fathering and the Pressure to be a Model Volunteer” presented in partnership with Gay Fathers of Greater Chicagoland. Moderated by Rufus Gonzales, father of three and clinical assistant professor of psychology at Loyola University.

  • November 6 will be a morning to bring your baby with babies welcome into the house on an adult’s lap with additional childcare for children 0-6 years old available on site in partnership with Jovie.

  • November 13: American Eagle Productions will offer an acting class for children ages 5-12 while parents enjoy the show.

CLEANING

Playwright: Hallie Palladino
Director: Jen Poulin
Cast: Lucy Carapetyan, Lynnette Li, Chad Patterson and Brandon Rivera
Liners: Christine Chiang, Tony DiPisa, Norah Flaherty and Chris Lysy

Previews run October 13-16 and October 20 with the opening on October 21, 2022.
Shows Thursdays, Fridays, Saturdays 7:30 p.m.; Sunday 3:00 p.m. THE CLEANUP lasts approximately 100 minutes, with 1 intermission. Tickets are $22 for previews; General admission $32. Student and industry tickets are available for $10.

Movie ‘Batgirl’, ‘Scoob!’ the sequel is killed off by a production studio for budgetary reasons

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‘Batgirl’ won’t fly. The feature film adaptation of the DC Comics character has been canceled at Warner Bros, reports Variety. It will not premiere on any studio platform or in theaters or on HBO Max.

The production starring Leslie Grace as Barbara Gordon (the Batgirl) and directed by “Bad Boys for Life” and “Ms Marvel” filmmakers Adil El Arbi and Bilall Fallah was greenlit in 2021 as part of a company-wide effort at Warner Bros to create feature films specifically for HBO Max. According to Variety, however, Warner Bros. Discovery’s new corporate regime has shifted the company’s priorities back to theatrical features, leaving “Batgirl” without a proper home.

Also on the chopping block is “Scoob!: Holiday Haunt,” a sequel to the 2020 film “Scoob!” was shelved by the studio. Footage from the animated adaptation of the “Scooby-Doo” series premiered in a sizzle reel for HBO Max in December 2021. Sources say the production cost Warner Bros. $40 million.

Studio insiders insist the decision to ax “Batgirl” wasn’t driven by the quality of the film or the commitment of the filmmakers, but by a desire for the studio’s slate of DC features to be at an all-time high. blockbuster scale. “Batgirl” was budgeted to hit homes on HBO Max, not for a major worldwide theatrical release.

Variety further reports that the original $75 million production budget for the project, which wrapped principal photography earlier this year and was in post-production, has reached $90 million, in part due to delays and COVID-related protocols.

The decision still comes as a shock, as studios almost never suspend productions, preferring to at least get some return on investment.

Ric Flair’s Final Game Notes: Flair’s Health, Show Changes, Production Crew

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Following Sunday’s Ric Flair’s Last Match pay-per-view, Dave Meltzer provided some notes on how the “Nature Boy” is doing, some changes to the show, and who was handling production.

Meltzer said there are two family doctors behind the scenes who are close to Megan Fliehr, one of Flair’s daughters. He said Flair was “doing well after the show”.

“It was interesting because a lot of people I know really liked the main event which was in the building, because of the drama and stuff, but man, it was hard to watch from my home,” he said. -he declares.

A starred audience

Meltzer gave a roll call of the various wrestling luminaries who were in house for the event, both in the crowd and backstage:

“Mick Foley, Michael Hayes, Shane Helms, Magnum TA, JJ Dillon, Vickie Guerrero, Rey Mysterio, Dominik Mysterio, Charlotte Flair, Rikishi, Baby Doll, Al Snow, Undertaker, Bret Hart, Stephanie Hart, Michelle McCool, Mojo Rawley, Sammy Guevara, Ricky Starks, Billy Gunn, Dorian Roldan, Santino Marella, Kid Rock and probably many more Active WWE talents weren’t allowed to appear on camera despite Dolph Ziggler being in a music video and called by his real name: Nick Nemeth.”

He also noted that Flair was emotional and cried all day seeing so many wrestlers and old talents come out for the event.

Production team

Meltzer said former WWE producer Brian James and Impact’s Scott D’Amore produced and timed the show. Additionally, David Sahadi and Josh Matthews produced while Keith Mitchell, who led AEW production before retiring in May, also worked on the series.

Map Changes and Wounds

Meltzer said MLW World Champion Alex Hammerstone was supposed to be the one to go after Frank The Clown on the pre-show, but due to his flight being canceled he couldn’t make it there. to assist. Jacob Fatu filled in instead as he was already on the show.

The Von Erichs vs. Briscoes match was pushed back on the card because Marshall & Ross’ flight from Hawaii was delayed. They missed a meet and greet earlier in the day and were rushed into the building when they arrived to make the game.

As discussed on Wrestling Observer Radio on Sunday, Rachael Ellering suffered a sprained ankle during her three-way match with knockout champion Jordynne Grace and Deonna Purrazzo. The injury occurred early in the match when Grace accidentally ran over it, causing a loud noise. She continued to work the match, to empty it.

Ellering didn’t give an update at the time of this writing, but posted about it after the game:

Nikola buys a battery production company

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On August 1, Nikola Corporation (NASDAQ: NKLA) and Romeo Power Inc. (NYSE: RMO) announced that they had finalized an agreement, in which Nikola will acquire Romeo. While Nikola markets itself as the leader in zero-emission transport and energy infrastructure, Romeo is known for providing advanced electrification solutions for vehicles.

This transaction will be an all-stock transaction worth approximately $144 million, where RMO holders will receive 0.1186 NKLA shares for each RMO share. Other details of the deal include Nikola providing $35 million in bridge financing, $15 million in senior secured notes and $20 million in package delivery incentives.

In addition to supply chain cost savings, Nikola expects the company to make other strategic rationales internally, including vertical integration and battery manufacturing.

At the time of writing, NKLA is down 2.41% in premarket trading, while RMO is up 25.44%.

NKLA Chart and Analysis

Over the past month, NKLA has traded between $4.42 and $6.88, down more than 39% year-to-date (YTD). While the short-term trend is positive, the long-term trend is negative, with significantly lower volume over the past two trading sessions.

The support line is located at $5.74, while the resistance is identified at $6.39.

NKLA 20-50-200 SMA line chart. Source. Finviz.com data. See more shares here.

Analysts believe the shares are being held, predicting the average share price over the next 12 months could reach $8.42, 35.37% higher than the current price of $6.22.

Wall Street analyst price targets for NKLA. Source: TipRanks

Robert Mancini, Chairman of the Board of Romeo Power, spoke in the press release about the importance that Nikola has had as a major customer, emphasizing that they will continue to create value together.

“As Romeo’s largest customer, Nikola has been the cornerstone of our development and growth, and this is a natural evolution of our relationship. Our products provide important critical energy density for heavy duty vehicles, We strongly believe that this combination provides the best opportunity for Romeo shareholders to participate in the continued value creation of a larger, stronger combined company.

NKLA is trading well below its June 2020 highs when investors were excited about the company’s potential. Mergers and acquisitions (M&A), as well as the delivery of functional products, should bring the company closer to its peak; however, investors will need to be patient for the company to reach that level.

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Disclaimer: The content of this site should not be considered investment advice. The investment is speculative. When you invest, your capital is at risk.

Ambassadors strengthen the production team in Amsterdam and New York

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Creative production studio Ambassadors welcomed Annejes van Liempd as executive producer in Amsterdam and Tessa Ward as producer in New York.

Most recently Executive Producer at PostPanic, Annejes brings over 25 years of experience as a producer, photographer and academic tutor for the Master Institute of Visual Culture. At Ambassadors, she will work closely with Executive Creative Director Justin Blyth to lead the studio’s work with Booking.com on the creative development and dynamic scaling of their video performance marketing, using the platform -Exclusive form of Creative Automation Cube from Ambassadors.

Tessa joins executive producer Katya Meyer in New York to continue to deliver hybrid production solutions for animation, editing, color grading, visual effects and creative technology for North America. She brings a unique perspective to the studio as half Dutch, half American with over 12 years of experience as a film, animation and illustration producer and agent in both markets.

“Annejes and Tessa will not be new faces for our clients, as we have been fortunate to have them freelancing with us in the past. But we are really happy that they are now officially ‘in the building’ as we continue to strengthen the Ambassadors’ position as partners in tech craftsmanship in both Amsterdam and New York,” says Halbo van der Klaauw, founding partner of Ambassadors.

The ambassadors’ recent work includes “Wear Your Denim Till the End” for G-Star Raw with agency The Family Amsterdam and production company Halal, which used a mix of deepfake technology and VFX to show an aging man with his jeans. The project was the first from the ambassadors’ internal artificial intelligence unit, Revel.Ai.

The production company denies any involvement in an accident at the Mirror concert

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Home made 菱藝廣告 (Art Design) clarified that it had no connection with the serious accident at the Mirror concert last night, while Music Nation Group and MakerVille, organizers of the concert, apologized for the incident.

菱藝廣告 (Art Design), which is responsible for stage engineering duties for the recent Mirror concert, was in the spotlight after a huge television screen fell and injured two dancers. One is currently still in the intensive care unit at Queen Elizabeth Hospital.

The agency immediately responded in a statement on Facebook that it was not involved in the accident and was merely in charge of setting up the group’s pool corners, prop production and decoration. of the stage with a mirror surface.菱藝廣告 (Art Design) added that misleading and false accusations online have affected the company’s reputation.

After seeking legal advice, the agency affirmed that it would preserve all legal rights to enable a fair and impartial investigation. 菱藝廣告 (Art Design) has since referred the matter to a professional legal team to pursue further . Nevertheless, the agency was shocked and concerned by the accident and hoped that the affected parties could recover soon. He also urged related parties to look into the matter and find out the reasons behind the incident. According to its website, the agency was founded in 2003 and is involved in events, brand promotions, exhibitions, gala dinners, ceremonies, concerts and mall decorations.

Meanwhile, show organizers MakerVille and Music Nation Group apologized for the incident, MakerVille CEO Lo Ting Fai apologized during a live press conference at the hospital and broadcast on Facebook this morning, saying it would provide full assistance to those injured and their families.

Mirror 1

Online Sentiments Analyzed

Social monitoring firm CAMRA recorded a total of 53.6% negative mentions in the past 24 hours, and LIHKG was among the social media platforms that sparked heated discussion. “Most netizens expressed their anger as there were several accidents that occurred in succession during the MIRROR concert. Many expressed concern about the safety of the artists and questioned the qualification of the production companies involved in setting up Several production companies responded that they were not involved in setting up the LED screen that caused the crash,” said Charles Cheung, General Manager of CARMA.

Statistics from social listening company Tocanan showed the incident garnered 1,803 mentions in total over the past day. While 91% of online sentiments were neutral, 6% were negative while 3% were positive.

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mirror

Videos of the incident went viral throughout the night, detailing how the giant screen crashed into the lead dancer’s body and head, while pinning the second dancer’s legs. Both dancers remained motionless in their positions until the ambulance arrived at the scene.

Hong Kong chief executive John Lee Ka Chiu said in a press release that he was shocked by the incident and sent his regards to the injured and their families. In the meantime, he called for the Mirror concert to be suspended and called for a full investigation into the matter. Actor Louis Koo also called on the public to stop streaming the disturbing videos as it could traumatize more people and affect their mental well-being.

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Senate passes bill to boost US computer chip production, House vote expected this week

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WASHINGTON- A bill designed to encourage more semiconductor companies to build chip factories in the United States passed the Senate on Wednesday as lawmakers rushed to finish work on a key priority of the Biden administration.

The initiative should lead directly to more facilities and jobs in Texas and across the country.

The $280 billion measure, which awaits a House vote, includes federal grants and tax breaks for companies that build their chip facilities in the United States. The legislation also directs Congress to dramatically increase spending on high-tech research programs that lawmakers say will help the country remain economically competitive for decades to come.

Passage to the Senate came by a vote of 64-33. The House vote is expected later this week as lawmakers try to wrap up their business before returning to their home states and districts in August.

House Speaker Nancy Pelosi, D-Calif., said she was confident there was enough GOP support to overcome potential defections from Democrats who view the grant effort to spur businesses from semiconductors as a misplaced priority.

Partisan squabbles threaten federal funding to boost domestic chip production

Seventeen Republicans, including Texan John Cornyn, voted for the measure in the Senate. The other GOP senator from Texas, Ted Cruz, voted no. Sen. Bernie Sanders, I-Vt., broke with Democrats by voting against the bill.

Cruz said the bill had “laudable” goals, but it was not the right approach to achieve them, calling it “corporate welfare.”

“I’m all for using the tax code to incentivize manufacturers to make semiconductors in America, but when the feds just give billions of taxpayer dollars directly to big business, it invites cronyism. and corruption,” Cruz said. “Corporate welfare is the wrong approach to solving a serious problem.”

Sen. Ted Cruz, R-Texas, addresses attendees at the Turning Point USA Student Action Summit, Friday, July 22, 2022, in Tampa, Florida. He voted against a bill to boost chip factories and create jobs on July 27, 2022, calling it “corporate welfare.” (AP Photo/Phelan M. Ebenhack)(Phelan M. Ebenhack/ASSOCIATED PRESS)

Proponents of the legislation say other countries are spending billions of dollars to lure chipmakers. Donors say the United States must follow suit or risk losing a secure supply of semiconductors that power automobiles, computers, appliances and some of the military’s most advanced weapons systems.

Senate Majority Leader Chuck Schumer, D.N.Y., said the bill represents one of the nation’s largest investments in science and manufacturing in decades and that with the approval of the Senate, “we say that America’s best years are yet to come”.

Opponents have been critical of the invoice price. It is expected to increase federal deficits by about $79 billion over 10 years.

President Joe Biden said the bill would create jobs and cut costs for a wide range of products, from cars to dishwashers.

“For decades some ‘pundits’ have said that we should abandon manufacturing in America. I never believed that. Manufacturing jobs are back,” Biden said. “Thanks to this bill, we will have even more. The House should pass it quickly and send this bill to my office.

The bill has been in the works for years, beginning with efforts by Schumer and Sen. Todd Young, R-Ind., to increase government investment in high-tech research and development. Although the bill took several twists and turns, a consistent theme that lawmakers repeatedly emphasized during Wednesday’s debate was the need to keep up with China’s massive investment in cutting-edge technology.

The Chinese government plans to “win the (artificial intelligence) race, win future wars, and win the future,” Young said. “And the truth is, if we’re honest with ourselves, Beijing is well on its way to achieving those goals.”

Sen. Roger Wicker, R-Miss., said, “Unfortunately, we are not in command of a range of important technologies. China is. Congress, he said, now has “a chance to pull us back in the right direction and put America back in a position to win the game.”

The bill provides more than $52 billion in grants and other incentives for the semiconductor industry as well as a 25% tax credit for companies that invest in chip factories in the United States. United. It plans to spend about $200 billion on various research activities over 10 years, though Congress will have to follow through by including that money in future spending bills.

The House could take up the bill as early as Thursday.

While most Republicans are expected to oppose it, some of the top Republicans on national security committees — Representatives Michael McCaul of Texas, Michael Turner of Ohio and John Katko of New York — support the measure. The same goes for many Republicans in a bipartisan group called the Problem Solvers Caucus, made up of moderates from both parties.

How Sherman Becomes the Epicenter of America’s Semiconductor Universe

‘Million Dollar Island’ shelved at NBC ahead of production; Studio Lambert & Talpa Shopping Big-Ticket Reality Series Elsewhere

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NBC leave the island.

Broadcast Network Canceled Million Dollar Islanda big-budget reality competition series ahead of production.

No More Deadline

The series, which was announcement in March, was supposed to be in the casting phase before being shelved. It joins sidelined series such as Turner Networks The Big D, which was retired by Warner Bros. Discovery a few weeks before its premiere.

It is understood that one of the factors behind the decision was the show’s budget. Million Dollar Island is a Survivorcompetition format that will see 100 participants compete over 50 days for the chance to win $1 million.

It follows the news that the unscripted chief of NBCUniversal Jenny Groom leaves the broadcaster amid a reshuffle of his alternate squad which is expected to see former Corie Henson, executive of Turner Networks, replaces her.

Based on a Dutch format produced by John De Mol’s Talpa, the American version was produced by The voice creator’s company and Lambert Workshopthe British production giant behind series such as The circle and Undercover boss.

We learn that Studio Lambert and Talpa are currently buying the series from other broadcasters.

The competition would have seen 100 contestants form friendships and forge alliances as they plot to stay on a remote desert island for up to 50 days and compete to win their share of the ultimate $1 million prize. Upon arrival, each contestant was to receive a wristband worth $10,000. While on the island, contestants earn and lose bracelets through various challenges, but when a player leaves the island, they must choose who will receive their share of the money.

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State-of-the-art post-production house Ganraj Studios initiates Creator-Centric

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State-of-the-art post-production house Ganraj Studios initiates Creator-Centric

Director-screenwriter Shreyash Jadhav will lead the studio as managing director; Swapnil Joshi and Anees Bazmee inaugurate the studio

With a vision to build a world-class film post-production facility, Ganraj Studios has officially opened its doors to help aspiring and big-name creators gain access to cutting-edge technology and expertise to bring their stories to life. Renowned film personalities, Bollywood director Anees Bazmee and renowned Marathi actor Swapnil Joshi inaugurated the facility, officially launching it for industry stakeholders.

The studio provides top-quality professional post-production services, including DI, sound mixing, visual effects, editing, dubbing, sound effects and digital finishing. Equipped with highly skilled technicians and state-of-the-art infrastructure, it caters to a wide variety of movies and entertainment, including web series, feature films and other video projects.

The minds behind the studio have over 10 years of experience and have done an outstanding job in the industry. Managing Director, Shreyash Jadhav is no stranger to the entertainment space. He made his directorial debut with the hit Marathi film, “Mi Pan Sachin”, which starred Swapnil Joshi in the lead. The national award-winning film “Baboo Band Bajaa” was produced under his Ganraj Associates banner. Apart from being a talented director, Shreyash is a famous Marathi writer, producer and rapper.

Commenting on the opening of the post-production studio, Shreyash Jadhav, Managing Director, Ganraj Studios said “For creators to have an impact with their stories, you need top-notch post-production partners. We have plenty of stories to tell, but have limited access to high-quality facilities. Our goal is to open doors and opportunities to all kinds of films and filmmakers and give them a chance to create top-notch end products.Through our years of industry expertise, we have assembled a group of the finest professionals and facilities to realize the dream of every creator ”

Actor Swapnil Joshicommented on the inauguration of the studios “Shreyash is a talented filmmaker and I had a great time working with him. He understands the pulse of cinema and has great insight into filmmaking techniques. The studio is a great sign for all filmmakers to have access to quality services and bring us even better movies.

Director, Anees Bazmee also shared his thoughts during the opening ceremony “I want to commend the team at Ganraj Studios for having such great ambitions for our industry and being able to stay true to their vision. I’m sure we’ll see some good work from them soon”

Some of the facility USPs include editing suites, which are equipped with systems to support high-resolution formats and configurations to handle demands of any type of format. Dubbing studios are staffed with experienced sound engineers and spaces designed by acousticians to achieve optimal results. The VFX department specializes in a wide range of services including motion graphics, compositing and 3D animation, to name a few. The studio also operates on a Baselight DI system to ensure infinite quality complexity, the ability to fine-tune shots using multiple techniques as well as advanced resolution combinations fully equipped for color grading. Ganraj Studios will be headquartered in Mumbai, India and will offer its services to pan-Indian and international creators.

Copus Korea: Becoming a Drama Production Company

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The author is an analyst at NH Investment & Securities. He can be contacted at [email protected] — Ed.

Copus’ drama production capabilities are expected to strengthen in line with its proposed takeover of Kim Jong-Hak Production. We expect the annual number of Copus drama productions to increase to 6-9 dramas next year. With production sales to be recognized in earnest from 2023, the company is expected to enjoy strong revenue growth going forward. Its valuations look attractive relative to those of its peers.

Takeover of Kim Jong-hak Production to strengthen drama production capabilities

Benefiting from stable cash flow from its traditional content distribution business, Copus Korea (Copus) entered the drama production arena last year. Following a successful CB issuance (W30 billion) in 2021, the company said the proceeds would be used to build its production capabilities by acquiring a drama production company. Recently (July 11), Copus announced that it would take over a 100% stake in Kim Jong-hak Production at an acquisition price of 12.86 billion won.

Founded in 1988, Kim Jong-hak Production has produced more than 70 drama series to date, including Sandglass, Full House, Happy Time: The Legend and All of Us Are Dead. The planned purchase of the company is expected to help Copus’ annual drama production count grow from 3 at present to 6-9 titles next year.


Distribution activity is going well; enjoys merit evaluation

Having expanded its range of genre offerings from dramas to variety shows and web novels/webtoons over the past 17 years, Copus offers the largest library of K content in Japan. As for the company’s content distribution business, its new-to-old work ratio stands at 3:7 in terms of sales, and its distribution contract renewal rate is high. Benefiting from a GPM of more than 50%, Copus’ distribution activity should continue to play its role as a cash cow in the future. Amid growing expectations of a thaw in Korea-Japan relations, we expect an expanded streaming share for Korean content in Japan to translate into medium/long-term earnings growth for Copus.

Even conservatively assuming 6 drama productions next year, Copus’ production sales are still expected to reach W60 billion, in turn leading to strong revenue growth. For 2023, we forecast sales of 102.6 billion W (+111.7% YoY) and OP of 20.2 billion W (+86.5% YoY; OPM of 19.7% ). With the company’s shares currently trading at a 2023F P/E of 8.3x, we see clear valuation merit.

ABC News Studios production house launched with programming on Disney platforms

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ABC News is bringing more programming to the table with the launch of production house ABC News Studio.

The company plans to air more than 100 hours of programming on ABC, Hulu, Disney+ and National Geographic throughout 2022.

ABC News Studio is currently in production with three feature-length documentaries and 15 series and specials. The initial slate comes from the likes of Dawn Porter Irene Taylor, Brian Grazer, Ron Howard and Stanley Nelson.

Mike Kelley was named vice president and director of the new studioand David Sloan will serve as ABC News Studios’ senior executive producer and creative director. Jacqueline Gloverhead of documentary for Onyx Collective, oversaw the initial slate feature documentaries for ABC News Films.

“ABC News Studios is a testament to our strategic investment and commitment to meeting audience demand for bold storytelling and simple journalism anytime, anywhere, on any device,” said Kim Godvin, president of ABC News, in a statement. “I’m excited to leverage the power and integrity of America’s #1 news network to create premium, distinctive content for all communities.”

The studio first launched in 2021 and earlier this year with projects on ABC and Hulu.

“ABC News Studios – and its subsidiary ABC News Films – the first slate of over 100 hours of programming this year is a tremendous achievement,” Kelley said in a statement. “We plan to release at least one new ABC News Studios title each month only on Hulu and continue to launch hits across the network. I am energized by the creativity of the ABC News teams and our third-party production partners. to further develop an extensive content pipeline.

RSN Red Sox production team show off Fenway like never before

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Home games are produced in native 4K HDR

NESN has a long history of technological firsts. It was the first RSN to broadcast all of its MLB and NHL games in HD, in 2006; the first to fully automate studio production, in 2015; and, this year, the first to launch a direct-to-consumer streaming service. However, New England-based RSN’s biggest technological leap to date may be its decision to produce all Boston Red Sox home games in native 4K HDR throughout this season – facing a challenge that no RSN based in the United States has never faced.

“We are proud to be able to provide our production teams with a platform to continue promoting the innovative mindset that NESN has always had,” said NESN Executive Producer Howard Zalkowitz. “What’s amazing to me is that we were able to do this while we were still in a pandemic, which challenged our production team and our partners like never before in the past two years. For all of us, coming together on this project has been nothing short of amazing.

Native 4K HDR Challenge: NESN Facility Upgrade, Crew Training

NESN has taken the bold step of creating a native 4K-HDR production and distribution ecosystem, rather than converting its existing HD broadcast stream to 4K HDR. All Red Sox games this season at Fenway Park have been produced in 4K HDR, and NESN plans to do the same in the fall for the Bruins at TD Garden.

To achieve this, NESN has teamed up with two of its long-time partners: remote facility provider Game Creek Video and production-work service provider Program Production Inc. (PPI). Game Creek upgraded the NESN 94 mobile unit to be 4K HDR capable, and PPI provided the trained 4K HDR technicians who work every Red Sox home game in the truck.

Game Creek has upgraded the NESN 94 mobile unit to be 4K HDR compatible.

“This is a true partnership between NESN, Game Creek and PPI,” says Zalkowitz. “We absolutely work together. It’s a perfect combination of Game Creek’s engineering expertise, the skill level of our PPI technicians, and the approach of our NESN production team. It’s an absolute collective effort to execute this every game, and one piece wouldn’t work without the other.

Game Creek upgraded its Riverhawk Truck to 4K HDR for MLB Network in 2016 and took a similar approach to bringing 94 (its name refers to Ted Williams’ 9 and Bobby Orr’s 4) up to 4K HDR levels.

“94 is a sister to Riverhawk,” notes Jason Taubman, SVP, Technology, Game Creek Video. “We basically took the design pattern and applied it to 94, and we were on our way.”

Game Creek brought Sony HDC-4300 cameras and HDC-P50 robots to capture in native 4K HDR. Additionally, it upgraded all monitoring and quality control to HDR, added Cobalt Digital up/down/cross-converters for parts of the production that would remain in HD (including playback and graphics), and extended the existing Evertz SDI router from 94 to accommodate quad -3G configuration needed for 4K.

“In ’94 there was some router real estate that wasn’t being used [in HD]says Taubman. “We were able to put this into operation to accommodate 4K operation. Obviously a lot of [our customers] opted for an IP router for 4K, but, in this case, 94 [existing router] already had the capacity we needed to do so.

PPI provided the 4K HDR-trained technicians who work every Red Sox home game from the truck.

In addition to the truck, in early 2021 NESN unveiled a brand new studio space fully optimized for 4K HDR production. Currently, all Red Sox pre/post game broadcasts are in 4K HDR, with other studio content remaining at 1080p60 at this time.

Inside the workflow: 4K cameras with playback and HD graphics

Currently, NESN has six live cameras operating in 4K HDR mode – and plans to have 10 later this season once the necessary equipment becomes available (given supply chain issues) – and three cameras running in 1080p60 HDR.

Four Sony HDC-4300s shoot in 4K HDR mode: (center field, top home, left field and bottom first). Additionally, two Sony HDC-P50 robots (middle and right field) are in 4K HDR mode.

“When you see Fenway in UHD HDR and compare it to today’s HD, there’s just no going back,” says Kenny Elcock, Vice President, Engineering, NESN. “There’s no ballpark like Fenway, and our goal is to bring that ballpark feeling to fans at home.”

NESN’s productions at Fenway Park feature Sony HDC-4300 cameras and HDC-P50 robots so capture can be done in native 4K HDR.

Three Panasonic AW-UE150 PTZ cameras are also 4K HDR capable (in both dugouts and inside the green monster in left field), as is a Sony HDC-3500 wireless roving unit equipped with Wave Centra RF transmissions. But these cameras currently operate in 1080p HDR until supply chain delay allows NESN and Game Creek to convert 12g fiber to Quad 3g SDI.

Since 4K replay would create a major capacity issue in the truck, NESN opted to retain its EVS replay operation at 1080p60 (as has been the case for industry live 4K productions thus far) . With that in mind, three manned Sony 5500 cameras (center tight, bottom third, top first) showing key 6X-slo-mo replays during the broadcast will remain at 1080p HDR for the foreseeable future.

“The technology just isn’t there for 4K replay right now because you would need a whole C drive and a lot more gear to make it work,” says Zalkowitz. “And you still have to be able to show the spin of the ball on that tight center replay and shots of those close calls on base paths – not just for our viewers, but for gameplay integrity. We decided to run them [three] cameras in 1080p HDR live, so we’ve got 6X super-slo-mo on those shots. They are all converted in our 4K stream.

All graphics, including scorebug and all insert graphics, are produced in 1080p SDR and upscaled to 4K HDR.

Currently, advertisements inserted into NESN’s linear broadcast and live broadcast of the Red Sox are also converted to 4K HDR, although RSN plans to produce 4K HDR advertising content with its sponsors and partners.

Currently, NESN has six live cameras operating in 4K HDR mode and plans to have 10 later this season once the necessary equipment becomes available.

According to Zalkowitz, the switch to 4K HDR hasn’t disrupted the workflow of the Red Sox production team inside the truck, with one exception. Since the main center field camera is on the air for about a quarter of the game, NESN has made 4K HDR a must for this position. However, since the league’s PitchCast tracking system uses this camera and is currently not 4K capable, NESN has elected to dispense with live PitchCast graphics on HD or 4K HDR broadcasts (although PitchCast is still available). via reruns).

“Because the [upconverted] The PitchCast 1080p signal was degrading the 4K image, so we decided to do without it for now,” says Zalkowitz. “We understand that live PitchCast is an important part of a TV show for many viewers, and we worked with MLB on a 4K system. But due to supply chain delays on video cards and the development time required for the system, there is no implementation schedule.We will continue to replay all tight ground.

Audio continues to be an important part of NESN’s Red Sox home games. NESN was the first RSN to register bases and is teaming up with the Red Sox to register a player for each Wednesday home game.

4K HDR ecosystem: linking, streaming, distribution, storage and beyond

In terms of backhaul for 4K HDR streams, NESN has established direct 12 Gbps fiber paths from its broadcast center in Watertown, MA, to Fenway Park and TD Garden in Boston.

“We were fortunate that NESN invested deeply in [connectivity] at all of our locations,” says Elcock. “So we have 4K capability from both Fenway and the Garden. None of this would be possible without these fiber paths in place.

In Watertown, NESN relies on Imagine Communications’ Versio broadcast system and other equipment to bring 4K HDR coverage to viewers.

In 2020, NESN leveraged The Switch’s hybrid fibre/internet network to replace its existing satellite delivery platform to launch 4K HDR broadcasts. NESN is working with The Switch to provide each of its 4K HDR distributors (currently, DirecTV, Verizon Fios and FuboTV) with a 1.7 Gbps payload that includes one UHD HDR stream and multiple HD streams.

One of four Sony HDC-4300s shoots in 4K HDR mode for NESN coverage of Red Sox home games.

NESN is deploying Imagine Communications’ media asset management and storage solutions to archive all Red Sox home games, but plans to expand this infrastructure in 2023 to produce more in-house content in UHD.

“We have ownership support and investment in this technology initiative,” Elcock said. “As an engineer, you couldn’t ask for a better situation than this. This is one of the unique characteristics of being at NESN: we have a reputation for being innovative in technology and we want to continue to be a pioneer in the future. »

Continuing Evolution: Adjusted Sox Coverage, Added Bruins in the Fall

Midway through the season, Zalkowitz says he’s already seen a significant improvement from both the backend and on-screen perspective in NESN’s 4K HDR shows. For example, after needing an extra day for setup at the start of the season due to 4K HDR, the production team, GCV engineers and PPI technicians are able to complete a shoot of a day for the first game of a Red Sox home stand. .

He also credits Senior Coordinating Director Mike Narracci, Senior Producer/Lead Director Dan Aspanand Senior Pproducer Amy Johnsonand the entire Red Sox team for overcoming the challenges of 4K HDR and finding new ways to improve delivery during the first half of the season.

“We learn something new every day and we get better with every game,” says Zalkowitz. “Fenway is a canvas in its own right, and in trying to paint in a whole new way with 4K and HDR, we’re showing the stadium more than ever. We’ve got wider and longer shots, and we’re still seeing how HDR works in daylight versus dusk versus night I think we’ve come a long way in front of and behind the camera already.

Building on the experience of half a season of Red Sox 4K HDR home games, NESN is working with the Bruins and TD Garden to produce the NHL team’s home games in 4K HDR this fall.

“That’s the plan,” Zalkowitz said. “We still have work to do, but we are very optimistic that you will see Bruins games in 4K HDR this fall. From here, we will only continue to improve and evolve.

Hyd entrepreneurs unite around a passion for cinema to create a production house | Telugu Movie News

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Entrepreneurs Uday Kola, Vijay Shekar Anne and Krishna Gorrepati recently launched a new film production house called Xappie Studios. While the trio have been software professionals for a while, it was their passion for film that brought them together, they say. “I studied in Russia and worked in the United States for 22 years as a system engineer, but I’ve always been drawn to cinema since childhood,” says Vijay, adding, “So when I found two others just as attracted to me, I thought, why not team up to create something exciting?”

Xappie started out as an entertainment app that provides infotainment, in addition to hosting a streaming platform that operates on a pay-per-view basis. Uday says, “Sanjeev Reddy and I started this portal, but Vijay and Krishna joined me when we decided to take the next step. I was vice president of a computer company, but that’s something that interests me more. The app is currently live in seven countries, and when I did some research I realized that the natural next step would be to get into film production, especially because there’s such a demand for content. regional.

While theatrical content is now front and center at Xappie Studios, the trio are focusing on stories that do well digitally. “We have bigger plans for 2024, but at the moment we have a movie called Jagame Maya which will start airing soon. We also have a movie called Patang, apart from two still titled projects currently in production,” Uday shares. Vijay adds, “We have been in contact with various writers throughout the pandemic. We just want to give the public good cinema.

Chinese film production team takes over Syria’s Hajar al-Aswad

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An animated noise is heard in the far northeast of the Syrian town of Hajar al-Aswad, which was a major ISIS stronghold. The racket is made by a Chinese film crew shooting an action movie produced by Jackie Chan called “Home Operation”.

Hajar al-Aswad, which means “black rock” in Arabic, was once a densely populated suburb of Damascus located next to the Palestinian refugee camp of Yarmuk.

The city has two main districts called “Tishreen” and “Thawra”.

Hajar al-Aswad was home to the largest concentration of displaced people from the occupied Golan since the June 1967 war, and was one of the first areas to witness protests against the regime in spring 2011, before be controlled by opposition factions in 2012.

The city then fell to ISIS from mid-2015 to 2018.

In 2018, Syrian regime forces, with the support of Russia, were able to regain control of Hajar al-Aswad through a vicious and destructive military campaign.

Slices of Hajar al-Aswad were completely leveled as the campaign erased 80% of the city’s infrastructure.

“War-torn areas in Syria have turned into a movie studio. These regions attract film producers,” said director Rawad Shahin, who is part of the film’s Syrian team.

“Building similar studios in these areas is very expensive, so these areas are considered low-cost studios,” he said.

The production team says it plans to use several other filming locations in Syria, where Iranian and Russian productions have also been filmed.

While visiting one of the streets of Hajar al-Aswad, where one of the film’s scenes was shot, Asharq Al-Awsat discovered a group of residents who were forbidden by the crew from inspecting their homes destroyed by the war because filming was in progress.

They were forced to take a longer route home, much to their frustration.

They expressed their displeasure at how locals were turned away from their homes, while foreigners filming the film were allowed to roam freely.

“Isn’t it better for the government to rebuild the destroyed neighborhoods and for the foreigners to make a film about the return of the refugees to their homes,” said one of the residents cynically.


Video Production Company Services Marketplace Business Challenges and Critical Success Factors – This is Ardee

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Research Reports offers a latest report published on “Global Video production company services Market 2022-2030”. Further, the Global Video Production Company Services report includes market size and forecast, annual growth analysis and market dynamics including growth drivers, restraining factors, opportunities and trends covering the overall market perspective.

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Based on region, the video production company’s global services are segmented into:

    • North America (USA and Canada)
    • Europe (Germany, UK, France, Italy, Spain, Russia and Rest of Europe)
    • Asia Pacific (China, India, Japan, South Korea, Indonesia, Taiwan, Australia, New Zealand and Rest of Asia Pacific)
    • Latin America (Brazil, Mexico and Rest of Latin America)
    • Middle East and Africa (GCC, North Africa, South Africa and Rest of Middle East and Africa)

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FirstCut, Geomedia, Direct IShoot, Lemonlight, Six & Flow, DMAK Productions, 160OVER90, Bullseye Creative, 4TH Street Productions, HugeDomains, Accelity, Achos!, Agent Orange Design, 2PURE Brand Agency, Alconost

Segment by Type– Online Service– Offline ServiceSegment by Application– Individual– Business– Other

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Video Production Company Services Market Size | To share

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New Jersey, United States,- The Global Video Production Company Services Market The study provides a comprehensive review of the market throughout the projection period. The study covers a variety of sections along with an analysis of events and factors that are likely to play an important role in the future. These elements, known as market dynamics, include the drivers, restraints, options, and challenges that shape the overall picture of these components. The intrinsic components of the market are the drivers and the constraints, while the extrinsic components are the alternatives and the difficulties. Throughout the forecast period, the Global Video Production Company Services Market report provides an overview of the market performance in terms of revenue.

This research provides an overall assessment of the global video production company services market. The market estimates presented in the report are based on extensive secondary research, primary interviews, and in-house expert assessments. These market estimates have been developed by examining the impact of various social, political, and financial factors, as well as current market dynamics, on the global Video Production Company Services market.

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To ensure that specific details of the global Video Production Services market footprint and sales demographics are captured accurately, in-depth analysis of multiple regions is performed allowing the user to get the most out of Datas.

Market segmentation :

Key players:

  • Creative Bullseye
  • ContentBoost
  • Capelli identity design
  • Chapter
  • captiva8
  • Laboratory Communications Group
  • Confetti
  • Clum Creative
  • Fifth column
  • Col?nia Design Studio
  • Content Teams
  • creamy animation
  • Cresta Creative
  • Dataclay
  • Craftphic

Segment by types:

  • an online service
  • Offline Service

Segment by applications:

  • Individual
  • Company
  • Others

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Regions are covered in Video Production Company Services Market Report 2022 to 2028

For a comprehensive understanding of market dynamics, the global video production services market is analyzed across key geographies, namely: North America (United States, Canada, and Mexico), Europe (Germany, France, UK United Kingdom, Russia and Italy), Asia-Pacific (China, Japan, Korea, India and Southeast Asia), South America (Brazil, Argentina and Colombia), Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, Nigeria and South Africa). Each of these regions is analyzed based on market findings across major countries in these regions for macro-level market understanding.

Scope of Video Production Company Services Market Report:

Report attribute Details
Market size available for years 2022 – 2028
Reference year considered 2021
Historical data 2018 – 2021
Forecast period 2022 – 2028
Quantitative units Revenue in USD Million and CAGR from 2022 to 2028
Segments Covered Types, applications, end users, and more.
Report cover Revenue Forecast, Business Ranking, Competitive Landscape, Growth Factors and Trends
Regional scope North America, Europe, Asia-Pacific, Latin America, Middle East and Africa
Scope of customization Free report customization (equivalent to up to 8 analyst business days) with purchase. Added or changed country, region and segment scope.
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Report Highlights:

Industry Overview:The first section of the research study covers an overview of the global Video Production Company Services market, market status and outlook, and product scope. Further, it provides highlights of major segments of the global Video Production Company Services market i.e., region, type, and application segments.

Competitive analysis:This report throws light on significant mergers and acquisitions, business expansion, product or service differences, market concentration, global Video Production Company Services market competitive status and market size by actor.

Company profiles and key data:This section covers the companies featuring leading players of the global Video Production Company Services Market based on revenue, products, activities, and other factors mentioned above.

Market Size by Type and Application:In addition to providing an in-depth analysis of the global Video Production Services market size by type and application, this section provides research on major end users or consumers and potential applications.

Market dynamics:This report covers drivers, trends, and opportunities in the global Video Production Company Services market. This section also includes Porter’s analysis of the five forces.

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Pushkin makes a first purchase with a deal for production company Transmitter Media. | Daily News Podcast

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Pushkin Industries has reached an agreement to buy Transmitter Media in a bid, according to the podcast studio, to increase Pushkin’s in-house production capabilities for editorial and commercial opportunities. This is Pushkin’s first acquisition since the company was co-founded by Jacob Weisberg and Malcolm Gladwell in 2018.

The terms of the agreement between the two private companies have not been made public. Transmitter Founder and CEO Gretta Cohn will join Pushkin Industries’ senior leadership and report directly to Weisberg. Existing Transmitter staff will continue to work on ongoing projects as a newly formed production department within Pushkin.

“We are thrilled to welcome the Transmitter team, whom Gretta has embedded into one of the best audio production companies in the world. Their track record and reputation for bespoke production speaks for itself,” Weisberg said. in the announcement, “At Pushkin, Gretta will continue to lead an ambitious team of producers and manage their superb work with clients, while taking on a leadership role in our business.”

Transmitter Media was founded by Cohn in 2017 and has developed and produced podcasts including Finding Fred,Merger and the rebellious eaters club. Since launch, Transmitter’s customers and partners include Audible, The New York Times, ESPN, Spotify, and New York Magazine, among others. Earlier this year, Transmitter Media announced a multi-year strategic partnership with TED Audio Collective to produce a roster of ambitious podcasts and talk shows, including WorkLife with Adam Grant, on which they have partnered since its inception in 2017, Am I Normal with Mona Chalabi, Body Stuff with Jen Gunter and TED Business.

“Pushkin is among the most dynamic and thought-provoking works in audio,” Cohn said in a statement. “Our producers are thrilled to join world-class audio talent – ​​on both sides of the mic – and grow with a company whose commitments to inclusivity and editorial rigor mirror our own. I know our team will thrive. in Pushkin.

The acquisition follows Pushkin’s recent first deal with A24, the independent studio behind TV shows and movies like “Euphoria” and “Everything Everywhere All at Once.” Pushkin is launching five new podcasts this fall. Pushkin will also release an original audiobook with actress, writer and director Lake Bell in November and has upcoming audiobook projects with Steve Martin and the Estate of Mary Oliver scheduled for 2023.

Dan Levy launches production company to handle post-‘Schitt’s Creek’ projects

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“Schitt’s Creek” co-creator Dan Levy is launching a new production company to house many of his upcoming projects.

Levy’s Not A Real production company, announced Monday, will oversee a number of upcoming shows, including the HBO Max series “Big Brunch.”

The cooking competition will feature Levy as host and judge alongside chef Sohla El-Waylly and restaurateur Will Guidara.

Other current projects include the adult animated comedy “Standing By” on Hulu, about a group of guardian angels tired of looking after humans who can’t seem to take care of themselves. .

Not a real production company is being launched with publicist Megan Zehmer serving as president of film and television.

Levy said in a statement that he decided to partner with Zehmer in part because of his role in managing the public relations campaign behind the Emmy Awards campaign for CBC’s “Schitt’s Creek.”

In addition to his new production company, Levy has an overall TV deal with Netflix, which also has a first-look deal to handle his directorial debut.

This report from The Canadian Press was first published on July 18, 2022.

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MAONOCASTER E2A Portable All-in-One Podcast Production Studio Review – Cost-Effective Podcasting on the Go!

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EXAM: Like everyone these days, you’re probably preparing for your mandatory service as a podcaster or content creator. If so, you’re trying to find the right entry-level mixer and mic that will allow you to focus on your content and not the tedious mechanics of producing that content. Today we’re going to help you get into battle by reviewing the Maonocaster E2A mic and board combo. Does it have what you need to produce the next award-winning People’s Choice podcast show? Let’s find out…

What is that?

MAONOCASTER E2A Portable All-in-One Podcast Production Studio Review – Cost-Effective Podcasting on the Go! is a one-stop solution that contains everything (at a basic level) to get a podcast off the ground (ideas and content sold separately). As the Maonocaster is also battery powered, it is well suited to becoming a travel mixer, giving you more freedom to create your content anywhere. Essentially, you provide the recording medium (PC, tablet, etc.) and E2A provides everything else you’ll need.

What’s in the box?

  • The Maonocaster E2 portable mixer
  • Maonocaster PM320 XLR microphone with weighted stand and shock mount
  • An XLR cable to connect the microphone to the mixer
  • 2 audio interface cables (both 3.5mm jacks)
  • A USB-A to C cable for charging the battery and/or connecting to a computer
  • Wired headphones to use as a monitor while recording

Design and function

The Maonocaster E2 mixer looks pretty much like any other beginner mixer:

Starting at the top left of the board, you have a large knob that controls the audio level of the auxiliary port, usually where you connect background music or connect via Bluetooth with a secondary audio source (say, for example, the subject of an interview). Then there are 3 knobs which control the height of the mic and three more to control the height of any instrument connected to the instrument port on the back. This is followed by the large output gain control which increases or decreases the mixed output to the recording device. Moving down there are 3 knobs to control reverb effects and 6 knobs to control additional audio effects such as denoising which reduces background noise. To the left is the bank of custom audio effects buttons – here you can add your own sounds like a rim kick, applause or laugh track (more on that shortly). Again, on the left are the volume sliders for the mics (on the left for the XLR-connected mic and on the right for any analog mic connected to a 3.5mm port on the back). Below is the 48v phantom power switch for the XLR mic (in case your mic – like the PM320 supplied in this pack – needs power to operate) and the Bluetooth connect button that allows the mixer to use your phone or other device as a grab.

On the front of the board are 2 monitor sockets. You can use the headphones included here, but I would seriously recommend getting a much better open-back headset like the OneOdio Monitor 80 we reviewed here.

The back side of the Maonocaster E2A is where all the connections occur. Starting on the left, there is an XLR socket and a switch used to determine the type of mic connected via this port (condenser or dynamic). Next to the XLR connection is a 1/4 inch jack for the output of a musical instrument such as a guitar, although virtually anything can be used here provided it is self-powered. Next comes a 3.5mm analog mic input, an auxiliary audio input, a connector for a monitor speaker, two live outputs (to an audio system, recorders or whatever you want). To finish on the ports, there is a USB-C output to a computer or tablet and an additional USB-C port for charging the battery, powering the mixer, etc. Finally, there is an on/off button and button board light to turn the board lights on or off.

Since we are talking about the battery (thanks for asking), it takes about 3.5 hours to fully charge the battery. Depending on whether your mic of choice requires 48V phantom power, you can expect north of 1.5 hours of battery time on a full charge with power on and closer to 3 without it. While the battery is nice to have, running it off an independent power source (i.e. not plugged into your computer’s USB port to power it) is the way to go.

And also speaking of plugging this in, there’s no need for any special drivers or software. On Windows and macOS, the Maonocaster E2 is recognized as a microphone and every application that can use a microphone will see it as such. For example, I’ve used it with Tech Smith’s Camtasia as well as Audacity without having to do anything special other than press the record button.

Let’s talk about the mic – the PM320 XLR mic that comes in the bundle.

The mic is a cardioid polar pattern condenser mic. This is perhaps the most jargon-laden sentence I have ever written. Simply put, the mic picks up sound immediately in front and behind it, but not to the sides. This makes it an excellent interview mic that can be placed in front of the interview and the subject. There is a small catch here, however: the PM320 is a sensitive mic, and during my review I found that it sometimes picked up sound from another room in the house because the back of the mic was directed towards the open door of my office. So, like any other mic, placement is important and it’s good to know that before you start recording. Denoise can help, but nothing works better than a closed door.

The mic comes with a metal pop filter that snaps into the shock mount. It works, but it feels a bit loose when mounted. Since the kit doesn’t come with a second filter, if you’re planning on using it as an interview mic, you’ll want to get another one to avoid uncontrollable plosives.

A side view of the mic and desk stand. The mic sits in the shock mount which has a 180 degree adjustable tilt joint just before the mount threads. There is also a knob on the base which gives up to 6 inches of extra height if needed.

The bottom view – here you can see the XLR connector, shock mount and set screws.

And all the other stuff that comes in the box.

How it works?

After finding a spot for the MAONOCASTER E2A Portable All-in-One Podcast Production Studio Review – Budget Podcasting on the Go! on my cluttered desk, I plugged everything in and prepared to record the narration of a training video I was working on. Although I don’t need sound effects on a daily basis, I decided to assign a few to see if the process works well. As the E2 does not accept digital input via the computer’s USB-C connection, any sound signal you wish to record must come from a recording from an analog source (the auxiliary input, a microphone, Bluetooth, etc.). Recording is fairly easy and each button can store around 20 seconds with the A, B and C buttons extending it to almost a minute. To save, press and hold the button you want to use for 3 seconds. The light will flash slowly, so release the button to start recording. Short press the button when finished to stop recording, or wait 20 seconds for the recording to run out of space. From then on, a short press of the button will play the sound. Although I wish I could add a sound file directly to a button, it works great as long as the sound is ready and ready to avoid any sort of annoying gap.

I told you my office was cluttered.

Although from a computer perspective the E2 is just another mic, I find having this between the recording app and the mic a game-changer. I now have a lot more control over the output than before, which for me means less time for audio post-cleanup. The board performs much better than you’d expect from a mixer in this price range, with 48v power the proverbial icing on the cake.

The PM320 mic, however, is only good enough. I had to resort to a fair amount of pitch adjustment to get what I thought was a clear audio track. Maybe that’s me – I often think I have a voice well suited to silent movies, but side by side with other mics I own, I found the PM320 to be lacking. For example, my Blue Yeti is plug and play, but since the E2 doesn’t have a micro USB port, I can’t use it. A while ago I reviewed the Samson Q9U mic (read it here) and plugging it into the E2 I think I found the perfect recording setup for me. No extra processing work is needed and the addition of the E2 (as opposed to the Elgato XLR connector I use) results in some of the best sound I’ve produced.

Is the MAONOCASTER E2A Portable All-in-One Podcast Production Studio Review – Budget Podcasting on the Go! perfect? No. The buttons feel a bit spongy when pressed and the volume sliders are a bit wonky. But those are pretty minor gripes compared to the stellar output and ease of use. Maono put the money into it, and it shows.

What I like

  • The number of input sources available
  • Clear and crisp output
  • How easy it is to learn to use this table

What I would change

  • Add a USB input port to allow direct transfer of audio files to sound effect buttons
  • Add a wall charger to the box to charge the battery/power the board

Final Thoughts

A good mixer is hard to find. The best have a price that resembles the annual budget of a Caribbean nation, and the budget tips sound like their (cheap) price. MAONOCASTER E2A Portable All-in-One Podcast Production Studio Review – Cost-Effective Podcasting on the Go! is the happy medium – a budget setup that feels like a more expensive board. With everyone and their first cousin entering the content production fray, anything you can do to stand out is a necessity, not a good thing to have. This set delivers great sound and ease of use, meaning you can focus on your content, not the mechanics of producing it. And at $170 for the package, you’re unlikely to find a better configuration for the money.

Price: $169.99 at Amazon, $179.99 at Maono
Or buy: Amazon or directly from maono
Source: The sample for this review was provided by maono

First Hydrogen Adds Schipstra to Green Hydrogen Production Team

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Vancouver, British Columbia–(Newsfile Corp. – July 18, 2022) – First Hydrogen Corp. (TSXV: FHYD) (OTC Pink: FHYDF) (FSE: FIT) (“FIRST HYDROGEN“or the”Company“) is pleased to announce that its subsidiary, First Hydrogen Limited, has appointed Afkenel Schipstra as Chief Operating Officer to develop the Energy division. Ms. Schipstra joins First Hydrogen from multinational utility ENGIE, where she held the as Senior Vice President of Hydrogen Business Development, she was responsible for large-scale hydrogen projects in the Netherlands, including HyNetherlands, a 1.85 GW green hydrogen value chain, which spans the production, transport and use of green hydrogen.She is also a non-executive director and Chairman of the audit and risk committee of HydrogenOne Capital Growth plc., the first hydrogen fund to be listed on the Stock Exchange. London.

Prior to ENGIE, Afkenel was head of the hydrogen program at TSO Gasunie NV, where she developed a roadmap for the company’s hydrogen business and, in her previous role as senior business development manager, she worked on capturing , Carbon Utilization and Storage (CCUS) and District Heating Projects. Passionate about bringing more women into the industry, she is an active member of Women in Hydrogen and a founding member of VIEN, a community of energy leaders committed to bridging the diversity gap to create a sustainable and inclusive future for the sector.

Afkenel holds a master’s degree from the Rotterdam School of Management, is a Chartered Financial Controller and has over 15 years of extensive experience in corporate leadership and financial management for the energy sector. At First Hydrogen, she will help the Company establish environmentally friendly green hydrogen production sites and supply its fueling solutions, a key part of First Hydrogen’s ambition to secure green hydrogen supply to its clients.

Nick Wrigley, President of First Hydrogensays: “Afkenel brings both her passion and deep expertise in managing and financing hydrogen projects to the team. She joins us at an exciting time in our development of hydrogen infrastructure; planning is underway for our first green hydrogen production sites in the UK and we are working with FEV Consulting to develop our refueling technology and leading this work will build our Hydrogen-as-a-Solution model, which tackles to chicken and egg problem that challenges the adoption of hydrogen vehicles and will help deliver a zero-emissions future. We’re also excited that it’s helping us drive diversity in the energy and automotive sectors, as this milestone helps us accelerate innovation and change. »

Afkenel Schipstra, Chief Operating Officer for First Hydrogen Energycommented: “Profound changes are underway in the global energy system. Governments, industries and consumers are shaping a net-zero economy, with clean hydrogen set to play a vital role as a raw material, vector of energy and fuel. This is an opportunity to be part of a forward-thinking, game-changing company with a truly talented international team fully committed to developing a more sustainable future. By growing this emerging economy, we will also be able to encourage more people to find rewarding careers in this rapidly changing industry.

I am thrilled and privileged to begin this new journey and work across the value chain to help First Hydrogen chart the course towards a zero-emissions future. »

About First Hydrogen Corp. (FirstHydrogen.com)

First Hydrogen Corp. is a Vancouver and London UK-based company focused on zero-emission vehicles, green hydrogen production and distribution, and supercritical carbon dioxide removal systems. The company designs and builds demonstration light utility vehicles (“LCVs”) powered by hydrogen fuel cells under two agreements with AVL Powertrain and Ballard Power Systems Inc. The LCV will have a range of more than 500 kilometres. At the same time, the company has launched its bespoke vehicle design phase which will develop its fleet of zero-emission clean vehicles. First Hydrogen is also developing refueling capability in conjunction with FEV Consulting GmbH, the automotive consultancy of the FEV Group of Aachen in Germany. The Company is also looking for opportunities in the production and distribution of green hydrogen in the UK and elsewhere.

On behalf of the Board of Directors of

FIRST HYDROGEN CORP.
Balraj Mann
President, CEO and Director

Contact:
Balraj Mann
First Hydrogen Corp.
604-601-2018
[email protected]

Caution Regarding Forward-Looking Statements This press release contains information or statements that constitute “forward-looking statements”. These forward-looking statements involve known and unknown risks, uncertainties and other factors that may cause actual results, performance or achievements or developments to differ materially from any anticipated results, performance or achievements expressed or implied by such forward-looking statements. . Forward-looking statements are statements that are not historical facts and are generally, but not always, identified by words such as “expects”, “plans”, “anticipates”, “believes”, “has intention”, “believes”, “projects”, “potential” and similar expressions, or that events or conditions “will”, “would”, “could”, “might” or “should” occur.

Forward-looking information may include, but is not limited to, statements regarding operations, activities, financial condition, expected financial results, performance, prospects, opportunities, priorities, targets, objectives, objectives progress, milestones, strategies and outlook for First Hydrogen, and include statements regarding, among other things, future developments and First Hydrogen’s future operations, strengths and strategies. Forward-looking information is provided for the purpose of presenting information about management’s current expectations and plans regarding the future, and readers are cautioned that such statements may not be appropriate for other purposes. These statements should not be construed as guarantees of future performance or results.

Forward-looking statements made in this press release are based on management’s assumptions and analysis and other factors on which management may rely to draw conclusions and make forecasts or projections, including the management experience and assessments of historical trends, current conditions and future forecasts. developments. Although management believes these assumptions, analyzes and assessments to be reasonable at the time the statements in this press release are made, actual results may differ materially from those projected in the forward-looking statements. Examples of risks and factors that could cause actual results to differ materially from forward-looking statements may include: the timing and unpredictability of regulatory action; regulatory, legislative, legal or other developments relating to its operations or activities; limited marketing and sales capabilities; early stage of industry and product development; limited products; recourse to third parties; adverse publicity or consumer perception; general economic conditions and financial markets; the impact of increasing competition; the loss of key management personnel; capital and liquidity requirements; access to capital; the timing and amount of capital expenditures; the impact of COVID-19; changes in demand for First Hydrogen’s products and the size of the market; patent law reform; patent and intellectual property litigation; conflicts of interest; and general market and economic conditions.

The forward-looking information contained in this press release represents First Hydrogen’s expectations as of the date of this press release and, accordingly, is subject to change after such date. Readers should not place undue importance on forward-looking information and should not rely on such information as of any other date. First Hydrogen undertakes no obligation to update these forward-looking statements if management’s beliefs, estimates or opinions, or other factors, should change.

NEITHER THE TSX VENTURE EXCHANGE NOR ITS REGULATORY SERVICES PROVIDER (AS THAT TERM IS DEFINED IN THE POLICIES OF THE TSX VENTURE EXCHANGE) ACCEPTS RESPONSIBILITY FOR THE ADEQUACY OR ACCURACY OF THIS RELEASE

To view the source version of this press release, please visit https://www.newsfilecorp.com/release/131091

Exclusive! ‘Ranbir Kapoor will open his production house, but only Alia Bhatt can make it work,’ astrologer predicts

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Ranbir Kapoor finds his lucky charm in Alia Bhatt (Photo credit: Instagram)

Ranbir Kapoor is a versatile actor with an interesting career chart. He has repeatedly proven his courage, but it has often been observed that he only succeeds well when the director knows how to exploit his talent in the right way. It gave us several hits and now offers 2 movies – Shamshera and Brahmastra.

With movies to come, a newlywed life with Alia Bhatt and a baby on the way, we asked famed astrologer Pandit Jagannath Guruji how Ranbir Kapoor’s career is going to unfold in the times to come and here’s what he said. shared with us exclusively.

“His career will be good, there doesn’t seem to be any problems according to my readings. His upcoming films Brahmastra and Shamshera will perform well and may also be hits. His career chart will definitely pick up with his luck by his side. The actor has a very promising future and as many predicted when he had just entered the world of acting “lambi race ka ghodahai”, said Panditji.

“Ranbir Kapoor will also start his own production house but it may not work out as he is not commercially minded while Alia Bhatt has the ability to take care of the business unlike what people assume. People think she’s not bright but in fact, she’s very strong. Let’s just say that Pisces should never be underestimated… As for the baby’s presence in the star’s life, regardless of gender, a child is always lucky for parents,” Pandit Jagannath Guruji told us.

As Ranbir Kapoor prepares for the two dramatic outings, the star will also be seen in an Untitled Luv Ranjan and Animal movie likely to be released next year.

Must read: Rocky Aur Rani Ki Prem Kahani vs. Shehzada: Karan Johar and Kartik Aaryan will have a major face-off next year

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Job: Production Team Leader at Sayed Farms Limited

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After extensive research on the poultry business in Nigeria, Sayed Farms Ltd was established in 2004 by Mr. Haytham Nawam and Mr. Ziad Sayed, both of whom have extensive experience in the poultry business;

The company specializes in the poultry sector and currently in frozen food distribution (frozen fish, chips, frozen chicken, etc.) and covers all major aspects of the chicken sector and frozen food distribution.

The Nigeria based company with two branches in: Ibadan and Abuja; the head office is in Lebanon. Job reference: PTL/2022/062
Location: Ibadan, Oyo

job description

Responsible for implementing plant operations as well as overseeing daily production efficiency, waste management, SOP process, production forecasting, material planning and management quality for the animal feed factory.
Monitors correct formulas and drug levels for daily feed production in close relationship with manager.
Supervises and coordinates the activities of factory and delivery supervisors.
Keeps accurate records of production and delivery from factory.
Implementation of company safety and health policies in the factory.
Lead the deployment and effectiveness of human capital; including performance evaluation and management, sufficiency of manpower levels, training and development.
Maintains a good quality control program through accurate sampling procedures.
Maintains compliance with all government regulatory bodies.
Coordinates the delivery of raw materials with the appropriate personnel.
Maintains adequate controls of all inventory.
Implementing company strategies while providing industry-leading focus and focus through leadership.
Implement the establishment of systems and procedures and compliance verification systems based on policies and anchored in company values.

Terms

Bachelor’s degree in agriculture or food technology or equivalent experience.
8 years of experience supervising feed mill operations or other related poultry experience.
Understanding of manufacturing procedures.
Compliance with health and safety rules (e.g. constant use of protective equipment)
Analytical skills and attention to detail
Teamwork and communication skills.
Strong communication and organizational skills;
Ability to analyze and solve problems;
Residing or wanting to move to Ibadan.

Click here to apply

Kanye West sued for $7 million by production company over unpaid fees – News

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Kanye West is being sued for $7.1 million by production company Phantom Labs after a breach of contract over his canceled Coachella performance, “Donda 2” listening event and more.

The Los Angeles-based company claims Kanye owes them a large sum of money as they worked on numerous projects from June 2021 to March 2022 with West.

The lawsuit, which was filed July 14 in Los Angeles County Superior Court, also includes multiple Sunday Service performances and his Free Larry Hoover with Drake concert.

Read this next: Marshall Jefferson sues Kanye for using a sample of “Move your Body” without permission

Kanye hired Phantom Labs in 2021 according to Fork to “carry out a renovation project” at a Los Angeles warehouse as well as produce four Sunday service events in November 2021 for which Phantom Labs says they also have not been paid.

Phantom Labs also alleges they were also unpaid for their involvement in Kanye’s live Donda 2 party in Miami, to which they say they owe $2.2 million.

According TMZ, Phantom Labs also claims it was hit with a $1 million cancellation fee for Kanye vacating his title at Coachella.

“We are incredibly proud of the work we have done with Ye and are disappointed that such a successful relationship has come to this,” a Phantom Labs spokesperson said in a statement to Variety. “A celebrity weaponizing fame and reputation to take advantage of enthusiastic collaborators is simply unacceptable.”

Read this next: Denzel Curry Calls Drake & Kanye’s Recent Albums ‘Below Average’ During Public Call

Chicago house music legend Marshall Jefferson is also suing Kanye West for allegedly using parts of his 1986 track “Move Your Body” without permission.

Jefferson and his publisher, Ultra International Music Publishing, claim that Kanye used portions of “Move Your Body” without permission 22 times in the track “Flowers” from “Donda 2.”

Becky Buckle is Mixmag’s digital intern, follow her on Twitter

Kanye West sued by production company claiming he owes over $7 million

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Nintendo buys CG production company and renames it to Nintendo Pictures

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Nintendo acquired a production company by the name of Dynamo Pictures. The Japanese gaming giant has acquired a 100% stake in production company CG and intends to rebrand it “Nintendo Pictures”, which it will focus on expanding Nintendo’s “visual content” portfolio.

What are the terms of Nintendo’s acquisition of Dynamo Pictures?

According to an official Nintendo announcement released earlier today, Tokyo-based CG production house Dynamo Pictures is now a wholly-owned subsidiary of Nintendo. The production company has a capital of 34.5 million yen and was originally founded in March 2011, before which various Dynamo staff helped produce the rather poorly received film. Metroid: Other M. Now, however, Dynamo, which will be renamed “Nintendo Pictures” after the deal closes, will be repurposed as Nintendo’s visual content production house.

Nintendo has a rich portfolio of IP addresses to draw on for its new Nintendo Pictures productions (although some third parties Smash Bros. characters probably won’t appear).

Nintendo’s announcement of Dynamo’s acquisition indicates that the studio will now focus on “the visual content planning and production structure within the Nintendo Group”. Since Dynamo does a lot of CG animation, it’s likely that Nintendo is looking to make CG movies or shows featuring some of its characters. Dynamo’s previous work includes Final Fantasy XV: Kingsglaive, Resident Evil: Infinite Darknessand Dragon Ball Super: Super heroes, so it’s a studio with a pretty solid pedigree. Despite this, Nintendo says the acquisition will have “only a minor effect” on its fiscal year results.

What movies will Nintendo be working on with its new Nintendo Pictures division?

Nintendo’s next big movie project is next Super Mario Bros. movie, which will star Chris Pratt (and will likely be significantly better than the 1993 adaptation). It remains to be seen what the company intends to do with its new acquisition of Nintendo Pictures, however. We could see more offbeat animated productions like the 80s mario movie recently restored by fans, but it’s more likely we’ll see a glut of Nintendo CG shows and movies with big franchises like mario and Zelda at the tip of the slate.

A question block image depicting the upcoming Super Mario Bros movie
Nintendo’s next big movie project is next Super Mario Bros. movie, which may or may not inform what Nintendo Pictures does next.

We’ll have to wait and see what Nintendo Pictures’ inaugural project ends up being, but one thing’s for sure: video game movies are growing in importance. It’s been a long time since it’s felt like good game movies can’t exist, but recent releases like Tom Holland’s Unexplored and Resident Evil: Welcome to Raccoon City show that studios are still very willing to try on that front. Hit TV shows like the witcher (and its maddening and catchy songs) and Castlevania also demonstrate that there is still an appetite for great game-based visual content, so hopefully Nintendo Pictures can contribute to this small but growing canon. We’ll bring you more on that as we get it.

Kanye West “Armed Fame” at Stiff Production Company $7 Million Lawsuit – Billboard

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Ye (Kanye West) is facing a new lawsuit that claims he owes $7.1 million in unpaid fees to a production company that worked on his 2 exit show as well as her canceled performance at Coachella.

In a complaint filed Thursday (July 14) in court in Los Angeles, attorneys for Phantom Labs say the design and production company “faithfully performed” the work requested by Ye, deploying “countless hours of in-house talent” and also making prepayments to many other sellers.

“Event after event, Ye and his representatives promised that if Phantom continued to work on the budgeted and approved projects, Phantom would be paid promptly for the balance and new work,” wrote Howard Kinga well-known entertainment lawyer who replaces Phantom.

“More recent events have made it clear that the defendants had no intention of paying Phantom,” King wrote. “Despite receiving multiple demand letters from Phantom, the defendants inexplicably continue to withhold payment.”

Phantom’s trial comes days later Billboard first reported that Ye was facing a different lawsuit from high-end fashion rental service David Casavant Archive, which claims the superstar failed to pay hundreds of thousands of dollars in fees and neglected to return a dozen “rare and esteemed pieces”.

In a statement, a spokesperson for Phantom said the lawsuit was a last resort: “We are incredibly proud of the work we have done with Ye and are disappointed that such a successful relationship has come to this. Celebrity weaponizing fame and reputation to take advantage of enthusiastic collaborators is simply unacceptable.

A spokeswoman for the rapper, who legally changed his name to Ye last year, did not immediately return a request for comment on Thursday.

According to Phantom’s lawsuit, the company also worked on four weeks of “Sunday Service,” as well as Ye and Drake’s “Free Larry Hoover” concert at the Los Angeles Coliseum. The company says it received millions of dollars in fees over the years, but “significant overdue invoices started piling up” over time. Phantom says he continued to work in hopes of being paid the outstanding balance, until Kanye’s highly publicized withdrawal from Coachella.

“Just weeks after promising to make Phantom whole from the $9 million salary he was to receive for performing at Coachella, Ye suddenly withdrew from the festival, not only reneging on his promises to pay the balance multi-million dollar Phantom, but also saddled Phantom with an additional $1.1 million in Coachella-related cancellation fees and other expenses incurred to perform work on Coachella at the request of the defendants,” the lawsuit added. .

In total, Phantom says he owes $7,154,177, plus interest.

Stagwell Production House Locaria Acquires Ukrainian Content Agency

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US challenger network Stagwell has announced the acquisition of content and production agency Pep Group.

The Kyiv-based company is set to merge with Locaria, a Stagwell-owned production house that specializes in creating content designed to be adapted into multiple languages.

Pep’s clients include Kimberly-Clark, Colgate, Budweiser, Pepsi, Lipton and Arm & Hammer manufacturer Church & Dwight. It has offices in Canada and the Netherlands, as well as its headquarters in Kyiv. Although some personnel left Ukraine, it continued to function throughout the Russian invasion.

Locaria will merge with Pep Group, a content production agency in Kyiv

Misha Pimenov, the founder of Pep, will be named executive vice president of creative content for the new Locaria merger. He said: “Our manifesto is: ‘There is no production problem that we cannot solve.’ Now I am excited to solidify our offering, grow the team and add value to complement Locaria’s omnichannel marketing expertise and vast global reach.

A spokesperson for Stagwell said it hopes to capitalize on growing customer demand for scalable content designed to be localized in multiple markets. Pep Group specializes in post-production content changes.

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Mark Penn, former pollster and founder of Stagwell, said, “Locaria has been sending the message to marketers for years that multilingual content and localization can no longer be an afterthought. By acquiring Pep Group, we are doubling down at Stagwell on content offerings at scale that enable global brands to meaningfully connect with consumers, anywhere.

Locaria’s Chief Operating Officer, Lindsay Hong, added, “I am delighted to welcome Misha and his team of experts to Locaria. By breaking down traditional silos and linking production and localization, we can now deliver more engaging international content and greater efficiency. It is great that we were able to execute this deal despite the ongoing dispute so that clients can continue to benefit from expert Ukrainian talent.

Deep Woods, New Hampshire-based production team to debut Halloween-themed TV show

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The show is called Spooky Kisses Haunts and is the brainchild of husband and wife duo, Rich Perry and Beverly Thomas.

PITTSFIELD, NEW HAMPSHIRE, USA, July 12, 2022 /EINPresswire.com/ — Husband and wife production team based in the deep woods of New Hampshire (Rich Perry and Beverly Thomas) are pleased to announce the upcoming launch of their creepy entertainment Halloween themed TV show, Spooky Kisses Haunts.

Spooky Kisses Haunts is a new broadcast-produced docu-reality television show and currently in pre-production for an initial release in late 2023. The show, produced by MadLab Entertainment Group, is centered around Halloween and offers a unique insight into the world fascinating Halloween. haunted attractions, plus behind-the-scenes interviews with staff and cast. Spooky Kisses Haunts is shot in a unique documentary/news format with an on-camera host/comedian, aka “Spooky Kisses”.

“In 2011/2012 my wife (Beverly Thomas) and I were in other marriages and unfortunately we both lost our spouses to cancer,” said show producer/director Rich Perry. . “After meeting, starting dating and getting married two years later, we never expected to get a second chance at love, let alone launch such an interesting business idea together. Producing Spooky Kisses Haunts has was one of the most incredible experiences we’ve had together and it’s truly a humbling feeling.

“Meeting Rich has completely changed my life, and I couldn’t be more excited about our ambitious project,” says Beverly, aka host of the “Spooky Kisses” show. “I’ve always wanted to be an actor and feel like I’m finally in my element with this show – I’m having the best time of my life! I love performing on stage and have spent years studying dance , ballet, special effects and makeup for television, so I deeply appreciate the artistry that scary actors bring to their craft. And, in case viewers are wondering, when we film in hauntings, the screams are all real! I can’t tell you how terrified I am when the lights go out and I walk alone through these scary houses and structures. It scares me, but I wouldn’t change that for the world .

According to the multi-talented duo, although there have been several successful TV shows based on the Halloween attractions industry (Haunt) before, they have always been quite corporate (Travel Channel) and set in a review style – some with off-camera hosts. , as the Top 10 Most Haunted Attractions in America.

“We’re doing something very different,” says Rich. “We spend time with the owners, crew, and creepy cast and interview them to get to know them in and out of character. Our job is simply to tell their stories in an engaging and entertaining way. Luckily our on-screen host, Spooky Kisses, has a background as a comedian and the show is more humorous and fun than scary, but it does provide plenty of detail on the props used and the tools they use to scare people. The goal is also to score Spooky Kisses and use her skills as a host and entertainer to keep people engaged with the show.

“The size or success of the haunting or business is not necessarily a factor; for us it’s more about the people, the history and personal stories of the owners and staff are more interesting and entertaining than props or plays – although we need a good deal of that too” , adds Beverly. “Part of our goal is to expose your haunting and the haunting industry as a whole to a much wider audience and increase the overall market base for hauntings.”

Currently, four full episodes of Spooky Kisses Haunts have already been filmed, with ten more scheduled to film in the United States in the fall. Today, the Spooky Kisses Haunts team is hard at work securing multiple worldwide distribution deals and is aiming for first broadcast/cable/streaming next year.

For more information on Spooky Kisses Haunts, or to contact the team for an interview, please visit https://spookykisseshaunts.com/.

About MadLab Entertainment Group

MadLab Entertainment Group was founded by producer Rich Perry, who is the creator of Two Wheels 2 Anywhere, a motorcycle travel television show, and Master Mind Audio, LLC, a sound production company specializing in media duplication, digital mastering and CD. – Creation/replication of ROMs/DVDs to independent labels and studios in the greater Boston area.

The company specializes in location videography, television and video publishing, narrative/script writing, content acquisition, sound production and engineering, soundtrack composition/recording, sound design, non-linear editing, documentary film work and pre-production planning and budgeting.

rich perry
MadLab Entertainment Group
+1 603-801-2493
[email protected]

Film producer Thunder Road partners with production house Spot Slash Dynamic to create marketing arm

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Thunder Road Pictures – the producer behind the John Wick franchise, led by Bradley Cooper A star is bornand director Denis Villeneuve Sicario— has entered into a strategic partnership with Los Angeles-based production company Slash Dynamic. Through this partnership, the feature film and series prowess of Thunder Road will be brought into the marketing space, giving brands a powerful resource in creating commercials, branded entertainment, immersive and short-form content.

“As brands increasingly look to feature filmmakers to help them create compelling content, we felt the timing was perfect to move into the space,” said Thunder partner Erica Lee. Road. “Our partnership with Slash Dynamic is an instant way for us to achieve this goal. We are truly excited to bring the highest level of cinematic craftsmanship and directorial talent to help brands elevate their storytelling.

Thunder Road Founder Basil Iwanyk added, “We all look forward to the exciting pace of creating feature-level productions on much shorter timelines. We get the immediate gratification of seeing our work there and the brands benefit from our directors’ vision and talent on their projects. We can’t wait to get started.

Through this partnership, Slash Dynamic – a WBENC-certified woman-owned company – will become, while maintaining its identity, the marketing production arm of Thunder Road, representing Thunder Road’s diverse roster of feature film directors in the industry. marketing. The new partnership will soon roll out its full roster of talent, with offices in Los Angeles and New York.

“It’s the best of both worlds for marketers,” said Tanya Cohen, Founder and CEO of Slash. “Slash are experts at creating branded ads and content, and Thunder Road is a Hollywood heavyweight with an incredible track record. Together, we represent an incredible roster of award-winning filmmakers and unparalleled capabilities. The partnership creates a complete ecosystem and a management structure across the media landscape, for filmmakers.

Cohen said the move will greatly benefit directors, as the company will serve as a development incubator for talent. “While the directors of Thunder Road will have the opportunity to explore the short form to create brand stories, the directors of Slash will have the opportunity to move into feature films,” she explained. Cohen noted that she and her partners are eager to attract additional directors through this partnership.

The partnership further opens up the opportunity for brands to create partnerships and branded entertainment with the Thunder Road slate. Additionally, Slash Dynamic has just launched an automotive content division led by Dave Hedeman and Steve Rice. The pair recently led creative advertising for Nissan at TBWAChiatDay NY.

“It’s such a natural progression for us,” said Thunder Road’s Lee. “We can see an immediate opportunity to offer brands a powerful presence within the intellectual property we own.”

Thunder Road films have grossed over $3.8 billion worldwide and been nominated for Academy Awards, Golden Globes, Producers Guild Awards, Writers Guild Awards, Directors Guild Awards and AFI Awards. Recent projects include: Tarik Saleh’s dark thriller The contractor; Halle Berry’s debut as a director, Bruised; Ric Waugh’s disaster epic, Greenland; and Sophia Banks’ action thriller Black Site. Upcoming projects include Dev Patel’s directorial debut, Monkey Man; The announced return of John Woo’s American action film, silent night; Wick jeans 4; and the John Wick spin-off tv series The Continental.

Slash Dynamic has produced commercials, immersive experiences and branded content for global brands including Nike, Amazon, Blizzard Entertainment, Red Bull, Ford and Porsche. Producer Caitlin Cohen (no family ties to Tanya). who has been with the company since its inception, will also be instrumental in facilitating the partnership with Thunder Road and the launch of Slash Auto.

Farhoud Meybodi launches a new production company Ritual Arts

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Farhoud Meybodi launches Ritual Arts, a new production company, and has signed a first agreement with Wayfarer Studios, the independent studio co-founded by Justin Baldoni and Steve Sarowitz. The company will focus on storytelling that inspires culture change through purpose-driven television and film.

Award-winning writer, director and executive producer Meybodi most recently worked on “My Last Days,” a docuseries about people living with terminal illnesses that is currently in season 5 on the CW network. Meybodi previously co-founded Wayfarer Entertainment with Ahmed Musiol and Justin Baldoni, and the trio have teamed up in a variety of commercials, movies, and TV shows. Meybodi is a member of the Directors Guild of America and the Television Academy, and is also a board member of the Hollywood Office of the Muslim Public Affairs Council.

“In these times of division, it is essential that we, the creative community, break free from our echo chambers and speak to the heart and soul of this nation,” Meybodi said in a statement. “Storytelling has always been a way to build bridges, and at Ritual we aspire to create films that truly move people….ideally, sparking meaningful dialogue between liberals, conservatives and everyone else, in the hope to heal and unite this great country.

Ritual Arts also announced that Carra Greenberg will head up production and operations for the company, overseeing the current slate of productions and partnerships. She will co-produce feature films and TV series for Ritual Arts, and has previously produced commercials, docuseries and feature films at various companies. HThe feature-length documentary “Daughters of the Sexual Revolution,” about the original Dallas Cowboys cheerleaders, won a Grand Jury Prize at SXSW.

“I am thrilled to be part of a team working towards measurable change through mission-driven content,” Greenberg said in a statement. “Farhoud has a proven record of journalistic integrity through film. His work speaks to the critical stories of our time. I look forward to pushing creative boundaries and celebrating powerful, diverse stories and voices of change.

Dr. Caroline Heldman is also joining the company as Social Impact Manager. Her published books include “Protest Politics in the Marketplace: Consumer Activism in the Corporate Age,” “Women, Power, and Politics: The Fight for Gender Equality in the US,” and “Madam President? Gender and Politics on the Road to Home Blanche Heldman also co-founded the New Orleans Women’s Shelter and the Lower Ninth Ward Museum.

Ritual Arts has raised over $4 million for the production of its preliminary slate. Upcoming projects will be announced in the coming months.

Netflix and the production company share their responses after the death of two actors in a car accident

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Tragedy has struck the set of Netflix’s comic-adapted thriller The chosen on June 16, when two members of its cast – Raymundo Garduño Cruz and Juan Francisco González Aguilar – were killed in a car accident near the set where the series was filming. Several others were reportedly injured and production was halted as SAG-AFTRA has launched an investigation in the accident. Netflix and The chosenRedrum’s production company has now reacted to this shocking and devastating event.

The accident involved a group of The chosenThe cast and crew members were driving in a van from Santa Rosalía to the local airport, when the van reportedly left the road and overturned. Six other people in the vehicle were hospitalized in stable condition. Netflix expressed its executives’ condolences days after the actors died, with a spokesperson for the streaming service saying in a statement (per EO):

We are deeply saddened by the tragic accident that claimed the lives of Ray Garduño and Juan Francisco González. Our thoughts are with their loved ones and those injured in this unfortunate accident.

Safety on set is always an important issue, and it’s a topic we see highlighted whenever there’s a death or injury that occurs in the workplace – including the 2017 death of Deadpool 2 stuntwoman Sequana Harris and more recently when cinematographer Halyna Hutchins was shot and killed on the set of Alec Baldwin Rust. Although the van accident technically did not happen on set itself, SAG-AFTRA said it was in contact with Mexican actors union ANDA, and production was halted while they were investigating the circumstances surrounding the incident.

Production company Redrum also released a statement, saying it is cooperating with local authorities and supporting all those who have been hurt by the “unspeakable tragedy”:

All of us on The Chosen One production are shocked by the tragic accident that happened last Thursday while we were in transit from Santa Rosalía, Baja California to the local airport. We are deeply saddened by the passing of our colleagues Ray Garduño and Juan Francisco González and stand in close support of all those affected by this untold tragedy. Redrum cooperated with local authorities and initial reports and testimony indicate that all safety protocols were in place and it was an unfortunate accident.

The chosen was filming season 3 (with the first two seasons available for Netflix Subscribers). Based on the comic american jesus written by Mark Millar – who designed the source material for and product Jupiter’s Legacy for the streamer — and Peter Gross, The chosen tells the story of a child who learns that he is the reincarnated Jesus Christ, and that it is up to him to save humanity from itself. Season 1 premiered in June 2019, with all six episodes of Season 2 released in December of the same year.

We don’t know if or when The chosen will return to production, or when more answers about the accident and the future of the franchise are likely to come, though the results of the investigation should help shed some light on that. Our condolences continue to go out to the friends and family of Raymundo Garduño Cruz and Juan Francisco González Aguilar, and we hope for a full recovery for others involved in the van accident.

Atomos launches cloud-based video production studio

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The company will also launch Live Production, a complete cloud-based control room for live video and remote collaboration, later this year.

Posted: July 11, 2022

Atomos has officially launched its new Atomos Cloud Studio, which offers users a combination of network-connected devices and cloud services to share media and collaborate with remote team members.

It is a collection of new cloud-based video production services launched with Atomos Stream and soon after Atomos Capture to Cloud, which will introduce C2C workflows.

According to the company, Atomos Cloud Studio offers support for Shogun Connect, Atomos Cpnnect for Ninja V/V+ and Zato Connect.

Zato Connect supports both HDMI and USB UVC sources and was designed to be an accessible and easy way to create a live stream or expand the capabilities of a webcam. Atomos Connect is a network accessory designed to connect to Atomos Ninja V and Ninja V+ production devices for monitoring and recording. Shogun Connect is an all-in-one production device with all connected technologies integrated. All three devices support Atomos Cloud Studio.

Atomos has also developed a full implementation of the NDI|HX standard for Atomos Connect and Shogun Connect.

Initial support will be for NDI|HX encoding (to act as an NDI source or transmitting device). Following a software update later this year, Atomos announced that it would introduce NDI | HX (to receive NDI source signal for viewing and recording). This will allow customers to share the image between multiple devices locally and select a specific device (or devices) to save the NDI encoded file, the company said.

Atomos has announced that it will also launch Live Production, a complete cloud-based control room for live video and remote collaboration later this year.

The toolset includes a complete video mixer and sound mixer, with video effects, graphics and talkback.


Saji Saleem Vidiyum’s thriller Varai Kaathiru backed by top production house

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CHENNAI: VC Ravindhran from acclaimed production house Libra Productions will fund director Saji Saleem’s upcoming thriller Vidiyum Varai Kaathiru, starring Viddharth, Vikranth, Karthik Kumar and Varun in the lead roles. Saji Saleem, who will make his directorial debut with this film, worked as an assistant director for Ramkumar by Mundasupatti and Ratsasan.

Apart from Viddharth, Vikranth, Karthik Kumar and Varun, Chandran, Mahalakshmi Shankar, Quincy, Valina Francis and Nimmi Emmanuel will play significant roles in the film. Speaking about the film, Ravindhran said, “Vidiyum Varai Kathiru will be a complete one-night thriller. There will be no shortage of action scenes from start to finish.

“The film is about the aftermath that unfolds after a policeman and a Maoist swap cars. Karthik plays the policeman while Vikranth plays the Maoist. Viddharth is playing the driver and Varun is joining this journey at an interesting time,” Ravindhran said.

“When Saleem told the story, we felt that these actors seemed like the perfect fit for these characters,” Ravindhran added. “Viddharth, Vikranth and Karthik are all very good artists. Vidharth is good at choosing the right script and Vikranth is an excellent actor. Karthik was on a break and I convinced him to accept this role. I am confident that the film will give due recognition to these talented artists. Varun came from New Zealand to be part of the film,” he said.

He also said that all the characters in the film will be important.

Talking about the title of the film, Ravindhran said, “Many years ago, K Bhagyaraj sir directed the hit film Vidiyum Varai Kaathiru. We went to him and asked him for the title because it suited our story perfectly. He gave us this title wholeheartedly.

“Filming will begin on July 23 and will take place in Coimbatore for 30 days. As the events take place in one night, most of the scenes will be shot at night. It was decided to release the film by the end of October,” said Ravindhran.

Actor Vinod Prabhakar launches production house named after his father Tiger Prabhakar | Kannada Movie News

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Actor Vinod Prabhakar, the son of late actor Tiger Prabhakar, has donned a new hat as a producer. The late actor Tiger Prabhakar was very famous as a versatile actor and had acted in Kannada, Tamil and Telugu movies besides producing and directing Kannada movies.

Vinod Prabhakar started a production house called Tiger Talkes under his father’s name. When asked why the letter ‘I’ was dropped in the word Talkies, Vinod replied that he complied with the prediction of numerology and was confident to produce more films in his house. of production. Vinod started with ‘Lankasura’ as his production house’s first venture and believes the film has all the ingredients of a hit movie as well. Additionally, Vinod’s wife, Nisha, is the producer of the film.

Actor Ravichandran was the main guest for the production house launch and the actor in his typical style wished the team the best and shared the bond he had with late actor Tiger Prabhakar at the start of her career. Ravichandran insisted that Vinod’s wife, Nisha, inspire Vinod to make more films. Also, Ravichandran asked all producers to take enough time to make good movies and release them at the right time rather than just making movies that will be released every Friday.

Another specialty of “Lankasura” is the role reversal between actor Devaraj and Ravi Shankar. Devaraj, who is used to playing cop roles, plays a powerful role of Don and Ravi Shankar, famous for his villain roles, plays a cop role.

Chiranjeevi Starrer’s production team mistake triggers social media

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It was revealed on Tuesday that megastar Chiranjeevi sought the advice of a numerologist to help him through the difficult period in his career. According to reports, the famous actor decided to change his spelling after the failure of Acharya (2022) in an attempt to turn things around.

He was referred to as “Chiranjeeevi” (with an extra “e”) in the first Godfather preview. Some Telugu portals concluded that Chiranjeevi hired a numerologist in order to gain great success in the coming days. It turns out that the rumor was completely unfounded. There is no name change.

The extra “E” was caused by a typographical error in The Godfather’s first look teaser, according to news outlets citing people close to Chiru’s camp. The extra letter has been removed and the correct spelling restored, sources say (although it has yet to appear as of this news release).

Other social media users were busy posting reviews of Godfather’s production house for their careless editing of the first preview.

GodFather is a remake of the Malayalam film Lucifer (2019) by Prithviraj Sukumaran, which starred Mohanlal in the lead role. Salman Khan, Nayanthara and Satyadev are all cast members of the movie GodFather directed by Mohan Raja. The film is produced by Konidela Production Company and Super Good Films. Additionally, the creators have stated that Godfather will be released this year during Dasara.

Chiranjeevi Starrer production crew’s mistake triggers social media

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It was revealed on Tuesday that megastar Chiranjeevi sought the advice of a numerologist to help him through the difficult period in his career. According to reports, the famous actor decided to change his spelling after the failure of Acharya (2022) in an attempt to turn things around.

He was referred to as “Chiranjeeevi” (with an extra “e”) in the first Godfather preview. Some Telugu portals concluded that Chiranjeevi hired a numerologist in order to gain great success in the coming days. It turns out that the rumor was completely unfounded. There is no name change.

The extra “E” was caused by a typographical error in The Godfather’s first look teaser, according to news outlets citing people close to Chiru’s camp. The extra letter has been removed and the correct spelling restored, sources say (although it has yet to appear as of this news release).

Other social media users were busy posting reviews of Godfather’s production house for their careless editing of the first preview.

GodFather is a remake of the Malayalam film Lucifer (2019) by Prithviraj Sukumaran, which starred Mohanlal in the lead role. Salman Khan, Nayanthara and Satyadev are all cast members of the movie GodFather directed by Mohan Raja. The film is produced by Konidela Production Company and Super Good Films. Additionally, the creators have stated that Godfather will be released this year during Dasara.

Duffer Brothers Announces Stranger Things Spinoff, Launches Upside Down Pictures Production Company

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Stranger Things creators Matt and Ross Duffer have announced a spin-off show from their hit sci-fi series. The filmmaking duo, popularly known as The Duffer Brothers, have launched their production company Upside Down Pictures, a press release said. The company’s title is inspired by the alternate world of Strange Things called The Upside Down.

They are set to work on five projects with Netflix as part of their overall deal with the streaming service. The live-action Stranger Things spin-off series is based on an original idea by the Duffer Brothers, with Upside Down and Shawn Levy’s 21 Rounds serving as producers.

The other four projects include a play, set in the world and mythology of Stranger Things. It will be directed by filmmaker Stephen Daldry, who will also produce alongside Sonia Friedman and Netflix.

The Duffer brothers are also working on a live-action TV version of the Japanese manga and anime series Death Note, which was previously adapted into a live-action film in 2017.

Additionally, they are set to develop a serial adaptation of Stephen King and Peter Straub’s novel The Talisman, alongside Amblin Entertainment and Steven Spielberg’s Paramount Television, with Curtis Gwinn adapting the book for the screen.

Finally, the duo is producing an original series from Jeffrey Addiss and Will Matthews, the creators of the Netflix series Dark Crystal: Age of Resistance.

Led by Hilary Leavitt, the Upside Down banner “will aim to create the kind of stories that inspired the Duffers growing up – stories that take place at that beautiful crossroads where the ordinary meets the extraordinary, where the big show coexists with the intimate work of character, where the heart prevails over cynicism”.

“It didn’t take long for our first meeting with Hilary, where we bonded over movies like Jaws, Home Alone and Speed, to know we had found a kindred spirit. Hilary’s passion for storytelling n is perhaps matched only by her passion for the storytellers themselves, for whom she is fiercely protective.

“No wonder so many writers and directors are drawn to working with her. She is indeed a rare talent, and we are extremely grateful to have her by our side as we build Upside Down Pictures,” they wrote. they said in a statement.

Netflix CEO Ted Sarandos hailed Matt and Ross Duffer as exceptionally unique talent with “such sharp and clear vision”.

“They’re all about the details – it’s no coincidence that Stranger Things blew through the zeitgeist to become the epic pop culture phenomenon it is today. We’re excited to continue to tell stories new stories with them as they develop Upside Down Pictures and to welcome Hilary as a creative partner,” he added.

Matt and Ross Duffer recently released the fourth season of “Stranger Things,” which became the second Netflix series to cross the billion-hour-watched mark.

Duffer Brothers Announces Stranger Things Spinoff Series, Launches Production Company Upside Down Pictures

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stranger things creators Matt and Ross Duffer have announced a spin-off show from their hit sci-fi series. The filmmaking duo, popularly known as The Duffer Brothers, have launched their production company Upside Down Pictures, a press release said. The company’s title is inspired by the alternate world of stranger things called Upside Down. They are set to work on five projects with Netflix as part of their overall deal with the streaming service. Stranger Things: Duffer Brothers reveals why they don’t expect Season 5 to follow Season 4’s lead.

Live action stranger things The spin-off series is based on an original idea by the Duffer Brothers, with Upside Down and Shawn Levy’s 21 Rounds serving as producers. The other four projects include a play, set in the world and mythology of stranger things. It will be directed by filmmaker Stephen Daldry, who will also produce alongside Sonia Friedman and Netflix.

The Duffer Brothers are also working on a live-action TV version of the Japanese manga and anime series. Death threatwhich had already been adapted into an action film in 2017. In addition, they are set to develop a series adaptation of the novel by Stephen King and Peter Straub The talisman alongside Steven Spielberg’s Amblin Entertainment and Paramount Television, with Curtis Gwinn adapting the book for the screen.

Finally, the duo is producing an original series from Jeffrey Addiss and Will Matthews, the creators of the Netflix series. Dark Crystal: Age of Resistance.

Led by Hilary Leavitt, the Upside Down banner “will aim to create the kind of stories that inspired the Duffers growing up – stories that take place at that beautiful crossroads where the ordinary meets the extraordinary, where the big show coexists with the intimate work of character, where heart prevails over cynicism”.

“It didn’t take long for our first meeting with Hilary, where we bonded over movies like Jaws, Alone at homeand The rapidity, to know that we had found a kindred spirit. Hilary’s passion for storytelling is perhaps matched only by her passion for storytellers themselves, for whom she is fiercely protective.

“No wonder so many writers and directors are drawn to working with her. She truly is a rare talent, and we are extremely grateful to have her by our side as we build Upside Down Pictures,” they wrote. said in a statement.

Netflix CEO Ted Sarandos hailed Matt and Ross Duffer as exceptionally unique talent with “such sharp and clear vision”. “They all pay attention to detail – it’s no coincidence that stranger things broke through the zeitgeist to become the epic pop culture phenomenon he is today.” Stranger Things 4: Metallica reveals they were “beyond psyche” to see Eddie Munson play the puppet master in the finale.

“We are thrilled to continue telling new stories with them as they develop Upside Down Pictures and to welcome Hilary as a creative partner,” he added. Matt and Ross Duffer recently released the fourth season of stranger thingswhich became the second Netflix series to cross the billion-hour mark.

Multichannel Production Company of the Year: Fulwell 73 | Features

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London, Los Angeles, Sunderland: Fulwell 73 serves an incredible range of digital customers from a wide range of bases and across an impressive number of genres.

Friends: The Reunion was a smash hit, earning the dual accolades of being HBO Max’s biggest unscripted release and the highest-rated show on Sky 1 since 2006. So many reunion shows are lackluster affairs, but it was cleverly produced special entertainment with lots of laughs – and it paid off.

The indie also delivered great shows for a more unlikely buyer. These included Hometown Showdown for YouTube Originals, which was watched by over 5.3 million people and saw celebrity friends compete to help their birthplace win the episode; and talent format Got What It Takes for CBBC which racked up six incredible series for the channel.

The biggest streamers are also big customers, with All Or Nothing: Juventus and Cinderella football access doc Amazon Prime highlights. The latter was a modern musical and became the streamer’s most-watched original film worldwide.

Fulwell still had time to be named one of Broadcast’s Best Workplaces on TV in 2022, as well as delivering Sex Unzipped for Netflix (played by hip-hop star Saweetie and sex-positive puppet host) and to get access to NASA for Disney+ factual series Among the Stars. An appropriate title for a company celebrating an exceptional year.

PRE-SELECTED

Future studios

Created when future publishing company acquired factual entertainment producer Barcroft Studios in 2019, Future Studios has built on the latter’s smart content strategy to great effect. His output ranges from five 60-minute Curse of the Ancients TV series for Sky History to three original series for Snap: I Am, Free Tuition and Reunited. The latter averaged 1.4m over eight episodes and peaked at 4.44m.

L.A.D. Studios

boy studio

The inner power behind the success of LadBible officially launched in 2021, but has drawn on a decade of data-driven content creation to become best-in-class at connecting with young viewers. Platform-specific editors ensure that all of its shows are edited, formatted, and positioned to work for every social platform, and key titles include the Agree to Disagree argument format and a first-hand testimony in I Was There.

Photos of lime

Photos of lime

The All3Media indie has gone from strength to strength thanks to a roster of great shows. It built on the success of Netflix’s teen drama Free Rein with another similar title – winter sports drama Zero Chill – and continues to produce some of the biggest brand comebacks for channels such as MTV. , ITV2 and E4: Geordie Shore, Geordie OGs , The only way is Essex and celebrities go dating.

Monkey

Monkey

Last year’s winner has more than earned its place on the shortlist, thanks to its former directors (Made in Chelsea; the Real Housewives franchise, Don’t Hate the Playaz) and a number of new shows such as Dating No Filter for Sky One, Comedy Central’s Complaints Service and the shortlisted MC Grammar on Sky Kids.

Strawberry Blonde Tele

Strawberry_Blond_100-d7390f

Employed almost entirely by people under 30, Strawberry Blond has grown rapidly: from nothing four years ago to a turnover of almost £5million. The company opened a Scottish office this year which has already won contracts with More 4 and CBBC. Key titles include The Ultimate Playlist for CBBC, The Great British Dig for More 4 and The Live Lounge Show for BBC4.

Kapil Sharma in talks with production house for next straight-to-web movie after plans to come back with Nandita Das – Reports

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Kapil Sharma in talks with a production house for his next live-action film (Photo credit – Instagram)

Kapil Sharma is on the way and how! The comedian, who took a break from the popular comedy show The Kapil Sharma Show, is currently touring the United States and Canada. To keep his fans informed, the comedian frequently shares updates on his official social media accounts which take social media by storm in no time. After leading television for many years, Kapil Sharma made his Bollywood debut with Abbas Mustan’s Kis Kisko Pyaar Karun, which opened to mixed reviews.

Kapil was also seen in films like Firangi which turned out to be a box office dud. The comedian is now gearing up for a return to acting and his fans can’t wait any longer.

Well, not only in one but Kapil Sharma will also be seen in an OTT movie, yes you heard that right! After the director of Nandita Das, the comedian is now in talks with a production house for a live film on the web. Yes, you heard right! According to the latest media reports, Kapil Sharma will be collaborating with Sameer Nair for a digital film that is set against the backdrop of life after partition.

A source close to the development revealed to Pinkvilla, “When Kapil heard the story, he loved the idea and agreed to be part of the project. have already started pre-production work on this direct-to-OTT movie and will make the official announcement after Kapil returns to Mumbai.It will be an ensemble cast, and Kapil’s idol Gurdas Maan is also expected to feature. in the project. Casting for other key characters is still ongoing.

Announcing his upcoming with Nandita Das earlier, Kapil Sharma posted a group photo and wrote alongside, “Your order has been placed. Applause Entertainment & Nandita Das Initiatives are thrilled to present the most exciting collaboration of the year. Writer-director-producer Nandita Das teams up with Kapil Sharma in a never-before-seen avatar of a food delivery man. Kapil will be joined by Shahana Goswami as the female lead. Filming soon! I need your blessings.

Kapil Sharma had recently landed in a legal soup when a US-based company filed a lawsuit against the comedian for apparently missing a show. According to the firm, Kapil was supposed to do 6 shows but he ended up only doing 5.

Must Read: The top featuring Nia Sharma’s cleavage flaunts her hourglass figure, netizens say “Same Chiz Uorfi Javed Karti Hai Toh Log Gaali…”

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CMRL issues land acquisition notice to Kamal Haasan’s production company

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Image source: CMRL

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CHENNAI (Metro Rail News): Chennai Metro has sent a land acquisition notice to Kamal Haasan’s production company Raaj Kamal Films International, for its Phase-2 metro project. Under this project, around 120 stations worth around Rs 61,000 crore will be constructed.

According to the sources, a station under this project is to be built on Bharathi Dasan Road, where the office of Raaj Kamal Films International is also located. According to the sources, Raaj Kamal’s office has indicated that a legal consultation is underway to decide on the way forward. About 10 feet in front of the office is marked in the subway project, they added.

The Chennai Metro Rail Limited has planned to construct a station in an area of ​​around 600 square feet. A notice was also sent to other buildings in the region as well as to the production company. The planned station at Bharathi Dasan Road is part of Phase II of the project, including the Light House road section at Poonamallee.

Recently, CMRL and Larsen & Toubro signed a contract for the construction of a corridor from Nehru Nagar to Sholinganallur, for an estimated amount of Rs 1,021 crore, under the Phase II project. Under this, a 10 kilometer long viaduct is to be constructed across 10 metro stations which will be located at Nehru Nagar, Kandanchavadi, Perungudi, Thoraipakkam, Mettukuppam, PTC Colony, Okkiyampet, Karapakkam, Okkiyampet Thoraipakkam and Sholinganallur.

Daily metro and railway updates

The French virtual production studio goes to extended reality

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The combined FLEX/SMODE xR solution works as an additional server on top of the existing Unreal/nDisplay setup

Posted: July 5, 2022

Paris-based virtual production studio Plateau Virtuel has moved to extended reality (XR) with the real-time compositing platform/media server SMODE.

The studio shoots films and music videos against LED screens using a camera equipped with a tracking system that works with Unreal Engine.

Unreal content (3x 4K in DisplayPort) is mixed in the SMODE xR compositing tool with the multicam’s four SDI inputs.

Deltacast’s FLEX solution is used for synchronization and end-to-end latency of only three frames.

“Our FLEX solution was specifically designed to meet these high density requirements with multiple form factors while only requiring one free PCie slot,” said Gerald Olivier, product marketing manager at Deltacast. “FLEX can even support up to 32 I/O on a single PCIe.”

According to the two companies, the combined FLEX/SMODE xR solution works as an additional server on top of the existing Unreal/nDisplay setup, adding a layer of augmented reality and real-time final compositing.

Bruno Corsini, co-founder of Plateau Virtuel, said: “The operation of nDisplay with SMODE xR, via the FLEX solution, facilitates the workflow for any production that depends on responsiveness and adaptability. Thanks to this solution and the team, we were able to upgrade our virtual production facility with augmented reality, set extension and advanced real-time post-processing. This definitely brings the Virtual Tray offer to a higher level.


Chennai Metro sends land acquisition notice to Kamal Haasan’s production company

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One of the stations built under Phase II is located on Bharathi Dasan Road, where the office of Raaj Kamal Films International is also located.

Chennai Metro Rail Limited (CMRL) has issued a land acquisition notice to Raaj Kamal Films International, the production company of actor and politician Kamal Haasan, for his Phase II project. The Phase II project to build nearly 120 stations is worth around Rs 61,000 crore and is due to start shortly.

According to The Hindu, one of the stations built under Phase II is located on Bharathi Dasan Road, where the office of Raaj Kamal Films International is also located. Speaking to TNM, sources from Raaj Kamal’s office said a legal consultation was underway to decide on the way forward. About 10 feet in front of the office is marked in the subway project, they added.

CMRL planned to build a station on an area of ​​approximately 600 square feet. In addition to the Raaj Kamal Films International office, notice has also been served on other buildings in the area. The planned station at Bharathi Dasan Road is part of Phase II of the project, including the Light House road section at Poonamallee.

Recently, CMRL and Larsen & Toubro signed a contract for the construction of a corridor from Nehru Nagar to Sholinganallur, for an estimated amount of Rs 1,021 crore, under the Phase II project. Under it, a 10-kilometer-long viaduct is to be constructed through 10 metro stations located at Nehru Nagar, Kandanchavadi, Perungudi, Thoraipakkam, Mettukuppam, PTC Colony, Okkiyampet, Karapakkam, Okkiyampet Thoraipakkam and Sholinganallur, according to a report by the Indian Express.

Meanwhile, Phase II project works have started in many parts of the city including Madhavaram, Purasawalkam, Adyar, Medavakkam, Vadapalani, Arcot Road, Greenways Road, Poonamallee and Porur.

Chennai Metro sends land acquisition notice to Kamal Haasan’s production company

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One of the stations built under Phase II is located on Bharathi Dasan Road, where the office of Raaj Kamal Films International is also located.

Chennai Metro Rail Limited (CMRL) has issued a land acquisition notice to Raaj Kamal Films International, the production company of actor and politician Kamal Haasan, for his Phase II project. The Phase II project to build nearly 120 stations is worth around Rs 61,000 crore and is due to start shortly.

According to The Hindu, one of the stations built under Phase II is located on Bharathi Dasan Road, where the office of Raaj Kamal Films International is also located. Speaking to TNM, sources from Raaj Kamal’s office said a legal consultation was underway to decide on the way forward. About 10 feet in front of the office is marked in the subway project, they added.

CMRL planned to build a station on an area of ​​approximately 600 square feet. In addition to the Raaj Kamal Films International office, notice has also been served on other buildings in the area. The planned station at Bharathi Dasan Road is part of Phase II of the project, including the Light House road section at Poonamallee.

Recently, CMRL and Larsen & Toubro signed a contract for the construction of a corridor from Nehru Nagar to Sholinganallur, for an estimated amount of Rs 1,021 crore, under the Phase II project. Under it, a 10-kilometer-long viaduct is to be constructed through 10 metro stations located at Nehru Nagar, Kandanchavadi, Perungudi, Thoraipakkam, Mettukuppam, PTC Colony, Okkiyampet, Karapakkam, Okkiyampet Thoraipakkam and Sholinganallur, according to a report by the Indian Express.

Meanwhile, Phase II project works have started in many parts of the city including Madhavaram, Purasawalkam, Adyar, Medavakkam, Vadapalani, Arcot Road, Greenways Road, Poonamallee and Porur.

After the success of KGF 2, RRR and Pushpa, the Bollywood production house plans to expand south

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Aditya Birla Group’s company, Applause Entertainment, has announced its expansion into the southern market. The production house has also set up a dedicated office in Chennai, Tamil Nadu. Driven by the opportunities presented by the regional OTT space, Applause will continue to develop its strategy for acquiring and creating content in the South. Director-producer Pramod Cheruvalath of Sign of Life Productions has joined Applause Entertainment as Head of Southern Content to help the company expand the plan with Vighnesh Menon, who is a producer at Applause Entertainment.

PRAMOD APPOINTED HEAD OF APPLAUSE SOUTHERN MARKET

Pramod Cheruvalath previously produced Iru Dhuruvam (Tamil), with Applause Entertainment for SonyLIV. He will now be responsible for building Applause’s content slate in the 4 Southern markets to create a diverse slate of premium series and movies in all languages. Previously, the content studio has also produced series like Humble Politician Nograj (Kannada), Vadham and Kuruthi Kalam (Tamil) besides producing the second season of Iru Dhuruvam.

Speaking about the expansion, Applause Entertainment CEO Sameer Nair said, “The global streamer has created a flat Earth and, in effect, a global village. Content from all geographies and in all languages ​​has the potential to reach audiences everywhere. After our successes in the Hindi/Hinglish category, we are truly keen to work with the incredible talent in Tamil, Telugu, Malayalam and Kannada to tell authentic rooted stories for a national and international stage. Bringing Pramod on board to oversee the expansion is our first step in this direction. His extensive network, market knowledge and creative expertise will help us build our one-of-a-kind business model in key markets across the South.”

Pramod Cheruvalath also commented on the expansion. He said, “Since its inception, Applause Entertainment has supported and produced messy content across all genres. Regional content has untapped potential and the ability to connect strongly with local, national and international audiences. Excited to take on this new role to work with Sameer and the team at Applause Entertainment to enhance the Applause Slate with authentic and relatable Southern stories for a global audience.

ABOUT APPLAUSE ENTERTAINMENT

Applause Entertainment has produced and released popular series across genres and languages ​​like Rudra: The Edge of Darkness, Bloody Brothers, Criminal Justice, Scam 1992: The Harshad Mehta Story and Hostages which set new benchmarks. Currently in production, a solid slate of theatrical and live-action films including Sharmajee Ki Beti, Iftikhar and more.

Applause’s feature debut, The Rapist, directed by Aparna Sen, recently won the prestigious Kim Jiseok Award at the 2021 Busan International Film Festival. The production house has partnered with top platforms like Netflix , Disney+Hotstar, Amazon Prime Video, Sony LIV, MX Player, Zee5 and Voot Select for his creative production.

Production Team of Toldright, Game Creek Encore, Power Up ICONS Series Golf for Peacock

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The ICONS Series Celebrity Golf Tournament at Liberty National Golf Club will air live on Peacock this afternoon, kicking off the 4th of July weekend, featuring top notch celebrity players like John Smoltz and Michael Strahan with captains Fred couples and Ernie Els. Production company Toldright is on hand, run by Patrick McManus, Toldright Executive Director in charge of production.

(left to right) ICONS Celebrity Golf Technical Manager John Winch, Production Manager Amanda Short and Operations Manager Ed Delaney at the Liberty National Golf Course.

Councilman Toldright Ed Delaney runs operations on live events (and advises The Switch) and it’s a bit of deja vu for Delaney as the event will be produced from Game Creek Video’s Encore unit.

“When I was at Fox Sports as executive vice president of operations, I brokered the deal with [Game Creek Video President] Pat Sullivan to build Encore primarily for the US Open and the Super Bowl,” says Delaney. “At Fox Encore was the facility for our first US Open in 2015 in Chambers Bay. And eight years later, Encore is still FOX’s mobile “Jewel” facility and will be making the next Super Bowl on February 12, 2023 in Glendale, AZ.

Toldright and the event gave Delaney a chance to work with McManus again as they both started together in 1986 at ABC Sports.

“He was a PA, and I was an operations clerk, and we’ve been great friends ever since,” Delaney says.

ICONS Producer Jack Grahamand Director Bryan “Henbo” Hennessey also worked with Delaney at the 1992 US Open at Pebble Beach while at ABC Sports.

Toldright is funded by The Capital of the Red Bird by Gerry Cardinale, the company that recently acquired AC Milan. Delaney says Cardinale also spearheaded the formation of YES Network (with Yankee owner George Steinbrenner) before its launch in 2002. He also played a key role in the YES Network’s $4 billion sale to Fox Sports in 2013.

The local production company aims to support independent artists on tour

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FORT ST. JOHN, BC – After four years of planning, residents Naomi Shore and Ryan Sebastiano have launched their own live music production business, Bruised Orange Productions, bring more independent musicians on tour to Fort St. John.

Both Shore and Sebastiano are heavily involved in the music scene, hosting several shows, house gigs and working on their own separate projects.

Shore, a longtime resident of the Energetic City, has toured Canada and Australia over the past decade and has many connections with other touring artists.

“We love bringing these indie artists on tour, usually folk artists, to Fort St. John,” Shore said.

The couple started hosting monthly winter shows at Whole Wheat and Honey Cafe a few years ago, which were later postponed indefinitely due to the pandemic.

“We were like, ‘well, I guess we’re never going to do live shows again.’ So it took a step back,” Shore recalled.

They recently reached out to the city’s director of arts and culture to see how they could work together to revive the live music scene in Fort St. John by promoting and booking more artists.

“We really missed those shows we did at Whole Wheat and Honey, bringing the community together and introducing them to these great artists they had never heard of.

She says her hope now that they’ve officially launched the business is to create brand recognition to allow touring artists to attract more audience members.

“I think it’s hard for people to take a chance on a musician they don’t know and have never heard of,” Shore said.

“I’m hoping that if after a few months or a few years, people see the Bruised Orange logo and say, ‘oh, it’s Naomi and Ryan. They put on great shows.

Shore says the company has a few plans for the future, including partnering with the city for concerts in the park and hosting in-home concerts this summer.

The company’s first event will be a house concert on July 8 featuring artist Maddie Storvold.

Those interested in learning more about the company can check out their Facebook page, find them on Instagram, or contact them by email at [email protected]

Andy Fischel named president of House Eleven, the production company of Yahya Abdul-Mateen II10

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EXCLUSIVE: Andy Fischel joined Yahya Abdul-Mateen II’s House Eleven10 after spending four years at Netflix on the Original Studio Film team. In this new role, he will oversee the production and development of House Eleven10.

“It’s exciting to be able to have someone of Andy’s caliber so soon at House Eleven10,” Abdul-Mateen said. “Andy has great taste, experience in developing large-scale, diverse projects and overall brings a level of expertise that will allow him to get on board and get going. It just felt natural and we can’t wait to get into the race.

No More Deadline

At Netflix, Fischel directed the critically acclaimed film The more they fall, written and directed by debut director Jeymes Samuel, produced by Shawn Carter and James Lassiter, and starring an ensemble that included Idris Elba, Jonathan Majors and Regina King. He also helped oversee the Chris Hemsworth-directed thriller spider headdirected by Joe Kosinski, as well as Beauty, from writer/producer Lena Waithe and director Andrew Dosunmu.

Prior to joining Netflix, Fischel was SVP at Color Force, where he produced the hit film boobies rich asianalongside Color Force chefs Nina Jacobson and Brad Simpson.

Fischel previously served as an executive at Warner Bros. Pictures, where he oversaw numerous films, including The Nice Guys, Entourage, Pan, Blended and Run All Night. Before becoming an assistant at the William Morris Agency and di Bonaventura Pictures, Fischel worked as a lawyer in Los Angeles.

“From the moment I met Yahya, I was immediately drawn to his passion, integrity, thoughtfulness and ambition. We share a genuine interest in championing original storytellers and underrepresented voices. not be more excited about building House Eleven 10 with him,” Fischel said.

Abdul-Mateen launched House Eleven10 last year. The company name pays homage to his childhood home in Oakland, California. The company will bring the stories of Abdul-Mateen’s youth to life and elevate the talents of underrepresented communities. Already in its first year, it was announced that House Eleven10 would be the executive producer. Scent of burnt flowers based on Blitz Bazawule’s book of the same name as a limited series for FX, with Abdul-Mateen attached to star, as well as one by Dwayne Johnson Person to contact in case of emergency, for which it is also attached to the star. House Eleven10 will co-produce the Amazon Studios film alongside Outlier Society I helped destroy people with Abdul-Mateen attached to star in the project based on Janet Reitman’s 2021 New York Times article of the same name about Terry Albury, the FBI agent tasked with infiltrating Muslim communities after 9/11 as a only black agent in his office.

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Heyday Television Chairman Tom Winchester Sets Up His Own Production Company | New

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Tom Winchester, president of Heyday Television, owned by NBCUniversal, starts his own scripting company called Pure Fiction Television.

Tom Winchester

Pure Fiction plans to be “creatively and financially self-sufficient”, but is launching with a minority investment from Heartstopper and producer Top of the Lake See-Saw Films and talent agency Hamilton Hodell.

Winchester said it was seeking investment from like-minded, financially independent partners, allowing Pure Fiction to remain independent of the distributor and free to find the best houses for each show.

The company will produce content for the UK and global markets and offer strategic partnerships with writers, actors and directors “who are looking for more say in the development and production of their own work”.

Winchester said: “At Pure Fiction, we want to reflect the changes taking place within our industry by redefining the way partnerships work with talent. We believe in celebrating collaboration for everyone to benefit, and we do the best job we can.

In a joint statement, Iain Canning and Emile Sherman of See-Saw Films added, “Tom is a clear creative and entrepreneurial force, and we are delighted to support him with our See-Saw resources as Pure Fiction grows.”

As chairman of David Heyman’s Heyday, Winchester hired the company’s London and Los Angeles-based teams and oversaw a slew of international dramas, including Netflix’s Clickbait. He also produced The Capture for the BBC. In February, Heyday announced a direct order for Apples Never Fall, adapted from Big Little Lies author Lianne Moriarty’s latest novel, from NBCUniversal’s Peacock.

Prior to Heyday, Winchester was creative director at DNA Films, which produced Alex Garland developers for FX and the BBC’s Black Narcissus.

The See-Saw Group now includes internal sales subsidiary Cross City Films and film and television financier Fulcrum Media, as well as creator-led joint venture Picking Scabs with writer Sam Strauss (The End) and I Am That with director Garth Davis. (Lion), who is currently in production on the sci-fi thriller Foe for Amazon Studios.

Great directors, compelling sagas! Siddharth Roy Kapur’s Production House Announces 8 Web Shows

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With OTT as a growing platform, many Bollywood actors, directors and producers have experimented with web series or OTT movies. Siddharth Roy Kapur introduced many Bollywood directors for his upcoming projects.

Film producer, Siddharth Roy Kapur has confirmed a series of eight new web series, on which he will collaborate with directors such as Vishnuvardhan, Mahesh Narayanan, Aarti Kadav and Bhavesh Kapadia.

Movies by Roy Kapur

According to a press release from the producer’s company, Roy Kapur Films, shows will range from historical epics to powerful family dramas.

Vishnuvardhan is well known for his film “Shershaah”, which starred Siddharth Malhotra and Kiara Advani. It was a well-received film based on the true story of Captain Vikram Batra. The plot revolves around her love affair with Dimple and her mission in the Kargil War.

Twitter
Twitter

According to his statement, the show, which he will direct for the first time for OTT, will tell the remarkable story of an essential part of Indian military history in the 20th century.

Mahesh Narayanan, who directed the Malayalam film “Malik”, is also on the list. He is interested in portraying the story which will be based on the engrossing multi-season spy thriller. It is planned to take place in the Middle East and South Asia.

Aarti Kadav, who directed “Cargo.” He plans to create a series with a fresh, offbeat approach to romance, but with a plot twist. This isn’t your typical romance series; it belongs to the science fiction genre.

Nagraj Manjule will create the Matka King series, which was announced last year. The series would be based on the exciting world of “Matka”, a game of chance. It can be quite serious and dangerous.

Hardik Mehta, best known for “Kaamyaab,” will lead an exciting family drama series set in Europe, Africa and India. It is said to be in the exclusive world of conflicting business families.

Abbas Tyrwala is the writer-director of Jaane Tu Ya Jaane Na. He’s also on the team and will write and direct a dapper and stylish spy action drama series. It takes place in the shadowy world of South Asian counterintelligence.

Siddharth Roy Kapur
Siddharth Roy Kapur

The production company said it believes in empowering new talent and ideas by giving their two rookie directors the opportunity to promote their work.

Bhavesh Kapadiaa well-known commercial filmmaker, and Anubhav Chopra, critically acclaimed for his Netflix documentary “House of Secrets: The Burari Deaths”, will make his directorial debut. Kapadia’s concept is an adventurous and thrilling female-led comedy thriller. Chopra’s concept, meanwhile, is based on a young adult drama series set in the high-pressure atmosphere of a modern high school.

Jinesh Shah, RKF Originals Managerexpressed their enthusiasm for delivering compelling stories to audiences. He said, “With these eight phenomenal series, we’re ready to bring audiences an assortment of gripping stories. We look forward to training our lenses on different worlds with these talented filmmakers and delving into the psyches of intriguing, layered and compelling characters.”

Siddhart Roy Kapur’s production company produced Aranyak on Netflix and Rocket Boys on Sony LIV. Both were well received by critics and audiences. Pippa, Woh Ladki Hai Kahaan? and Bas Karo Aunty are among his upcoming projects.

(With PTI entries)

(To read more such stories related to movies and shows streaming on OTTs, keep reading Indiatimes BINGE)

Halo adds three to the production team

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The Halo post house has expanded its production team with three additional producers.

Jess Netley – Verrinder joins the halo of Covent Garden-based installation Onsight, where she has focused on feature documentaries such as Arsene Wenger: Invincible and Eric Clapton: The Lady on the Balcony.

Head of Production, Louisa Sutherland-Smith said, “We are thrilled to welcome Jess to the Halo production team. She brings a wealth of experience in just about every type of project that fits perfectly with Halo’s eclectic slate.

Jess Netley – Verrinder comments: “I am very happy and excited to have joined Halo. They are well known for their high standard of work and diverse range of projects which it is amazing to have the opportunity to participate in. I’ve already received an incredibly warm welcome into the Halo family, and I look forward to all that’s yet to come.

Additionally, as part of Halo’s commitment to recruiting from within, the company has also promoted two internal job coordinators, Finlay Macauley and Emily Dutton to producer level. Both began their careers working in customer service at Halo.

Commercial Director, Will Garbutt, says: “The best way to build a team is to nurture and train entry-level staff, moving them up the ranks as much as possible. This is how we discover the stars of tomorrow and establish solid working relationships. By mentoring them with experienced professionals in the department willing to share their knowledge and giving them hands-on customer-facing experience, we can help and support their career growth in this exciting and dynamic industry. I’m happy to say that Emily and Finlay are shining examples and we already have two new production coordinators to take their place to begin their journey into post-project management.

Halo recently completed full post-production of ‘Dinosaurs: The Final Day with David Attenborough’ and ‘House of Maxwell’ for the BBC and sound post-production for George Michael’s theatrical feature, ‘Freedom Uncut’.

Jon Cremier

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Michael Bay resurrects Universal’s production company

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Founded by Michael Bay, Brad Fuller and Andrew Form in 2001, production company Platinum Dunes has been behind some of the most notable horror film releases of the past twenty years – many of which are remakes and reboots. . Over the decades, Platinum Dunes has brought us new versions of Texas Chainsaw Massacre, Amityville Horror, The Hitcher, Friday the 13th, and freddie. Without forgetting the Purge franchise, the Ouija movies, and the A silent place movies, among others. Then it looked like Platinum Dunes was ending. Fuller and Form branched off with their own company Fully Formed Entertainment in 2018, Bay launched their own Bay Films. Fuller and Form later parted ways so Form could join Sunday Night Productions. But now, according to The Hollywood Reporter, Platinum Dunes is being resurrected, and they have a first deal with Universal Pictures, the studio that released Bay’s last film. Ambulance.

Bay and Fuller have come together for this revival of the Platinum Dunes brand. Bay provided the following statement:

In partnership with Donna [Langely]Rock [Cramer]Jeff [Shell] and the whole team on Ambulance has been a great experience, and I look forward to working with them on the exciting projects in the Platinum Dunes pipeline.

Fuller added:

The experience we had with the Universal team on The Purge and Ouija the franchises couldn’t have been more collaborative, and we’re thrilled to formalize our continued partnership with this new agreement.

And Universal Pictures President Peter Cramer had this to say:

Michael Bay is not only one of the most distinguished directors in the world, but along with Brad Fuller, he established Platinum Dunes as one of the most successful and innovative production companies in the industry. We are thrilled to welcome Michael and Brad to the field at Universal and look forward to building on their incredible record at Platinum Dunes for many years to come.

In addition to the movies mentioned above, Platinum Dunes productions have included The Texas Chainsaw Massacre: The Beginning, The Unborn, Horsemen, Teenage Mutant Ninja Turtles, Project Almanac, Teenage Mutant Ninja Turtles: Out of the Shadows, and Songbird.

Are you happy to hear that Platinum Dunes has found a new home at Universal? Share your thoughts on this news by leaving a comment below.

Siddharth Roy Kapur’s production house announces eight new shows

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Mumbai–Film producer Siddharth Roy Kapur, under his production house Roy Kapur Films (RKF), has announced an impressive new slate of series in development and production for 2022-2023. From historical epics to powerful family dramas, this compelling roster of series will be nurtured and created by an exciting mix of new talent and established filmmakers.

Speaking about the announcement, Jinesh Shah, Head, RKF Originals said, “With these eight phenomenal series, we are ready to bring audiences an assortment of gripping stories. We look forward to training our lenses on different worlds with these talented filmmakers and delving into the psyches of intriguing, layered and compelling characters.

‘Shershaah’ director Vishnuvardhan is set to make his series directorial debut with an epic, multi-season action drama that will tell the compelling story of an integral part of the military history of the United States. India in the Twentieth Century.

Mahesh Narayanan, one of Malayalam cinema’s brightest young directors who had a landmark year with India’s first screen-life film ‘CU Soon’ and groundbreaking political thriller ‘Malik’, will helm a multi-thriller film from spy season set in the Middle East and South Asia.

Hardik Mehta, the national award-winning director of acclaimed satire “Kaamyaab” and Netflix show “Decoupled”, will headline a thrilling family drama series set across Europe, l Africa and India in the rarefied and exclusive world of warring business families.

Abbas Tyrewala, screenwriter of ‘Maqbool’ and ‘Main Hoon Na’, whose debut film ‘Jaane Tu Ya Jaane Na’ is a youth cult classic, will write and star in a suave and stylish spy action-drama series , set in the cloak and dagger world of South Asian counterintelligence.

‘Matka King’, which was announced last year, will be created by acclaimed ‘Sairat’ director Nagraj Manjule, and is based on the fascinating world of gambling ‘matka’ and the dangerous and brilliant men who play it. have led.

Arati Kadav, one of the winners of the 2022 BAFTA Breakthrough Awards whose debut feature ‘Cargo’ became cult in the Indian ‘lo-fi’ sci-fi space, is creating a series that will be a fresh and quirky take on romance in the science fiction genre.

One of RKF’s efforts has been to empower new voices by giving them a platform to showcase their new approach to storytelling, and that continues with the launch of two rookie directors.

Bhavesh Kapadia, popular commercial filmmaker and mastermind behind some famous Nerolac and Crompton commercials, will make his directorial debut with a series of wild and entertaining female-led comedy thrillers.

Anubhav Chopra, best known for his Netflix documentary “House of Secrets: The Burari Deaths,” will write and direct a young adult drama series, set in the pressure cooker environment of a modern high school.

On the other hand, there are feature films lined up from the production house for release – ‘Pippa’, ‘Woh Ladki Hai Kahaan?’ and ‘Bas Karo Aunty!’, as well as the highly anticipated season 2 of the web series ‘Rocket Boys’. (IANS)

Maverick’ Talk at AFCI Brunch – The Hollywood Reporter

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From shooting jets hovering between 12,000 foot mountains in the Cascades to capturing a dynamic sailing sequence in San Francisco, the production team behind Top Gun: Maverick traveled to remote areas of the West Coast working hand-in-hand with the Navy to bring the lofty vision of the screenplay to life. The makers behind the film, which joined the billion-dollar club over the weekend, met on Wednesday to discuss the logistics of filming the blockbuster.

Hollywood insiders discussed the film at a brunch honoring the industry’s top physical production professionals at a multi-day networking event June 27-30 hosted by the Association of Film Commissioners International (AFCI), a group made up of more than 300 commissioners on six continents. The brunch, a collaboration between the AFCI and The Hollywood Reportersaw an attendance of dozens of production executives from major studios, who chatted over quiches, fruit platters and pastries.

Lee Rosenthal, president of physical production for Paramount Pictures and Nickelodeon, as well as Top Gun: Maverick executive producer Tommy Harper, stage manager Mike Fantasia and aerial coordinator Kevin LaRosa. The conversation, moderated by THR Editorial Director Nekesa Mumbi Moody, covered location scouting to partner with the Navy to shoot the film.

“We had to come up with a plan quickly to get our feet in the door in California,” Harper said. “But the one thing we all talked about when talking to the Navy was that we needed to figure out where the jets were. You don’t want to settle somewhere and then travel to the jets. You want to be where the jets are and handle the shooting and plan accordingly. We were grateful to be able to shoot the whole movie in California and a bit in Nevada and Washington.

Once he figured out where the jets were, Fantasia detailed scouting distinct geographic areas for each flight sequence made available for production by the Navy.

“You don’t just fly F-18s at 650,000 miles per hour anywhere,” he said. “So we looked at the military operations areas and saw how some fit the script well and some didn’t. We merged the storyline and the locations, and we ended up flying a lot… in the Death Valley area. It was for part of the sequence. And then we flew out of Fallon for some more footage. Then we went north to Whidbey Island to fly in the Cascades, which is probably aerial, the hardest place because you’re flying in deep, deep valleys – 12,000 foot mountains around you . If there is a problem, it will take some time before they find you because you are in the middle of nowhere.

Fantasia added that the Navy was instrumental during the scouting process to see how the shooting of the jets would translate to the big screen. He recalled, “We would say ‘Damn, it’s great to have [a view of the] landscape, but it would be great to see the jet there. The navy said, “Get up there tomorrow and we’ll fly over.” » »

Rosenthal observed that director Joseph Kosinksi “actually made two films – an aerial story and a ground story”. Regarding the logistics of dividing filming into two categories, Harper said, “We kind of designed a production schedule. Alright, we’re going to shoot the story on the ground like all the other movies are shot with a full crew. And then we had our aerial crew… We reduced the number of people – maybe 70, which isn’t that many – who were moving around when we were shooting aerials. We reduced as efficiently as possible to film the aerial story separately from the ground.

Panelists recalled an instance where they had to change the production schedule and relocate when an aircraft carrier could not leave the port in which it was docked.

“We had to pivot,” Harper said. “We had to find something for two days. We have not closed. We had to crane decommissioned planes onto the carrier overnight so we could film the next day and get hundreds of extras onto the carrier. We kept the crew on the dock sleeping on the carrier so we never closed. We were still maneuvering.

Harper noted that shutting down production was never an option. He added: “There is no insurance for this stuff. You know you are going to spend money to withdraw the jets from the deposit. You know you’re spending money on a crane operator. I don’t know how much money that is. I know it’s a lot cheaper than closing.

But insiders said the transporter’s malfunction wasn’t even the biggest obstacle to filming the movie. That honor, they said, went to Jennifer Connelly’s character’s sailing scene. According to them, the problem was that there was no wind in a port in San Pedro where he was originally to be shot. They ended up deciding to move the stage to shoot in San Francisco.

Asked why the film resonated with viewers, LaRosa said the production spared no expense and never settled for mediocrity.

“Here is the Superior gun rule that I love: there is always an airplane behind the lens,” he said. “There is always a plane in question. There is always a pilot piloting it.

From car wash attendant to owner of a media production house: the story of Joab Mwaura

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Theoretical physicist Albert Einstein once said that you never fail until you stop trying.

The adage is true in the story of Joab Mwaura which illustrates the tale of grass to grace as he went from working as a car wash attendant to owning a media company, Sauti Tajika Productions.

Talk to Kenyans.co.ke, Mwaura detailed his journey, highlighting the obstacles and struggles that dot his career.

Joab Mwaura and Nancy Onyancha, former journalists of K24 TV

instagram

His career dates back to 2005 after graduating from high school. Despite passing his KCSE exams, he was unable to join the university due to financial constraints. This, however, did not shake Mwaura’s spirit. He reportedly works as an attendant at a local car wash in Nyahururu, Nakuru County.

To supplement his income, Mwaura also worked as a boda boda rider, earning as little as Ksh 10, over short distances.

Determined to pursue his dream career in journalism, Mwaura worked for an entire year at the car wash and as a boda boda operator, saving his income.

“After saving money, contributions from friends and family, I managed to raise the funds to pursue a degree at the East African Media Institute (EAMI) in 2006” , did he declare.

Journey to citizen television, K24

Mwaura’s dream finally came true when he joined Royal Media Services to work as a Swahili reporter. He then moved on to MediaMax’s K24 where he gained ground in feature reporting and analysis.

In 2020, Mwaura was among dozens of journalists the Kijabe Street media house fired due to layoffs and restructuring caused by the effects of the pandemic.

Together with his wife, Nancy Onyancha, who currently presents the Kenya Broadcasting Corporation (KBC) news, they launched the Sauti Tajika productions.

He noted that the idea behind the venture was based on him seeking to change the narrative and document human interest stories.

“We looked to start our own businesses and I looked to build on the two traits I had acquired over the years, working in a car wash business and doing journalism,” he said. he declares.

Due to his extensive work experience as a car wash attendant, Joab resorted to creating his own car wash titled, Jetshine car washas a scramble to supplement his income.

In June 2022, Mwaura says he was approached by the management of LookUp TV, requesting his services as chief information officer.

“I went to the interview and got the job. My goal is not to compete with other big houses, but to have the opportunity to be a mwananchi studio.”

He noted that over the past month they have unveiled a variety of shows such as Kilio Changu which focuses on Kenyans calling on supporters to help lift them out of poverty.

Mwaura advises fellow journalists to innovate and invest in digital media because of the huge opportunities it offers and the saturation of mainstream media.

“In 2008, the media was not saturated like it is today, so print journalism will soon die out,” he noted.

An image of the Jet Shine company located in Utawala, Nairobi County.

An image of the Jet Shine company located in Utawala, Nairobi County.

Case

Maverick production team elaborates on location scouting and Navy partnership

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From shooting jets hovering between 12,000 foot mountains in the Cascades to capturing a dynamic sailing sequence in San Francisco, the production team behind Top Gun: Maverick traveled to remote areas of the West Coast working hand-in-hand with the Navy to bring the lofty vision of the screenplay to life. The makers behind the film, which joined the billion-dollar club over the weekend, met on Wednesday to discuss the logistics of filming the blockbuster.

Hollywood insiders discussed the film at a brunch honoring the industry’s top physical production professionals at a multi-day networking event June 27-30 hosted by the Association of Film Commissioners International (AFCI), a group made up of more than 300 commissioners on six continents. The brunch, a collaboration between the AFCI and The Hollywood Reportersaw an attendance of dozens of production executives from major studios, who chatted over quiches, fruit platters and pastries.

More from The Hollywood Reporter

Lee Rosenthal, president of physical production for Paramount Pictures and Nickelodeon, as well as Top Gun: Maverick executive producer Tommy Harper, stage manager Mike Fantasia and aerial coordinator Kevin LaRosa. The conversation, moderated by THR Editorial Director Nekesa Mumbi Moody, covered location scouting to partner with the Navy to shoot the film.

“We had to come up with a plan quickly to get our feet in the door in California,” Harper said. “But the one thing we all talked about when talking to the Navy was that we needed to figure out where the jets were. You don’t want to settle somewhere and then travel to the jets. You want to be where the jets are and handle the shooting and plan accordingly. We were grateful to be able to shoot the whole movie in California and a bit in Nevada and Washington.

Once he figured out where the jets were, Fantasia detailed scouting distinct geographic areas for each flight sequence made available for production by the Navy.

“You don’t just fly F-18s at 650,000 miles per hour anywhere,” he said. “So we looked at the military operations areas and saw how some fit the script well and some didn’t. We merged the storyline and the locations, and we ended up flying a lot… in the Death Valley area. It was for part of the sequence. And then we flew out of Fallon for some more footage. Then we went north to Whidbey Island to fly in the Cascades, which is probably aerial, the hardest place because you’re flying in deep, deep valleys – 12,000 foot mountains around you . If there is a problem, it will take some time before they find you because you are in the middle of nowhere.

Fantasia added that the Navy was instrumental during the scouting process to see how the shooting of the jets would translate to the big screen. He recalled, “We would say ‘Damn, it’s great to have [a view of the] landscape, but it would be great to see the jet there. The navy said, “Get up there tomorrow and we’ll fly over.” » »

Rosenthal observed that director Joseph Kosinksi “actually made two films – an aerial story and a ground story”. Regarding the logistics of dividing filming into two categories, Harper said, “We kind of designed a production schedule. Alright, we’re going to shoot the story on the ground like all the other movies are shot with a full crew. And then we had our aerial crew… We reduced the number of people – maybe 70, which isn’t that many – who were moving around when we were shooting aerials. We reduced as efficiently as possible to film the aerial story separately from the ground.

Panelists recalled an instance where they had to change the production schedule and relocate when an aircraft carrier could not leave the port in which it was docked.

“We had to pivot,” Harper said. “We had to find something for two days. We have not closed. We had to crane decommissioned planes onto the carrier overnight so we could film the next day and get hundreds of extras onto the carrier. We kept the crew on the dock sleeping on the carrier so we never closed. We were still maneuvering.

Harper noted that shutting down production was never an option. He added: “There is no insurance for this stuff. You know you are going to spend money to withdraw the jets from the deposit. You know you’re spending money on a crane operator. I don’t know how much money that is. I know it’s a lot cheaper than closing.

But insiders said the transporter’s malfunction wasn’t even the biggest obstacle to filming the movie. That honor, they said, went to Jennifer Connelly’s character’s sailing scene. According to them, the problem was that there was no wind in a port in San Pedro where he was originally to be shot. They ended up deciding to move the stage to shoot in San Francisco.

Asked why the film resonated with viewers, LaRosa said the production spared no expense and never settled for mediocrity.

“Here is the Superior gun rule that I love: there is always an airplane behind the lens,” he said. “There is always a plane in question. There is always a pilot piloting it.

Click here to read the full article.

Renowned Malaysian animation production house LIL CRITTER WORKSHOP is expanding its global presence by opening a studio in Bristol

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LIL CRITTER WORKSHOP LAUNCHES IN UK

Based in Bristol, LCW’s new studio will focus on developing the company’s intellectual property, working with creative talent, studios and co-production partners in the UK and across Europe.

Led by LCW co-founder and executive producer Walid Omar, the studio will seek to recruit both senior development and creative staff, as well as work with freelance writers and intellectual property owners to work in collaboration with its team based in Malaysia.

Acclaimed Malaysian Animation House Lil Critter Workshop (LCW) expands its global footprint by establishing an animation studio in the UK. Based in Bristol, LCW’s new studio will focus on developing the company’s intellectual property, working with creative talent, studios and co-production partners in the UK and across Europe.

Led by LCW co-founder and executive producer Walid Omar, the studio will seek to recruit both senior development and creative staff, as well as work with freelance writers and intellectual property owners to work in collaboration with its team based in Malaysia.

says Walid Omar “The UK is the natural home for our extended business. Not only did I grow up there and spend much of my formative career there, but the UK has a vast array of creative talent that we want to work with to build our original IP roster. We also want to collaborate with other UK studios as a production partner. We hope that our fusion of talent and ideas combined with British voices will allow us to create and tell stories that are full of energy, bold and fun.

LCW shows, including Hogie the Globehopper and Buck & Buddy have sold to major global broadcasters and platforms including Netflix, CITV, Cartoon Network and Discovery Kids. The company also has a roster of dynamic projects in development that include comedies, anime, and high-energy adventures. LCW’s Last Show Billy Fei and cloud trials is a 22 x 26′ action-adventure series for kids ages 6 and up, which is co-developed with Scribble Studios and recently received a grant from Epic Games. Canadian producer/distributor Bejuba! Entertainment is also on board as an international distributor.

About the Lil Critter Workshop
Lil Critter Workshop
is a creative animation production house with studios in Malaysia and the UK. Working collaboratively with talent and partners around the world on its own and third-party projects, LCW thinks differently: its fusion of cultures and ideas enables different voices to tell stories that are energetic, bold and fun.

Led by Walid Omar, Lorna Henderson and Brian Chong, LCW launched in Kuala Lumpur in 2015 and set up its new Bristol base in 2022 to further develop its own intellectual property and immerse itself in the vast pool of UK and European talent .

The Nintendo Switch becomes an MPC-style music production studio in a new concept

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We’ve seen many ingenious uses for the Nintendo Switch – notably from Nintendo itself with its Labo series of cardboard controllers – but this new concept of music production from design house Alquemy is something else entirely.

It’s based on the premise that you can replace the standard Joycons – game controllers that attach to the side of Nintendo’s console – with Akai Pro MPC style music maker modules. The Switch could then run the appropriate software, which could be managed through its touchscreen.

We think it’s a great idea, and one that has been amazingly viewed. In Alquemy’s design, a bank of nine MPC-style pads are positioned on the left, along with various control buttons. The right controller is occupied by more buttons and a strip of rotary knobs, while I/O is split between the two accessories.

Nintendo Switch MPC design

(Image credit: Alquemy)

Commenting on its design. Alquemy (opens in a new tab) says, “When the kids go to bed, turn their Switch into a fully functional MPC, sample some records, and hit some beats.”

You could argue, reasonably enough, that an iPad and companion Bluetooth controller would make for a more flexible and powerful portable touchscreen production studio than this, but there’s something about the Switch’s modular nature – and the fact that the controllers are literally part of the console – that means this concept makes sense. Now all we need is for Akai Pro to build it.

If you want to start making music on your Switch right now, check out Korg Gadget, a port of the iOS and Mac music production studio that pushes our nostalgia buttons by offering a Sega Genesis drum machine and Taito arcade synth.

Nintendo Switch MPC Design

(Image credit: Alquemy)

9,000-year-old prehistoric man ‘resurrected’ by Dunedin production company

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One of the world’s oldest and most intact skeletal remains – and one that also has ties to the mana whenua – has been “brought back to life” by a digital production company in Dunedin.

Jeasy Sehgal, creative director of Graphic Monk, explains that while the company isn’t the first to reconstruct the 9,000-year-old skull of Kennewick Man, it’s the first to use technology “to make him human”.

Sehgal’s team used Reallusion software to transform reference images and hours of research into an animated person, complete with emotional responses, rather than a “simple 3D character”.

He said the story behind Kennewick Man was a reminder of how people take museums for granted and how history can come to life.

READ MORE:
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The remains were found in the 1990s in the US state of Washington and have never been put on display.

He was fought for decades by the military, scientists who wanted to study him, and Indigenous people from the Confederate Tribes of the Colville Reservation, who wanted the man reburied.

The prehistoric remains were finally reburied in 2017, but a 3D scan was taken and DNA was taken.

Dunedin-based virtual production company Graphic Monk brings 9,000-year-old Kennewick Man to life.

Virtual Production Dojo

Dunedin-based virtual production company Graphic Monk brings 9,000-year-old Kennewick Man to life.

More than 9,000 years old, Kennewick Man’s DNA contained connections to many now distinct cultures, including the Moriori who migrated to the Chatham/Rēkohu Islands, according to an article in the Smithsonian magazine.

People disagreed with what his features would have looked like. The Dunedin team chose a combination of the clay models made over the past decades, as well as more recent DNA discoveries.

It was the connection to New Zealand’s whenua mana that excited Sehgal. He said his team wanted to show how the technology could be used beyond video games and movies, and hoped that in the future they could collaborate with museums in Aotearoa New Zealand.

“There’s so much history in New Zealand…imagine bringing Te Papa to life. You add augmented reality…so we could interact with our ancestors. That excites me.

The project was undertaken as an internal challenge and took the team four hours to complete what Sehgal said would have taken weeks with other technologies.

No news is bad news, Otago

This dynamic region has so many stories to tell. Tourism, migrant workers and international students are returning. Construction is in full swing with the rebuilding of Dunedin Hospital and the upgrading of the CBD.

Our local team is here for all of that – investigating, reporting and bringing to light everything the community needs to know.

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Inside high-end production house Space Studios Manchester – Deadline

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When Manchester City Council made a strategic decision in 2013 to improve the infrastructure for its creative industries, it decided to put its money in brick and mortar with the construction of the £35 million (42.7 million dollars) Space Studios Manchester. The purpose-built facility for high-end TV, film and commercial production, located in West Gorton, Manchester, features over 85,000 square feet of sound stages and has housed high-end TV series ranging from the BBC Peaky Blinders in season 4 of The crown to, more recently, Sony/Marvel Morbius.

The studio currently has six sound stages: a seating at 30,000 square feet, four stages at 11,500 square feet and a sixth at 9,000 square feet. The one-stop shop features purpose-built dressing and makeup facilities, production offices ranging from 409 square feet to 1,851 square feet, and a 25,000 square foot prop workshop/storage. Additionally, in an effort to meet the constant demand for space, City Council recently granted the studio planning permission for two new soundstages of 20,000 square feet each, bringing the total sound stage space to over 100,000 square feet.

“We are in the process of finalizing the design and costing of the plan with the expectation of beginning construction in the fourth quarter of this year,” said Rob Page, chief executive of Space Studios. “We expect a construction time of between 12 and 16 months.”

Space Studios Manchester

It’s a quick turnaround for the project which he says will cost between £18m ($22m) and £22m ($27m), and is a direct response to the constant demand he currently has.

“We’re always very booked two or three months in advance,” says Space Studios Sales Manager Mark Hackett. “So we have the current availability from January, but we don’t feel too distressed about that because we know a broadcaster or streamer may come along, and our pipeline will be more complete. The real reason for the build of those bigger scenes is to bring in more of those people from the long-time drama space, which is what we’re talking to streamers right now.

Hackett points out that while there’s room now, it would only take a long-term series or two to change that – “I feel like there’s a bit of a race right now among obvious buyers to get one.”

Page and Hackett both point to a highlight of their tenure at Space Studios, when FX/Hulu’s sci-fi thriller developers, created by Alex Garland, came to shoot in the studios and turned the Sixth Stage, its largest, self-contained stage into “a huge golden quantum computer”.

“It looked fantastic on screen and even more fantastic on stage,” Page says.

Hackett adds, “It was a true example of what this space is capable of at the level of high-end international TV series.”

He added: “We believe, and I’m very confident, that Manchester is the obvious and sensible choice for the UK team, film stages and all the services you need in a mature model, from drama to film. . So it’s just about getting their attention.

Space Studios Manchester

With new construction slated to put the studio at the 105,000 square foot mark, Page says that’s an important marker for them because that’s what many incoming American productions are looking for at a minimum.

“We will be competing in a new market that we weren’t able to compete in before because we just didn’t have enough stage space,” he says. “We are undoubtedly a major operator in the North [of England], but we are not necessarily a major operator in the UK. The next stage of development will take us into this market.

The expansion will also see the studio’s current look spent internally by rearranging and reformatting existing layouts in the facility, such as expanding costume departments, relocating the canteen and creating spaces for production teams. production who do not occupy an office.

“I’m looking forward to even the next step beyond this next expansion,” says Page. “There is a lot of ambition and, given where we are located, there will be plans to expand beyond what we currently have planned. So if we can successfully operate a facility that has 100,000 square feet of stages, could we successfully operate something that has 200,000 square feet of stages? I would like to think we could.

Toronto production house is developing the world’s first crypto-funded film

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TORONTO, June 23, 2022 /CNW/ – TBD Creative House’s upcoming documentary, Footprints of Kemet, will examine many controversial and rogue ideas about what may have happened on the fringes of ancient Egyptian history. “Kemet”loosely translated as “Black land“, is the old name of the region we know today as Egypt.

Founder of TBD Creative House, and Producer of this film, Kevin Lukeexplains that the concept was conceived thanks to his interviews with Skeptic Magazine‘s, Michael Shermerabout his book give the devil his due.

In 2017, Shermer appeared on the Joe Rogan Experience in a heated debate with two rogue researchers of remote history, Graham Hancock and Randall Carlsonwhere the idea of ​​human civilizations predating Dynastic Egypt was a key argument.

On the alternate history side of this debate, the TBD team will go to Egypt with the crew of UnchartedX Podcast, a program dedicated to exploring ancient mysteries and what they may mean to us today. They also obtained the research services of the author, Matthew Lacroix.

TBD Creative House is confident in the documentary’s potential to revolutionize the independent film industry as the first film to be developed using a blockchain asset as part of the compensation for the team working on the microbudget film.

Kevin clarified, “Indie film projects are notoriously difficult to finance. It takes as much time and effort to raise money as it does to make the film, if not more. Producers end up sacrificing their vision instead of focusing their energy on directing. the best project possible. Recently, crowdfunding has helped boost the viability of independent projects, but we felt it was time to harness the power of an ever-appreciating asset specifically designed for the creative industries.”

The white paper document for Creative Circulation quickly clarifies why they are different from other crypto projects:

Those who accept CRCL as a form of compensation will see the purchasing power of their tokens increase based on the future growth of the creative industries. While crypto projects like Bitcoin aim to be used as a digital store of value, Creative Circulation is used as a digital symbol of trust. Specifically, confidence in a continued exponential increase in wealth production by the creative industries and the gig economy as a whole.”

Instagram: https://instagram.com/tbdcreativehouse

Twitter: https://twitter.com/TBDCreativeH

SOURCE TBD Creative House Inc.

For further information: Kevin Luke, (289) 678-1642, [email protected]

Barack and Michelle Obama’s Higher Ground production company signs deal with Audible | New

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Barack and michelle obama will uproot its production company Higher Ground from its current home, Spotify, after signing a new deal with Audible.

According Variety, the former first family has signed an exclusive, multi-year, worldwide production deal with the audiobook and podcast platform. The agreement between Higher Ground and Audible “will reflect the companies’ shared mission to tell meaningful and entertaining stories that elevate diverse voices and experiences,” the outlet notes.

RELATED: Obama’s High Ground production company could leave Spotify

“At Higher Ground, we have always sought to raise voices that deserve to be heard – and Audible is invested in realizing this vision alongside us,” former President Obama said in a statement. “I look forward to partnering with them to tell stories that not only entertain but also inspire.”

RELATED: WATCH: President Obama is the first guest on the ‘Michelle Obama podcast’

Mrs. Obama added: “We are so proud of the stories we were able to tell at Higher Ground, and there is no one we would rather write our next chapter with than Audible. Together, we will continue to strive to tell captivating, provocative and moving stories, while doing everything we can to ensure they reach the people who need to hear them.

Higher Ground and Spotify will officially sever their relationship in October 2022 after partnering since 2019.

Nollywood production house Nemsia Films announces first slate deal ordered with Amazon Prime Video 

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Nollywood production house Nemsia Films has secured the first exclusive deal for three commissioned feature films with Amazon Prime Video, having already produced a successful repertoire of world-class content such as God is calling, Before 30 and Voyage of an African Colony.

“We are very pleased to partner with Nemsia Films on this pioneering slate deal, which will complement our growing lineup of local Nollywood content for Prime Video customers,” said Ayanna Lonian, Director of Content Acquisition and Head of the global licensing strategy of the main studios, Prime Video. “This slate deal supports our goal of showcasing Nollywood at its best, telling authentic local stories across a range of genres to Prime Video customers around the world.”

“At Nemsia Films, it’s our belief in zero gravity for the mind that led us to work with Prime Video, one of the world’s leading streaming services capable of taking our stories beyond us. never imagined,” said Derin Adeyokunnu. , co-founder of Nemsia Films. “We are extremely excited about this collaboration and what the future holds for Nollywood.”

Nemsia films was co-founded by Derin Adeyokunnu and BB Sasore, with a strong belief in its philosophy – “no gravity for the mind” – which, in addition to their major achievements, has seen them become a hub for the development of emerging young talents. on all facets of Nollywood. Nemsia creates visuals that have pushed the boundaries of African storytelling, from concept to delivery, with the entire production chain, including high-end visual effects and post-production, in-house. Adeyokunnu is the managing partner and executive producer and Sasore is the creative director, writer and director of most of their work.

The first characteristic of this agreement will be Breath of life, written and directed by BB Sasore and produced by Eku Edewor. Breath of life tells an inspiring story about life and destiny where one must live to achieve one’s goal and cannot die until it is done. The other two films from the deal will be announced later this year.

About Prime Video

Prime Video offers customers thousands of popular movies and TV shows, including Amazon Original series such as The Boys, The Wheel of Time, The Marvelous Mrs. Maisel, The Grand Tour and the highly anticipated next series The Lord of the Rings: The Rings of Poweras well as critically acclaimed Amazon Original movies like Coming 2 America, tomorrow’s war, and exclusive Nollywood movies such as Superstar, Progressive Tailors Club, Bad Reviews, Badamasi and much more.

Alongside the Nemsia commissioning deal, Prime Video previously announced exclusive licensing deals with major Nigerian production studios including Inkblot Studios and Anthill Studios, underscoring Prime Video’s commitment to streaming movies. Nigerians and Africans to a global audience of over 200 million Prime. members.

Customers can stream or download and enjoy anytime, anywhere via the Prime Video app on mobile, tablet, Smart TV, game consoles or online at PrimeVideo.com. All available to watch as part of a Prime Video subscription, which is available in over 240 countries and territories around the world.

Emmys Spotlight: ‘Squid Game’ Production Team on Creating the Show’s Unforgettable Visuals | Features

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Hwang Dong-hyuk, the director and creator of Korean drama sensation squid game, wanted to create spaces and visuals that had never been seen before in his home country. He and his team have realized his lofty creative ambitions, attracting not only millions of Koreans, but also fascinating audiences around the world. The show landed Netflix its biggest global hit, attracting 142 million subscribed households in its first month of streaming in 2021 and charting at number one in 94 countries, including the UK and US.

Hwang first boasted squid game in 2009, but had to wait nearly 10 years before Netflix’s interest was piqued as part of its commitment to grow its international programming.

The show revolves around a fictional competition in which 456 gamers, most of whom are in dire financial straits, risk their lives to play a series of deadly children’s games for the chance to win a cash prize of several billion won, many of whom die during the process. It deals with economic conflicts, class disparity in Korea, and capitalism, all through a uniquely Korean lens.

Production designer Chae Kyoung-sun said that when Hwang asked him to join the team, he promised the show would give him the opportunity to try something new.

“Production design in Korea is mostly centered around recreating existing spaces, but Hwang wanted to create spaces and visuals never seen before in Korean shows,” Chae explains.

Editor Nam Na-young said that Hwang wanted the game’s 456 participants to be the main characters. “He wanted to show how each contestant who survived each stage changed and what kind of facial expressions they did, so that’s the part I mainly focused on,” Nam explains.

Long shots of competitors entering games were used to ensure all were visible. “I refrained from using too many techniques to show the background story of each of the characters,” Nam explains. “I just tried to show their story as it is.”

Capturing the despondency and despair of contestants in the outside world was essential for cinematographer Lee Hyung-deok. “Low saturation colors, low contrast lighting, and creating the dull, grainy look and feel of a film camera – even though I was using a digital camera – were some of the things I had in mind,” he said.

The game seems like a fantasy as the characters begin to play. But then the horror reveals itself, calling for a change of approach. “I used very saturated colors with high contrast in the light [for the game sequences]”, says Lee. “I wanted to bring to the screen the wide range of emotions of the characters and their changes through betrayal and cunning in the most desperate moment of survival, rage and violence, selfishness and altruism.”

Real life inspiration

Squid Game Team

As the contest is based on children’s games that were played in Korea in the 1970s and 1980s, the show heavily references that era: the giant doll robot Younghee was inspired by illustrations in elementary school textbooks; the alleys in which competitors play marbles resemble common Korean neighborhoods of the time. From the start, Hwang told Chae that he was determined for the show to feature one of his most vivid childhood memories – of a sunset falling over the alleys where he played in his youth.

Another image that came to mind while reading the script became Chae’s main concept for the art design – a broken ladder leaning against high walls surrounding a man on the ground, staring helplessly at damaged equipment.

“The illustration had a fairy tale feel to it, but it was also sad – the man being outcast from society and the competition there seemed disturbing,” says Chae. “I thought it fit well with the uniquely Korean fairy tale fantasy that Hwang had in his head. Visually, we wanted to move away from the typical genre element of survival games and death games.

This mix of otherworldly horror, primary color settings, and contrast in worlds marks the show as different and underscores its Korean essence.

squid game landed amid a period of international audience appetite for Korean content; think of the current success of Korean television formats such as The Masked Singer and The Masked Dancerand success at the Feature Film Oscars Parasite, directed by Bong Joon Ho and co-written by Han Jin-won. That is to say that squid game streamed to a global audience without cuts, changes or adjustments.

“Experiencing foreign languages ​​and cultures has become much more common,” notes Chae. “Work on squid game, I was not aware of the cultural elements of different countries. I just wanted to create space for the characters written in the script.

Set challenges

squid game

squid game filmed over seven months in Korea’s fifth-largest city, Daejeon (where parts of 2016’s horror hit Train to Busan were shot) and the directing and production departments tried everything themselves, from squid game to glass springboards and tug of war.

The structure of the set was the first of its kind, which meant that Lee and Chae spent hours working on things. “We rented three to four large studios to build our own sets, one to two months before shooting,” Chae explains. “As the finished sets were used for filming, we continued to build other sets alongside them. We planned everything to maximize efficiency and ran simulations for all games.

For Nam, it was a new experience to take charge of a series, as his previous work had been in feature films.

“The challenge was that I not only had to consider the edit in a single episode, but also make sure it flowed organically with the whole series,” Nam explains. She allocated 10 days of editing for each episode and planned the work meticulously before starting.

Cinematographer Lee also comes from the film world. “Pull on something that is as long as squid game in a limited amount of time was indeed a challenge,” he says. “Changes to the filming schedule due to Covid-19 also disrupted the flow but the filming schedule was, on the whole, quite reasonable.”

The worldwide critical and commercial success of the show, as well as its presence in the awards discussions, is a testament to the collaborative effort that went into making it happen. Chae credits the countless encounters she and Lee had before filming with achieving the show’s visual and emotional balance.

“I wanted to understand and identify with these characters, and I hoped that would translate into the production design,” she notes. “This show made me realize that when you fully understand the characters and feel affection for them, you can invite everyone to resonate with it and go beyond the message the show is trying to convey.”

Naomi Osaka and LeBron James Launch Media Production Company Hana Kuma

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Comment

Japanese tennis champion Naomi Osaka and American basketball superstar LeBron James are joining forces to launch a media production company that aims to give a greater platform to “culture-specific” stories about “social issues important”.

Osaka, 24, said the new venture will be called Hana Kuma, which translates to “flower bear” from Japanese. Osaka was born in Japan to a Haitian father and Japanese mother and moved to the United States when she was 3 years old. She is now based in Los Angeles.

“I’ve built my career by taking a different approach than those around me,” Osaka said in a post on her Instagram account. “Because my journey has been so different, it has opened my eyes to all the incredible stories out there. Stories that are global, about a variety of cultures and viewpoints, about important social issues,” said she added.

The four-time Grand Slam champion has often spoken about her identity, her mental health and the pressures placed on athletes. The new company will do “bold, playful stories like me,” she said.

James, 37, a four-time NBA champion, said he was “incredibly proud” to work alongside Osaka on the new venture as part of his SpringHill Co., which he started with Maverick Carter.

“This incredible woman and the stories she will bring to life is EXACTLY what we are talking about!!!” he tweeted.

The production company will offer TV shows, documentaries and animated programs, Osaka told The New York Times, which first reported the story. She added that she couldn’t say yet if she would star in anything herself.

The company is part of a growing portfolio for Osaka, an off-court entrepreneur and one of the highest-paid female athletes in the world. She offers skincare and fashion lines, and she runs a sports agency, Evolve, with agent Stuart Duguid. The agency signed fiery Australian tennis player Nick Kyrgios earlier this month.

Document reveals details of 2009 sexual assault allegation against Daniel Snyder

Osaka pulled out of Britain’s Wimbledon tournament earlier this month, citing a left Achilles tendon injury. She went through the taped toe injury at Roland Garros in May, but fell to American Amanda Anisimova, 7-5, 6-4, in the first round.

Osaka, formerly the best player in the world, is ranked 42nd by the Women’s Tennis Association after missing a significant number of competitions in recent years.

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Grammy Nominated Multi-Platinum Producer Epikh Pro Launches New Production Company TGMG

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Billboard Charting, 2X Grammy Nominated Multiplatinum Producer Epikh Pro is launching a new music production company to shake up the music industry!

LOS ANGELES, CALIFORNIA, USA, June 21, 2022 /EINPresswire.com/ — Featuring hits like Bryson Tillers “Don’t”, Pardison Fontaine and Cardi B’s hit song “Backin It Up”, Royce da 5 ‘9 and Eminem’s instant classic “Caterpillar” and Lecrae and Kirk Franklin’s Grammy-nominated song “Sunday Morning”, Epikh Pro has established themselves as one of the top music producers in the music industry. With so much success under his belt, it was inevitable for Epikh to launch a new venture, TGMG (The Greatest Music Group).

TGMG is a new production/label company launched by Epikh Pro that will be dedicated to maximizing the talents of artists, producers and songwriters of all genres. TGMG is focusing on singles, albums, collaborative projects, and sync opportunities for their roster. “Our priority is talent. Talent is often
overlooked for multiple reasons, but our job is to help this talent reach its greatest potential,” said Epikh.

“Music is a collaborative effort. It’s a group thing. I heard a saying, it takes a village to raise a child. It also takes support for an artist, producer and songwriter to reach their maximum potential. He goes on to say, “Music is a collaboration of similarities and differences that work harmoniously together. TGMG will house and support creatives who are not just like us but also different from us. For great success to happen, there have to be times when we collaborate and times when we challenge each other and that’s what we will do at TGMG.

The first artist to sign to TGMG was the beautiful and talented Bella Blaq. His first release under TGMG “Keep Going” turned into a hit. It charted on iTunes and hit Spotify’s editorial playlists (Feelin Myself and Werk It Twerk It). So far, under TGMG, it is Bella’s most streamed song. With her tiktok presence of over 1.4 million followers, Bella is in good hands with TGMG.

Be on the lookout for Epikh Pro TGMG to sign more talent and release more content soon. It looks like there’s a new player in the game ready to make their own mark in music.

Christine Johnson
LMG
[email protected]

Grammy Nominated Multi-Platinum Producer Epikh Pro Launches New Production Company TGMG

0

Billboard Charting, 2X Grammy Nominated Multiplatinum Producer Epikh Pro is launching a new music production company to shake up the music industry!

LOS ANGELES, CALIFORNIA, USA, June 21, 2022 /EINPresswire.com/ — Featuring hits like Bryson Tillers “Don’t”, Pardison Fontaine and Cardi B’s hit song “Backin It Up”, Royce da 5 ‘9 and Eminem’s instant classic “Caterpillar” and Lecrae and Kirk Franklin’s Grammy-nominated song “Sunday Morning”, Epikh Pro has established themselves as one of the top music producers in the music industry. With so much success under his belt, it was inevitable for Epikh to launch a new venture, TGMG (The Greatest Music Group).

TGMG is a new production/label company launched by Epikh Pro that will be dedicated to maximizing the talents of artists, producers and songwriters of all genres. TGMG is focusing on singles, albums, collaborative projects, and sync opportunities for their roster. “Our priority is talent. Talent is often
overlooked for multiple reasons, but our job is to help this talent reach its greatest potential,” said Epikh.

“Music is a collaborative effort. It’s a group thing. I heard a saying, it takes a village to raise a child. It also takes support for an artist, producer and songwriter to reach their maximum potential. He goes on to say, “Music is a collaboration of similarities and differences that work harmoniously together. TGMG will house and support creatives who are not just like us but also different from us. For great success to happen, there have to be times when we collaborate and times when we challenge each other and that’s what we will do at TGMG.

The first artist to sign to TGMG was the beautiful and talented Bella Blaq. His first release under TGMG “Keep Going” turned into a hit. It charted on iTunes and hit Spotify’s editorial playlists (Feelin Myself and Werk It Twerk It). So far, under TGMG, it’s Bella’s most streamed song. With her tiktok presence of over 1.4 million followers, Bella is in good hands with TGMG.

Be on the lookout for Epikh Pro TGMG to sign more talent and release more content soon. It looks like there’s a new player in the game ready to make their own mark in music.

Christine Johnson
LMG
[email protected]

Amazon Prime Video signs 3-picture deal with Nollywood production house Nemsia Films

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Amazon Prime Video has secured an exclusive three feature deal with Nigerian studio Nemsia Films.

The first title to be announced under the deal is “Breath of Life,” written and directed by Nemsia co-founder BB Sasore and produced by Eku Edewor. The film is “an inspiring story about life and destiny where one must live to achieve one’s goal and not die until it’s done,” according to the logline.

More Variety

The next two films will be announced later this year.

Founded by Derin Adeyokunnu and BB Sasore, Nemsia Films is a full-service studio with the entire production chain, from concept to delivery, in-house. It also offers visual effects and post-production.

Adeyokunnu serves as the studio’s managing partner and executive producer, while Sasore serves as creative director as well as writer and director for most of the studio’s productions, which includes projects such as “God Calling”, “Before 30” and “Journey of an African Colony”. ”

The deal with Nemsia follows significant blue-chip investments in Nigeria, including exclusive licensing deals with Inkblot Studios and Anthill Studios.

“We are very pleased to partner with Nemsia Films on this pioneering slate deal, which will complement our growing lineup of local Nollywood content for Prime Video customers,” said Ayanna Lonian, Director of Content Acquisition and Head of of the global licensing strategy of major studios at Prime. Video. “This slate deal supports our goal of showcasing Nollywood at its best, telling authentic local stories across a range of genres to Prime Video customers around the world.”

Derin Adeyokunnu, Co-Founder of Nemsia Films, added, “At Nemsia Films, it’s our belief in zero gravity to the mind that led us to work with Prime Video, one of the leading streaming to the world, able to deliver our stories further than we ever imagined. We are extremely excited about this collaboration and what the future holds for Nollywood.”

The best of variety

Register for Variety Newsletter. For the latest news, follow us on Facebook, Twitterand instagram.

Click here to read the full article.

Amazon Prime Video signs 3-picture deal with Nollywood production house Nemsia Films

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Amazon Prime Video has secured an exclusive three feature deal with Nigerian studio Nemsia Films.

The first title to be announced under the deal is “Breath of Life,” written and directed by Nemsia co-founder BB Sasore and produced by Eku Edewor. The film is “an inspiring story about life and destiny where one must live to achieve one’s goal and not die until it’s done,” according to the logline.

More Variety

The next two films will be announced later this year.

Founded by Derin Adeyokunnu and BB Sasore, Nemsia Films is a full-service studio with the entire production chain, from concept to delivery, in-house. It also offers visual effects and post-production.

Adeyokunnu serves as the studio’s managing partner and executive producer, while Sasore serves as creative director as well as writer and director for most of the studio’s productions, which includes projects such as “God Calling”, “Before 30” and “Journey of an African Colony”. ”

The deal with Nemsia follows significant blue-chip investments in Nigeria, including exclusive licensing deals with Inkblot Studios and Anthill Studios.

“We are very pleased to partner with Nemsia Films on this pioneering slate deal, which will complement our growing lineup of local Nollywood content for Prime Video customers,” said Ayanna Lonian, Director of Content Acquisition and Head of of the global licensing strategy of major studios at Prime. Video. “This slate deal supports our goal of showcasing Nollywood at its best, telling authentic local stories across a range of genres to Prime Video customers around the world.”

Derin Adeyokunnu, Co-Founder of Nemsia Films, added, “At Nemsia Films, it’s our belief in zero gravity to the mind that led us to work with Prime Video, one of the leading streaming to the world, able to deliver our stories further than we ever imagined. We are extremely excited about this collaboration and what the future holds for Nollywood.”

The best of variety

Register for Variety Newsletter. For the latest news, follow us on Facebook, Twitterand instagram.

Click here to read the full article.

Nollywood Production House Nemsia Films Announces First Ordered Slate Deal With Amazon Prime Video

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Nollywood production house Nemsia Films has secured the first exclusive deal for three commissioned feature films with Amazon Prime Video, having already produced a successful repertoire of world-class content such as God is calling, Before 30, and Journey of a African colony.

“We are very pleased to partner with Nemsia Films on this pioneering slate deal, which will complement our growing lineup of local Nollywood content for Prime Video customers,” said Ayanna Lonian, director of content acquisition and head of global licensing strategy for major studios, Prime Video. “This slate deal supports our goal of showcasing Nollywood at its best, telling authentic local stories across a range of genres to Prime Video customers around the world.”

“At Nemsia Films, it’s our belief in zero gravity for the mind that led us to work with Prime Video, one of the world’s leading streaming services capable of taking our stories beyond us. would never have imagined it”, said Derin Adeyokunnu, co-founder of Nemsia Films. “We are extremely excited about this collaboration and what the future holds for Nollywood.”

Nemsia films was co-founded by Derin Adeyokunnu and BB Sasore, with a strong belief in its philosophy – “no gravity for the mind” – which, in addition to their major achievements, has seen them become a hub for the development of young emerging talent in all facets of Nollywood. Nemsia creates visuals that have pushed the boundaries of African storytelling, from concept to delivery, with the entire production chain, including high-end visual effects and post-production, in-house. Adeyokunnu is the managing partner and executive producer and Sasore is the creative director, writer and director of most of their work.

The first characteristic of this agreement will be Breath of lifewritten and directed by BB Sasore and produced by Eku Edewor. Breath of life tells an inspiring story about life and destiny where one must live to achieve one’s goal and cannot die until it is done. The other two films from the deal will be announced later this year.

About Prime Video

Prime Video offers customers thousands of popular movies and TV shows, including Amazon original series such as The Boys, The Wheel of Time, The Marvelous Mrs. Maisel, The Grand Tour and the highly anticipated next series The Lord of the Rings: The Rings of Poweras well as critically acclaimed Amazon Original movies like Coming 2 America, tomorrow’s war, and exclusive Nollywood movies such as Superstar, Progressive Tailors Club, Bad Reviews, Badamasi and much more.

Alongside the Nemsia commissioning deal, Prime Video previously announced exclusive licensing deals with major Nigerian production studios including Inkblot Studios and Anthill Studios, underscoring Prime Video’s commitment to streaming movies. Nigerians and Africans to a global audience of over 200 million Prime. members.

Customers can stream or download and enjoy anytime, anywhere via the Prime Video app on mobile, tablet, Smart TV, game consoles or online at PrimeVideo.com. All available to watch as part of a Prime Video subscription, which is available in over 240 countries and territories around the world.

The news continues after this announcement



Hana Kuma, Naomi Osaka’s production company, strikes a deal with SpringHill – The Hollywood Reporter

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Tennis superstar Naomi Osaka is getting into the entertainment business by starting a media company in partnership with LeBron James and Maverick Carter’s SpringHill Company.

Osaka and her longtime agent and business partner Stuart Duguid are behind the production banner, which is called Hana Kuma. Osaka and Duguid also launched their own athlete representation banner in May.

Hana Kuma (hana means “flower” and kuma means “bear” in Japanese) “will produce culturally specific yet universal stories for all audiences; playful and bold in its approach to tackling important issues in society,” the company says.

“There was an explosion of color makers finally equipped with resources and a huge platform,” says Osaka. “In the age of streaming, content has a more holistic perspective. You can see this in the popularity of television from Asia, Europe and Latin America that the unique can also be universal. My story also testifies to this. I’m so excited about what we’re building at Hana Kuma. We’ll bring stories to life with this goal in mind: to make unique perspectives feel universal and inspire people along the way. »

And he already has several projects in the works, including a documentary series set at Epix with Osaka, James, and Carter serving as executive producers.

The first project under the Hana Kuma banner will be MINK!next one New York Times Director Ben Proudfoot’s Op-Doc on Patsy Mink, the first woman of color elected to Congress, and the author and sponsor of Title IX, which prohibits gender discrimination in schools that receive government funding.

Chavonne LeNoir, who most recently directed unscripted at Vice Media and previously worked at Disney and MGM, will lead development for Hana Kuma.

SpringHill will provide production, development and other strategic resources to Hana Kuma, pursuing a strategy of building a business model “to center athletes as creators” and “to act as an incubator for athletes who want to create and tell stories beyond their sport in creativity. , impactful and thought-provoking,” the company states.

SpringHill raised a new round of funding last year from Nike, RedBird Capital and Epic Games in a deal that valued Carter and James’ company at $725 million. An important purpose of this funding was to give SpringHill the cash needed to invest in new creators.

Celebrity-focused production companies have become a hot source of investment in recent years, led by companies like SpringHill, Reese Witherspoon’s Hello Sunshine and Will Smith and Jada Pinkett-Smith’s Overbrook. With a willingness to sell to any network or streaming platform, and top names attached to the projects, these media companies are often seen as less risky than many alternatives.

Luxurious Video Production House with All Modern Amenities in Gurgaon

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Video production house with Delhi’s top sound stage NCR is set to create two more sets in their lavish 3,000 square foot space to provide their clients with an ultra-luxurious experience.








Content Studio is a full-service video production house and the folks at Content Studio are committed to bringing the most premium video content to the Indian market. They shoot, edit and deliver amazing content for brands and individual creators to have their story told exactly the way they want it told. On top of that, they also rent out their amazingly high-end studio space for corporate and individual shoots at a very affordable price.

The new studio sets will complement the premium chroma studio which has the best noise isolation in the industry. This will give their existing and new clients another space to film their talk shows, high-profile interviews, and those fancy looking video podcasts. They also have an in-house team of skilled editors who help their clients take their product to the next level in post-production.

“We have always strived to provide the best possible experience for anyone who walks into our studio and these two new setups in our studio will further enhance the experience, giving our customers more options to choose from,” says Bharti Mehta, CEO and Founder of Content Studio.

The company’s mission is to make every customer a permanent customer, so improving the already magnificent infrastructure is just one more step in this direction. Content Studio has an incredible portfolio that ranges from big companies to budding startups and they all keep coming back, so giving them something extra will further strengthen the relationship between companies.

“We use the best technology and the best equipment in the industry so that we can do everything that an American or European studio could do. Delivering an unparalleled experience through our infrastructure and passionate work is what brought our customers back to us and adding something more to that will make premium content creation even more accessible for our customers,” says Sumeet Prashant, Director of creation, Content Studio.

Visit our website for more information: https://contentstudio.co.in/

And our Instagram: Instagram content studio

Content Studio is the one stop solution to solve all your video production needs. They try to understand what business problem the video they are making for a client will solve and assist them in the most appropriate way. They believe that a good production house goes far beyond suggesting a perfect color palette or coming up with brilliant sets, a good production house also comes up with creative ways to deliver the desired result within a budget. and time, and that’s what Content Studio’s young workforce does on a regular basis. Call them at +91-8920249869 and book an appointment today.








Luxurious Video Production House with All Modern Amenities in Gurgaon

0

Video production house with Delhi’s top sound stage NCR is set to create two more sets in their lavish 3,000 square foot space to provide their clients with an ultra-luxurious experience.








Content Studio is a full-service video production house and the folks at Content Studio are committed to bringing the most premium video content to the Indian market. They shoot, edit and deliver amazing content for brands and individual creators to have their story told exactly the way they want it told. On top of that, they also rent out their amazingly high-end studio space for corporate and individual shoots at a very affordable price.

The new studio sets will complement the premium chroma studio which has the best noise isolation in the industry. This will give their existing and new clients another space to film their talk shows, high-profile interviews, and those fancy looking video podcasts. They also have an in-house team of skilled editors who help their clients take their product to the next level in post-production.

“We have always strived to provide the best possible experience for anyone who walks into our studio and these two new setups in our studio will further enhance the experience, giving our customers more options to choose from,” says Bharti Mehta, CEO and Founder of Content Studio.

The company’s mission is to make every customer a permanent customer, so improving the already magnificent infrastructure is just one more step in this direction. Content Studio has an incredible portfolio that ranges from big companies to budding startups and they all keep coming back, so giving them something extra will further strengthen the relationship between companies.

“We use the best technology and the best equipment in the industry so that we can do everything that an American or European studio could do. Delivering an unparalleled experience through our infrastructure and passionate work is what brought our customers back to us and adding something more to that will make premium content creation even more accessible for our customers,” says Sumeet Prashant, Director of creation, Content Studio.

Visit our website for more information: https://contentstudio.co.in/

And our Instagram: Instagram content studio

Content Studio is the one stop solution to solve all your video production needs. They try to understand what business problem the video they are making for a client will solve and assist them in the most appropriate way. They believe that a good production house goes far beyond suggesting a perfect color palette or coming up with brilliant sets, a good production house also comes up with creative ways to deliver the desired result within a budget. and time, and that’s what Content Studio’s young workforce does on a regular basis. Call them at +91-8920249869 and book an appointment today.








Ellen DeGeneres’ production team will return to television in the fall

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The Ellen DeGeneres Show may be over, but its production team is returning to television this fall. the explosion reported that the production team behind The Ellen DeGeneres Show will return for the next Jennifer Hudson talk show. Ellen DeGeneres’ talk show ended at the end of May after 19 seasons on the air.

According to the point of sale, The Jennifer Hudson Showwhich will be launched in September, will have part of The Ellen DeGeneres Showthe production team of as part of his own. The envelope pointed out that several of the best producers of The Ellen DeGeneres Show will move to the Hudson show, including Mary Connelly, Andy Lassner and Corey Palent. The trio, who have reportedly been on DeGeneres’ show since its inception in 2003, will serve as both executive producers and showrunners for Hudson’s talk show.

Mike Darnell, chairman of Warner Bros. Unscripted Television said he looks forward to working with DeGeneres’ team on this new talk show venture. Her statement read: “I’ve worked with Mary, Andy and Corey on several shows over the past nine years, and I’m thrilled we can keep them in the family because they truly are the best in the business. ” He continued, “With Jennifer’s incredible talents and the addition of Lisa, Graehme, Walter and Shani to the production team, I know this show is going to be fantastic and I’m excited for what’s to come.” It was reported in early March that Hudson would have his own talk show. At the time, the Oscar-winning actress shared a statement in which she expressed her excitement about the opportunity and teased a bit about what her talk show would entail.

“I’ve been through so much in my life; I’ve seen the highest of highs, the lowest of lows, and pretty much everything else, but like my mom always told me, ‘Once that you think you’ve seen it all, live on,” Hudson said when the news first broke. “People from all over the world have been part of my journey since the beginning – twenty years ago – and I’m so ready to join their journey as we sit down and talk about the things that inspire and move us all. have always loved people and can’t wait to connect on a deeper level and allow the audience to see the different sides of who I am, the human being, in return. And I couldn’t be more excited to do it alongside this amazing team. We’re about to have some fun and shake things up a bit!”

‘Late Show with Stephen Colbert’ production crew arrested in house construction

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(CNN) — Members of a production crew for ‘The Late Show with Stephen Colbert’ were arrested by police earlier this week while filming a comedy segment at the United States Capitol, in an incident that was used by prominent right-wing voices to attack the investigation into the January 6 Uprising.

United States Capitol Police said in a statement Friday that at approximately 8:30 p.m. Thursday, officers “observed seven people, unescorted and without congressional ID, in a sixth-floor hallway” in the Longworth House office building on Capitol Hill in Washington.

“The building was closed to visitors and these individuals were determined to be part of a group that had been ordered by the USCP to vacate the building earlier in the day,” the statement said.

Capitol Police said the individuals were charged with unlawful entry, adding that the case was considered “an active criminal investigation” and “may result in additional criminal charges following consultation with the U.S. Attorney.”

CBS said in a statement that its team was on hand at the Capitol on Wednesday and Thursday as it filmed a segment featuring “Triumph the Insult Comic Dog,” a puppet voiced by comedian Robert Smigel. CBS said its production team’s interviews with members of Congress were “cleared and pre-arranged.”

The network said that after interviews ended Thursday, the production crew “remained to film stand-ups and other final comedy elements in the hallways when detained by Capitol police.” .

The incident, which comes as the House committee investigating the Jan. 6, 2021, attack on the U.S. Capitol holds public hearings, has been used by prominent right-wing media stars to attack the bipartisan investigation.

On Fox News, the channel’s prime-time hosts used the development to tie Democrats to the security breach.

Most of the attacks have focused on Rep. Adam Schiff, who in recent years has been portrayed as a top villain in the right-wing media. The California Democrat, a Jan. 6 committee member and chairman of the House Intelligence panel, took part in an interview with Colbert’s team around 10 a.m. Thursday morning, an aide in his office told CNN. Schiff’s interview with Team Colbert took place several hours before the crew was detained.

While Fox News reporter Chad Pergram tweeted that it was someone other than a member of Schiff’s office who let the crew into the Longworth building later that day, the network repeatedly attacked the congressman, with the hosts saying to their millions of viewers that he had played a crucial role in the case.

Fox News host Jesse Watters posted a chyron, for example, on Friday that read, “SCHIFF INVOLVED IN CAPITOL BREACH.”

Later that evening, Tucker Carlson, who repeatedly mocked the claim that an insurrection took place on January 6 and promoted conspiracy theories about the events of that day, claimed that the crew had “committed an insurrection”.

“It’s exactly like what happened on January 6, so we’ll be looking closely at the sanctions,” Carlson said.

On-screen graphics during Carlson’s coverage read “PENCIL-NECK SCHIFF ASSISTED COLBERT UPRISING” and “COLBERT PRODUCERS SIGN UP IN CAPITOL”.

Fox News was still covering the story aggressively on Saturday morning.

“We have to get to the bottom of it,” host Rachel Campos-Duffy said on “Fox & Friends Weekend.”

Elsewhere in the right-wing media, coverage was similar. The main headline of Breitbart’s homepage, for example, read: “ILLEGAL ENTRY! INSURRECTION? STEPHEN COLBERT PERSONNEL ARRESTED FOR BREACHING UNITED STATES CAPITOL.

It’s unclear when the filmed segment could air on “The Late Show.”

A CBS spokesperson declined to answer further questions about the incident. Colbert has not yet commented on the case.

The-CNN-Wire™ & © 2022 Cable News Network, Inc., a WarnerMedia company. All rights reserved.

Stephen Colbert shows arrests: “Late Show” staffers arrested in the US House of Representatives building; accused of illegal entry

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WASHINGTON — Members of a production crew for “The Late Show with Stephen Colbert” were arrested by United States Capitol police Thursday night at a congressional office building and charged with unlawful entry.

“On June 16, 2022, at approximately 8:30 p.m., United States Capitol Police (USCP) received a call for a disturbance at the Longworth House office building. Responding officers observed seven people, unescorted and without congressional ID, in a sixth-floor hallway,” Capitol police said in a statement late Friday.

“The building was closed to visitors, and these individuals were determined to be part of a group that had been ordered by the USCP to vacate the building earlier in the day,” the statement continued.

CBS confirmed in a statement to CNN that on Wednesday and Thursday “Triumph the Insult Comic Dog was onsite at the Capitol with a production crew recording interviews for a comedy segment on behalf of” the show.

“Their interviews on Capitol Hill were cleared and pre-arranged by the congressional aides of the members interviewed,” CBS said. “After leaving the members’ offices during their final interview of the day, the production crew stayed to film stand-ups and other final comedy elements in the hallways when they were detained by police. of the Capitol.”

Capitol Police did not identify those involved in the incident, but said they were charged with unlawful entry.

“This is an active criminal investigation, and may result in additional criminal charges after consultation with the U.S. Attorney,” the Capitol Police statement said.

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Former minister Shibu Baby John launches new production company, Mohanlal unveils logo

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As soon as the photo was uploaded, fans loved the new venture and wished the minister well.

Shibu recently posted a photo of his encounter with Mohanlal and shared the news with his fans.

Former Kerala Minister Shibu Baby John is planning to enter the film industry as a producer. The minister met actor Mohanlal and unveiled the logo of his new production company. Shibu Baby John named his production house John and Mary Creative, which is named after his parents.

Shibu recently posted a photo of his encounter with Mohanlal and shared the news with his fans.

In the photo shared by Shibu, he can be seen posing for the camera with a huge smile as he reveals his company logo and name. Mohanlal and Shibu can be seen holding the John and Mary Creative board. The Minister also wrote a note to share the news with his fans. He captioned: “Today is the start of an exciting new journey. We are proud to announce the launch of our company with which we hope to make an imprint on the film production and entertainment landscape. Thank you , Mohanlal, for your support and friendship over the decades and for being part of this new journey.

As soon as the photo was uploaded, fans loved the new venture and wished the minister well. Now that the production company has launched, audiences are eagerly awaiting the announcement of the first film under the banner. Various reports are surfacing on the internet that the first movie from the production company will soon be announced by the legendary actor. If the reports are to be believed, they further claim that Shibu’s first film will put Mohanlal in the lead.

In an interview, Shibu recalled his connection to the movies. He even recalled watching Richard Attenborough’s “Gandhi” in 1982 with his father. According to the Minister, he got into the habit of watching the films of his mother who loved cinema.

Read all the latest news, breaking news, watch the best videos and live TV here.

‘Late Show with Stephen Colbert’ production crew arrested in house construction

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CNN

By Oliver Darcy and Adrienne Winston, CNN

Members of a production crew for ‘The Late Show with Stephen Colbert’ were arrested by police earlier this week while filming a comedy segment at the United States Capitol, in an incident that was used by prominent right-wing voices to attack the investigation into the January 6 Uprising.

United States Capitol Police said in a statement Friday that at approximately 8:30 p.m. Thursday, officers “observed seven people, unescorted and without congressional ID, in a sixth-floor hallway” in the Longworth House office building on Capitol Hill in Washington.

“The building was closed to visitors and these individuals were determined to be part of a group that had been ordered by the USCP to vacate the building earlier in the day,” the statement said.

Capitol Police said the individuals were charged with unlawful entry, adding that the case was considered “an active criminal investigation” and “may result in additional criminal charges following consultation with the U.S. Attorney.”

CBS said in a statement that its team was on hand at the Capitol on Wednesday and Thursday as they filmed a segment featuring “Triumph the Insult Comic Dog,” a puppet voiced by comedian Robert Smigel. CBS said its production team’s interviews with members of Congress were “authorized and pre-arranged.”

The network said that after interviews ended Thursday, the production crew “remained to film stand-ups and other final comedy elements in the hallways when detained by Capitol police.” .

The incident, which comes as the House committee investigating the Jan. 6, 2021, attack on the U.S. Capitol holds public hearings, has been used by prominent right-wing media stars to attack the bipartisan investigation.

On Fox News, the channel’s prime-time hosts used the development to tie Democrats to the security breach.

Most of the attacks have focused on Rep. Adam Schiff, who in recent years has been portrayed as a top villain in the right-wing media. The California Democrat, a Jan. 6 committee member and chairman of the House Intelligence panel, took part in an interview with Colbert’s team around 10 a.m. Thursday morning, an aide in his office told CNN. Schiff’s interview with Team Colbert took place several hours before the crew was detained.

While Fox News reporter Chad Pergram tweeted that it was someone other than a member of Schiff’s office who let the crew into the Longworth building later that day, the network repeatedly attacked the congressman, with the hosts saying to their millions of viewers that he had played a crucial role in the case.

Fox News host Jesse Watters posted a chyron, for example, on Friday that read, “SCHIFF INVOLVED IN CAPITOL BREACH.”

Later that evening, Tucker Carlson, who repeatedly mocked the claim that an insurrection took place on January 6 and promoted conspiracy theories about the events of that day, claimed that the crew had “committed an insurrection”.

“It’s exactly like what happened on January 6, so we’ll be looking closely at the sanctions,” Carlson said.

On-screen graphics during Carlson’s coverage read “PENCIL-NECK SCHIFF ASSISTED COLBERT UPRISING” and “COLBERT PRODUCERS SIGN UP IN CAPITOL”.

Fox News was still covering the story aggressively on Saturday morning.

“We have to get to the bottom of it,” host Rachel Campos-Duffy said on “Fox & Friends Weekend.”

Elsewhere in the right-wing media, coverage was similar. The main headline of Breitbart’s homepage, for example, read: “ILLEGAL ENTRY! INSURRECTION? STEPHEN COLBERT PERSONNEL ARRESTED FOR BREACHING THE UNITED STATES CAPITOL.

It’s unclear when the filmed segment could air on “The Late Show.”

A CBS spokesperson declined to answer further questions about the incident. Colbert has not yet commented on the case.

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‘Late Show with Stephen Colbert’ production crew arrested in house construction

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“On June 16, 2022, at approximately 8:30 p.m., United States Capitol Police (USCP) received a call for a disturbance at the Longworth House office building. Responding officers observed seven people, unescorted and without congressional ID, in a sixth-floor hallway,” Capitol police said in a statement late Friday.

“The building was closed to visitors, and these individuals were determined to be part of a group that had been ordered by the USCP to vacate the building earlier in the day,” the statement continued.

CBS confirmed in a statement to CNN that on Wednesday and Thursday “Triumph the Insult Comic Dog was onsite at the Capitol with a production crew recording interviews for a comedy segment on behalf of” the show.

“Their interviews on Capitol Hill were cleared and pre-arranged by the congressional aides of the members interviewed,” CBS said. “After leaving the members’ offices for their final interview of the day, the production crew stayed to film stand-ups and other final comedy elements in the hallways when they were detained by police. of the Capitol.”

Capitol Police did not identify those involved in the incident, but said they were charged with unlawful entry.

“This is an active criminal investigation, and may result in additional criminal charges after consultation with the U.S. Attorney,” the Capitol Police statement said.

The Los Angeles fashion production house shows would-be designers how to succeed

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The Evans Group aims to help future fashion designers launch their careers

various fashion sketches used to start a career in fashion

Fashion drawing is a skill to develop for a career in fashion

The Los Angeles clothing manufacturer aims to help future independent fashion designers find their inspiration.

With each skill, more opportunities are likely to appear for passionate designers. In short, [designers] must be versatile, flexible and ready to change at a moment’s notice. »

—Jennifer Evans

LOS ANGELES, CALIFORNIA, USA, June 17, 2022 /EINPresswire.com/ — In a recent blog post, How to Start a Fashion Career: Creative TipsEvans Group fashion experts show some keys to jump-starting a career in fashion.

While not all fashion careers start the same or go the same way, there are a number of ways aspiring fashion designers can kick-start their careers.

The TEG team offers some creative tips to get the proverbial ball rolling.

Harness the power of the internet

Unsurprisingly, harnessing the power of social media and the internet is an important aspect of launching a career in fashion.

“Link up with some fashion companies on a platform like LinkedIn, or talk about the latest trends on Instagram’s explore page. Social media opens up new opportunities, especially to anticipate new fashion trends.

And while it seems obvious, TEG says the internet is an indispensable tool for anyone interested in fashion. It basically measures the pulse of the entire industry. Plus, following like-minded creatives and businesses is a surefire way to find inspiration for yourself.

“Connecting and engaging with fashion opportunities, networks and groups is a solid way to build a foundation in the fashion industry going forward.”

And it’s no surprise that the internet plays such an important role in starting a career in fashion. After all, social networks like Instagram, TikTok, and even Pinterest showcase the latest fashion trends.

Just browse a [curated] page on any platform to see new fashion trends delivered directly to its feed. Keeping up with different trends is key to tapping into the fashion world, figuring out what people will be wearing next season, and more.

Moving forward with a fashion mentor

Fashion mentors are professionals who guide new independent designers through the design process. Sometimes those with no prior experience aim to work their way through the industry with a few designs. However, you don’t always need an internship, a job or a diploma.

According to The Evans Group, sometimes all they need is a clothing manufacturer who knows what they’re doing. Enter TEG’s New Fashion Mentorship Program.

“Working with some of TEG’s fashion experts, many of whom have had rich and varied careers in fashion, are directly at [one’s] arrangement. Naturally, new fashion designers have many questions about their latest collections.

The TEG program aims to take the determination and drive of fashion designers and harness that power to create a line of clothing. All with expert advice.

“Regardless of how the design process advances, Evans Group’s fashion mentors aim to guide [designers]step by step, creating a fashion collection.

TEG adds that while anyone can use a fashion mentor in their corner, designers with no previous experience are the main clientele.

“Designed especially for people with no knowledge of fashion, it familiarizes and introduces independent designers to the wonderful world of fashion.”

Develop creative skills

It’s perhaps no surprise that creative skills give fashion designers a huge boost in their businesses, but according to TEG, it’s a point worth repeating constantly.

“Developing a variety of skills, whether it’s cutting fabric, sewing, fashion sketchor using AutoCAD software, creating a skill gallery will help advertise [oneself]. Similarly, start a blog, vlog, website or other outlets to put [a] creative voice in the universe.

Giving birth allows you to show off your fashion talents. Again, this ties into the fact that a designer’s best friend is social media in many ways. With the abundance of influencers on social media, it’s no surprise that developing a cohesive and compelling online presence is a skill in itself to master.

TEG ends by explaining that rolling with the punches is an integral part of the fashion industry.

“With each skill, more opportunities are likely to appear for passionate designers. In short, [designers] must be versatile, flexible and ready to change at a moment’s notice. »

Learn tricks of the trade

When looking to start a career in fashion, passionate designers need to learn the ropes. TEG explains, in a few key points, how to become familiar with these different tips and tricks.

Whether it’s lingo to help the design process seem a little less confusing, creating a comprehensive portfolio, or scoring an internship with a fashion startup, it can help any designer climb the ladder of his career.

“While not a rigid prerequisite, learning industry terminology can help immensely. It can be something as simple as “capsule cabinets” or “small batch manufacturers in Los Angeles”. Learning the terminology and jargon will allow fashion designers to become better acquainted with the moving parts of garment manufacturing. »

In short, before diving into the competitive sphere of fashion, learning the fundamentals can make all the difference.

Design of a clothing line with the Evans group

Another insight into the world of fashion, courtesy of the famed Los Angeles clothing manufacturer, will no doubt serve as a great primer for those new to fashion or just trying to get their foot in the door.

Helping designers realize their design dreams through a well-developed fashion mentorship program, partnered with Los Angeles pattern makers and garment manufacturers with decades of experience, The Evans Group proves to be an essential resource for launch clothing lines.

Learn more about the Evans Group (TEG)

The Evans Group, founded in 2005, is a full-service fashion development and production house based in Los Angeles and San Francisco. Since its inception, The Evans Group has worked with over 2,000 clothing brands and designers to create luxury apparel.

Learn more about The Evans Group on their website: https://tegintl.com

Jennifer Evans
The Evans Group
+1 800-916-0910
write to us here

The production company expands into television, digital and podcasts

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TTG (TicketText Group), the company behind London live entertainment venues 2Northdown and 21Soho, specializing in stand-up comedy, has announced the expansion of Laughing Around, its TV, Digital & Podcast production business .

Following the recent hire of producer Lauren Jay (The Stand Up Sketch Show, Mock the Week), Laughing Around is now actively developing projects, scripted and unscripted, for broadcasters, SVOD, digital and podcast platforms. Jay previously held several production and development positions at companies such as Endemol Shine Group and Angst Productions.

Laughing Around has its own podcast studio at 21Soho and is set to announce producer deals for a number of newly developed podcasts, as well as support for already established podcasts. It also has several formats under development with broadcast curators.

Going forward, Laughing Around is looking for scripts and original ideas to consider in development as well, and is currently meeting with agents, comedians and broadcasters.

Nick Mills, Founder of TTG, said: “I am incredibly proud of how quickly Laughing Around has grown over the past 12 months. With Lauren joining the team, the business will continue to grow more and more as we accelerate momentum through her wealth of experience, which is already enabling us to unlock new creative and business opportunities.

TTG operates 2Northdown (https://www.2northdown.com/) and 21Soho (https://www.21-soho.com/), two of London’s most respected live comedy venues that have become synonymous with the best talent to see on the circuit live, with artists like Alan Carr, Aisling Bea, Joe Lycett, Frank Skinner, Romesh Ranganathan, Tom Allen, Brett Goldstein, Sophie Duker, Lolly Adefope, Phil Wang and Rob Beckett performing there these last months.

Laughing Around (https://www.laughingaround.com/) has previously created content (distributed via digital and social media, including TikTok, Instagram and YouTube), for Olga Koch, Babatunde Aleshe, Helen Bauer, Dane Baptiste, Finlay Christie, Aurie Styla, Ania Magliano, Kemah Bob, Jack Barry and many more. Utilizing a network of creative freelancers and an in-house production team, Laughing Around offers a fast boutique production facility for live performance streaming, VOD and scripted material.

Maya Rudolph, Natasha Lyonne Production Company Projects – The Hollywood Reporter

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Maya Rudolph likes to say that she created Animal Pictures, her production company with Natasha Lyonne, because it was a way to both be creative without having to “sit on hair and makeup” and to spend more time with her longtime friend.

She and Lyonne, along with Animal president Danielle Renfrew Behrens, a creative executive and a few assistants, have settled into a cozy ranch-style home in Studio City, where a floor-to-ceiling portrait of Rudolph, who once faced The New York Times magazine, hangs in the entrance. There is also a back house, which is about to become a podcast studio. Rudolph toyed with the idea of ​​launching one; she just hasn’t come up with the right podcast idea yet.

In the meantime, the 4-year-old company has a solid roster, which includes Lyonne’s recent season Russian doll and Rudolph’s Apple TV+ comedy Bootyplus Rian Johnson’s upcoming mystery series Poker face for Peacock and an Amazon animated series that was just ordered, the hospitalin which Rudolph voices a trainee robot who has lived for at least 20,000 years and has had every career imaginable: king, thief, stay-at-home mom of 500 children.

Animal Pictures, which is the subject of an initial agreement with Amazon, has also released films (To crush) and feature documentation (Sirens) and has over 10 other projects in active development. Among them: an Iraqi immigrant family comedy by Alia Shawkat and an adaptation of the Irish film Extraordinary. “We were very careful not to label ourselves,” says Behrens, a veteran producer who has known Rudolph since kindergarten. “At first everyone thought we would just focus on female comedy, which we love, but we have interests outside of that as well.”

For a time, Renfrew had been trying to get the duo to polish the company’s mission statement, but Lyonne and Rudolph “weren’t going to be locked in,” she adds. “They were like, ‘At the end of the day, we’re funny women doing cool shit,’ which is totally true.” The name, Animal, is a nod to Lyonne’s level of ambition. “He’s an animal,” says Rudolph, who loves having a place to be every day and a vehicle that gives him the opportunity to collaborate with so many of their mutual friends. Adds the busy mother of four, “Sometimes that’s the only way to see people.”

For Lyonne, who met Rudolph early on, the partnership is a way to keep in touch with each other. “It’s a way of reconnecting with that immediate connection that we felt the day we met somewhere in Midtown and then walked Maya to her first New York apartment in the West Village,” Lyonne says, who adds, “It was one of those 60-block walks when you were still in your 20s and life seemed so open to you, and I think in many ways this endeavor is a way for us to continue this long walk now that we are adults with full lives.

A version of this story first appeared in the June 15 issue of The Hollywood Reporter magazine. Click here to subscribe.

Actor Junaid Khan is building his own production house

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Multi-talented artist, singer and actor Junaid Khan has officially launched his own production company under the name “jeem“. The actor shared the news with his fans on his Instagram account.

Junaid Khan said that jeem should not be taken as the first letter of its name alone as the word has an immensely deep meaning in itself. Junaid Khan added that he was deeply excited to lay the groundwork for his own production house.

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“I started this journey twenty years ago. We have released two songs under the banner of jeem so far,” he said. Junaid added that jeem is a community that is for the promotion of art and creation, expression and reform.

Junaid Khan started his career as a singer but later he started getting acting offers and thus started his career as a television actor. His on-screen duet with Hira Mani is immensely appreciated by Pakistani audiences.












Massive film production studio to be built on Edwards Aquifer hopes to bring Netflix and Disney filming to San Marcos

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The City of San Marcos is offering tax breaks to the developer of an 820,000 square foot film production studio, to be built atop the critical Edwards Aquifer Recharge Zone.

The project has been a closely guarded secret for much of the past year. City officials cryptically called it “Dark Monday.” Last week it was revealed to be a $267 million film production facility in the La Cima residential development near West Centerpoint Road and West Wonder World Drive.

The studio will be built on 75 acres within La Cima. Plans call for 12 production stages, four workshops, a reception center and 250,000 square feet of office space. Construction is expected to begin in April 2023.

The production facility will try to attract some of the biggest movie studios in the country, like Netflix, Disney, Paramount and NBC Universal, said Zach Price, chief operating officer of Hill Country Studios.

The goal is to get “the high-end film industry” to complete projects there, and then after that they would target “some smaller productions, like commercial and music videos,” he said. .

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“That’s kind of how we designed this facility,” Price said.

Hill Country Studios is the name of the team that will be the developers and owner-operators of the production studio. It includes Texas State alumnus Blake Kotrla, who first proposed the idea of ​​building the facility in San Marcos more than two years ago. The team also includes big names like Bill Foley, an Atlanta-based architect who designed Pinewood Atlanta Studios in Georgia where many Marvel movies are made, as well as David Godfrey, an England-based film production consultant with credits. international.

Last week, the San Marcos City Council approved millions of dollars in property tax refunds for the production facility. But its location at the top of the charging area has sparked controversy.

The recharge area is a 1,250 square mile area, stretching from Bracketville west almost to Austin, where faults and fractures in the limestone formations allow large amounts of water to flow in the Edwards Aquifer. The aquifer is the main source of water for 2 million people.

The main concern with building on top of the aquifer is that it prevents water from entering and refilling the aquifer.

“I’ve never received so many emails on one topic since I’ve been involved in government here,” Councilman Mark Gleason said during a June 7 council meeting. “It shows that people care. They pay attention.

Still, city staff said the movie studio was the lesser of two evils, compared to another proposed project for La Cima: a strip mall and big-box development that would have created a more impermeable cover than the film studio, said Joe Pantalion. , Deputy City Manager.

“If you’re concerned about the environment and you’re really concerned about the Edwards Aquifer like we are,” the movie studio is a better choice, Pantalion told the council.

Price said Hill Country Studios has “taken every step possible” to ensure the project meets environmental standards.

“The design team continues to make improvements to ensure we meet and or exceed current regulations,” he said.

Any development built over an aquifer recharge area must obtain a permit from the Texas Commission on Environmental Quality. Price said Hill Country Studios has not begun the process of obtaining the permit from TCEQ, but is in the process of permitting with the city of San Marcos.

Last week, the board had to decide whether to enter into a Chapter 380 agreement with Hill Country Studios. Chapter 380 agreements, part of the Texas Local Government Code, allow municipalities to provide loans, grants, tax breaks and other incentives for projects that will create jobs and stimulate the economy.

The board voted 6-1 to complete the deal. Councilman Maxfield Baker cast the only “no” vote. The agreement will provide Hill Country LLC with property tax rebates over five years, provided the developer meets certain requirements for job creation, capital investment, and more.

For example, in 2025, the first year after project completion, San Marcos will refund 90% of the studio’s property taxes – up to $1.45 million – if the company employs at least 22 people by the end of the project. end of 2024.

In the second year, the city will grant an 80% discount if additional conditions are met. During the third year, the reimbursement drops to 60%; in the fourth year, 40% and in the fifth year, 20%.

Rebates will end after five years.

Baker pushed for more concrete agreements from the company in terms of community and environmental impact, such as a clause in the agreement that would require the company to hire a number of interns specifically from the state of Texas. , but he met with little support from his board colleagues.

He expressed concern about the mechanics of film production which sometimes involved chemicals or explosions.

“Is one of those things we have to worry about getting into our aquifer?” he said.

City leaders hailed the movie studio project as a way to diversify San Marcos’ economy, creating different types of jobs than the industrial and warehouse-type jobs that have dominated for the past three or four years. years.

Councilman Jude Prather said the studio jobs will be a “testimony to the creative culture we have here in San Marcos.”

The studio is expected to hire 22 full-time employees in San Marcos with an average salary of $100,000, as well as up to 1,400 contract workers for production projects. Hill Country LLC said it will work with the San Marcos Consolidated Independent School District and Texas State University for student internships and learning opportunities.

Annie Blanks writes for the Express-News through Report for America, a national service program that places reporters in local newsrooms. ReportforAmerica.org. [email protected]

At 26, Jade Watson made SickBird a production powerhouse

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Native digital production company SickBird Productions partners with brands, studios and talent to release original content. Their work includes three Facebook Watch Originals for The Shade Room — The shadow brunch, thick house and locked love – ten Snapchat Discover series, including three SickBird Originals, and branded content for TikTok, including Noah Schnapp company TBH. In just three years, SickBird has generated millions of dollars in revenue and tens of millions of views on various platforms.

The company’s founder, Jade Watson, is only 26 years old. She founded SickBird to empower women and BIPOC content producers, who she realized were lacking in the space. Its goal is to adapt emerging media and technology to create authentic content that educates and excites next-generation audiences.

At 23, the Toronto native successfully pitched her business idea to the US Embassy. Watson then built an impressive list of clients by fostering personal relationships. With her team of diverse young creatives, she has captured the coveted attention of Gen Z and Millennials by putting audiences first and applying data analytics best practices in a production company environment.

SickBird recently announced the launch of a TikTok creator incubator to test public reaction to longer form content. The company identifies emerging talent with highly engaged subscribers and offers them the opportunity to shape, record and publish original podcasts and digital series, giving talent shared ownership of intellectual property.

Kicking off this incubator launch are three original SickBird podcasts – Minor offensesco-hosted by Ceara O’Sullivan (@CearaJane – 500k followers) and Griff Stark-Ennis (@griffstarkennis), Rebranding, hosted by Daniel BenneR (@DxnielbenneR – 450k followers.) Coming later this year is greener grass, hosted by Watson itself.

“I always knew I wanted to be a producer and create interesting content,” Watson said in an exclusive interview for Forbes. “Personally, I believe content is our window to the world. When I was growing up, I always retained information better by watching documentaries and shows. I became obsessed with the possibility that this could be my job.

The gap in the market is what most inspired Watson to found SickBird. “I’m constantly inspired by the desire to see more women and POC creators and business owners as decision makers in the industry,” she explains. She is proud to have brought SickBird to a place where the company can independently fund its own shows and develop its own intellectual property. Now, says Watson, the challenge is to grow while maintaining quality. “I never want to be one of those companies that just mindlessly creates content.”

For young people looking to tap into their life purpose, Watson offers this advice. “For a lot of people, finding your passion and purpose is hard. It’s important to try a lot of things to see what you like. Sitting around and waiting for something to happen is never the answer.

Watson offers his own career path as an example. She started in New York but was unable to stay due to her visa expiring. She had to go back to live with her parents and start over. Meanwhile, instead of sitting still, she has made finding a new job her job. She worked full time sending her resume to people on LinkedIn, studying the career paths of people she admired, researching other companies she found interesting, and engaging in a routine of not feeling out of control of their own life.

Ultimately, Watson says, she succeeded with SickBird by keeping operating expenses extremely low and hiring a variety of people who were passionate about their work. “My team really enjoys the content we create and finds it entertaining. It sounds so simple, but I know it sets us apart.

ITV buys award-winning nature documentary production house Plimsoll – SEENIT

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ITV has bought a majority stake in Plimsoll Productions, the award-winning natural history production company which has made shows for Apple TV+, Netflix and Disney, plus the upcoming A Year on Planet Earth.

Founded in 2013 by Grant Mansfield, the company has won Bafta, Emmy and Academy awards and produced hundreds of hours of content that has been sold in nearly 200 countries.

The acquisition of a 79.5% stake in the company, at a cost of £103.5m, will support ITV’s ongoing strategy to reduce its dependence on advertising revenue and strengthen its ITV Studios division with global broadcasters.

Mansfield and his existing team will continue to manage the business alongside ITV Studios Managing Director Julian Bellamy, Unscripted UK Director Angela Jain and their team.

He said: “The significant opportunities in the international premium unscripted market make this the perfect time for Plimsoll to join ITV Studios. There is a rather special strategic and cultural complementarity that will allow us to achieve our now shared, creative and commercial ambitions for Plimsoll.

“We are delighted to be part of ITV Studios’ expanding global force in content and delighted that from today this powerful new partnership is officially active.”

ITV CEO Carolyn McCall added: “Growing ITV Studios with an exciting pipeline of premium programming is central to our strategy as we further diversify the business by genre, by geography, by customer and as we we are developing ahead of the market.

“Thanks to Plimsoll Productions, as a studio, we can continue to capitalize on the growing demand for natural history and factual programming and I am truly delighted to welcome Grant and his team.”

Junaid Khan launches his own production company Jeem Films – Celebrities

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Singer and actor Junaid Khan started his own production company called Jeem Films. He called the company a space where he wants to bring to life anyone who is ambitious in art and creativity.

He announced the news on his Instagram page with the promise of a new project coming soon.

“With two of my songs already under his umbrella, I’m thrilled to finally announce the launch of my multimedia production house. A journey I embarked on nearly a year ago, and after ‘Taqdeer’ and ‘ Chaska’, we are all set to release another diet plan very soon,” he wrote.

“Production is the next step for any artist. I’ve been on different sides of media, whether it’s music, TV, fashion or movies,” Khan said. Pictures. “The next logical step was production.”

He said that after producing his own songs, starting with “Taqdeer,” his next project will be officially announced soon.

“The next logical step would be to move into production and I’m just exploring myself and looking forward to creating more stories and having fun,” he said.

“In this market, there are so many stories that have yet to come to light, many genres that have yet to be explored in Pakistan and with the coming digital era, new avenues are opening up. open, new producers, new directors and new talents. [coming in]. I believe there’s a cycle that I’m a small part of,” he said.

“In terms of the overall growth of the industry, I am just a small block, but I felt I had to play my part and make my creative contribution to make the industry become more massive and grow further. Every artist contributes to its growth and I’m just a small block that plays my part,” he said.

Production company behind ‘Yellowstone’ signs new partnership deal

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Big changes are afoot in Hollywood: 101 Studios – the creators of the beloved drama Yellowstonefeaturing Kevin Costner – announced that it has entered into a first partnership with PZAJ, an emerging film and television production company.

The first projects to be launched through this partnership include a feature film titled Paradise foundbased on the book written by rented Los Angeles Times journalist Bill Plaschke. The inspirational story tells of the small town of Paradise, California, which was ravaged by fires and whose football team rose from the ashes, inspiring the nation with its courage and perseverance.

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Additionally, 101 Studios — which also produced 1883the hit prequel to Yellowstone featuring Tim McGraw and hill of faith – and PZAJ will team up to make a feature-length documentary following the late journalist Andrew Jennings’ investigation into shocking misconduct and corruption by FIFA’s management team and members, a press release obtained by We Weekly said.

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“Stories like these exemplify the kind of projects we are committed to being a part of at PZAJ. We look forward to not only creating, but also making available our expertise in development, production, financing and marketing,” Phillip Glasser, CEO of PZAJ, said in a statement.

“We are thrilled to partner with PZAJ to create and produce exciting new film and television content,” added David C. Glasser, CEO of 101 Studios.

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PZAJ is majority owned and backed by Vinco Ventures, currently in the process of merging with Zash Global Media, founded by financier and entertainment industry disruptor Ted Farnsworth.

“We have great admiration and respect for the incredible work done by 101 Studios and we are very excited about this first partnership that will allow us to create groundbreaking content,” said Farnsworth. “We want to do business with 101 because we share a common vision, not just about tastes and movie preferences, but about executing a business model that will bring high-quality, highly entertaining movies to market. “

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Co-founder of James Corden’s production company discusses star’s return to Britain

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James Corden’s Fulwell 73 production company co-founder Ben Turner said he was ‘really thrilled to be bringing James back to the UK’ after finishing The Late Late Show in the US next year .

MailOnline has confirmed James Corden, 43, will step down as host of the CBS talk show at the end of next season as he plans to spend more time back home in Britain.

Ben told Variety: ‘[Corden] just had so many strings to his bow, and Late is a big commitment that took him so long.

He went out ! James Corden’s Fulwell 73 production company co-founder Ben Turner is ‘really thrilled to be bringing James back to the UK’ after The Late Late Show ends in the US next year

“We’re really delighted to have him back in the UK and all that that entails, but it’s a big moment for us.”

Fulwell 73 is based in both Los Angeles, California, where James currently lives, and London. will be revealed soon.

MailOnline has contacted a representative for James for comment.

Homecoming: MailOnline has confirmed that James Corden, 43, will step down as host of the CBS talk show at the end of next season as he plans to spend more time at home in Britain (pictured with Arnold Schwarzenegger)

Homecoming: MailOnline has confirmed that James Corden, 43, will step down as host of the CBS talk show at the end of next season as he plans to spend more time at home in Britain (pictured with Arnold Schwarzenegger)

James made the decision to leave The Late Late Show at the end of season eight despite the best efforts of TV executives who exclusively told MailOnline they were ‘desperately trying to keep him around for longer’.

The star and his 10-year-old wife Jules are considering a return to the UK with their three children Max, 11, Carey, seven, and Charlotte, four, but they are still trying to ‘figure out’ what comes next for the family.

An insider told MailOnline that spending more time in the UK when the show ends is “certainly on the horizon”.

Another source suggested he was planning a move near West Ham United’s London stadium in east London.

An insider told The Sun: “James and Jules have barely had time to see their families in the UK for the past few years due to his work schedule. They will be coming and going for a while.

“Long term, they both want to see more of their parents and plan to definitely come back in a few years.

“They have sold their house in London and should therefore look for a new base in the capital.”

The next move: It has been reported that James and Jules are considering a return to the UK with three children Max, 11, Carey, seven and Charlotte, four

The next move: It has been reported that James and Jules are considering a return to the UK with three children Max, 11, Carey, seven and Charlotte, four

The Late Late Show, which tours from Los Angeles, first premiered in 1995 with host Tom Snyder. Craig Kilborn and Craig Ferguson followed as hosts until James Corden arrived in 2015.

Corden promised to “go out with a bang” as he informed the public of his decision to step down as host of The Late Late Show.

Revealing the news on the latest episode of the American talk show, he said the show had “changed my life” and promised there would be “a lot of tears” when his tenure ended.

“Seven and a half years ago I started hosting this show and there’s no other way to say it, it changed my life,” he said.

Main man: The Late Late Show premiered in 1995 with Tom Snyder as host, Corden (pictured with guests Julie Andrews and Kristen Bell) took over in 2015 after Craig Kilborn and Craig Ferguson

Main man: The Late Late Show premiered in 1995 with Tom Snyder as host, Corden (pictured with guests Julie Andrews and Kristen Bell) took over in 2015 after Craig Kilborn and Craig Ferguson

‘I never saw it as my final destination, and I never want this show to overstay its welcome, I love doing it and I really think a year from now will be a good time to move on and see what’s going on there. ‘

He added: “We’re all determined to make this the best year we’ve ever had…we’re going to come out with a bang.”

“The fact that you guys are watching this…all over the world…is an absolute privilege for me and for everyone who makes this show.”

‘We [CBS] desperately tried to keep him around longer, but James only wanted to do one final year which would keep him on the show until next year,’ a senior CBS source revealed. “He’s been such a hit for us for so many years, he’s going to be sorely missed.”

“It is very rare to find a talent capable of redefining a long-form format. His sketches have gone viral around the world, breaking records and creating the most-watched online clips in late-night television history. evening,’ they continued.

“The biggest stars in the world have appeared on his show – which even took him to the White House!”

James told Deadline the decision was difficult after being so successful.

“It was a very difficult decision to leave because I’m extremely proud of the show.” I am happy to extend [for a year]. I always thought I would do it for five years and then leave and stay. I really thought about it for a long time, wondering if maybe there would be one more adventure.

When asked if he plans to move, James said he and his wife “really don’t know the answer to that question”.

“It’s something we think about and talk about a lot, but we haven’t really made a decision about it yet. It is the life side of things that we are going to discover,” he added.

‘I like living here [in LA]. I love everything that is given. My family and I never took this amazing adventure for granted. Every day I walk down Sunset to work and I just think I’m from High Wycombe.

'We [CBS] desperately tried to keep him around longer, but James only wanted to do one final year which would keep him on the show until next year,' a senior CBS source revealed.

‘We [CBS] desperately tried to keep him around longer, but James only wanted to do one final year which would keep him on the show until next year,’ a senior CBS source revealed. “He’s been such a hit for us for so many years, he’s going to be sorely missed.”

Nektar Nektarine 2.5: Complete Beat Production Studio

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Nectarine 2.5 ·

Source: Nektar

Nektar released Nektarine 2.5. The software turns the Aura Controller into a complete beat production studio. If you already own Aura, be sure to download the free update. And if you haven’t had the opportunity to test the controller yet, it becomes even more interesting!

Nektar Nektarin 2.5

One of the major new features introduced in Nektarine 2.5 is the new DP-1 Drum Player connect. It plays samples in WAV and AIFF formats at up to 24-bit/192kHz resolution. The included library consists of 500 drum samples and covers everything from classic drum machines to acoustic sets to electronic sounds. According to Nektar, the acoustic sounds were captured using typical drum kits and recording techniques from different eras, resulting in an authentic sound.

Nectarine 2.5

DP-1

Nektar designed the DP-1 for instant sound shaping using the Aura Controller. Eight rotary knobs provide direct access to parameters such as pitch, attack, decay, slope, and filter, so you can dial in custom drum sounds on the hardware in real time.

If you like the punchy sounds of old-school samplers and drum machines, you’ll love “1982 mode”, which lowers the bitrate to 8-bit and lets you adjust the sample rate and filter. Additionally, the DP-1 offers a one-knob compressor and a 2-band EQ.

New interface and workflow improvements

According to Nektar, Nektarine 2.5 comes with a revamped user interface with a bunch of new features. New Showing pads makes it easy to assign sounds to the 16 controller pads. Simply drag and drop samples onto the pads to open them in DP-1 and create a channel strip. Each pad offers up to four insert effects and four global send effects. When you’re done, you can save the entire setup as a multipatch in a single preset.

Nectarine 2.5

Showing pads

Rack view displays all loaded plugin interfaces in a drop-down list, which is a great way to keep track of what’s going on. The header bar shows the essential plug-in parameters, and there is a Navigator for quick and easy patch selection.

Nectarine 2.5

Rack view

Mix View looks like a mixing console and makes it easy to adjust parameters like panning, sends, and volume. Just like a DAW, it also displays all loaded insert effects. Moreover, the new browser is also available in Mix View, so you can select your favorite presets by drag and drop. Needless to say, the mixer is hardware-integrated and its parameters are available on Aura’s mixer screen in banks of eight channels.

Nectarine 2.5

Mix View

We think Nektarine 2.5 is a very promising update. If you are looking for a complete beat production studio, the combination of Nektar Aura controller and Nektarine software has become an even better option.

Price and compatibility

Nektarin 2.5 requires macOS 10.11 or higher (including Apple Silicon) or Windows (8, 10). The software is running autonomous or as VST, VST3, AU or AAX plugin in other DAWs. The update is free for all owners of a Nektar Aura Beat Composer controller or a Panorama T keyboard controller.

The Nektar Aura Controller is available at Thomann*. Two Panorama T series keyboards are also available from Thomann*.


More information about Nektarine 2.5

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Nectarine 2.5

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A production company is preparing a film about Matt Drudge

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A film and TV production company says it has acquired the rights to a film about conservative media figure Matt Drudge.

Prospect Park, a production company founded by media executive Jeff Kwatinetz, has secured the rights to “The Drudge Revolution,” which will be based on a book by journalist Matthew Lysiak, CNN reported Monday.

“At its heart, Matthew’s brilliant script is both a riveting character portrait of a troubled, fearless man full of contradictions, and a deep dive into the disruptor who used the internet to challenge and shatter the narrative of the American elite,” Ben Hurwitz, who oversees the project, told CNN.

Drudge is one of the most prominent conservative media figures of recent decades, founding the news aggregator website Drudge Report which attracts tens of millions of page views daily. He was one of several conservative media figures who rose to prominence during the Monica Lewinsky scandal that rocked former President Clinton’s presidency.

Drudge was portrayed by actor and comedian Billy Eichner in the recent Clinton television series “Impeachment: An American Crime Story.”

Viola Davis on creating prestige roles for black actors

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When Viola Davis and her husband Julius Tennon started their production company JuVee Productions in 2011, the Oscar-winning actress said they did so “out of necessity” to create more fully realized roles for people of color, including understood themselves.

“I always say if you want to see where your career is going, see where the best people are in your category,” Davis said during a panel at Saturday’s Produced By conference. “And I didn’t see anything. The talent is there, but the equipment was not there. So after a while you must be the change you want to see.

The multi-hyphen explained that she and her 19-year-old husband are looking for “prestige” projects that allow black actors – and other creators of color – not only to show their talent through roles. but also to dispel harmful myths and stereotypes about marginalized communities. .

“With all due respect, I didn’t want to see another story where I was crying over the body of my dead son after dying in a drive-by shooting. I see myself as more complicated and I see all the people of color as much more complicated,” she said. “We were looking for material that honored people who were on the periphery who want to be seen, who want their humanity to be seen fully and completely – and that’s all person who stands aside.”

His words reminded moderator Yvette Nicole Brown of Davis’ role as Annalize Keating on ABC’s “How to Get Away With Murder.” Specifically, Brown referenced a scene from Season 1, where Davis sits down at her vanity and removes her wig to reveal her natural hair before wiping off her makeup. While some may not have realized the gravity of seeing this moment on TV, Brown said “all black women” did.

“I made this decision before signing for [the show]”, Davis explained of this role and the decision to portray his character in this way. “The power of our art form is to create characters that remind you that you are less alone. I wanted to do that with Annalize Keating – especially in a dark-skinned woman because dark-skinned women, we’re literally always on the caboose.

Ben Affleck's Nike Movie Adds Jason Bateman, Viola Davis, Chris Tucker

JuVee Productions has funded projects such as “The First Lady” on Showtime, in which Davis starred as Michelle Obama. The company’s other recent projects include ABC’s “The Last Defense,” Bravo’s “In a Man’s World,” and the documentary “Emanuel,” which honors the victims of the Charleston Massacre. In 2020, the company expanded its first-look deal with Amazon Studios, where they have several projects underway.

During Saturday’s panel, Tennon reiterated Davis’ statement that, in addition to funding their own projects, they were also driven by a desire to expand the stories told by and about marginalized communities.

“Tropes and stereotypes are so prevalent among people of color that we wanted to get away from them because, like Viola just said, we are more than that,” he said. “So we wanted to create stories and characters who live full lives, who are fully realized human beings, and then tell a story around that.”

Eva Longoria criticizes the media and Hollywood for the 'continued wickedness of black and brown people'

Fans blame production house as ‘Thalapathy 66’ leaked images and videos | Tamil Cinema News

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Vijay’s film with director Vamshi Paidipally is tentatively titled ‘Thalapathy 66’, and filming for the film is underway. After finishing a major schedule in Hyderabad, the team camped in Chennai for their next schedule, and filming took place on a set erected in a film city. Now, fans are blaming the production house as images and videos from the filming location of ‘Thalapathy 66’ are regularly leaked. In recent days, many photos and videos of Vijay from the filming location of “Thalapathy 66” have been leaked and have been doing the rounds on social media.

Many netizens have called on the creators of “Thalapathy 66” to take immediate action to stop photos and videos from leaking from the filming location. A few fans also blamed the production house for not taking strict measures.

Meanwhile, Rashmika Mandanna and other main stars of ‘Thalapathy 66’ are also part of Chennai’s ongoing schedule, and the team is expected to return to Hyderabad. Vijay has completed a photo shoot for the first look poster of ‘Thalapathy 66,’ the most anticipated poster to be released on June 22, the actor’s birthday.

Anime Studio SHAFT sets up new all-digital production house in Shizuoka with local talent

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SHAFT, the anime studio known for producing hits such as the Monogatari series, Puella Magi Madoka Magica, Mars is coming like a lion and many others, has announcement today that they are setting up a new animation production in Aoi Ward, Shizuoka. The new anime studio will be completely digital using a myriad of software, including the introduction of Toon Boom Harmony into the studio pipeline.




Hiring and training local talent, SHAFT will transition to a “hybrid” animation model, establishing a team that can work in both a traditional and CG animation space. The new SHAFT.aoi Shizuoka Studio team will encompass most of the production process, from animation to finishing work.

RELATED: RWBY Gets TV Anime From Studio Shaft, Crunchyroll To Stream Both Dub And Sub

It has not yet been confirmed whether SHAFT.aoi Shizuoka Studio will work on its own projects or whether it will work as an outsourcing studio to SHAFT’s main studio in Tokyo’s Suginami district or whether the studio will perform its own outsourcing work to other animation studios. Time will tell us!

Source: Mantan Web

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Daryl Harding is Japan correspondent for Crunchyroll News. He also runs a YouTube channel about Japan called TheDoctorDazzatweet at @DoctorDazzaand publishes photos of his travels on instagram.

Fact check: Does Gippy Grewal’s production house ask aspiring actors for money? Here’s the truth about scammers | Punjabi Cinema News

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Recently, a number of aspiring young actors and models received emails from Gippy Grewal’s production house – The Humble Motion Pictures. These emails state that the contestant has been finalized to play a central role in the film opposite Gippy Grewal and in return he has to submit some documents, as well as some money. Yes, you read that right, in order to complete the casting, money is required. However, the truth is that it was not Gippy’s label that sent these emails, but some fraudster trying to scam money on behalf of the actor and his production house.

Here’s the truth – these emails are sent by online scammers. They ask for an amount of Rs.6500 as security deposit. Also for some people they ask Rs. 2500 as security deposit and Rs. 3000 as stamp duty for agreement.

Gippy’s label said it never uses third parties to cast its actors. Moreover, whenever necessary, they announce the casting on their social networks. And third and most important point – they never ask anyone for money in exchange for casting.

1/6​BirthdaySpecial: Top 5 Interesting and Untold Gippy Grewal Facts

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  • Gippy Grewal is one such talent in the Punjabi entertainment industry who is known to wear different hats. Everyone knows that he is a popular singer, actor, director, writer and producer. However, there are a few things about her that her fans aren’t aware of. And since today is his birthday, we thought why not share the top 5 unknown and interesting facts about Gippy Grewal with his fans!

    Pic Courtesy: Instagram

    ​BirthdaySpecial: Top 5 Interesting and Untold Gippy Grewal Facts

    Gippy Grewal is one such talent in the Punjabi entertainment industry who is known to wear different hats. Everyone knows that he is a popular singer, actor, director, writer and producer. However, there are a few things about her that her fans aren’t aware of. And since today is his birthday, we thought why not share the top 5 little-known and interesting facts about Gippy Grewal with his fans!

    Photo courtesy: Instagram

    Read moreRead less

  • Gippy Grewal is one of the most popular Punjabi singers. Each of his songs is known to rock the music charts in no time. However, did you know that he never learned music or took vocal training? Gippy Grewal is a natural talent, he has never had any formal training in singing or music, and yet he is among the best singers in Punjab.

    Photo courtesy: Instagram

    Gippy Grewal never learned music

    Gippy Grewal is one of the most popular Punjabi singers. Each of his songs is known to rock the music charts in no time. However, did you know that he never learned music or took vocal training? Gippy Grewal is a natural talent, he has never had any formal training in singing or music but is among the best singers in Punjab.

    Photo courtesy: Instagram

    Read moreRead less

  • 12 years ago, in 2010, Gippy Grewal made his acting debut with the film “Mel Karade Rabba”. Now, usually every aspiring actor wants to make their debut as a protagonist, but Gippy Grewal played the role of an antagonist in her first film. The film was a big hit and Gippy’s role was also highly praised. After ‘Mel Karade Rabba’, Gippy Grewal followed up the headlining moves.

    Pic Courtesy: Instagram

    Gippy Grewal made his acting debut as an antagonist

    12 years ago, in 2010, Gippy Grewal made his acting debut with the movie ‘Mel Karade Rabba’. Now, usually every aspiring actor wants to make their debut as a protagonist, but Gippy Grewal played the role of an antagonist in her first film. The film was a big hit and Gippy’s role was also highly praised. After ‘Mel Karade Rabba’, Gippy Grewal chained the shots in the lead.

    Photo courtesy: Instagram

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  • ‘Angreji Beat’ is one of the most popular Punjabi songs by Gippy Grewal. The song was such a hit that it was even featured in Bollywood, in “Cocktail”. However, did you know that ‘Angreji Beat’ was never officially dubbed in the studio? In one of his interviews, Gippy Grewal mentioned that he sang “Angreji Beat” just casually in front of Honey Singh and then he asked Yo Yo to arrange the music for the same. Afterwards, although they decided to officially dub the song in India, the master of the track was sent forward by Honey Singh before the dubbing could be done.

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    Photo courtesy: Instagram

    ​Gippy Grewal never nicknamed

    ‘Angreji Beat’ is one of Gippy Grewal’s most popular Punjabi songs. The song was such a hit that it was even featured in Bollywood, in “Cocktail”. However, did you know that ‘Angreji Beat’ was never officially dubbed in the studio? In one of his interviews, Gippy Grewal mentioned that he sang “Angreji Beat” just casually in front of Honey Singh and then he asked Yo Yo to arrange the music for the same. Afterwards, although they decided to officially dub the song in India, the master of the track was sent forward by Honey Singh before the dubbing could be done.

    Photo courtesy: Instagram

    Read moreRead less

  • We know that Gippy Grewal sang a number of songs, but did you know that he lent his voice to the very first Hollywood movie dubbed in Punjabi? Yes, he did voice acting for the Punjabi version of an English film. The title of the film is “A Good Day To Die Hard”, which was released in 2013. The film starred Bruce Willis in the lead.

    Photo courtesy: Instagram

    ​Gippy Grewal gave voice to the first Hollywood film dubbed in Punjabi

    We know that Gippy Grewal sang a number of songs, but did you know that he lent his voice to the very first Hollywood movie dubbed in Punjabi? Yes, he did voice acting for the Punjabi version of an English film. The title of the film is “A Good Day To Die Hard”, which was released in 2013. The film starred Bruce Willis in the lead.

    Photo courtesy: Instagram

    Read moreRead less

  • Gippy Grewal is known to make a number of girls feel weak in the knees. But when he was very young, there was a Bollywood celebrity, whom Gippy had a crush on. That celebrity was none other than the ethereal beauty – Madhuri Dixit. In one of his interviews, Gippy Grewal mentioned that he had a crush on Madhuri Dixit from the moment he saw her performing the song “Didi Tera Devar Deewana”.


    Photo courtesy: Instagram

    Gippy Grewal had a crush on Madhuri Dixit

    Gippy Grewal is known to make a number of girls feel weak in the knees. But when he was very young, there was a Bollywood celebrity, whom Gippy had a crush on. That celebrity was none other than the ethereal beauty – Madhuri Dixit. In one of his interviews, Gippy Grewal mentioned that he had a crush on Madhuri Dixit from the moment he saw her performing the song “Didi Tera Devar Deewana”.

    Photo courtesy: Instagram

    Read moreRead less

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Here is the full statement released by them – “This is to draw attention to anything we HUMBLE MOTION PICTURES do, we do not do any type of casting that involves money laundering as we truly believe that Talent has its wings to fly that high too, we assure you that such kind of deeds are not done by us. A third party never gets involved in our casting. The call for casting will be announced only on our official Instagram accounts.* Be careful of this fake mobile number and email address.** listed below* +91 82876 16817 [email protected] This number and email address are not associated with our production house and our employee.thank you

Stay Vigilant Humble Motion Pictures Team”

Internet users appreciate the Gippy team for sharing the information.

Vishnu Vishal’s Production House Locks Script to Cast Actor’s Brother Rudra in Films

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Chennai, June 9 (IANS): Tamil actor-producer Vishnu Vishal has confirmed that his production house has locked down a script for his brother Rudra’s screen debut and announced that they are now looking for a female lead for the film.

Vishnu announced last December that he would cast his brother Rudra in films in 2022.

Vishnu said then: “2022 will be special not only because of my films but also because I will be launching my dear brother Rudra into cinema. We are now looking for scripts for his acting debut in a feature film. If you have something good, please contact us.”

His production house VV Studioz (short for Vishnu Vishal Studioz) also tweeted that they were looking for good scripts and prescribed some conditions for the scripts they were looking for.

The production house said it was looking for scripts that would be suitable for Rudra and said those who thought they had a story for him should contact them with a synopsis of at least four pages.

On Thursday, the actor tweeted, “Holaaa guys! So my brother’s script is locked and officially looking for a female lead. Seize the opportunity.”

The production house also released a casting call poster for the actresses. The poster read, “23-25 ​​year old female actor who exudes innocence, grace and effortless charm to star in our romantic comedy film, opposite debutante Rudra.”

The production house also revealed that the name of the character the actress chosen for the role will be playing is Mythri.

Launch of the Plural content production studio with José Mollá at the helm

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The Maker’s Lab, originally launched four years ago as a post-production studio for advertising agency the community, has evolved into Plural, an independent, minority-certified content production center under the aegis of José Mollá, who is both CEO and Creative Director. Community co-founder Mollá is responsible for making Miami-headquartered Plural a place where production and ideation go hand in hand, with talent and diversity at the forefront.

Plural is presented as a center of action, an eclectic team of actors with diverse backgrounds and a single mindset: to innovate and produce content at the speed of culture, improving ideas through execution. Pluriel embraces collaboration and adaptability, believing in plurality of thought and talent, and that there is no one way to do things.

Noting that he and Joaquin Mollá founded the community 22 years ago, José Mollá said the agency “exceeded all of our expectations. I’m very proud of how far we’ve come and what we’ve accomplished together. One such achievement was the creation of The Makers Lab, our in-house post-production studio, a few years ago. Its success made this evolution into its own entity the logical continuation, and the one we always had in mind, even at the very beginning. “Plural” is about diversity of thought and action, because great things are done by many. We believe in “us” and that execution and innovation are key to improving ideas. »

Joining José Mollá is Tracy McDonough, formerly Executive Vice President, Community Finance and Operations, who serves as Plural’s Chief Operating Officer. Prior to joining Plural, McDonough spent more than 14 years in the community, helping the agency grow from 30 to over 300 employees in five offices.

The current Makers Lab team also joins Plural, including a core group of people who have helped run The Makers Lab from the very beginning. Over the past four years, The Makers Lab has grown significantly, supporting partners such as Verizon, Amazon, Samsung, Mondelēz, and more. This transition to a new certified minority entity allows Plural to continue to grow with its current customers and partners, as well as expand into a series of creative new growth areas under the leadership of José Mollá.

“Building the community with José has been a dream come true,” said Joaquín Mollá, CCO and co-founder of the community. “There is nothing better than creating something special as a family. With The Makers Lab, we always had in mind to make something more out of it, and I couldn’t be more excited for José and the whole team at Plural. The community started with the same minority roots, and I can’t wait to see what Plural does next. Within the community, we will continue to work with them on a daily basis. It’s the best of both worlds, pushing creativity together, side by side.

Audient Console installed in brand new East London production house

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Audient Console installed in brand new East London production house

UK – New music production house and music mixing service, Offbeat Crew has installed an ASP8024-HE at their headquarters in Ilford. The brainchild of producer Charles McGougan (Lee Perry, Dennis Bovell, Zion Train, Dreadzone, Redseal) and engineer/mixer Trevor Lancaster-Smith (Beth Orton, Dru Hill, Mica Paris, Sugababes, Faith Evans), the group falls under the banner of an upcoming label, Offbeat Records, which is being developed as a vehicle for some of its in-house productions.

Already working on a project with Earl Sixteen (Leftfield/Dreadzone) and an EP for the band Love Grocer, they are also working on a few development projects in the areas of drums and bass and dance music, the production has so took off early.

Offbeat Crew is made up of a team of four and includes two in-house music studios: a mixing studio and a production/writing suite. The 24-channel Audient console is the centerpiece of Offbeat Records’ mixing room, which is also Trevor’s personal studio. Describing it as “a fairly modest affair”, he has spent the last two years building it. “It’s totally designed to be an analog front-end mixing environment for DAW-based production work (Logic/ProTools, etc.) although we plan to incorporate a 24-track analog tape recorder at some point, partly as a comfort cover for me, but also optional for customers who like tape.The Audient console is great with a tape or DAW.

Strong believers in traditional analog mixing techniques, each member of the Offbeat Crew has over 25 years of experience in their area of ​​the music industry. Trevor himself has spent the past 30 years recording and mixing on “literally every analog console out there, including most of the extremely high-end consoles that many people find impractical these days”.

Claiming never to mix “in the box”, he continues: “Charles and I have been in the studio scene since the 90s, so all recording and mixing processes are done exclusively with equipment, the only concession being that tape recorders were replaced by computers to facilitate modern practices.

He explains how the studio focused on the idea of ​​creating a space where they could create and mix on a similar level achieved in the large studios they inhabited at the time, “but without the time constraints of a clock. It gives us a lot more time to experiment with our production work.

Drawing on his decades of experience, Trevor has nothing but praise for the new desktop: “The Audient overall is actually my favorite console. It’s very musical, extremely quiet (fantastic for modern DAW applications), has a totally responsive and familiar layout, a great EQ and I really like the VCA bus compressor – again very familiar to use – as well as on the sound plane. He adds: “We knew it would do the job, but we were surprised at how easy and enjoyable it was.

“In addition to all these great features, we feel we can really rely on them. The build quality and features are completely unmatched at this price point and Audient’s excellent customer service and technical support is very well known. Self-management is a very important factor for us.

Musician, producer and composer Andrea Terrano (Basement Jaxx) who counts Ennio Morricone as a close mentor, and multi-instrumentalist and producer David Fullwood (Ital Horns, Lee Scratch Perry, Aswad, Morcheeba, Dreadzone) complete the creative quartet of Offbeat Crew. Trevor confirms that when it comes to working with this team: “You hire expertise and experience, not studio time.”

Regarding customer feedback, Trevor says, “Everyone who has come in contact with the board so far has loved it. It has great appeal for customers who are normally more assimilated to “mix-in-the-box” type studios, as well as older guys (like me) who are used to large-format analog consoles, but don’t like the daily rate plus.” So things got off to a good start. “It’s been working really well, and while we obviously have ongoing plans to develop the studio further, the console isn’t going anywhere!”

June 9, 2022

Hill Country Group plans major production studio in Texas

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SAN MARCOS, TX—Hill Country Group has unveiled plans for Hill Country Studios, a state-of-the-art virtual production, television, film and streaming studio in San Marcos, Texas.

The $267 million project will be the largest such studio in Texas, the company said.

“What started as a dream to elevate the production industry in Texas is now becoming a reality,” said Cory McLoud, co-founder and CEO of Hill Country Studios. “Recognizing the revolutionary potential of virtual production, Hill Country Studios aims to place the motion picture industry at the epicenter of Texas’ innovation corridor. We couldn’t think of a better place to power the entertainment industry with world-class studio space than our own backyard.

Hill Country Studios will have two identical virtual production stages with a performance space 75 feet in diameter that will be among the largest virtual stages in North America.

Overall, Hill Country Studios will include 12 soundstages across 310,000 square feet, two rear lots totaling 15 acres of outdoor production space, 310,000 square feet of modular office space and four workshops.

The mixed-use project, located at the entrance to the planned community of La Cima, will also include modern lifestyle and co-working amenities, headlined by post-production facilities, a 50-seat screening room and a full-service restaurant and cafe. Twenty-five acres will be set aside for vendors and commercial space built to service both the studio and the surrounding community.

Architecture and design will be led by renowned architect Bill Foley of Foley Design, while senior media consultant David Godfrey will join the team in studio operations. The design and management of the virtual production will be led by Vision’s team of designers and integrators, who bring extensive live and film production experience to the project.

Hill Country Studios is expected to begin construction in early 2023.

Video production team show off creative range winning 3 Telly Awards

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CHICAGO, IL, June 08, 2022 /24-7PressRelease/ — It’s good to win, but it’s even better to win three times. This year, the Telly Awards recognized and awarded three of Bottle Rocket Media’s (BRM) video projects, 1 Silver in Motion Graphics, 1 Bronze in Financial Services & Banking, and 1 Bronze People’s Telly. All three were in the branded content category.

The Telly Awards honor excellence in video and television across all screens, with winners representing the work of some of the most respected advertising agencies, television stations, production companies and publishers around the world.

In business for over a decade, like many other small businesses, Bottle Rocket Media has certainly seen its share of challenges. Yet they continued to push themselves as a company and raised their creative standards by pushing themselves outside the norm. Their goal is to consistently deliver exceptional work and partner with their clients to meet their needs and wants and make the video creation process fun.

“The video market continues to evolve and grow. It has been a humbling experience to continue working alongside long-time customers and new customers on exciting projects as Bottle Rocket also continues to grow. Brett Singer, Principal and Executive Producer

Working with local and global brands, BRM’s clients are in various industries. Whether in technology, medicine, banking or lifestyle, BRM’s innovative team knows what is needed for any initiative. This year, selected video projects with clients, Byline Bank, Dyson and Uptake, are on the list to receive a critical boost from the Telly Awards. These awards are an accomplishment for customers and creators, The Bottle Rocket Media team.

“Whether it’s an IPO round, a social media promotion or a broadcast ad, the BRM team impresses me every day. We have so much more in store and we’re excited to share it. Dan Fisher, BRM director, producer and director.

Having a dynamic impact through video storytelling is a priority for BRM. Working with them is a no-brainer with over 120 years of experience, 5-star ratings on Clutch and UpCity, and additional accolades building trust within the industry. Bottle Rocket Media aligns with brands to create various video production services, whether promotional, documentary, explainer, corporate or animated. Checking out their work, being inspired and connecting with them today is essential.

Check out the list of all Bottle Rocket Media awards:
www.bottlerocketmedia.net/awards-recognitions/

Bottle Rocket Media (BRM) is an award-winning, full-service video production agency based in Chicago, IL, and is custom-built to make stunning videos fun and easy for clients! The expertise of the BRM team is irreplaceable, specializing in video production, motion graphics, IPO rounds and event video production. Services provided cover writing, directing, producing, animating, casting actors, recording voice overs and everything in between!


Press release service and press release distribution provided by http://www.24-7pressrelease.com

Toon Factory opens Chromatik production studio in Marseille, unveils new series | New

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2D cartoon How to shrink for Canal+ Kids

Parisian animation company Toon Factory has opened a production studio called Chromatik in Marseille to prepare new projects.

The studio is a collaboration between Thierry Berthier, co-founder of Toon Factory, Mathieu Morfin and Christophe Camoirano, producer and director for Girelle Production.

Chromatik will develop both projects for Toon Factory and Girelle Production, while providing services for other companies in France and abroad.

He is already in production on five short films for Girelle Production and will be responsible for part of the production of the series The How to Shrink Show and Moods by Toon Factory.

Currently in production for Canal+ Kids, The How to Shrink Show is a 52×11′ 2D animated comedy for 5-7 year olds based on the comics by Roland Garrigue and Catherine Leblanc.

In development for France Télévisions, Moods is a 78×7′ 2D animated series that aims to introduce 3-5 year olds to their emotions and how to manage them. Created by Séverine Vuillaume and Nathalie Reznikoff, the show features 12 little characters, the Moods, who each embody their own emotion.

Toon Factory is also working on two other projects: The Mad Scientist’s Daughter (52×11′) and Elf & Co (53×13′).

Based on the comics by Mathieu Sapin, the first follows the adventures of the titular character and is aimed at ages 6-10. Elf & Co is an original series for 4 to 7 year olds written by Alexandre Reverend, about what the elves who live in Lapland do when it’s not Christmas.

Netflix bids to create production studio at former New Jersey Army base

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Netflix has officially bid for a 289-acre portion of Fort Monmouth, a former military base located in New Jersey.

FORT MONMOUTH, NJ – MAY 13: A car drives inside premises May 13, 2005 in Fort Monmouth, Eatontown, New Jersey. (Photo by Marko Georgiev/Getty Images) (Marko Georgiev/Getty Images/Getty Images)

The property, dubbed the Mega Parcel, is located in the boroughs of Eatontown and Oceanport and has been valued at $54 million by the Fort Monmouth Economic Revitalization Authority (FMERA). Proposals had to be submitted no later than Monday at 12:00 p.m.

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In addition to Netflix, three other companies submitted offers: Extell Acquisitions LLC, Mega Parcel Development LLC and RDR Partners LLC. FMERA and Netflix declined to provide additional information about the offer.

FMERA will now begin its review of submitted proposals, which will be based on criteria including estimated job creation of each proposed project, capital investment and positive economic impact for both the municipality and the state.

“The FMERA will not make any representations regarding the highest rated proposal until staff are ready to recommend approval of a Purchase and Sale Agreement and a Redevelopment Agreement to the Board of Directors of FMERA,” the organization added. “Please note that this process may take several months.”

RUSSIAN SANCTIONS TARGET NETFLIX CEO JANET YELLEN, AIRLINE DIRECTORS

The streaming giant first announced plans to bid for the Mega Parcel in October. The announcement came after New Jersey Governor Phil Murphy wrote a letter to Hollywood film studios in Aprilincluding Netflix, disney and Warner Bros., in an effort to lure them away from Georgia after the state approved a controversial election law.

“America’s first motion picture studio was in New Jersey, and today it’s home to many talented people working in entertainment,” Netflix told FOX Business at the time. “Governor Murphy and state legislative leaders have created a business environment that has welcomed film and television production to the state, and we are excited to submit our bid to transform Fort Monmouth into a state-of-the-art production facility. of technology.”

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In January, Murphy signed legislation increase the state tax credit for the production of digital media content to 35% of eligible expenses purchased through suppliers in Atlantic, Burlington, Camden, Cape May, Cumberland counties , Gloucester, Mercer, or Salem, or 30% of all other qualifying expenses purchased in the state.

In addition, the bill increases the cumulative annual limit for tax credits for the production of digital media content from $10 million to $30 million. Beginning in fiscal year 2025, the bill also authorizes an additional $100 million in tax credits for New Jersey movie rental partners from tax credits authorized under other tax credit programs. ‘incentive.

CLICK HERE TO LEARN MORE ABOUT FOX BUSINESS

If Netflix wins the bid, the New Jersey facility would be the company’s second-largest production studio, following its New Mexico production center acquired in 2018.

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In addition to Netflix’s interest in the Garden State, Lions Gate Entertainment recently announced plans to build a $125 million production studio in Newark, New Jersey. The Lionsgate facility is expected to begin operations in late 2024, create more than 600 new long-term jobs for Newark residents, and generate more than $800 million in annual economic impact for the city and state.

Bhanu Pratap saini, owner of the royal production house, got a tattoo, three tattoos have been spotted on his arm!*

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For some, a tattoo may simply look like a drawing, but more often than not these permanent works of art hold a special place in the heart of their owner, reminding them of people, places or experiences that have changed their life, or even serving as a positive reminder of life lessons. Just like millions of people around the worldd, Bhanu Pratap saini has also been inked with special words and designs over the years, and has often recorded to share the stories behind. Art holds a special place in the heart of its owner, reminding them of people, places or experiences that have changed their life, or even serving as a positive reminder of life lessons. Just like millions of people around the world, Bhanu Pratap saini has also inked himself with special words and designs over the years, and has often recorded to share the stories behind them.of them.

If you consider yourself a fan of Bhanu Pratap saini, you couldn’t have missed the words “dad..” scrawled along bhanu pratap saini’s left wrist. The written words recall the special bond Bhanu shared with his father.

Bhanu says

He valued my accomplishments more than me. Nd I love my parents more than myself.

Bhanu pratap saini got his second tattoo, ROYAL, which is located on his right wrist Fans speculated that it could be related to his royal life or can be given by someone special, however, the tattoo has asked a lot though the name will also indicates the lifestyle he lives.

Behind the star’s left wrist is the number 2010, the heartbeat of which has been inked in black over the number. Bhanu never opened up the meaning of the number.

https://www.facebook.com/bhanu.saini.940

NEIGHBOR, a Metaverse production studio specializing in Fortnite, is created.

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Creation of “NEIGHBOR”, a metaverse production studio specializing in Fortnite. “NEIGHBOR” brings together the best Fortnite creators in the world and begins accepting orders to produce Metaverse for businesses.

LAGUNA BEACH, Calif., June 6, 2022 /PRNewswire-PRWeb/ — Background to the creation of NEIGHBOR

Sold and distributed by Epic Games, “Fortnite” is the largest online game in the world with over 350 million users. 50% of the user’s game time is free to create a city in “creative mode” where you can create an original space in the world of Fortnite or create and play original games.

Corporate PR usage using the Metaverse space created in “Creative Mode” is increasing worldwide, and corporate usage of Fortnite is expected to increase in the future.

We at NEIGHBOR are creating a metaverse space using Fortnite for business. We also support events and public relations using NEIGHBOR’s metaverse space.

*”NEIGHBOR” is not sponsored, supported or operated by Epic Games.

World-class creators come together

With Team VERSE and Team Connect having the highest level of name and technology among Fortnite’s creative teams, NEIGHBOR was created as a studio capable of handling large-scale metaverse production.

In addition to the two teams, NEIGHBOR’s own network of creators trains suitable project members as needed. We produce a wide range of Metaverse genres.

VERSE Team: A production team consisting of Mr. MNECO and Mr. Ruaru, whose maps have been officially adopted for “Fortnite”, and Mr. CaPer and Mr. Kenz, who are popular with Fortnite users due to their high technical skills. We also create fictional city and space modeling and game production with world-class technology.

Team Connect: The map of Shibuya which reproduces the real city has been used by national companies. Evangelion’s “Neo Tokyo-3” has attracted attention both at home and abroad, as it has a reputation for creating a fictional city for anime and games. There are five team members, Mr. Yanosu, Mr. Earth, Mr. Teto, and Mr. FRISK.

Settlement Thoughts

When the Internet was born, landing pages were often asked “for what purpose?”, but now it’s natural for businesses to create corporate websites and landing pages for products and services. The era where companies use the Metaverse with the questions “What can they do?” What are they doing?” is only for now, and in the next few years the Metavers will have to become “natural”.

For Gen Z, it already exists as a living space in continuity with reality where you can meet and play with friends in the metaverse and find what you want to do. NEIGHBOR will expand its business to make the Metaverse space “natural” and create new experiences in the Metaverse.

Contact for inquiries regarding this release

NEIGHBOR

https://neighbor.gg/

NEIGHBOR, a Metaverse production studio specializing in Fortnite, is created.

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NEIGHBOR

Context of the creation of NEIGHBOUR

Sold and distributed by Epic Games, “Fortnite” is the largest online game in the world with over 350 million users. 50% of the user’s game time is free to create a city in “creative mode” where you can create an original space in the world of Fortnite or create and play original games.

The use of corporate PR using the Metaverse space created in “creative mode” is increasing worldwide, and corporate usage of Fortnite is expected to increase in the future.

We at NEIGHBOR are creating a metaverse space using Fortnite for business. We also support events and public relations using NEIGHBOR’s metaverse space.

*”NEIGHBOR” is not sponsored, supported or operated by Epic Games.

World-class creators come together

With Team VERSE and Team Connect having the highest level of name and technology among Fortnite’s creative teams, NEIGHBOR was created as a studio capable of handling large-scale metaverse production.

In addition to the two teams, NEIGHBOR’s own network of creators trains suitable project members as needed. We produce a wide range of Metaverse genres.

VERSE Team: A production team consisting of Mr. MNECO and Mr. Ruaru, whose maps have been officially adopted for “Fortnite”, and Mr. CaPer and Mr. Kenz, who are popular with Fortnite users due to their high technical skills. We also create fictional city and space modeling and game production with world-class technology.

Team Connect: The map of Shibuya which reproduces the real city has been used by national companies. Evangelion’s “Neo Tokyo-3” has attracted attention both at home and abroad, as it has a reputation for creating a fictional city for anime and games. There are five team members, Mr. Yanosu, Mr. Earth, Mr. Teto, and Mr. FRISK.

Settlement Thoughts

When the Internet was born, landing pages were often asked “for what purpose?”, but now it’s natural for businesses to create corporate websites and landing pages for products and services. The era where companies use the Metaverse with the questions “What can they do? What are they doing?” is only for now, and in the next few years the Metaverse will have to become “natural”.

For Gen Z, it already exists as a living space in continuity with reality where you can meet and play with friends in the metaverse and find what you want to do. NEIGHBOR will expand its business to make the Metaverse space “natural” and create new experiences in the Metaverse.

Contact for inquiries regarding this release

NEIGHBOR

https://neighbor.gg/

email: [email protected]

*”NEIGHBOR” is not sponsored, supported or operated by Epic Games.

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Bengali poet Srijato alleges fraud by production house; Read the full news! –

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A Bengali-speaking Indian poet, Srijato alleges fraud against the production company Rajpratim Art Ventures. He said he wrote four Hindi songs for the company a year ago. The lyricist claims that he did not receive the money even today.

Srijato said that Hariharan, Shan and Kaushiki Chakraborty sang songs written by him to the tune of Vikram Ghosh. After about four months of work, you get a quarter of the total debt. Years have passed since then. Apparently, many times he had date after date. But the rest of the debt remains.

The helpless poet is finally walking the legal path this time. He will file an FIR and a case on Monday on the advice of his lawyer. “This deception should come to the fore,” he said. So newcomers to the industry won’t be cheated like me.

Meanwhile, not only Srijato but also director Arindam Shil and composer Vikram Ghosh are on the deceived list. The company was the first producer of Arindam’s ‘Khela Jakhan’. He was not paid for filming in the or he completed filming with the help of another production company. His arrears are crores of rupees! On the other hand, Vikram must still receive around Rs 40 lakh from this company!

Kaushik Sengupta, on behalf of Rajpratim Art Ventures, claimed that the rest of Srijato’s money was blocked for business reasons. They are about to fix this problem soon. Kaushik hopes the lyricist will receive his due within the next seven days.

BBC production team praised for hosting ‘phenomenal’ party at the Palace last night

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The BBC production team behind coverage of Prince William’s Earthshot Awards and Harry and Meghan’s wedding have been praised for putting on a ‘phenomenal’ show to mark the Queen’s 70th anniversary on the throne .

Britons have praised organizers for last night’s ‘magical’ and ‘phenomenal’ show as thousands watched live from The Mall, peaking at 13.4 million plays through their TVs , making it the most-watched show of the year.

Two of the main organizers were Claire Popplewell, Creative Director of BBC Studios Events and Mark Sidaway, Executive Producer of BBC’s Platinum Party at the Palace.

Claire Popplewell, creative director of BBC Studios Events, was one of the main organizers of the party outside the Palace yesterday

One of the main organizers yesterday was Mark Sidaway, executive producer of the BBC's Platinum Party at the Palace.  Pictured last month at the BAFTAs

One of the main organizers yesterday was Mark Sidaway, executive producer of the BBC’s Platinum Party at the Palace. Pictured last month at the BAFTAs

Ms Popplewell was employed by BBC Studios for three years and eight months, following a multi-award-winning career as a director, executive producer, producer and editor.

She had spent more than 27 years at the BBC as Ceremonies Editor and Executive Producer.

She is currently responsible for planning and executing all royal, ceremonial and commemorative programming, and has organized global events including Live 8, Nelson Mandela’s funeral, the international broadcast of Harry and Meghan’s wedding, the D-Day 75 and, more recently, VE-Day 75.

Brits praised organizers for the show

Britons have praised organizers for last night’s ‘magical’ and ‘phenomenal’ show as thousands watched live from The Mall, with a peak of 13.4million tuned in via their TVs.

Royal fans watch Prince Charles and Camilla, Duchess of Cornwall appear on stage during the Platinum Jubilee concert which takes place outside Buckingham Palace

Royal fans watch Prince Charles and Camilla, Duchess of Cornwall appear on stage during the Platinum Jubilee concert which takes place outside Buckingham Palace

Drone show above Buckingham Palace during BBC's Platinum Party at Spelled Palace

Drone show above Buckingham Palace during BBC’s Platinum Party at the Palace spelled ‘Thank You Madam’ in tribute to the Queen

Crowds heard archival recordings of the Queen talking about the future of the planet in 1989 during her Christmas message:

Crowds heard archival recordings of the Queen talking about the future of the planet in 1989 during her Christmas message: “The future of all life on earth depends on how we treat each other others and how we treat the plants and animals that share our world with us’

Speaking ahead of the Jubilee, she said: ‘The BBC’s ceremonial events team have been present at all the major royal monuments since the Queen’s coronation in 1953.

“It’s been a tough few months, but the long-term relationships with Met Police, Royal Parks and the Armed Forces have helped them look favorably on our endless and sometimes bizarre requests.”

This included a 360 degree view of the Horse Guards Parade.

Mr Sidaway has been with BBC Studios for a year and five months, having worked as an executive producer for NBC and ITV’s The X Factor.

He was also executive producer of the first-ever Earthshot Awards ceremony at the Alexandra Palace on October 17, 2021, with his team winning a BAFTA for Best Live Event at the awards show last month.

Mark Sidaway, executive producer of the BBC's Platinum Party at the Palace, (right), with Dermot O'Leary and Clara Amfo after winning a BAFTA for Best Live Event, after hosting 'The Earthshot Prize 2021'

Mark Sidaway, executive producer of the BBC’s Platinum Party at the Palace, (right), with Dermot O’Leary and Clara Amfo after winning a BAFTA for Best Live Event, after hosting ‘The Earthshot Prize 2021’

The University of Sheffield graduate said he was “delighted and honoured” when the Queen agreed to star in a special streak with Paddington Bear.

“It was a little nerve-wracking making sure everything blended perfectly with Queen + Adam Lambert’s live performance,” he added.

Speaking about the Earthshot Prize, launched by Prince William and the Royal Foundation, Mr Sidaway said it was a “monumental challenge” to create an “unforgettable and star-studded awards ceremony” while “striving to achieve the highest sustainability standards”.

This morning Sir Cliff Richard said last night’s show was the best performance created for Her Majesty.

“The show I saw last night was probably the best show ever for the Queen,” he told Sky News.

“I mean they must have spent millions on the lighting, it was just fantastic.”

Tom Bairstow, founder of design and production studio NorthHouse, worked with the BBC on the event, designing the visuals for the celebrations

Tom Bairstow, founder of design and production studio NorthHouse, worked with the BBC on the event, designing the visuals for the celebrations

NorthHouse, a design and production studio, worked with the BBC on the event, designing the visuals for the celebrations.

He brought the palace to life with projection mapped visuals and visuals on LED screens.

Founder Tom Bairstow said it was an “honour” to be awarded the contract and to help deliver the show for the Queen and the BBC.

His team spent six months preparing for production and had to 3D scan Buckingham Palace, before reproducing it in their specially designed software and designing the projections to fit all angles of the building.

“It was technically incredibly difficult,” Mr Bairstow said. “It was just amazing to see everything. When we arrived everything was working perfectly.

His team also worked closely with drone light show company, SKYMAGIC, to bring “ideas from projection into drones and rolling them back.”

“It was an opportunity to collaborate,” added Mr. Bairstow. “We’ve worked on big shows, including the Super Bowl, and spent a year with Coldplay…but that was obviously very special.

“It’s been incredible and there’s been an incredible response.”

How was the drone display created?

Created by SKYMAGIC, last night’s display featured 400 drones above Buckingham Palace.

The performance was created in the six months leading up to the event, with the SKYMAGIC team working with the BBC and the palace on the designs.

Once a finished storyboard was agreed upon, including the much-loved corgi, the design was brought to life by the team using specialist software.

They then assign “individual waypoints” to each drone so they can perform their “own mission” at night.

The team usually rehearse the show for a week at the performance venue, but the ‘top secret’ nature of the Jubilee concert meant last night’s performance was the only one in that space.

Instead, they did some rehearsals at an “off-the-grid venue” in the north of England.

The battery-powered drones are surrounded by two geofences, which means that if something went wrong and the drone reached the fence, it would carefully lower itself to the ground.

Other rave organizers included musician Gary Barlow and former Chancellor of the Exchequer George Osbourne.

Charlotte Moore, the BBC’s chief content officer, said as the show approached she was “delighted” to bring the nation together for “this incredible and once-in-a-lifetime event” to celebrate the Queen’s “memorable moment”. ’70 years on the throne.

The performance included a special two-and-a-half-minute sequence between the monarch and Paddington Bear, which had been kept secret for several months by Buckingham Palace, BBC Studios and Heyday Films/STUDIOCANAL.

Anna Marsh, CEO of STUDIOCANAL, said filming with Her Majesty and Paddington at the Palace is a memory to “treasure”, adding that “Her Majesty’s warmth and generosity was a joy to behold”.

Last night’s installation featured three stages, linked by walkways, which created a unique 360-degree experience in front of Buckingham Palace and the Queen Victoria Memorial.

They were linked together by 70 columns representing each year of Her Majesty’s reign.

To the left of the palace was an orchestra stage with an orchestra of 75 military musicians from the bands of the British Army Household Division.

And to the right was the Pop stage, which was supported by LED screens. In front of the Queen Victoria Memorial stood the final stage, facing the crowds in The Mall.

The entire front of Buckingham Palace has been projected, making it the largest screen in the UK for the night.

Throughout the evening, the live concert lasted over two and a half hours, featuring over 30 artists and performers from pop, rock, classical and musicals, with Queen + Adam Lambert opening the show .

The event was organized by BBC Studios Productions. The same team produced the Trooping the Color cover, the beacon lighting, the Thanksgiving Service at St Paul’s and the Pageant.

They also made Elizabeth: The Unseen Queen.

American Indian Abhijay Prakash appointed chairman of film and TV production company Blumhouse

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In the two weeks Abhijay Prakash joined film and television production company, Blumhouse, as chairman, the genre company founded by Jason Blum won the American Cinematheque’s ‘Power of Cinema Award’ and features a premiering at the Tribeca Film Festival in New York later this month.

Prakash was named to the production house last month. According to a May 16 report in Variety, Prakash, who took over from eight-year Blumhouse veteran Charles Layton, “will oversee all business aspects of the business.” Layton will become vice president, “remaining in a strategic and advisory role for the next two years.”

Prakash previously served as president of Universal Filmed Entertainment Group. In this role, he was responsible “for driving the studio’s strategic and long-term planning, also overseeing UFEG’s business operations, including finance, business development, and administrative functions,” as noted. reported Variety.

Prior to UFEG, Prakash served as Chief Operating Officer for DreamWorks Animation, overseeing strategic planning and key business operations for the studio, including finance, business development, technology and administrative functions, while working closely collaborating with other Universal executives on release planning, franchise management and brand development. .

See also

He was previously COO for Focus Features, and also served as Executive Vice President, Strategy and Film Operations for Universal Pictures.

“From my perspective at Universal over the years, it was clear that no one else in the business was as adept at figuring out how to create value from content as the Blumhouse team,” said Prakash at Variety. “I am thrilled to make the leap to join this entrepreneurial team to help further grow this beloved global brand and leverage the company’s strengths and unique business approach to access any emerging opportunities. in film and television.”